rectangular image with two irregularly shaped red areas on top and bottom; top shape contains an orange circle, with black linear shapes throughout, and a black outlined circle with an 'x' shape in center; bottom red section contains an orange shape that is oval with sharp edges at top, with black linear fork shape in center — Poem 68 - 47, 1968
Maki Haku

G226

abstract image; gray background; black abstract shape with circles on top and bottom; squiggly lines in LLQ and URQ — Symbol No. 5, October 1959
Maki Haku

G237

abstract image; black curving line in center; yellow circle in ULQ; pale pink circle in center right — 65 - 6, 1965
Maki Haku

G226

three red sections arranged vertically; top section has orange moon shape in center, with black star shape on right; center section has black ringed circle at top with curving forked shape in center, and small orange circle in bottom right; bottom shape has black linear designed with hooked black shape arranged at an angle in right; black rectangular background — Poem 68 - 49, 1968
Maki Haku

G226

black background; gold abstract shape in center; white linear squiggly abstract shape in ULQ — Remembrance - H, c. 1962
Maki Haku

G237

black and white abstract image; smaller geometric shapes pushed together to form two rectangles, with hook shape also consisting of pushed together geometric shapes overlapping rectangles — Work (Waku), 1958
Maki Haku

G227

black rectangle with red shape in center; linear design with intersecting black lines in center of red shape; yellow circle in top center of red shape — Poem 68 - 48, 1968
Maki Haku

G226

abstract linear image rendered in black pigments on a white background; several small shapes arranged next to each other; black shape in top center with small red circle in center — Heap - 14, c.1960
Maki Haku

G227

three vertical textured cartouches with black linear forms and ovoids in tan, green, and yellow — Poem 69 - 35, 1969
Maki Haku

G226

black ground; white text-like scrolling throughout; brown and grey rectangular forms; yellow teardrop — Remembrance - B, mid 1960s
Maki Haku

G237

black textured form at bottom; black woodgrained wedge, URC; white egg shape, ULC; yellow teardrop — 65 - 7, 1965
Maki Haku

G227

black ground; white textlike forms; yellow ovoid — Remembrance - F, c. 1962
Maki Haku

G237

abstract image; red linear curving shape with texture in center; small yellow circle in URQ; small tear drop shape in red pigment in LLQ; white textured background — Poem 71 - 63 (Life), 1971
Maki Haku

G226

grey-blue ground; black scrolling vertical text-like lines; bold black forms with circles and curves in ULQ — Work - Mago, 1960s
Maki Haku

G237

soft organic black form LRC with white egg inside; white oval ULQ; partial black border top edge and UL with woodgrain texture; red and white seal UR and LL — Work Stone, 1959
Maki Haku

G237

gray-blue background with woodgrain texture; large character in black pigment on right; black squiggly lines (inscriptions?) on left — Work - Ho, c. 1962
Maki Haku

G237

black openwork abstract design; black square at top right of center with green circle inside — Heap - 100, 1960
Maki Haku

G227

abstract image with bold black rectangle, circle, and lines, and narrower black lines — Ikeyama Stone, June 1959
Maki Haku

G237

large bold characters or forms; thin text in LRQ — Work - Mu-2, 1961
Maki Haku

G237

abstract image; red linear curving shape with texture in center; black background; small tear drop shape in purple pigment in center left; textured circular shape in black pigment in URQ — Poem 71 - 45 (Flower), 1971
Maki Haku

G226

black ground; ovoid form with brown woodgrain design — Excavated Item from Japan (1), July 1, 1957
Maki Haku

G237

black form with texture at bottom; black woodgrain wedge, URC; white circle, grey teardrop, and yellow teardrop, ULC — Poem - 11, 1971
Maki Haku

G227

abstract image; two black bands of pigment at top and bottom of image; wood grain patterned oblong shape in center; white circle in center left; small red circle in center left next to white circle; yellow tear drop shape in center right — Poem - 12, 1966
Maki Haku

G227

black ground; white vertical linear curved forms; yellow circle — Flower Song - 3, 1968
Maki Haku

G226

embossed square, URQ; blue ULQ; yellow, black, and red wavy lines in LLQ — May - 2, early 1960s
Maki Haku

G226

abstract; blue vertical form with black form at bottom; red circle; green teardrop; black ground — Poem 70 - 31 (Ox), 1970
Maki Haku

G226

four rows of embossed forms; yellow C shape — Cell - 4, 1966
Maki Haku

G226

four vertical lines of what looks like bold, abstracted calligraphy; artist seals — Ren - 2, 1960s
Maki Haku

