showing 100 of 472 results matching creditline:"Gift of Sue Y.S. Kimm and Seymour Grufferman". (load 200 more)

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concentric light gray squares upper half within blue frame with interlocking circles and angles; concentric light gray circles lower, within similar red frame

%C2%A9 Amano Kazumi

Moral (Endurance), 1963

Amano Kazumi

G227

Rectangular abstract shape; with half thick red outlineand half blue thin outline; black and grey shape fill in the left side of rectangle; right of retangle is inkless;

%C2%A9 Amano Kazumi

Self-figure (Surround) A, 1966

Amano Kazumi

G227

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom

%C2%A9 Amano Kazumi

Disjoint, 1969

Amano Kazumi

G237

three horizontal rectangles, each with colorful U-shaped form and circle inside; top form has green shape with yellow circle; center rectangle has orange shape with white circle; bottom rectangle has black and blue shape with green circle

%C2%A9 Amano Kazumi

From Gauge (Phase) C, 1969

Amano Kazumi

G237

figure 8 shape at center with emobssing; red, orange, and grey curving forms in outline; inner outline of 8 in green

%C2%A9 Amano Kazumi

Inside and Outside (Mold), 1968

Amano Kazumi

G237

red, blue, and green abstracted image; red and green earshaped obects at the center of image with each obect repeat off the side in different colors

%C2%A9 Amano Kazumi

From Gauge (Return), 1969

Amano Kazumi

G237

colorful abstract image; black and white penguin-like form; swooshing bands of yellow, orange, red, green emanating from form; green form swirls from UC

%C2%A9 Amano Kazumi

From Gauge (Rise), 1969

Amano Kazumi

G237

overlapping pipe-like shapes, bars, and blocks with cutouts in blues, green, charcoal, and burgundy against neutral background

%C2%A9 Amano Kazumi

Join, June 1962

Amano Kazumi

G226

large rectangular abstract form made up by various shapes and colors; colors conist of dark blue, teal, black, and uninked area;

%C2%A9 Amano Kazumi

Layers, 1962

Amano Kazumi

G226

blocky black and white image divided in sections; contorted figure at L with mouth opened, looking up; white tower with black text at R; two figures bottom C holding a pot of metal; stick figures at R stoking a kiln; two figures pulling rope nearby

%C2%A9 Amano Kazumi

Colophon (part 1), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; block of text at C shaped like a cauldron with line drawings of buildings in background; at top, a figure is bent over an object with silhouetted figure in doorway at R; three scenes at bottom: people working in front of a kiln, carving a mold, and hammering a vessel

%C2%A9 Amano Kazumi

Description (part 2), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; human figure at R holding long object, appears to be yelling; two figures in small building at C, text and workers nearby; laborer at LL hammering a vessel, and one at LR turning an object on a lathe; harvesting scene at top

%C2%A9 Amano Kazumi

Second song (part 4), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; figure holding staff overhead R of C; text and metal vessels to his L; foundry workers opening molds at bottom; large cast bell at LL; figure walking down dark alley at top, with another figure in a darkened building UR

%C2%A9 Amano Kazumi

Fourth song (part 6), July 1957

Amano Kazumi

G226

blocky black and white image divided in three parts; abstracted figure at R holding staff; village in center band with figures in front buildings, two of whom are holding a smelting pot; at bottom, figures fill pots, carve, and open molds; at top, a man pulls a cart at R; figures seated in building with vessels UL

%C2%A9 Amano Kazumi

First song (part 3), July 1957

Amano Kazumi

G226

multicolored bars with squared off hooks at ends in warm colors at top and bottom and cool colors at left at right, surrounding text

%C2%A9 Amano Kazumi

A Piece of Poetry, Drawing, Assemblage, March 1965

Amano Kazumi; Poet: Yoshimura Masatoshi

G227

blocky black and white image divided in sections; figure at R with head tilted; foundry workers at lower portion of image pouring metal and hammering; figures stoking fires at C, and driving poles; text around C; at top, a female figure delivers a box to a seated figure at L

