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standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

G215

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

Unknown

G216

seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

Unknown

G200

Cosmetic Case and Mirror Stand, early 17th century

China

G218

The Wu Family Reception Hall, early 17th century

China

G218

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

Figure

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C

Edgar Degas

G351

Figure, arrived with own plexi base

Standing Female Nude, 1908

Elie Nadelman

G367

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief

%C2%A9 Estate of Charles Biederman

Relief, New York, 1936, 1936

Charles Biederman

G377

bronze budhist temple bell; tall football shaped body with flat top; two dragons turned away from each other form hanger at top center; sides decorated with two rectangular fields striped with three bands of three raised circular bumps

Bo bell, late 6th-5th century BCE

China

G215

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand

Screen, 17th century

Unknown

G217

rounded box on a short foot; carved red, green and brown lacquer; dragons in cloud forms around base and cover with dragon at top; geometric bands

Nine Dragon Box, 18th century

China

G210

folding chair with woven seat; inlaid iron decorations on arms and footrest; carved open-mouthed animals where arms attach to seat

Folding round-back armchair, late 16th century

China

G217

chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim

Silver plate decorated with chased “Red Cliff” scene, 13th century

China

G208

standing female figure holding an apple in her proper left hand

Eve with Apple, c. 1902

Aristide Maillol

G324

red spongelike rock with white striations

Scholar's Rock, early 19th century

China

G218

crouching rabbit with small ears and brown eyes; rectangular base with squared-off corners

Figure of a Rabbit, 8th-9th century

China

G204

octagonal box with lid; lid carved with central circle surrounded by 4 C-scrolls and 4 concentric bands of tixi scrolls; box decorated with rolls of same scrolls; black interior

Octagonal Box, 15th century

China

G210

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin

Money Tree, 1st-2nd century

China

G201

crouching female figure with swags of a variety of flowers on an oblong octagonal base

Flora Kneeling, c. 1871

Jean-Baptiste Carpeaux

G324

Ceremonial Gate, 1728

China

G217

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown

Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century

China

G200

Barbizon landscape, northeastern France, Fontainebleau forest

The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844

Charles-François Daubigny

G321

Triptych

Copyright of the artist%2C artist%27s estate%2C or assignees

Triptych: Prisoners of the Mountain Mist, c. 1910

Giovanni Battista Crema

G310

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Still Life with Pascal’s "PensĂ©es", 1924

Henri Matisse

G351

Head and shoulder of a pharaoh, wearing headgear; black and tan flecked marble; has own mount

Portrait of Pharaoh Amenhotep III, 1391-1353 BCE

Ancient Egyptian

G250

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center

Corinthian helmet, c. 540 BCE

Unknown Greek

G241

bust-length profile of a man, carved in relief, with curly hair and a curly beard

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G241

purple duan inkstone; wave design on three sides and surrounding ink basin; inscription with wave pattern at LRC of verso

Ink Stone, 1623 (Dated by inscription)

Wen Yu-yang

G217

Rectangular ceramic pillow; white glaze with brown design depicting 7 standing men facing left in an outdoor setting on top; large flowers at left and right edges, floral sprays at left, right and back sides and bamboo on front

Pillow, 12th-13th century

Li Family Workshop

G204

Planter, c. 1905

Tiffany Studios

G320

carved bamboo root, prunice and pine (?)

Brushrest, early 18th century

Shen Ch’uan-lin

G217

two dragons in upper corners wrapping around inkwell at top center; dark brown slate

Inkstone, c. 1740

Chou Shao-lung

G217

dish-shaped red ink cake with incised gilt dragons and 2 gilt characters at center; gilt inscription inside square on bottom; 2 rows of raised characters around edge; raised abstracted dragons around edge on bottom

Imperial Ink Cake, 1736-1795

Wang Chin-shen

G217

Guild of Handicraft, Chipping Campden (1888-1908), manufacturer spoon, 1902-3; bowl and lid,1903-4

Bowl with lid and spoon, 1902-1904

Charles Robert Ashbee; Manufacturer: Guild of Handicraft, London, 1888-1908

G350

white with painted brown design with flowers on front and sides, bird and flowers on back and outdoor scene with 2 figures on top

Rectangular Pillow, late 13th-early 14th century

Wang Family Workshop

G204

domed top carved with 2 dragons with gilded details among waves; Ming-style imperial seal on bottom; sides carved with organic designs

Ink Stick in Seal Form, 18th century

Attributed to Wang Wei-kao

G217

thinly cast with a narrow spout and pointed lip above an oblong body cast with three medial lines, a single loop handle; all standing on tall blade-form legs

Jue wine vessel, 16th-15th century BCE

China

Not on View
celadon green; three small paw feet with animal heads; two squared-off handles on top rim; four rows of incised geometric designs on body

Tripod Censer, 10th-11th century

China

G204

face mask of person with closed eyes; pierced ears; delineated hairline; bronze, with bib attached to neck area in green-blue and brown patina