G237

black scribble-like form with embossing — Ren - 4, 1960s
Maki Haku

G237

two vertical embossed forms with black linear elements; yellow circle; red teardrop — Poem 68 - 26, 1968
Maki Haku

G226

Three rows of thick black caligraphy; — Ren - 1, 1960s
Maki Haku

G237

abstract image with bold black rectangle, circle, and lines, and narrower black lines — Poem 71 - 91 (Nothing), 1971
Maki Haku

G226

squarish blue shape against black background; two indented black forms that resemble stylized characters inside; yellow circle UR, green leaf form LL — Poem 69 - 12, 1969
Maki Haku

G226

rectangular box with small feet with decorative openwork fittings and scrolling aprons; red exterior, black interior; turtle-shaped latch on front top; large openwork scalloped fitting on top front; decorative openwork fittings on top left and right edges and at top front; top cover hinged; pair of front doors open to reveal pair of drawers with round pulls — Red footed box with tortoise latch, 19th-early 20th century
Unknown Korean

Not on View

street scene with houses in blue-gray pigments; yellow sky in background — TItle unknown [bridge and houses in front of yellow sky], mid 20th century
Ono Tadashige

Not on View

Jesus walking on water at left; two fish; four figures in boat — Jesus walking on the sea, 1967
Watanabe Sadao

Not on View

young couple looking into a cylindrical raised well; bird in URQ — Title unknown [Young couple looking into a well], 1910s-1930s
Takehisa Yumeji

Not on View

black and white image of a body of water with circular ripples; wolf in center of water, with fish swimming in LLC, LRC, and in center right; eel swimming in water in center left; rising rocky structure with to cave openings in top center — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

abstracted bird; blue ground; green border; signature in white at bottom center in image; received framed — Lonely Song, 20th century
Mizufune Rokushū

Not on View

two separate sheets combine to make one image; seated female figure on left wearing a white kimono with large blue blooming flowers, with a peach and white geometrically printed robe underneath; sitting in front of a blue box, with a smaller, impish figure wearing a loin cloth and holding a fan in PL hand to right of seated figure; two other impish figures in the top portion of a cabinet, right figure has blue skin, behind seated figure; seated figure with bald head and wears a black and gray robe in bottom center with back to viewer; seated figure on right wearing a green checkered robe, with two smaller figures behind seated figure, one is blue skinned and on the shoulders of a second figure, with top figure holding a raised mallet in hands; figure in top center with green shirt and blue pants holds palm leaf in both hands; large leaf in top right edge of image — How to lighten measels, 4th lunar month 1862
Utagawa Fusatane; Publisher: Kiya Sōjirō

Not on View

black and white image; house with large, slanted roof with wide flat top, with a slatted fence at very top of roof; oblong gray clouds in a white sky; clothes hanging horizontally along front fence in lower left; grassy lawn at bottom edge of image — Thatched roof No. 7, 1969
Tanaka Ryōhei

Not on View

two multicolored birds with two pink peony flowers; received framed — Birds and Peonies [one of a pair of Birds of Spring and Autumn], late 19th century
Unknown Korean

Not on View

abstracted figure wearing a tan hood; stem-like lines in foreground; turquoise and red forms behind figure — Early Spring Mountain, 1963
Azechi Umetarō

Not on View

figure pulling a sled — [Figure pulling sled], 20th century
Katsuhira Tokushi

Not on View

oval shape with image inside- wheel on left, seated child wearing a transparent cloak on right; two stars to the left of child's head; scattered trees and thickets at bottom of image — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

abstract image with two thin circles, one light blue and one black, in center; spots of multicolored pigment of yellow, orange, red, blue and white in center; lighter blue circular shape encompasses center image — Milky Way, 1959
Hagiwara Hideo

Not on View

woman with eyes closed and hands on her head — Design for the songlet "Dragon Gorges", c. 1930
Takehisa Yumeji

Not on View

woman holding a folded green and white fan to her chin — Title unknown [Woman with green and white fan], 1910s-1930s
Takehisa Yumeji

Not on View

seated woman with a stationary box, making ink on an inkstone — Shirabyōshi Giō, 7th lunar month 1862
Utagawa Kunisada; Author: Ryūtei Senka; Publisher: Sakanaya Eikichi

Not on View

yellow, red, and blue pansies — Pansy, 1969
Tanaka Ryōhei

Not on View

vertical composition; Japanese woman at top; European monk at bottom holding cross; ships at top in background — Saint Mary, November 1924
Takehisa Yumeji

Not on View

round green insect/ beetle with yellow and black intersecting lines that form a diamond shape in center; two light green circles at bottom right and bottom left body of insect; series of black dots forming lines in bottom right and left of wings; double ended curving arrow in bottom center of body; three legs on either side of body — Ladybug B, mid 20th century
Ōba Masao

