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standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

G215

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

Unknown

G216

seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

Unknown

G200

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

The Wu Family Reception Hall, early 17th century

China

G218

Cosmetic Case and Mirror Stand, early 17th century

China

G218

octagonal box with lid; lid carved with central circle surrounded by 4 C-scrolls and 4 concentric bands of tixi scrolls; box decorated with rolls of same scrolls; black interior

Octagonal Box, 15th century

China

G210

Triptych

Copyright of the artist%2C artist%27s estate%2C or assignees

Triptych: Prisoners of the Mountain Mist, c. 1910

Giovanni Battista Crema

G310

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin

Money Tree, 1st-2nd century

China

G201

crouching female figure with swags of a variety of flowers on an oblong octagonal base

Flora Kneeling, c. 1871

Jean-Baptiste Carpeaux

G324

bronze budhist temple bell; tall football shaped body with flat top; two dragons turned away from each other form hanger at top center; sides decorated with two rectangular fields striped with three bands of three raised circular bumps

Bo bell, late 6th-5th century BCE

China

G215

Figure, arrived with own plexi base

Standing Female Nude, 1908

Elie Nadelman

G367

standing female figure holding an apple in her proper left hand

Eve with Apple, c. 1902

Aristide Maillol

G324

red spongelike rock with white striations

Scholar's Rock, early 19th century

China

G218

crouching rabbit with small ears and brown eyes; rectangular base with squared-off corners

Figure of a Rabbit, 8th-9th century

China

G204

Barbizon landscape, northeastern France, Fontainebleau forest

The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844

Charles-François Daubigny

G321

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief

%C2%A9 Estate of Charles Biederman

Relief, New York, 1936, 1936

Charles Biederman

G377

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown

Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century

China

G200

Ceremonial Gate, 1728

China

G217

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Still Life with Pascal’s "PensĂ©es", 1924

Henri Matisse

G351

folding chair with woven seat; inlaid iron decorations on arms and footrest; carved open-mouthed animals where arms attach to seat

Folding round-back armchair, late 16th century

China

G217

chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim

Silver plate decorated with chased “Red Cliff” scene, 13th century

China

G208

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand

Screen, 17th century

Unknown

G217

rounded box on a short foot; carved red, green and brown lacquer; dragons in cloud forms around base and cover with dragon at top; geometric bands

Nine Dragon Box, 18th century

China

G210

Figure

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C

Edgar Degas

G351

woman seated at a table with another woman behind her, arranging the seated woman's hair; third woman making a bed at right

Lady at Dressing Table, 1657

Wang Qiao

G203

Head and shoulder of a pharaoh, wearing headgear; black and tan flecked marble; has own mount

Portrait of Pharaoh Amenhotep III, 1391-1353 BCE

Ancient Egyptian

G250

Pear-shaped body with narrow neck and flaring mouth; flared foot ring; 'oilspot' glaze in shiny black with russet sport and small metallic flecks

Pear-shaped Bottle, 12th century

China

G204

rounded body; short, straight neck with flaring lip; tapering handle; pair of square decorative handles; chicken head spout; black glaze

Chicken-Head Ewer, 4th century

China

G204

Top shaped like an abstracted leaf; top carved with a blooming peony in brown-black glaze; brown-black stripe around edge; cream ground

Pillow, late 11th-early 12th century

China

G204

tall, thin jar with pointed lower end, small mouth and very short neck; decorated with incised diagonal lines

Storage Bottle, 5000-4000 BCE

Yang Shao

G204

bulging sides from narrow base and narrow shoulder; everted lip; shiny black glaze with iron oxide (brown) dot-like splotches overall and scrolls at shoulder

Ovoid Vase, 11th-12th century

China

G204

shallow, conical bowl with curved rim and knife cut foot; rust colored glaze with dark brown underglaze

Tea Bowl and Stand, 10th-11th century

China

G204

four-sided carved wood lantern with glass panels; metal hardware at top for hanging