%C2%A9 Amano Kazumi

Third song (part 5), July 1957

Amano Kazumi

G226

black and white image; group of three musicians rendered in geometric style

%C2%A9 Amano Kazumi

Untitled [musicians performing Owara-bushi], late 1950s

Amano Kazumi

G226

abstract; circle made of various forms in predominately red

%C2%A9 Amano Kazumi

Inside and Outside (Round) A, 1968

Amano Kazumi

G237

black and white image; blocky clouds in sky; mountains in center; groups of shrubs and buildings in in LLC

%C2%A9 Amano Kazumi

Untitled [mountain scape with river], late 1950s

Amano Kazumi

G226

abstract; backwards maroon C at top center; blue lever- or arm-like elements

%C2%A9 Amano Kazumi

Inner Motion (Embrace), 1963

Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle

%C2%A9 Amano Kazumi

Moral (Intention), 1964

Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper

%C2%A9 Amano Kazumi

Assemblage (Yellow), October 1962

Amano Kazumi

G226

mountains; village in middle ground; boater at bottom center

%C2%A9 Amano Kazumi

Untitled [mountains, village, and boater], late 1950s

Amano Kazumi

G226

grid of four squares, with a swooping red, yellow, and orange form in each square; forms have green outline, and gray gradient

%C2%A9 Amano Kazumi

Inside and Outside (Combination) Stress, 1968

Amano Kazumi

G237

black, green, blue, red, and dark blue abstract image; over all image is comprised of circles and waves to create an overall rectangle shape;

%C2%A9 Amano Kazumi

From Gauge (Trace) A, 1969

Amano Kazumi

G237

large black circle at C in a square frame that is blue and red on L, and shades of gray on R; frame is formed of interlocking geometric shapes

%C2%A9 Amano Kazumi

Self-figure (Mirror), 1965

Amano Kazumi

G227

unsigned and undated; two roosters facing each other against black background

%C2%A9 Amano Kazumi

Untitled [two roosters], 1960

Amano Kazumi

G226

teetering column of squares and partial squares with bulbous shapes; brown, black, blue, and teal; small envelope TC; gray offset square lower C

%C2%A9 Amano Kazumi

Moral (Responsibility), 1963

Amano Kazumi

G227

wavy swirl in three shades of red emanating from C, alongside similarly shaped gray form; green and blue color blocks parallel bottom of red and gray forms; white plane UL

%C2%A9 Amano Kazumi

From Gauge (Spread) A, 1969

Amano Kazumi

G237

grayish organic shape with rounded wide bottom, narrower top, and swoops at R; black, green, and blue shapes echo the shape at L; red and light orange bands at R

%C2%A9 Amano Kazumi

From Gauge (Spread) B, 1969

Amano Kazumi

G237

red, black, grey, and yellow abstracted image; overall image is rectangular; large black oval in the center

%C2%A9 Amano Kazumi

Fabrication (Inclusion), 1966

Amano Kazumi

G237

large peanut-shaped form with organic black, red, and green curving forms inside; white circle upper C within form; gray bracket on R side with circles and swooping lines

%C2%A9 Amano Kazumi

Mold (Life) A, 1968

Amano Kazumi

G237

rectangular box with small feet with decorative openwork fittings and scrolling aprons; red exterior, black interior; turtle-shaped latch on front top; large openwork scalloped fitting on top front; decorative openwork fittings on top left and right edges and at top front; top cover hinged; pair of front doors open to reveal pair of drawers with round pulls

Red footed box with tortoise latch, 19th-early 20th century

Unknown Korean

Not on View
red lacquer box with hinged top; handles on front and back; large medallion shaped fitting on front with text; long vertical pin with floriform bottom lies in front of medallion; square shaped fittings on edges of box; reddish-brown interior