Not on View

small print on burgundy paper; image in purple pigment of fantastic beast that had the head of a stag with the body of a dolphin — Back cover (?) of the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

stylized figure with beard holding a white chicken with a burgundy head; turquoise grainy background — With a Bird, c.1958
Azechi Umetarō

Not on View

winter landscape with mountain in background; figure in brown in LLC; buildings in middle ground — Ikarigaseki, 1949
Shimozawa Kihachirō

Not on View

abstract image; two vertical bands of "wood planks" rendered in gray pigment; milky white transparent circle in ULQ; gold shape in top right edge; white band in center — Work 61 - E, 1961
Maki Haku

Not on View

standing woman holding teapot, looking down at fish on a plate — View of Okabe, c. 1833
Utagawa Kunisada; Publisher: Sanoya Kihei

Not on View

black and white image of a town or village with stylized image of a face in top center, with wispy undefined body with three butterflies stacked at an angle; flower at bottom of "body" — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

image a village or town with rushing river through center; wave crest in LLC with jumping fish and a turtle; leaping fish coming out of a house in center right; catfish (?) in top center, riding a wave from river; houses on left and right — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

couple with man at left and woman at right, biting the red and white sleeve of her inner kimono — Tenth month, 8th lunar month 1851
Utagawa Kunisada; Publisher: Minatoya Kohei

Not on View

portrait of female figure in blue kimono with red and white linear trim; silver background — Five, Hinazō, early summer 1922
Yoshikawa Kanpō

Not on View

couple walking in a street at night; man holds pink lantern — Courtesan and man attendant walking in the night, illustration from the book Narrow Alley (Roji no hosomichi), March 1919
Takehisa Yumeji; Publisher: Shun'yōdō

Not on View

red and green ground; man in western dress at left; man with dog at center; woman with purple umbrella at right; dog at center pulls on tie on woman's garment; three sheets affixed to backing paper and mount paper — Covers of the three booklets "Bright Young Girl in the Abyss of a Poisonous Snake," vol. 3, 1880
Toyohara Chikanobu; Author: Ryūsuitei Tanekiyo; Publisher: Kobayashi Tetsujirō

Not on View

bouquet of flowers — Flowers, 1970
Tanaka Ryōhei

Not on View

ruined thatch-roofed building — Ruined house No. 2, 1966
Tanaka Ryōhei

Not on View

black-and-white image; tree cut down — Cut down, 1978
Jacques Hnizdovsky

Not on View

single eye with cloudy shape with protrusions and rays extending outward in all directions; characters top left and in bottom right; shaded mass under eye; two linear elements that move upwards at an angle and curve horizontally in LRC — Title page of the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

abstract biomorphic forms in blue, yellow, green, and red — 8, November 1968
Sora Mitsuaki

Not on View

abstract image with grey and white mottled ground; white bordered geometric shapes in mottled jewel tones of gold, brown, green, and grey; circle in ULC broken into irregular segments, triangles, and various polygon shapes; print mounted as hanging scroll; wood roller ends — Title unknown [abstract image with geometric shapes], 1950s - 1960s
Maki Haku

Not on View

"EX-LIBRIS" at top; woman playing shamisen — Bookplate design [woman playing shamisen], 1910s-1930s
Takehisa Yumeji

Not on View

textured ground with embossed symbols; white character in silver rectangle; orange and purple squares — Title unknown, 1970s
Maki Haku

Not on View

passageway on street with tile roof overhang — An alley, 1970
Tanaka Ryōhei

Not on View

muted green-gray background with a group of fish lying on a thin, torn net — Dry fish, 1967
Tanaka Ryōhei

Not on View

black and white portrait of female face and shoulder; long dark hair parted in center; smiling face — Naoko, 1966
Matsubara Naoko

Not on View

nude female figure with back to viewer standing in small body of water washing her feet; reeds at the shore — [Untitled] Washing the Feet, 1975
Hiratsuka Un'ichi

Not on View

seated figure of a child with short hair, wearing a striped long-sleeved shirt and dark pants, lace up boots with socks folded over top; wears a transparent hooded sheet or cloak with a hood, PL arm raised; tree with draping branches and small oval leaves behind figure; two birds on top right and top left in tree branches — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

man wearing grey hood with a grey and blue striped bird on his head — Brilliance, 1968
Azechi Umetarō

Not on View

abstract landscape in predominately turquoise with pink, purple, and green highlights — Untitled, late 20th century
Koike Nobuko

Not on View

yellow lemon in LRQ; green 'L' shape along top edge of image and moves down left edge of image — Lemon, mid 20th century
Ōba Masao