Lantern, one of a pair, 18th century

China

G216

square seal chest; double front doors lock in place by flip lid; large circular latch and rectangular pulls, hinges and corner hardware made of silver; copper snowflake design inlaid to center of latch at top center front; handle at either side; two drawers above one longer at interior behind doors

Seal chest, 17th century

China

G216

crisp relief around the sides with four figural scenes two officials standing beside waves lapping at a pair of closed doors inscribed on a panel above with 'Dong Hai' (the Eastern Sea), a closed umbrella beneath a leafy tree to one side; a scene of an immortal and album-bearing attendant standing on a balustrated terrace overlooking plantains, a doorway to one side; a figure in a pavillion looking out at a figure with clasped hands standing before a ding censer emitting smoke atop an altar stand; an attendant bearing a stack of books and a scholar wielding a brush before a gate he has inscribed 'Sheng Xian Qiao' (Arch of the Ascending Immortals); all above a band of stiff leaf lappets, applied on the interior, exterior and interior footring with a sea-green glaze

Celadon jar, 14th century

China

G216

small wood table, top slants slightly toward back; front and sides carved in low relief with religious symbols and lacquered, single horizontal support brace at back; cloud design at front with two rectangular inscriptions at top

Sutra Table, 18th century

Tibet

G212

ceramic bowl, small round foot; blue glaze overall with one purple splash at interior side, darker glaze at rim, unglazed foot

Bowl, 12th-13th century

China

G204

shallow sides divided into six petal-shaped lobes separated by narrow raised ribs; metal edge bordering the lip

Dish, 960-1279

China

G204

dark wood rectangular stand with open sides topped with grey and white marble

Rectangular stand, 18th century

China

G216

ornately carved wood table mount for framed marble insert; inscription and seal at UL

Table screen, c. 1800

China

G216

Roundback Armchair, one of a pair, 17th century

China

G218

Curved piece of ivory; slightly rounded corners on top, slight indentation at bottom

Court Tablet (Hu), 17th century

China

G217

Yingqing ewer with 8 panels (facets) on body and lid; rounded body with long faceted neck; thin pulled handle and long thin spout; tall lid has flower-shaped knob; 10 scalloped lobes on tall sided basin; pale greenish-grey glaze

Wine Ewer and Basin, 11th century

China

G204

Armchair with Continuous Yoke Back, One of a Pair, c. 1600

China

G218

Crouching hoofed mythical animal; double horn with head turned to side and mouth open; scaly body with flamelike ribbons at haunches; tufted mane and tail

Water Dropper, 16th-17th century

China

G217

four-sided carved wood lantern with glass panels; metal hardware at top for hanging

Lantern, 18th century

China

G216

brown tones; conical form with lipped rim; interior decorated with three dark brown floral medallions; unglazed foot

Tea Bowl, 12th-13th century

China

G204

openwork design at top with dragon, looking up, surmounting 2 fighting tigers with scrolling bands between; bar on bottom for bristles

Brush Handle, 2nd-1st century BCE

China

G215

conical bowl with celadon (green) glaze; floral decoration bottom half interior; in storage box

Bowl, 12th century

China

G204

rounded 4-sided pear shape with a short foot; 2 small hollow tubelike vertical handles; blue-green crackle glaze

Celadon Vase, one of a pair, 10th-13th century

China

G204

grey unglazed pottery figure of a kneeling woman looking straight ahead, wearing a robe; arms bent at elbows, straight ahead; hair pulled into low ponytail

Kneeling Female "Long Sleeve" Dancer, 2nd century

China

G215

tall tea bowl with very thick glaze; unglazed foot; dark brown with light brown at rim; streaking down sides of interior and exterior

Tea Bowl (yan-kou wan), 12th-13th century

China

G204

Square base with a wheel of law on a double lotus plinth; 2 rows of spokes on wheel

Seal, 1428

China

G216

seal with turtle standing on top of plain, undecorated platform; turtle looking straight up

Official Seal, 2nd century BCE- 2nd century CE

China

G215

small, deep bowl; dark brown glaze on exterior; mottled tan and brown glaze on interior with stenciled designs in dark and brown of bird and flower

