seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces — Celestial Horse, 25-220
China

Not on View

Library and Rock Garden — The Studio of Gratifying Discourse, 1797
Unknown

G216

chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim — Silver plate decorated with chased “Red Cliff” scene, 13th century
China

G208

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand — Screen, 17th century
Unknown

G217

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center — Corinthian helmet, c. 540 BCE
Unknown Greek

G241

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left — Prancing Horse, 1st-3rd century
China

G215

Cosmetic Case and Mirror Stand, China — Cosmetic Case and Mirror Stand, early 17th century
China

G218

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

white-skinned male figure and red-skinned female figure embracing in central circle with 20 figures surrounding them inside a circle and a square; 9 seated figures at top and bottom edge; multicolored pigments; leather hanging cord — Chakrasamvara and Vajravarahi Mandala, 1400-1500
Tibet

Not on View

Bamboo and Rocks, Zheng Xie — Bamboo and Rocks, c. 1760
Zheng Xie

Not on View

squat, round, red lacquer covered box with black interior and bottom; cover decorated with flowers, foliage and 2 birds with long tail feathers; sides of box with flowers and foliage — Box, 13th century
Unknown

Not on View

woman wearing flowered dress, seated on a red sofa at R; man, seated on a stool, cleaning art brushes, at center; woman dressing, with face partially hidden, at L — Studio-End of the Day II, 1974
John Koch

Not on View

The Englishman at the Moulin Rouge, Henri de Toulouse-Lautrec — The Englishman at the Moulin Rouge, 1892
Henri de Toulouse-Lautrec

Not on View

young Manchu woman seated by a lacquer table on a garden terrace with bamboo growing at L; woman wears blue robe with Shou characters and has stylish hairdo decorated with flowers and jewels; on the table are a snuff bottle, a fan, a ju-i scepter and a vase of peonies; blue and white vessel with plant LLC; butterfly-covered box on floor beside table — Birthday Portrait of a Young Manchu Lady, c. 1800-1850
China

G203

crouching rabbit with small ears and brown eyes; rectangular base with squared-off corners — Figure of a Rabbit, 8th-9th century
China

G204

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G242

Triptych — Triptych: Prisoners of the Mountain Mist, c. 1910
Giovanni Battista Crema

G310

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

Head and shoulder of a pharaoh, wearing headgear; black and tan flecked marble; has own mount — Portrait of Pharaoh Amenhotep III, 1391-1353 BCE
Ancient Egyptian

G250

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

standing female figure holding an apple in her proper left hand — Eve with Apple, c. 1902
Aristide Maillol

G324

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief — Relief, New York, 1936, 1936
Charles Biederman

G377

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C
Edgar Degas

G351

red spongelike rock with white striations — Scholar's Rock, early 19th century
China

G218

Figure, arrived with own plexi base — Standing Female Nude, 1908
Elie Nadelman

G367

Ceremonial Gate, China — Ceremonial Gate, 1728
China

G217

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds — Standing Shakyamuni Buddha, late 6th century
China

G207

deep relief carving; Buddha at L seated on a throne with PL hand on head of kneeling Bodhisattva with clasped hands; 7 other figures stand behind and to R and L — Buddha Stroking the Head of a Follower, late 8th century
China

G200

folding chair with woven seat; inlaid iron decorations on arms and footrest; carved open-mouthed animals where arms attach to seat — Folding round-back armchair, late 16th century
China

G217

Still Life with Pascal’s "Pensées", Henri Matisse — Still Life with Pascal’s "Pensées", 1924
Henri Matisse

G351

woman seated at a table with another woman behind her, arranging the seated woman's hair; third woman making a bed at right — Lady at Dressing Table, 1657
Wang Qiao

G203

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin — Money Tree, 1st-2nd century
China

G201

Roundback Armchair, one of a pair, China — Roundback Armchair, one of a pair, 17th century
China

G218

spherical jar with 4 small double strand lug handles below mouth; crinilated rib around center of body; 4 floral medallions between handles; 8 medallions with pairs of cranes holding fish alternating tassels and lotus pods on body; green glaze pooling to bright blue; bottom 1/3 unglazed — Globular Jar, 6th-9th century
China