Not on View

landscape image in mostly brown pigments; crater with green water in LRQ; rising brown mountains in ULQ; brown sky — Crater Lake at Mount Zaō H, 1958
Maeda Masao

Not on View

stylized figure with beard holding a white chicken with a red head; turquoise grainy background — With a Bird, 1958
Azechi Umetarō

Not on View

triptych, with three sheets combining to make a single image; figures on left, center and right; left figure is standing, with large wings on right and let; fringed neckline in pale blue and peach; white flowing sleeves, with under robe with blue, scaly pattern; rippling waves behind figure, who stands on a dock; flowers and long, thin leaves surround dock; center figure has outspread wings in peach and blue pigments; fringed neck piece in g pale blue and peach shades, and sits cross legged on a dock; water in background, with flowers and thin leaves jutting up around dock; tree branch in URC of image that extends into right sheet; right figure stands on land, wearing colorful intricate robes and armor, holding a raised sword in hands; bare outspread feet; tree on right that extends into URC — Actors Bandō Takesaburō I as Men'oshidori no Sei (L), Nakamura Fukusuke I as Oshidori no Sei (C), and Bandō Kamezō I as Shimizu no Kanja Yoshitaka (R), 5th lunar month 1855
Utagawa Kunisada; Publisher: Kagaya Kichibei; Carver: Sashichi

Not on View

man in grey and woman in blue with a purple scarf over her head — Title unknown [Michiyuki], 1910s-1930s
Takehisa Yumeji

Not on View

black and white image with image rendered in thick black lines; three-tiered pagoda in center, surrounded by trees and smaller houses; grassy fields in bottom of image; wispy linear clouds in center; white blank sky — Hōrinji in Yamato, 1946
Hiratsuka Un'ichi

Not on View

woman in black patterned kimono looking over her PL shoulder, holding a baby to her chest — Flowers: Actor Bandō Shuka I as the evil Omatsu, 11th lunar month 1852
Utagawa Kunisada; Publisher: Minatoya Kohei; Carver: Yokogawa Takejirō; Printer: Matsumune

Not on View

image of robed figure gazing over her shoulder toward PL; wears brown robe with red and white flowers printed on it, with blue robe with white stripes underneath; holding peach umbrella; bamboo tress on left; gray gradated background — Young woman looking at bamboo in snow, 1950s
Toshinobu

Not on View

stylized figure with black lined beard, gray colored skin wearing a red hat, holding gray and white striped bird in PR hand, and lavender stick with red stripes in PL hand; dark teal background — Title unknown [Man in red hat with bird], mid 20th century
Azechi Umetarō

Not on View

woman in straw hat and man holding guitar — Design for the cover of the songlet "Flying Island", c. 1930
Takehisa Yumeji

Not on View

black and white image; girl balancing bowl of fruit on head, PR foot in air; two birds in LLQ — Autumn Fruits, 1964
Ikeda Shūzō

Not on View

swimming fish of several varieties; green and grey underwater plants; green silk mount; wood roller ends; received in tan plaid paper box — Fish, right scroll from a diptych, late 19th-early 20th century
Unknown Korean

Not on View

aerial view of city with dome in center; circular shape with eye in center at top; diagonal wavy clouds (?) in sky on top right and left — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

abstract image; brown, wood-toned ground; spiraling blue-grey flower form with green stem and leaves; white mount; wood roller — Title unknown [Abstract flower], 1950s - 1960s
Maki Haku

Not on View

black-and-white image; round cactus — Echinocactus, 1972
Jacques Hnizdovsky

Not on View

brown cow on right being pulled by two figures in a grassy field; jutting rocks in background — Title unknown [Cow and figures], mid 20th century
Maekawa Senpan

Not on View

large house in a fenced in courtyard; smaller house on right; line of figures next to small house, with two larger figures facing line; flag pole in left; trees in top right and top left; mountain in top center; small animal at bottom standing outside of gate — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

pile of rocks; tile roofs — Village with lighthouse, 1970
Tanaka Ryōhei

Not on View

Design for the songlet "Dream woman", c. 1930

Takehisa Yumeji

Not on View

abstract image; green circular shape with thin green lines overlapping in ULC; red bird shapes with tiny red dots in bottom center; blue linear design in center — Untitled, 20th century
Ushiku Kenji

Not on View

purple bird and blue bird; abstracted green and red foliage; received in silver frame — In the Forest (Blue Birds), 1970
Ushiku Kenji

Not on View

standing female figure with diamond pattern throughout body; bangs and long hair, with black eyes; owl seated on head of figure; scattered flowers surround figure, along with black shading — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

Not on View

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