Tea Bowl, 12th-13th century

China

G204

hexagonal wire mesh formed into an inverted funnel shape with flaring top; wire covered frame with curving handle terminating in a pair of loops

Cricket Catching Net, 19th century

China

G217

rounded 4-sided pear shape with a short foot; 2 small hollow tubelike vertical handles; blue-green crackle glaze

Celadon Vase, one of a pair, 10th-13th century

China

G204

jar with small foot, flaring out and inward to a wide neck decorated with gold/yellow 'studs' and flaring mouth; brown overall

Jar, 12th-13th century

China

G204

large head of a beast with mouth open; phoenix looking over its back on PL side; twisting roaring dragon on PR side; green, tan, black and white glaze; separated into 2 parts with part of dragon and phoenix on top section

Roof Ornament, one of a pair, 16th-17th century

China

G215

jar with rounded body, flat small foot; slightly inward-flaring neck with outward-flaring lip; neck decorated with gold/yellow and cream-colored 'studs', body tan, interior brown with black area

Jar, 13th-14th century

China

G204

cylindrical shape with wide, thick, slightly upward tilting mouth; single piece of palmwood densely stippled on the exterior, vertical striping at interior

Brush pot, 17th-18th century

China

G216

large head of a beast with mouth open; phoenix looking over its back on PR side; twisting roaring dragon on PL side; green, tan, black and white glaze

Roof Ornament, one of a pair, 16th-17th century

China

G215

brown; 19 round feet; center unglazed on top and bottom; has its own box

Multiple-Legged Ink Stone, 222-589

China

G217

slightly irregular rectangular shape; 2 wells inside base; base concave on bottom; cover decorated with lightly incised flower and star shaped leaves surrounded by a scrolling border

Ink Stone and Cover, 2nd-3rd century

China

G217

large square green and grey jade seal with cross-shaped faceted handle; handle has hole through top for hanging/storage and character carved into top

Official Taoist Seal, 14th century

China

G201

bronze lama seated on rectangular base; PR hand holding edge of robe; PL hand resting palm up on knee; underside of base consists of copper insert; black patina

Portrait of a lama (teacher), 16th century

Tibet

G212

tall, slightly bulbous body; long slender neck flaring out to wide, flat lip; white glaze

Bottle, 7th century

China

G204

ovoid ewer with thin, tapered neck and flaring mouth; double stranded handle with bead decoration at mouth and shoulder; cylindrical spout at shoulder; flat base; white slip and clear glaze

Ewer, 7th-8th century

China

G204

small table with stone inlay top; 4 straight corner legs, turned slightly inward at bottom; runners connect 4 feet in rectangular shape

Incense stand, late 16th century

China

G218

circular, flat box on a low foot ring; light blue glaze; cover decorated with lightly incised floral decoration; box contains 3 small attached bowls with 4 floral shapes connected with vines (all made from clay) attached to bottom

Covered Cosmetic Box, 11th-early 12th century

China

G204

dark red glaze with band of green glaze at mouth rim; unglazed foot

Cup, 13th-14th century

China

G204

brown glaze; wide shoulder with short narrow neck; 4 bands of cut away (sgraffiato) decoration (from top) leafy scroll, key-fret, floral with twisting vines, stylized leaves and flowers; has fitted blue box

Ovoid Bottle, late 12th century

China

G204

ovoid-shape with vertical incised lines; angled neck with persimmon glaze with streaks on bottom half; dark red glaze on body; unglazed foot

Bottle, 12th-13th century

China

G204

rounded body on raised foot; slightly inward-curving lip; surface decorated with abstracted floral shapes in brown glaze 5 on interior, 4 at lip and outer edge, separated by brown ovals

Bowl, 9th century

China

G204

blue figure with 3 heads (one white, one blue and one red), 6 arms, 4 legs and wings embracing a green figure with long red hair; flaming mandala behind figures; small thrones below, above and at R and L with various demons, humans and part animal/part human figures; multicolored pigments

Thangka of Vajrakila and Diptachakra, late 19th century

Tibet

G212

small green glazed plate with incised molded decoration of 5 boys and 2 dogs playing among plants