G204

Yue ware; pea-green glaze; foliate rim; small, shallow — Bowl, one of a pair, 9th century
China

G204

Incense Box, China — Incense Box, 1662-1722
China

G216

light green six-lobed box with flower design on lid; in storage box — Six-lobed Covered Box, 12th-13th century
China

G204

lotus bud form jar with cover in green/blue glaze; stored in wood box — Lidded Jar, 12th century
China

G204

open doorway with applied V-shaped elements, glazed brown, under overhang; recessed doorway with blue jamb, blue lintel and round brown dentils and square elements at bottom of door; green glazed incised brick-like decoration around podium and lower portion — Gateway, 15th-16th century
China

G215

figure with green robe with brown side panels on skirt; holds long tapering bell-like instrument in PR hand — Musician, 15th-16th century
China

G215

figure with green and brown robe and red hat; drum attached to waist — Musician, 15th-16th century
China

G215

figure with green robe and red hat; arms at sides, PL hand palm up — Attendant, 15th-16th century
China

G215

L-shaped segment where two walls meet forming corner; notches on lower outside edge of each wall; decorative green glazed cornice around top edge with brown glazed element at corner; green glazed brick-like incised areas along bottom edges of wall — Wall Segment, from a large tileworks retinue, 15th-16th century
China

G215

organic lattice work at sides and top; circular opening formed when lattice pieces joined; banded feet; three standing figures within medallion at top center — Moon Gate, 1728
China

G216

arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.2.2 — Dragon-head Huang Plaque, 2nd-3rd century
China

G215

flat, round disc with domed protrusion at center; incised with figures, birds, animals and designs; mounted on black cloth-covered board with L2003.116.2.1 — Bi Disc Plaque, 2nd-3rd century
China

G215

arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.3.2 — Dragon-head Huang Plaque, 2nd-3rd century
China

G215

flat, round disc with domed protrusion at center; incised with figures, birds, animals and designs; mounted on black cloth-covered board with L2003.116.3.1 — Bi Disc Plaque, 2nd-3rd century
China

G215

flat, round disc with domed protrusion at center; incised with figures, birds, animals and designs; mounted on black cloth-covered board with L2003.116.4.1 — Bi Disc Plaque, 2nd-3rd century
China

G215

tower with triangular base topped with two graduated outward-flaring elements and a spire on top; mounted on black cloth-covered board with L2003.116.5.2-.7 — Plaque in the Form of a Tower, 2nd-3rd century
China

G215

tower with triangular base topped with two graduated outward-flaring elements and a spire on top; mounted on black cloth-covered board with L2003.116.5.1, .3-7 — Plaque in the Form of a Tower, 2nd-3rd century
China

G215

standing figure wearing robe and holding an L-shaped object; incised details; mounted on black cloth-covered board with L2003.116.5.1-2, .4-7 — Figural Plaque, 2nd-3rd century
China

G215

broad-shouldered figure with what appears to be an arrow through his head; curling moustache and round cap; incised details; mounted on black cloth-covered board with L2003.116.5.1-3, .5-7 — Figural Plaque, 2nd-3rd century
China

G215

small standing figure wearing a robe and leaning on a staff; incised details; mounted on black cloth-covered board with L2003.116.5.1-4, .6, .7 — Figural Plaque, 2nd-3rd century
China

G215

architectural crossbeam incised with dragon; five downward-extending elements; wave-like pattern on top; mounted on black cloth-covered board with L2003.116.5.1-5, .7 — Crossbeam Plaque, 2nd-3rd century
China

G215

flying bird with outstretched wings, facing R; mounted on black cloth-covered board with L2003.116.7.2, .3 — Bird Plaque, 2nd-3rd century
China

G215

walking bird with wings outstretched; inward-curving tail-feathers; facing R; mounted on black cloth-covered board with L2003.116.7.1, 3 — Bird Plaque, 2nd-3rd century
China

G215

walking bird with wings outstretched; rooster-like tail-feathers; facing L; mounted on black cloth-covered board with L2003.116.7.1, .2 — Bird Plaque, 2nd-3rd century
China

G215

flying bird with outstretched wings, facing L; mounted on black cloth-covered board with L2003.116.8.2-3 — Bird Plaque, 2nd-3rd century
China