Wedding chest, 19th century

Unknown Korean

Not on View
dark brown lacquer with inlaid mother-of-pearl; hinged cover; top has central longevity symbol flanked by two flying cranes and fruits on branches; front has pair of deer on right side and pair of cranes on left in a landscape with trees; left and right ends have fish with trees; back is plain; large floriform metal fitting with latch on front; blue paper at interior; lock included (no key)

Lacquer storage box with cranes, deer, and fish, 19th century

Unknown Korean

Not on View
box with two removable drawers and top with two pairs of hinges containing a mirror; inlaid mother-of-pearl designs; two cranes on top with branches with fruit; front of drawers have hexagonal pattern with starbursts; right decorated with deer in a landscape with trees; left decorated with cranes in a landscape with trees; plants on back; lock and key included

Cosmetics box with cranes and deer, 19th century

Unknown Korean

Not on View
triptych, with three sheets combining to make a single image; figures on left, center and right; left figure is standing, with large wings on right and let; fringed neckline in pale blue and peach; white flowing sleeves, with under robe with blue, scaly pattern; rippling waves behind figure, who stands on a dock; flowers and long, thin leaves surround dock; center figure has outspread wings in peach and blue pigments; fringed neck piece in g pale blue and peach shades, and sits cross legged on a dock; water in background, with flowers and thin leaves jutting up around dock; tree branch in URC of image that extends into right sheet; right figure stands on land, wearing colorful intricate robes and armor, holding a raised sword in hands; bare outspread feet; tree on right that extends into URC

Actors Bandō Takesaburō I as Men'oshidori no Sei (L), Nakamura Fukusuke I as Oshidori no Sei (C), and Bandō Kamezō I as Shimizu no Kanja Yoshitaka (R), 5th lunar month 1855

Utagawa Kunisada; Publisher: Kagaya Kichibei; Carver: Sashichi

Not on View
vertical composition; Japanese woman at top; European monk at bottom holding cross; ships at top in background

Saint Mary, November 1924

Takehisa Yumeji

Not on View
maroon sheet with child's face in center, with outspread wings in purple pigment in all quadrants; nude female figure with outstretched arms in top center above child’s head; seated male figure holding a staff at bottom center under child's head; fantastic beasts on center right and center left

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Cover of the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
standing female doll in European dress with headscarf; printed in brown

%C2%A9 Komai Tetsur%C5%8D

Doll, c. 1970

Komai Tetsurō

Not on View
woman holding a folded green and white fan to her chin

Title unknown [Woman with green and white fan], 1910s-1930s

Takehisa Yumeji

Not on View
young couple looking into a cylindrical raised well; bird in URQ

Title unknown [Young couple looking into a well], 1910s-1930s

Takehisa Yumeji

Not on View
standing female figure with diamond pattern throughout body; bangs and long hair, with black eyes; owl seated on head of figure; scattered flowers surround figure, along with black shading

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
couple with man at left and woman at right, biting the red and white sleeve of her inner kimono

Tenth month, 8th lunar month 1851

Utagawa Kunisada; Publisher: Minatoya Kohei

Not on View
stylized figure with black lined beard, gray colored skin wearing a red hat, holding gray and white striped bird in PR hand, and lavender stick with red stripes in PL hand; dark teal background

%C2%A9 Azechi Umetar%C5%8D

Title unknown [Man in red hat with bird], mid 20th century

Azechi Umetarō

Not on View
landscape with water and large mountain peak in background; bridge over water at middle ground center with two figures; greys and pale blue; blue brocade mount; ivory (?) roller

Landscape, 20th century

Unknown Korean or Japanese

Not on View
girl with bird on her nose; boy holding bird in his hands

%C2%A9 Ikeda Sh%C5%ABz%C5%8D

Children with Birds, 1960s

Ikeda Shūzō

Not on View
black and white image with image rendered in thick black lines; three-tiered pagoda in center, surrounded by trees and smaller houses; grassy fields in bottom of image; wispy linear clouds in center; white blank sky

