Library and Rock Garden — The Studio of Gratifying Discourse, 1797
Unknown

G216

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces — Celestial Horse, 25-220
China

G215

Cosmetic Case and Mirror Stand, China — Cosmetic Case and Mirror Stand, early 17th century
China

G218

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left — Prancing Horse, 1st-3rd century
China

G215

The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

young Manchu woman seated by a lacquer table on a garden terrace with bamboo growing at L; woman wears blue robe with Shou characters and has stylish hairdo decorated with flowers and jewels; on the table are a snuff bottle, a fan, a ju-i scepter and a vase of peonies; blue and white vessel with plant LLC; butterfly-covered box on floor beside table — Birthday Portrait of a Young Manchu Lady, c. 1800-1850
China

G203

crouching rabbit with small ears and brown eyes; rectangular base with squared-off corners — Figure of a Rabbit, 8th-9th century
China

G204

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C
Edgar Degas

G351

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

standing female figure holding an apple in her proper left hand — Eve with Apple, c. 1902
Aristide Maillol

G324

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief — Relief, New York, 1936, 1936
Charles Biederman

G377

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G242

Triptych — Triptych: Prisoners of the Mountain Mist, c. 1910
Giovanni Battista Crema

G310

Ceremonial Gate, China — Ceremonial Gate, 1728
China

G217

red spongelike rock with white striations — Scholar's Rock, early 19th century
China

G218

Head and shoulder of a pharaoh, wearing headgear; black and tan flecked marble; has own mount — Portrait of Pharaoh Amenhotep III, 1391-1353 BCE
Ancient Egyptian

G250

Figure, arrived with own plexi base — Standing Female Nude, 1908
Elie Nadelman

G367

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds — Standing Shakyamuni Buddha, late 6th century
China

G207

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin — Money Tree, 1st-2nd century
China

G201

woman seated at a table with another woman behind her, arranging the seated woman's hair; third woman making a bed at right — Lady at Dressing Table, 1657
Wang Qiao

G203

bronze budhist temple bell; tall football shaped body with flat top; two dragons turned away from each other form hanger at top center; sides decorated with two rectangular fields striped with three bands of three raised circular bumps — Bo bell, late 6th-5th century BCE
China

G215

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand — Screen, 17th century
Unknown

G217

Still Life with Pascal’s "Pensées", Henri Matisse — Still Life with Pascal’s "Pensées", 1924
Henri Matisse

G351

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center — Corinthian helmet, c. 540 BCE
Unknown Greek

G241

folding chair with woven seat; inlaid iron decorations on arms and footrest; carved open-mouthed animals where arms attach to seat — Folding round-back armchair, late 16th century
China

G217

chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim — Silver plate decorated with chased “Red Cliff” scene, 13th century
China

G208

rectangular body with splayed rim, tapered base and flat foot; handles are two twisted intertwined pieces; exterior covered with leaves and grapes in low relief; text around unornamented base: " John Anstruther Thomson's LANCER by Stanford" on front and "AYR 1825" on back — Wine cooler, c. 1825
Paul Storr

G350

dark blue glaze; Christie's Lot 370 2/22/96 — Bottle Vase, 19th century
China

Not on View

brush with carved cover and handle; circular medallions decorated with geometric patterning scattered over an organic leaf pattern background; meandering band at brush tip and lower end of cover — Brush and Cover, c. 1600
China

G218

pair of shears, the tapering blades joined through a figure-of-eight-shaped spring-handle and decorated on each side with a bird in flight and scrolling foliage, on a ground of ring-matting — Shears (scissors), 8th-9th century
China

G208

two album leaves mounted on boards and matted; left is calligraphic; right is landscape, rocky foreground with three central trees with birds (2), two trees (bare) on right, mountains in background, river (?) between; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background; rocky middle ground with two buildings; trees with leaves in foreground from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background, three trees in center middle ground, two smaller trees to right in foreground with rocks, waterfall, and river from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on large rocks lower center foreground, left of trees in middle ground is a building, three smaller trees far right, mountains in background from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on a rock at center, large rock with vine or tree at right background, small rock at left foreground; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with a group of four trees in center in slightly sloped landscape from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape large mountain in center, two or three leafy trees at mountain base foreground, two buildings (?) behind them, other trees at right middle ground, other mountains upper left and right from accordion-style album, wood covers; eight images, alternating with text, single page of text at end — Two album leaves from a landscape album, 1621
Li Liufang

G218

bar with four triple-pronged protruding elements; incised designs overall; mounted on black cloth-covered board with L2003.116.5.1-6 — Quatrefoil Plaque of the Four Directions, late 2nd century
China

G215

darker brown on top with reddish brown near bottom; flat, bottle-like shape; ovoid foot; identical moulded design on each side: large dancing figure, small clapping figure and large figure playing a flute — Flask with Figural Decoration, 550-577
China

G204

seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background — Beauty in Winter, 17th-18th century
Gao Qipei