G215

walking bird with wings outstretched; rooster-like tail-feathers; facing L; mounted on black cloth-covered board with L2003.116.8.1, .3 — Bird Plaque, 2nd-3rd century
China

G215

walking bird with wings outstretched; inward-curving tail-feathers; facing R; mounted on black cloth-covered board with L2003.116.8.1, .2 — Bird Plaque, 2nd-3rd century
China

G215

standing figure holding a flower-like object; facing R; incised details; mounted on black cloth-covered board with L2003.116.9.2 — Figural Plaque, 2nd-3rd century
China

G215

standing figure holding a flower-like object; facing R; incised details; mounted on black cloth-covered board with L2003.116.9.1 — Figural Plaque, 2nd-3rd century
China

G215

standing figure holding a flower-like object; facing L; incised details; mounted on black cloth-covered board with L2003.116.10.2 — Figural Plaque, 2nd-3rd century
China

G215

standing figure holding a flower-like object; facing L; incised details; mounted on black cloth-covered board with L2003.116.10.1 — Figural Plaque, 2nd-3rd century
China

G215

large bird with outstretched wings on openwork background; applied insect at each corner; incised details; mounted on black cloth-covered board — Pictorial Plaque with Bird, 2nd-3rd century
China

G215

spherical jar with small conical neck rim and flat foot rim; black glaze with brownish areas at mouth; small, dull silver spots throughout glaze — Oil Spot Jar, 13th-14th century
China

G204

five pointed leaf motif with six leaved flower (in plain and twisted wire) within it; a multiple leaved blossom at center; pin extends down from center — Hair Ornament, one of a pair, 11th century
China

G208

model Hinged Chest, from a set of model furniture — Hinged Chest, from a set of model furniture, 17th century
China

G215

rectangular body with splayed rim, tapered base and flat foot; handles are two twisted intertwined pieces; exterior covered with leaves and grapes in low relief; text around unornamented base: " John Anstruther Thomson's LANCER by Stanford" on front and "AYR 1825" on back — Wine cooler, c. 1825
Paul Storr

G350

Smiling seated man with thin, wild black hair, holding a brush in his PR hand; rocks and tree at left with mountains in background — The Immortal Hanshan, c. 1500
Unknown; Artist: Attributed to Jiang Gui

Not on View

black ovoid amphora with 4 oval-shaped incised designs on body; 2 bowed strap handles; mouth has 2 points — Black Amphora with Double Handles, 3rd-2nd century BCE
China

G204

Cizhou; very short neck, flaring slightly inward; 3 bands of floral decorations and scrolls, incised in dark brown glaze; round body — Globular Bottle, 13th century
China

G204

brush with carved cover and handle; circular medallions decorated with geometric patterning scattered over an organic leaf pattern background; meandering band at brush tip and lower end of cover — Brush and Cover, c. 1600
China

G218

darker brown on top with reddish brown near bottom; flat, bottle-like shape; ovoid foot; identical moulded design on each side: large dancing figure, small clapping figure and large figure playing a flute — Flask with Figural Decoration, 550-577
China

G204

bulbous garlic head mouth, long neck, globular body; five rows of painted red triangles — Garlic Head Vase, 2nd century BCE
China

G204

globular body with large circular mouth; yellowish brown glaze on top half and brown drips on bottom unglazed half — Alms Bowl, late 6th century
China

G204

woman seated on rocks, wearing long vest-like garment in grey with stylized floral designs and a skirt with design of cranes in octagons; woman wears peal hoop earring; bamboo at left and right; text at top — The Singer Su Xiaoxiao, 1746
Kang Tao

G203

two seated men flanking a standing woman, seen from back, playing a lute on a boat; orasman wraps one leg around oar; a fourth man sits with a horse on bank, LLC; grey ink-blotch mountains; text above — Ode to the Pipa, or Song of the Lute, 1650
Wang Jianzhang; Calligrapher: Wen Chia

G203

Stool, 17th century

China

G216

black and rust streaked and spotted glaze; footed jar, with low outward flare, flaring in to mouth; concave cover with small knob — Jar and Cover, 12th century
China

