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seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

Unknown

G200

Ceremonial Gate, 1728

China

G217

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

Unknown

G216

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

bust-length profile of a man, carved in relief, with curly hair and a curly beard

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G241

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown

Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century

China

G200

Figure

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C

Edgar Degas

G351

octagonal box with lid; lid carved with central circle surrounded by 4 C-scrolls and 4 concentric bands of tixi scrolls; box decorated with rolls of same scrolls; black interior

Octagonal Box, 15th century

China

G210

Barbizon landscape, northeastern France, Fontainebleau forest

The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844

Charles-François Daubigny

G321

Triptych

Copyright of the artist%2C artist%27s estate%2C or assignees

Triptych: Prisoners of the Mountain Mist, c. 1910

Giovanni Battista Crema

G310

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center

Corinthian helmet, c. 540 BCE

Unknown Greek

G241

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin

Money Tree, 1st-2nd century

China

G201

crouching female figure with swags of a variety of flowers on an oblong octagonal base

Flora Kneeling, c. 1871

Jean-Baptiste Carpeaux

G324

Cosmetic Case and Mirror Stand, early 17th century

China

G218

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

folding chair with woven seat; inlaid iron decorations on arms and footrest; carved open-mouthed animals where arms attach to seat

Folding round-back armchair, late 16th century

China

G217

Head and shoulder of a pharaoh, wearing headgear; black and tan flecked marble; has own mount

Portrait of Pharaoh Amenhotep III, 1391-1353 BCE

Ancient Egyptian

G250

The Wu Family Reception Hall, early 17th century

China

G218

chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim

Silver plate decorated with chased “Red Cliff” scene, 13th century

China

G208

Round-bodied pot with 3 legs, 2 decorative, curving, detachable 'handles' and fan-like lattice element at back; decorated overall with organic and geometric designs

Censer, 1723-1735

China

G214

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand

Screen, 17th century

Unknown

G217

rounded box on a short foot; carved red, green and brown lacquer; dragons in cloud forms around base and cover with dragon at top; geometric bands

Nine Dragon Box, 18th century

China

G210

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief

%C2%A9 Estate of Charles Biederman

Relief, New York, 1936, 1936

Charles Biederman

G377

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

Not on View
Rectangular in design with T-shaped supports which fold flat and top sections close on top of each other like a book

Folding Bookstand, 18th century

China

G216

robin's egg blue glaze; stand has scalloped edge on bottom with perforated repeated design at base; cup has scalloped edge

Wine Cup and Stand, 11th century

China

G204

dark wood rectangular stand with open sides topped with grey and white marble

Rectangular stand, 18th century

China

G216

reddish brown wood chair with protruding crest rail and arms

Yokeback Armchair, 16th-17th century

China

G218

ornately carved wood table mount for framed marble insert; inscription and seal at UL

Table screen, c. 1800

China

G216

Yokeback Armchair, c. 1550

China

G218

thistle-shaped cup on slender, horizontally ribbed oviform stem pierced with 6 rows of short vertical slits above inverted cup-shaped foot

Ceremonial Stem Cup, 3000-2000 BCE

Longshan

G204

Small bouquet of red gladioli

Red Gladioli, c. 1906

Piet Mondrian

G351

small ivory bowl, lotus blossom inside well with circular foot on bottom

Tea Bowl, 11th century

China

G204

Still life with dead birds

Still Life of Dead Birds, c. 1660

Jan Vonck

G309

Shortback armchair carved to simulate bamboo, one of a pair, huanghuali hardwood, Ming Dynasty, China

Pair of Low Back Armchairs, late 17th century

China

G216

Huanghuali hardwood, caning.

Roundback Armchair, 17th century

China

G218

rectangular top frame divided by central stretcher, two cylindrical rollers set to either side, straight waist, beaded apron, short stout legs with hoof feet

Footstool (gundeng), c. 1600

China

G216

upright rectangular shape with five shelves; center shelf has two drawers below; square drawer pulls mounted to chrysanthemum back plates

Bookshelf, late 17th century

China

G216

bamboo image inscribed; Sotheby's London, 6/12/95 Lot 516

Archer’s thumb ring, 1662-1722

China

G217

purple duan inkstone; wave design on three sides and surrounding ink basin; inscription with wave pattern at LRC of verso

Ink Stone, 1623 (Dated by inscription)

Wen Yu-yang

G217

conical shaped tea bowl; dark brown glaze with single leaf design at interior; foot unglazed; has own storage box

Teabowl with Leaf Decor, 12th-13th century

China

G204

white pottery cup, unglazed foot with incised circle at underside of base, has own storage box

Cup, 7th-10th century

China

G204

chair with arms and straight back; seat of woven natural fibers; each arm and back decorated with straight spindles and two pairs of interlocked rings

Spindleback Rose Chair, one of a pair, c. 1600-1675

China

G218

round wood box with lid; lip at box bottom; convex circle on box top

Round Seal Box, 18th century

China

G216

chair with arms and straight back; seat of woven natural fibers; each arm and back decorated with straight spindles and two pairs of interlocked rings

Spindleback Rose Chair, one of a pair, c. 1600-1675

China

G218

carved bamboo root, prunice and pine (?)