G203

ink sketches of trees, rocks and buildings; several blocks of text on paper follow sketches; separate gold-flecked sheet with Chinese text rolled into scroll — Studies of Traditional Trees and Rocks, c. 1610
Dong Qichang

G218

from right to left: figure with attendants in a garden near a pool with ducks; figures in an interior writing, reading and playing games; men picnicking, listening to female musicians; second building where two men listen to a third man playing a stringed instrument; brightly colored — Scholarly Pursuits, late 17th-mid 18th century
China

G203

woman seated on rocks, wearing long vest-like garment in grey with stylized floral designs and a skirt with design of cranes in octagons; woman wears peal hoop earring; bamboo at left and right; text at top — The Singer Su Xiaoxiao, 1746
Kang Tao

G203

squat upright shape of horizontal, massed volumes with horizontal striations with an overhang to the front; stone dense and resonate with distinct underlying greenish tinge with lighter green veining and some buff striations — Scholar's Rock, 18th century
China

G218

two seated men flanking a standing woman, seen from back, playing a lute on a boat; orasman wraps one leg around oar; a fourth man sits with a horse on bank, LLC; grey ink-blotch mountains; text above — Ode to the Pipa, or Song of the Lute, 1650
Wang Jianzhang; Calligrapher: Wen Chia

G203

very tall, elongated figure; triangular-shaped face; very close-set features; painted eyes and garment details in red, black and white; long sleeves; mostly dark brown patina overall — Figurine of a Female Court Attendant, 4th-3rd century BCE
China

G215

celadon green; three small paw feet with animal heads; two squared-off handles on top rim; four rows of incised geometric designs on body — Tripod Censer, 10th-11th century
China

G204

bulbous garlic head mouth, long neck, globular body; five rows of painted red triangles — Garlic Head Vase, 2nd century BCE
China

G204

globular body with large circular mouth; yellowish brown glaze on top half and brown drips on bottom unglazed half — Alms Bowl, late 6th century
China

G204

small stand in the shape of a qin; 13 ivory circular inlays on top at one side; inlaid seal; four small legs; 10 characters on top — Wristrest in the Shape of a Chin (Lute), early 19th century
Kuo Shang-hsien

G217

Roundback Armchair, one of a pair, China — Roundback Armchair, one of a pair, 17th century
China

G218

spherical jar with small conical neck rim and flat foot rim; black glaze with brownish areas at mouth; small, dull silver spots throughout glaze — Oil Spot Jar, 13th-14th century
China

G204

small standing figure wearing a robe and leaning on a staff; incised details; mounted on black cloth-covered board with L2003.116.5.1-4, .6, .7 — Figural Plaque, 2nd-3rd century
China

G215

walking bird with wings outstretched; rooster-like tail-feathers; facing L; mounted on black cloth-covered board with L2003.116.7.1, .2 — Bird Plaque, 2nd-3rd century
China

G215

large bird with outstretched wings on openwork background; applied insect at each corner; incised details; mounted on black cloth-covered board — Pictorial Plaque with Bird, 2nd-3rd century
China

G215

spherical jar with 4 small double strand lug handles below mouth; crinilated rib around center of body; 4 floral medallions between handles; 8 medallions with pairs of cranes holding fish alternating tassels and lotus pods on body; green glaze pooling to bright blue; bottom 1/3 unglazed — Globular Jar, 6th-9th century
China

G204

Yue ware; pea-green glaze; foliate rim; small, shallow — Bowl, one of a pair, 9th century
China

G204

Incense Box, China — Incense Box, 1662-1722
China

G216

light green six-lobed box with flower design on lid; in storage box — Six-lobed Covered Box, 12th-13th century
China

G204

lotus bud form jar with cover in green/blue glaze; stored in wood box — Lidded Jar, 12th century
China

G204

open doorway with applied V-shaped elements, glazed brown, under overhang; recessed doorway with blue jamb, blue lintel and round brown dentils and square elements at bottom of door; green glazed incised brick-like decoration around podium and lower portion — Gateway, 15th-16th century
China

G215

figure with green robe with brown side panels on skirt; holds long tapering bell-like instrument in PR hand — Musician, 15th-16th century
China

G215

figure with green and brown robe and red hat; drum attached to waist — Musician, 15th-16th century
China

G215

figure with green robe and red hat; arms at sides, PL hand palm up — Attendant, 15th-16th century
China

G215

L-shaped segment where two walls meet forming corner; notches on lower outside edge of each wall; decorative green glazed cornice around top edge with brown glazed element at corner; green glazed brick-like incised areas along bottom edges of wall — Wall Segment, from a large tileworks retinue, 15th-16th century
China

G215

organic lattice work at sides and top; circular opening formed when lattice pieces joined; banded feet; three standing figures within medallion at top center — Moon Gate, 1728
China

G216

five pointed leaf motif with six leaved flower (in plain and twisted wire) within it; a multiple leaved blossom at center; pin extends down from center — Hair Ornament, one of a pair, 11th century
China

G208

model Hinged Chest, from a set of model furniture — Hinged Chest, from a set of model furniture, 17th century
China