%C2%A9 Hiratsuka Un%27ichi

Hōrinji in Yamato, 1946

Hiratsuka Un'ichi

Not on View
abstracted figure wearing a tan hood; stem-like lines in foreground; turquoise and red forms behind figure

%C2%A9 Azechi Umetar%C5%8D

Early Spring Mountain, 1963

Azechi Umetarō

Not on View
nude female figure with back to viewer standing in small body of water washing her feet; reeds at the shore

%C2%A9 Hiratsuka Un%27ichi

[Untitled] Washing the Feet, 1975

Hiratsuka Un'ichi

Not on View
group of three figures, one in center has back turned, wearing a mauve colored jacket with an under robe with scattered leaves printed on it in pigments of green, orange and peach; elaborate gold headdress; two figures on left, both wear same colors and patterns as center figure, each with blue headdresses with stacked blue leaves; 'picture' of yellow and pink flowers in URC; inscriptions in Japanese characters in ULC, right center edge and in LRC

Chrysanthemum Festival: The Tamaya in Shin-Yoshiwara Edomachi itchōme; the courtesan Shinmachi and her attendants Kitsune and Komatsu, 1830s

Utagawa Kunisada; Publisher: Ōmiya Heihachi

Not on View
abstracted bird; blue ground; green border; signature in white at bottom center in image; received framed

%C2%A9 Mizufune Rokush%C5%AB

Lonely Song, 20th century

Mizufune Rokushū

Not on View
pile of rocks; tile roofs

%C2%A9 Tanaka Ry%C5%8Dhei

Village with lighthouse, 1970

Tanaka Ryōhei

Not on View
yellow, red, and blue pansies

%C2%A9 Tanaka Ry%C5%8Dhei

Pansy, 1969

Tanaka Ryōhei

Not on View
ruined thatch-roofed building

%C2%A9 Tanaka Ry%C5%8Dhei

Ruined house No. 2, 1966

Tanaka Ryōhei

Not on View
two separate sheets combine to make one image; seated female figure on left wearing a white kimono with large blue blooming flowers, with a peach and white geometrically printed robe underneath; sitting in front of a blue box, with a smaller, impish figure wearing a loin cloth and holding a fan in PL hand to right of seated figure; two other impish figures in the top portion of a cabinet, right figure has blue skin, behind seated figure; seated figure with bald head and wears a black and gray robe in bottom center with back to viewer; seated figure on right wearing a green checkered robe, with two smaller figures behind seated figure, one is blue skinned and on the shoulders of a second figure, with top figure holding a raised mallet in hands; figure in top center with green shirt and blue pants holds palm leaf in both hands; large leaf in top right edge of image

How to lighten measels, 4th lunar month 1862

Utagawa Fusatane; Publisher: Kiya Sōjirō

Not on View
stylized horse viewed from front

%C2%A9 Nakayama Tadashi

Untitled [Horse], 1968

Nakayama Tadashi

Not on View
stylized image of a female figure with long dark hair, gray and white striped dress and orange skin; holds white comb with PL hand, and small gray hand mirror in PR hand; bare leg, bent, with exposed toes in LRC

%C2%A9 Asano Takeji

Woman Combing Her Hair, 2nd half 1960s

Asano Takeji

Not on View
muted green-gray background with a group of fish lying on a thin, torn net

%C2%A9 Tanaka Ry%C5%8Dhei

Dry fish, 1967

Tanaka Ryōhei

Not on View
large house in a fenced in courtyard; smaller house on right; line of figures next to small house, with two larger figures facing line; flag pole in left; trees in top right and top left; mountain in top center; small animal at bottom standing outside of gate

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
black and white image; house with large, slanted roof with wide flat top, with a slatted fence at very top of roof; oblong gray clouds in a white sky; clothes hanging horizontally along front fence in lower left; grassy lawn at bottom edge of image