Brushrest, early 18th century

Shen Ch’uan-lin

G217

bowl, flared sides with finger groove below rim; interior design, prunus branch and crescent moon; dark brown glaze; knife cut foot with no glaze

Tea Bowl, 10th-11th century

China

G204

standing figure with right hand out in front and clenched, left hand down at hip; triangular heads with black features painted on pink ground; .1 wearing a breast plate over baggy trousers; .2 wearing a striped tunic over baggy trousers

Footsoldier, one of a pair, 2nd century BCE

China

G215

seven strings attached to jade feet on back, orange tassels attached to jade tuning pegs on back; 13 gilded circles to the right of strings; symmetrical carved design at bottom; two carved pegs on back near top; scattered blue and gold specks

Zither (Qin), 1634 (dated by inscription)

China

G216

chi dragons flank top below upper crossbar; central carved panel of four pairs of Mandarin ducks, a pair in flight

Towel Rack, early 18th century

China

G218

Hand Exerciser, 18th century

China

G217

five pointed leaf motif with six leaved flower (in plain and twisted wire) within it; a multiple leaved blossom at center; pin extends down from center

Hair Ornament, one of a pair, 11th century

China

G208

shallow bowl fused to the rim of a deeper bowl with open foot; incised with a floral design in the center and a lotus leaf pattern around the outside

Brush Washer, 10th-11th century

China

G204

Ruyi Scepter, late 17th-early 18th century

China

G217

Armchair with Continuous Yoke Back, one of a pair, c. 1600

China

G218

for Indonesian export market; white glaze; globular body surmounted by ringed neck tapering toward a flattened stylized phoenix head with applied details, below a trumpet-form mouth

Pheasant-Head Ewer, 10th-11th century

China

G204

two dragons in upper corners wrapping around inkwell at top center; dark brown slate

Inkstone, c. 1740

Chou Shao-lung

G217

thin rectangular table; unadorned; feet emphasized; curved leg support reaches from under table top

Lute table, c. 1600

China

G216

Planter, c. 1905

Tiffany Studios

G320

domed top carved with 2 dragons with gilded details among waves; Ming-style imperial seal on bottom; sides carved with organic designs

Ink Stick in Seal Form, 18th century

Attributed to Wang Wei-kao

G217

small wood table, top slants slightly toward back; front and sides carved in low relief with religious symbols and lacquered, single horizontal support brace at back; cloud design at front with two rectangular inscriptions at top

Sutra Table, 18th century

Tibet

G212

Square Corner Cabinet with Latticework Upper Doors, c. 1600

China

G216

four-sided carved wood lantern with glass panels; metal hardware at top for hanging

Lantern, 18th century

China

G216

shallow, conical bowl with curved rim and knife cut foot; rust colored glaze with dark brown underglaze

Tea Bowl and Stand, 10th-11th century

China

G204

Armchair with Continuous Yoke Back, One of a Pair, c. 1600

China

G218

conical bowl with celadon (green) glaze; floral decoration bottom half interior; in storage box

Bowl, 12th century

China

G204

spherical jar with small conical neck rim and flat foot rim; black glaze with brownish areas at mouth; small, dull silver spots throughout glaze

Oil Spot Jar, 13th-14th century

China

G204

Guild of Handicraft, Chipping Campden (1888-1908), manufacturer spoon, 1902-3; bowl and lid,1903-4

Bowl with lid and spoon, 1902-1904

Charles Robert Ashbee; Manufacturer: Guild of Handicraft, London, 1888-1908

G350

Drydock at Durgerdam, c. 1898-99

Piet Mondrian

G355

openwork design at top with dragon, looking up, surmounting 2 fighting tigers with scrolling bands between; bar on bottom for bristles

Brush Handle, 2nd-1st century BCE

China

G215

Crouching hoofed mythical animal; double horn with head turned to side and mouth open; scaly body with flamelike ribbons at haunches; tufted mane and tail

Water Dropper, 16th-17th century

China

G217

square seal chest; double front doors lock in place by flip lid; large circular latch and rectangular pulls, hinges and corner hardware made of silver; copper snowflake design inlaid to center of latch at top center front; handle at either side; two drawers above one longer at interior behind doors

Seal chest, 17th century

China

G216

shallow sides divided into six petal-shaped lobes separated by narrow raised ribs; metal edge bordering the lip

Dish, 960-1279

China

G204

tall, thin jar with pointed lower end, small mouth and very short neck; decorated with incised diagonal lines

Storage Bottle, 5000-4000 BCE

Yang Shao

G204

Curved piece of ivory; slightly rounded corners on top, slight indentation at bottom