G215

Armchair with Continuous Yoke Back, one of a pair, China — Armchair with Continuous Yoke Back, one of a pair, c. 1600
China

G218

Hand Exerciser, China — Hand Exerciser, 18th century
China

G217

bowl, flared sides with finger groove below rim; interior design, prunus branch and crescent moon; dark brown glaze; knife cut foot with no glaze — Tea Bowl, 10th-11th century
China

G204

Leda and the Swan, Albert-Ernest Carrier-Belleuse — Leda and the Swan, c. 1858
Albert-Ernest Carrier-Belleuse

Not on View

Guild of Handicraft, Chipping Campden (1888-1908), manufacturer spoon, 1902-3; bowl and lid,1903-4 — Bowl with lid and spoon, 1902-1904
Charles Robert Ashbee; Manufacturer: Guild of Handicraft, London, 1888-1908

G350

thistle-shaped cup on slender, horizontally ribbed oviform stem pierced with 6 rows of short vertical slits above inverted cup-shaped foot — Ceremonial Stem Cup, 3000-2000 BCE
Longshan

G204

Shortback armchair carved to simulate bamboo, one of a pair, huanghuali hardwood, Ming Dynasty, China — Pair of Low Back Armchairs, late 17th century
China

G216

two dragons in upper corners wrapping around inkwell at top center; dark brown slate — Inkstone, c. 1740
Chou Shao-lung

G217

carved bamboo root, prunice and pine (?) — Brushrest, early 18th century
Shen Ch’uan-lin

G217

Ruyi Scepter, China — Ruyi Scepter, late 17th-early 18th century
China

G217

for Indonesian export market; white glaze; globular body surmounted by ringed neck tapering toward a flattened stylized phoenix head with applied details, below a trumpet-form mouth — Pheasant-Head Ewer, 10th-11th century
China

G204

Yokeback Armchair, China — Yokeback Armchair, c. 1550
China

G218

standing figure with right hand out in front and clenched, left hand down at hip; triangular heads with black features painted on pink ground; .1 wearing a breast plate over baggy trousers; .2 wearing a striped tunic over baggy trousers — Footsoldier, one of a pair, 2nd century BCE
China

G215

deep bowl with low, slightly flaring ring foot; curved sides; blue-black glaze over brown on interior and exterior; brown slip on foot — Bowl, 12th century
China

G204

low box with straight sides, forming a cylinder; low flaring foot ring; slightly domed cover with bud-shaped finial; brown glazed exterior; olive green on interior of box — Covered Box, 10th century
China

G204

Roundback Armchair, 17th century

China

G218

five pointed leaf motif with six leaved flower (in plain and twisted wire) within it; a multiple leaved blossom at center; pin extends down from center — Hair Ornament, one of a pair, 11th century
China

G208

shallow bowl fused to the rim of a deeper bowl with open foot; incised with a floral design in the center and a lotus leaf pattern around the outside — Brush Washer, 10th-11th century
China

G204

male figure seated on a chair placed on a small podium; man has PL hand on thigh and PR hand on belt; glazed in green, blue, brown and yellow; dragon on front of man's garment — Figure of Wenchang, Deity of Literature, 12th-13th century
China

G217

quadrilobed design; edges decorated with applied stamped scroll and floral designs; green and tan glaze — Brushwasher, 10th century
China

G208

Small bouquet of red gladioli — Red Gladioli, c. 1906
Piet Mondrian

G351

small ivory bowl, lotus blossom inside well with circular foot on bottom — Tea Bowl, 11th century
China

G204

standing woman wearing a long robe with very long sleeves; woman holds her hands up in front of her shoulders; straight hair pulled back into a low ponytail; cloth-covered mount — Female "Long Sleeve" Dancer, 2nd century BCE
China

G215

brown glaze; wide shoulder with short narrow neck; 4 bands of cut away (sgraffiato) decoration (from top) leafy scroll, key-fret, floral with twisting vines, stylized leaves and flowers; has fitted blue box — Ovoid Bottle, late 12th century
China

G204

Planter, Tiffany Studios — Planter, c. 1905
Tiffany Studios

G320

dish-shaped red ink cake with incised gilt dragons and 2 gilt characters at center; gilt inscription inside square on bottom; 2 rows of raised characters around edge; raised abstracted dragons around edge on bottom — Imperial Ink Cake, 1736-1795
Wang Chin-shen

G217

blue figure with 3 heads (one white, one blue and one red), 6 arms, 4 legs and wings embracing a green figure with long red hair; flaming mandala behind figures; small thrones below, above and at R and L with various demons, humans and part animal/part human figures; multicolored pigments — Thangka of Vajrakila and Diptachakra, late 19th century
Tibet

G212

small green glazed plate with incised molded decoration of 5 boys and 2 dogs playing among plants — Plate, c. 1150
China

G204

ceramic pillow shaped like a reclining tiger with tail against PR side of body; flat top section decorated with floral designs and insect; brown and orange glaze — Tiger Pillow, late 12th century
China

G204

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