G204

red-orange bowl with tan accretions overall — Bowl, c. 4500 BCE
China

G204

walking bird with wings and tail-feathers outstretched; large claws; pierced with round, crescent and tri-lobed holes; mounted on black cloth-covered board — Phoenix Plaque, 2nd century
China

G215

bar with four triple-pronged protruding elements; incised designs overall; mounted on black cloth-covered board with L2003.116.5.1-6 — Quatrefoil Plaque of the Four Directions, late 2nd century
China

G215

openwork plaque with bell-shaped bottom; human head at top center; upper bodies of fantastic animals at R and L; incised details; mounted on black cloth-covered board — Plaque in the Form of Hsi Wang Mu, Queen Mother of the West, late 2nd century
China

G215

vessel on flat foot, flaring outward to shoulder and inward to wide, outward-turned mouth; pair of decorative loop handles, one with applied loop design; black painted decoration of curved lines and eyeball-like circles — Storage Vessel, c. 3000 BCE
Majiayao

G204

seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background — Beauty in Winter, 17th-18th century
Gao Qipei

G203

ink sketches of trees, rocks and buildings; several blocks of text on paper follow sketches; separate gold-flecked sheet with Chinese text rolled into scroll — Studies of Traditional Trees and Rocks, c. 1610
Dong Qichang

G218

from right to left: figure with attendants in a garden near a pool with ducks; figures in an interior writing, reading and playing games; men picnicking, listening to female musicians; second building where two men listen to a third man playing a stringed instrument; brightly colored — Scholarly Pursuits, late 17th-mid 18th century
China

G203

a: fine grain, smooth textured stone; dark purplish-gray color; carved in outline of "wind" character (feng); wide flat surface sloping down to a well enclosed by a raised border at the narrower end, border continues on the long sides and tapers down to the curved lip of the open fan-shaped wider end; two slab supports carved out of the edges on the underside; remains of black ink in interior margins; b: silver box with open pedestal base pierced on all four sides with wide oval openings of ogee-bracket form above the flat flanged foot; supports a quadrilateral container with tapered sides and rounded ends fitted to the outside of the inkstone; shallow sides with an inner flange; c: plain domed cover — Inkstone and Fitted Silver Box, 10th-11th century
China

G217

seated man wearing robes with Big Dipper on sleeves and dragon on belt; tortoise at man's feet; man has long dark hair and goatee; brown, cream and tan; T'zu-Chon ware — Chen-Wu, The Taoist Deity of the North, 14th-15th century
China

G201

thinly potted circular form with steeply rounded sides resting on flat rimless foot; painted black in linear design of concentric rings encircling round "eye" in center with two bands of arcs around the well above and below a central divider of three horizontal lines; everted rim, decorated with multiple "eyes" separated by clusters of oblique lines and one sector of crosshatched lines; exterior painted with three long wavy-line motifs, each ending with a curled-back hook and joining to form a continuous frieze below the rim; burnished overall to a smooth surface — Basin, c. 3000 BCE
Majiayao

G204

celadon green; three small paw feet with animal heads; two squared-off handles on top rim; four rows of incised geometric designs on body — Tripod Censer, 10th-11th century
China

G204

green patina overall; rounded body with inward-flaring shoulder and outward-flaring flat mouth; three feet; six decorative brackets; two "handles"; elaborate decorations overall of geometric forms — Shengding food vessel, 6th century BCE
China

Not on View

dark blue glaze; Christie's Lot 370 2/22/96 — Bottle Vase, 19th century
China

Not on View

small stand in the shape of a qin; 13 ivory circular inlays on top at one side; inlaid seal; four small legs; 10 characters on top — Wristrest in the Shape of a Chin (Lute), early 19th century
Kuo Shang-hsien

G217

squat upright shape of horizontal, massed volumes with horizontal striations with an overhang to the front; stone dense and resonate with distinct underlying greenish tinge with lighter green veining and some buff striations — Scholar's Rock, 18th century
China

G218

very tall, elongated figure; triangular-shaped face; very close-set features; painted eyes and garment details in red, black and white; long sleeves; mostly dark brown patina overall — Figurine of a Female Court Attendant, 4th-3rd century BCE
China

G215

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