Funerary Mask of a Young Woman, 916-1125

Unknown

Not on View
slender meiping shape with rounded shoulders and reel-top mouth; white slip over grey stoneware; central band of carved scrolling floral branches

Vase, late 13th century

China

G204

gilt bronze female figure seated on cushion holding small male figure in lap; mounted on black stand

Child-Giving Guanyin (Sung-tzu Guanyin), 16th century

China

G218

two men playing a board game while four others watch; the game is being played outdoors in a rock garden under the pine trees; two distinctive stools and various other decorative objects scattered about scene

Scholars Playing "Go" Under Pine Trees, 14th century

China

Not on View
saucer with attached central stemmed container, decorated with dragons on foot; openwork lid with openings behind mountains with figures and animals

Boshanlu hill censer, 1st-2nd century

China

G215

rounded body with thin tapering neck, flaring to wide lip; dark brown glaze with 2 bands with cut-glaze decoration with floral motifs

Bottle, 13th-14th century

China

G204

baldheaded figure with closed eyes, wearing a robe which falls in folds at stomach, lower arms and legs; slightly leaning to proper left, with a small space between proper right arm and body; hands folded at waist

The Monk Ananda, 9th century

China

Not on View
cylindrical form with 3 stylized trefoil clouds for feet; body decorated with 3 bands of 3 raised ridges; blue-green bubbly celedon glaze

Cylindrical Tripod Censer, 12th-13th century

China

G204

Seated female figure from head to knees; legs apart, PR hand where PR knee would be; PL hand raised in front of chest; wearing gold headdress and earrings with turquoise inlay and other gold jewelry; face gold, blue hair

Green Tara, 14th-15th century

Tibet

G212

figure seated on lotus, proper right leg hanging off and supported by smaller lotus; lotus growing from both palms and flowering at shoulders; elaborate headdress and oversize earrings

The Bodhisattva Avalokitesvara, 1403-1424

China

G212

This book cover originally protected the Buddhist manuscript known as 'Prajnaparamitasutra' (The Perfection of Wisdom); three seated figures across central panel--central figure is 'Prajnaparamita'; two of her four hands hold a 'vajra' and a sutra; the other two are in the 'abhaya' and 'dyana' positions; Padmapani stands to her right and Green Tara to her left; six smaller Buddhas are seated across the bottom of the border and four are seated across the top; foliate forms and mythological beasts are between the Buddhas

Prajnaparamita book cover, c. 1200

Tibet

G212

Shakyamuni seated on a throne, flanked by 2 Bodhisattvas and surrounded by 8 rows of seated deities and monks; red, gold, green and blue

Shakyamuni Buddha, 1440-1470

Tibet

Not on View

Six-Post Canopy Bed, early 17th century

China

G218

reddish brown couch with c-carved legs and bulging aprons with rattan seat

Couch-Bed, c. 1600

China

Not on View
shallow dish with small flat rim; painted orange and brown; central organic scrolling design; brown rim with orange dots and zigzags; character(?) repeated 5 times around rim, 3 times on bottom

Dish, 3rd-2nd century BCE

China

G215

deep relief carving; Buddha at L seated on a throne with PL hand on head of kneeling Bodhisattva with clasped hands; 7 other figures stand behind and to R and L

Buddha Stroking the Head of a Follower, late 8th century

China

G200

flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 7th-10th century

China

G208

Cross-legged seated man with PL hand palm up on lap and PR hand raised to chest level; wearing elaborate headgear and jewelry with elongated pierced ears; has own mount

Amoghasiddhi, 13th-14th century

Western Tibet or Central Regions, Tibet

G212

twelve panels; each panel consists of central painting and three carved panels; one square panel above painting with large medallion; two panels below painting rectangular above square; small medallion in rectangular panel, smiliar design lower square panels throughout

Folding screen, late 17th century

China

Not on View
few dwelling huts in an atmospheric rocky riverside setting; in a wood case

Misty Trees and Mountain Range, c. 1670

Dong Qichang

Not on View
fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background

Zhou Dunyi Gazing Out Over Lotus, c. 1500

Liu Jun

Not on View
small comb with rounded top

Comb, c. 100 BCE -c. 200 CE

China

G215

small comb with rounded top

Comb, c. 100 BCE - c. 200 CE

China

G215

small comb with rounded top

Comb, c. 100 BCE -c. 200 CE

China

G215

small comb with rounded top

Comb, c. 100 BCE -c. 200 CE

China

G215

cylindrical box with stepped cover; inlaid flower on cover; organic and geometric patterns overall in red and brown

Cosmetic Container, c. 100 BCE -c. 200 CE

China

G215

cylindrical box with stepped cover; inlaid flower on cover; organic and geometric patterns overall in red and brown; rouge residue inside container

Cosmetic Container, c. 100 BCE - c. 200 CE

China

G215

deep rounded cup with flaring lip with ridge at center of bowl; bulging, long central section pierced with 9 rows of offset slits; high, angular foot; black pottery