Court Tablet (Hu), 17th century

China

G217

crisp relief around the sides with four figural scenes two officials standing beside waves lapping at a pair of closed doors inscribed on a panel above with 'Dong Hai' (the Eastern Sea), a closed umbrella beneath a leafy tree to one side; a scene of an immortal and album-bearing attendant standing on a balustrated terrace overlooking plantains, a doorway to one side; a figure in a pavillion looking out at a figure with clasped hands standing before a ding censer emitting smoke atop an altar stand; an attendant bearing a stack of books and a scholar wielding a brush before a gate he has inscribed 'Sheng Xian Qiao' (Arch of the Ascending Immortals); all above a band of stiff leaf lappets, applied on the interior, exterior and interior footring with a sea-green glaze

Celadon jar, 14th century

China

G216

four-sided carved wood lantern with glass panels; metal hardware at top for hanging

Lantern, one of a pair, 18th century

China

G216

Roundback Armchair, one of a pair, 17th century

China

G218

cylindrical shape with wide, thick, slightly upward tilting mouth; single piece of palmwood densely stippled on the exterior, vertical striping at interior

Brush pot, 17th-18th century

China

G216

hexagonal wire mesh formed into an inverted funnel shape with flaring top; wire covered frame with curving handle terminating in a pair of loops

Cricket Catching Net, 19th century

China

G217

grey unglazed pottery figure of a kneeling woman looking straight ahead, wearing a robe; arms bent at elbows, straight ahead; hair pulled into low ponytail

Kneeling Female "Long Sleeve" Dancer, 2nd century

China

G215

Square base with a wheel of law on a double lotus plinth; 2 rows of spokes on wheel

Seal, 1428

China

G216

large head of a beast with mouth open; phoenix looking over its back on PL side; twisting roaring dragon on PR side; green, tan, black and white glaze; separated into 2 parts with part of dragon and phoenix on top section

Roof Ornament, one of a pair, 16th-17th century

China

G215

square base with Wheel of Law as knob, resting on double lotus plinth; spoked wheel with edging of groups of three circles

Seal, 1428

China

G217

green stone; rectangular with rounded edges; sunken water pool and relief design of peach with 3 leaves on waves on front; inscription and 2 imperial seals on back

Imperial Ink Stone, 1662-1722

K'ang-hsi Workshops

G217

shallow dish with scalloped rim; clear glaze; light raised design of 2 flying birds amid flowers and foliage at center; flowers alternating with insects at rim

Dish with Foliated Rim, 12th century

China

G204

rounded 4-sided pear shape with a short foot; 2 small hollow tubelike vertical handles; blue-green crackle glaze

Celadon Vase, one of a pair, 10th-13th century

China

G204

rounded 4-sided pear shape with a short foot; 2 small hollow tubelike vertical handles; blue-green crackle glaze

Celadon Vase, one of a pair, 10th-13th century

China

G204

large head of a beast with mouth open; phoenix looking over its back on PR side; twisting roaring dragon on PL side; green, tan, black and white glaze

Roof Ornament, one of a pair, 16th-17th century

China

G215

shallow dish with small flaring lip; brown rim with red and black geometric designs; central circular section with brown ground and red organic designs; brown exterior with red and black decoration at edge

Dish, one of a pair, 1st century

China

G215

shallow dish with small flaring lip; brown rim with red and black geometric designs; central circular section with brown ground and red organic designs; brown exterior with red and black decoration at edge

Dish, one of a pair, 1st century

China

G215

tall, slightly bulbous body; long slender neck flaring out to wide, flat lip; white glaze

Bottle, 7th century

China

G204

small table with stone inlay top; 4 straight corner legs, turned slightly inward at bottom; runners connect 4 feet in rectangular shape

Incense stand, late 16th century

China

G218

small tea bowl shape with looped handle covered with decorative element with circles; small spout attached to cup with ceramic coils; white glaze

Cup with Handle, 10th-11th century

China

G204

bell-shaped base surmounted by a square section with indented corners, a cone with thickly incised bands and topped with a finial with crescent and circle designs and organic motifs; stamped hide bottom

Chorten, 13th century

Tibet

G212

ovoid ewer with thin, tapered neck and flaring mouth; double stranded handle with bead decoration at mouth and shoulder; cylindrical spout at shoulder; flat base; white slip and clear glaze

Ewer, 7th-8th century

China

G204

plump face and wide nose; nearly closed eyes; wearing a large crown with dragon and foliage designs

Head of a bodhisattva, probably Avalokiteshvara (Guanyin), 12th-13th century

China

G200

large square green and grey jade seal with cross-shaped faceted handle; handle has hole through top for hanging/storage and character carved into top

Official Taoist Seal, 14th century

China

G201

brown; 19 round feet; center unglazed on top and bottom; has its own box

Multiple-Legged Ink Stone, 222-589

China

G217

seal with turtle standing on top of plain, undecorated platform; turtle looking straight up

Official Seal, 2nd century BCE- 2nd century CE

China

G215

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