Plate, c. 1150

China

G204

seated bird with head turned toward tail and rested on back; long, curling feathers on wings and tail; details etched into surface; polished gold color with some blue, green and red (azurite, malachite and cuprite) encrustations

Phoenix weight, one of a pair, 2nd century BCE

China

G215

Chair with arms and upper back looped into horseshoe shape; central back panel has carved organic decorative elements; woven cane seat with diamond decorations

Continuous Roundback Armchair, c. 1550

China

G218

seated bird with head turned toward tail and rested on back; long, curling feathers on wings and tail; details etched into surface; gold color with green and red (malachite and cuprite) encrustations

Phoenix weight, one of a pair, 2nd century BCE

China

G215

L-shaped segment where two walls meet forming corner; notches on lower outside edge of each wall; decorative green glazed cornice around top edge with brown glazed element at corner; green glazed brick-like incised areas along bottom edges of wall

Wall Segment, from a large tileworks retinue, 15th-16th century

China

G215

standing horse with legs far apart, on rectangular base with squared-off corners; wears saddle

Horse, 15th-16th century

China

G215

ribbed roof, glazed green; round elements in three rows on one long side; blue glazed element on top edge and 3/4 way down each side edge; circular hole on each short side

House Roof, 15th-16th century

China

G215

Yue ware; pea-green glaze; foliate rim; small, shallow

Bowl, one of a pair, 9th century

China

G204

spherical jar with 4 small double strand lug handles below mouth; crinilated rib around center of body; 4 floral medallions between handles; 8 medallions with pairs of cranes holding fish alternating tassels and lotus pods on body; green glaze pooling to bright blue; bottom 1/3 unglazed

Globular Jar, 6th-9th century

China

G204

figure with green robe and red hat; very long sleeves; PL lower arm raised with end of sleeve hanging down

Musician, 15th-16th century

China

G215

figure with green robe and red hat; PL hand palm up

Attendant, 15th-16th century

China

G215

ribbed roof, glazed green; round elements in three rows on one long side; blue glazed element on top edge and 3/4 way down each side edge; circular hole on each short side

House Roof, 15th-16th century

China

G215

long trumpet neck; depressed globular body on a splayed foot ring; countersunk base; glazed russet brown and bluish-black

Flower Vase, 12th-13th century

China

G204

figure in brown robe with green sleeves and red hat; holds round musical instrument in PL hand

Musician, 15th-16th century

China

G215

L-shaped segment where two walls meet forming corner; notches on lower outside edge of each wall; decorative green glazed cornice around top edge with brown glazed element at corner; green glazed brick-like incised areas along bottom edges of wall

Wall Segment, from a large tileworks retinue, 15th-16th century

China

G215

four-sided with turned designs; green glaze on outside with brown inside basin; rectangular element with hole in top extending up from center of basin

Fountain, 15th-16th century

China

G215

gilt bronze group of a warrior in full armour seated astride a walking and armoured horse

Warrior Prince (Guan Yu), 16th century

China

G201

figure in brown robe with green sleeves and red hat; holds round musical instrument in PL hand

Musician, 15th-16th century

China

G215

figure with green robe and red hat; very long sleeves; PR lower arm raised with end of sleeve hanging down

Attendant, 15th-16th century

China

G215

seated figure with legs crossed; PR hand raised in gesture of abhayamudra; wearing robe decorated with patterned block and floral stripes in gold; seated on a lotus petal throne

Amoghasiddhi Buddha, 1403-1424

China

G212

figure with green robe and red hat; very long sleeves; PL arm raised with end of sleeve hanging down

Attendant, 15th-16th century

China

G215

two rows of brown glazed V-shaped applied decorative elements with brown bands underneath along front top edge; open doorway into hollow interior; lattice design, in brown glaze, on either side of doorway and on upper door jamb; incised brick-like design, glazed green, around podium and lower edges on upper structure

House, 15th-16th century

China

G215

figure with green robe and red hat; arms at sides, PL hand palm up

Attendant, 15th-16th century

China

G215

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