%C2%A9 Tanaka Ry%C5%8Dhei

Thatched roof No. 7, 1969

Tanaka Ryōhei

Not on View
black and white image of a body of water with circular ripples; wolf in center of water, with fish swimming in LLC, LRC, and in center right; eel swimming in water in center left; rising rocky structure with to cave openings in top center

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
image of robed figure walking in a snowy scene; holds open blue umbrella; wears purple robe with red and white crosses; gray brick walkway; snowy bonsai tree in ULQ; gray stone lantern covered in snow in center

Young woman in snow next to a stone lantern, 1950s

Toshinobu

Not on View
image of robed figure gazing over her shoulder toward PL; wears brown robe with red and white flowers printed on it, with blue robe with white stripes underneath; holding peach umbrella; bamboo tress on left; gray gradated background

Young woman looking at bamboo in snow, 1950s

Toshinobu

Not on View
woman in black patterned kimono looking over her PL shoulder, holding a baby to her chest

Flowers: Actor Bandō Shuka I as the evil Omatsu, 11th lunar month 1852

Utagawa Kunisada; Publisher: Minatoya Kohei; Carver: Yokogawa Takejirō; Printer: Matsumune

Not on View
stylized figure with beard holding a white chicken with a red head; turquoise grainy background

%C2%A9 Azechi Umetar%C5%8D

With a Bird, 1958

Azechi Umetarō

Not on View
stylized figure with beard holding a white chicken with a burgundy head; turquoise grainy background

%C2%A9 Azechi Umetar%C5%8D

With a Bird, c.1958

Azechi Umetarō

Not on View
swimming fish of several varieties; green plants; two rays in URQ; green silk mount; wood roller ends; received in tan plaid paper box

Fish, left scroll from a diptych, late 19th-early 20th century

Unknown Korean

Not on View
yellow lemon in LRQ; green 'L' shape along top edge of image and moves down left edge of image

%C2%A9 Oba Masao

Lemon, mid 20th century

Ōba Masao

Not on View
black and white image of a town or village with stylized image of a face in top center, with wispy undefined body with three butterflies stacked at an angle; flower at bottom of "body"

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
aerial view of city with dome in center; circular shape with eye in center at top; diagonal wavy clouds (?) in sky on top right and left

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
round green insect/ beetle with yellow and black intersecting lines that form a diamond shape in center; two light green circles at bottom right and bottom left body of insect; series of black dots forming lines in bottom right and left of wings; double ended curving arrow in bottom center of body; three legs on either side of body

%C2%A9 Oba Masao

Ladybug B, mid 20th century

Ōba Masao

Not on View
woman with eyes closed and hands on her head

Design for the songlet "Dragon Gorges", c. 1930

Takehisa Yumeji

Not on View
single eye with cloudy shape with protrusions and rays extending outward in all directions; characters top left and in bottom right; shaded mass under eye; two linear elements that move upwards at an angle and curve horizontally in LRC

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Title page of the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
many steps up to building to large gate with three bays and curved roof, surrounded by trees in background; two figures at base of stairs in foreground

%C2%A9 Hiratsuka Un%27ichi

Early Spring at Yōmeimon, 1959

Hiratsuka Un'ichi

Not on View
seated woman with a stationary box, making ink on an inkstone

Shirabyōshi Giō, 7th lunar month 1862

Utagawa Kunisada; Author: Ryūtei Senka; Publisher: Sakanaya Eikichi

Not on View
black-and-white image; tree cut down

%C2%A9 Estate of Jacques Hnizdovsky. All rights reserved.