Stem Cup, 2500-2000 BCE

Longshan

G204

small green glazed plate with incised molded decoration of 5 boys and 2 dogs playing among plants

Plate, c. 1150

China

G204

deep bowl with low, slightly flaring ring foot; curved sides; blue-black glaze over brown on interior and exterior; brown slip on foot

Bowl, 12th century

China

G204

low box with straight sides, forming a cylinder; low flaring foot ring; slightly domed cover with bud-shaped finial; brown glazed exterior; olive green on interior of box

Covered Box, 10th century

China

G204

huang hua-li yoke back arm chair; cane seat, s-shape arms and splat, round legs, apron at underside of seat

Yokeback Armchair, one of a pair, c. 1600

China

G218

conical shaped tea bowl; dark brown glaze with single leaf design at interior; foot unglazed; has own storage box

Teabowl with Leaf Decor, 12th-13th century

China

G204

man standing with proper right foot on head on sea serpent; proper left leg bent backward with square brushwasher resting on heel; man holds brush in proper right hand and small shell-shaped cap in proper left hand

Kui Xing (God of Literature), 16th century

China

G201

bamboo image inscribed; Sotheby's London, 6/12/95 Lot 516

Archer’s thumb ring, 1662-1722

China

G217

Silk Worm, 3rd century BCE- 3rd century CE

China

G215

flat circular ceramic seal paste box with celadon glaze; unadorned, tapered lower half to a 1-3/8 inch concave unglazed base

Seal Paste Box, 12th century

China

G204

Egg-shaped bottle with brown teadust glaze; nearly flat shoulder; short neck with flaring, thick mouth; bottom section unglazed

Bottle, 12th-13th century

China

G204

Shallow conical bowl with a very small foot; glazed light blue

Small Conical Bowl, 12th-13th century

China

G204

dark brown glaze splashed with pale blue on the vessel's shoulder; rare phosphatic glaze; unglazed foot

Jar, 8th century

China

G204

character 'shou' as written in grass script as one continuous stroke of a brush

Stylized Shou Character, c. 1800

China

G217

Round, straight legs; curving support from each leg to underside of tabletop; six scroll elements at corners of short apron

Small Occasional Table, late 17th century-early 18th century

China

G218

earthenware bean shaped headrest carved at center with ribbon tied spray of lotus and sagittarius blossoms against a dense ground of scrolling vines; green glaze

Pillow, 12th century

China

G204

carved with lotus flowers and leaves; small crab near base

Incense Cylinder, early 18th century

China

G218

brush with carved cover and handle; circular medallions decorated with geometric patterning scattered over an organic leaf pattern background; meandering band at brush tip and lower end of cover

Brush and Cover, c. 1600

China

G218

huang hua-li painting table; sides four-square with large leg to table top bracing; hoof feet; minimal key pattern band at underside of table to top third of legs

Corner-leg Painting Table, late 17th century

China

G216

Footstool, 16th-17th century

China

G216

Four-legged table with apron on front and back and leg supports on sides; apron carved on front and back with scrolling organic designs; two drawers on front carved with flowering branches

Two-Drawer Table, 17th century

China

G218

Incense Boxes and Burners, late 16th-early 17th century

China

G217

standing figure with right hand out in front and clenched, left hand down at hip; triangular heads with black features painted on pink ground; .1 wearing a breast plate over baggy trousers; .2 wearing a striped tunic over baggy trousers

Footsoldier, one of a pair, 2nd century BCE

China

G215

upright rectangular shape with five shelves; center shelf has two drawers below; square drawer pulls mounted to chrysanthemum back plates

Bookshelf, late 17th century

China

G216

rectangular top frame divided by central stretcher, two cylindrical rollers set to either side, straight waist, beaded apron, short stout legs with hoof feet

Footstool (gundeng), c. 1600

China

G216

Shortback armchair carved to simulate bamboo, one of a pair, huanghuali hardwood, Ming Dynasty, China

Pair of Low Back Armchairs, late 17th century

China

G216

conical bowl with blue glaze and splashes of purple glaze on interior and exterior; with storage box

Bowl, 12th-13th century

China

G204

white pottery cup, unglazed foot with incised circle at underside of base, has own storage box

Cup, 7th-10th century

China

G204

octagonal-shaped box-like form; glazed white with central area of brown containing 14 Chinese characters in white slip on top; two flanking areas decorated with brown foliate designs

Octagonal Pillow, late 12th-early 13th century

China

G204

pair of shears, the tapering blades joined through a figure-of-eight-shaped spring-handle and decorated on each side with a bird in flight and scrolling foliage, on a ground of ring-matting

Shears (scissors), 8th-9th century

China

G208

Yokeback Armchair, c. 1550

China

G218

small ivory bowl, lotus blossom inside well with circular foot on bottom

Tea Bowl, 11th century

China

G204

thin rectangular table; unadorned; feet emphasized; curved leg support reaches from under table top

Lute table, c. 1600

China

G216

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