Cut down, 1978

Jacques Hnizdovsky

Not on View
red and green ground; man in western dress at left; man with dog at center; woman with purple umbrella at right; dog at center pulls on tie on woman's garment; three sheets affixed to backing paper and mount paper

Covers of the three booklets "Bright Young Girl in the Abyss of a Poisonous Snake," vol. 3, 1880

Toyohara Chikanobu; Author: Ryūsuitei Tanekiyo; Publisher: Kobayashi Tetsujirō

Not on View
Jesus walking on water at left; two fish; four figures in boat

%C2%A9 Watanabe Sadao

Jesus walking on the sea, 1967

Watanabe Sadao

Not on View
two multicolored birds perched on yellow mums with pink mums below; received framed

Birds with Chrysanthemums [from a pair of Birds of Spring and Autumn], late 19th century

Unknown Korean

Not on View
seated figure of a child with short hair, wearing a striped long-sleeved shirt and dark pants, lace up boots with socks folded over top; wears a transparent hooded sheet or cloak with a hood, PL arm raised; tree with draping branches and small oval leaves behind figure; two birds on top right and top left in tree branches

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
man in grey and woman in blue with a purple scarf over her head

Title unknown [Michiyuki], 1910s-1930s

Takehisa Yumeji

Not on View
image a village or town with rushing river through center; wave crest in LLC with jumping fish and a turtle; leaping fish coming out of a house in center right; catfish (?) in top center, riding a wave from river; houses on left and right

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
character in black and green with cat at top with blue polka dotted body and mouse in LLQ

%C2%A9 Okamura Kichiemon

Longevity, mid 20th century

Okamura Kichiemon

Not on View
abstracted portrait of girl with long hair, printed in brown

%C2%A9 Oguchi Masuichi

Untitled [portrait of girl], mid 20th century

Oguchi Masuichi

Not on View
spider against black ground over center of flower

%C2%A9 Tanaka Ry%C5%8Dhei

Chrysanthemum, 1969

Tanaka Ryōhei

Not on View
passageway on street with tile roof overhang

%C2%A9 Tanaka Ry%C5%8Dhei

An alley, 1970

Tanaka Ryōhei

Not on View
oval shape with image inside- wheel on left, seated child wearing a transparent cloak on right; two stars to the left of child's head; scattered trees and thickets at bottom of image

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Page from the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
swimming fish of several varieties; green and grey underwater plants; green silk mount; wood roller ends; received in tan plaid paper box

Fish, right scroll from a diptych, late 19th-early 20th century

Unknown Korean

Not on View
woman in straw hat and man holding guitar

Design for the cover of the songlet "Flying Island", c. 1930

Takehisa Yumeji

Not on View
shore at right with rocks in water

30, Tōjinbō, Echizen Province, 2nd lunar month 1862

Utagawa Hiroshige II

Not on View
red-skinned chubby child watching a monkey and rabbit wrestling

Moon of Kintoki's Mountain, October 1890

Tsukioka Yoshitoshi

Not on View
thatch-roofed building with bare trees

%C2%A9 Tanaka Ry%C5%8Dhei

Thatched roof No. 4, 1968

Tanaka Ryōhei

Not on View
small print on burgundy paper; image in purple pigment of fantastic beast that had the head of a stag with the body of a dolphin

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Back cover (?) of the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
couple walking in a street at night; man holds pink lantern

Courtesan and man attendant walking in the night, illustration from the book Narrow Alley (Roji no hosomichi), March 1919

Takehisa Yumeji; Publisher: Shun'yōdō

Not on View
abstract biomorphic forms in blue, yellow, green, and red

%C2%A9 Sora Mitsuaki

8, November 1968

Sora Mitsuaki

Not on View
stylized figure with beard wearing a black cloak, holding a rope; turquoise background; white shape behind figure; gray bottom

%C2%A9 Azechi Umetar%C5%8D

Mountainman in Winter, 1955

Azechi Umetarō

Not on View
two multicolored birds with two pink peony flowers; received framed

Birds and Peonies [one of a pair of Birds of Spring and Autumn], late 19th century

Unknown Korean

Not on View
girl at left holding hand to her ear; frowining figure at left against dark ground with white spots

%C2%A9 Watanabe Sadao

Job and his wife, 1966

Watanabe Sadao

Not on View
black-and-white image; round cactus

%C2%A9 Estate of Jacques Hnizdovsky. All rights reserved.

Echinocactus, 1972

Jacques Hnizdovsky

Not on View

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