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red, blue, green and ivory coverlet; 2 panels joined at center; motifs striped floral designs (abstract); 3 sides fringed; side borders floral and foliate designs - signed and dated

Coverlet, 1850

Charles Wiand

G304

black eight paneled shirt with abstract design in metallic (aluminum) pieces; fringe with metallic trim in middle of chest; braided fringe 'net' with metallic pieces across bottom half of back; braided fringe with tassles at sleeve edges and at bottom side edges; side pockets below sleeve openings; vee neckline; short fringe at bottom edge; breast pocket on left side

Tunic, 20th century

Dogon

G236

beaded crown; shells and small and large beads; three projections along top; front and sides beaded; center back of hat is plain except along edges; top section with knobs is an added three-dimensional section; lined; beads are red, white, black, yellow and olive

Hat, Date Unknown

Kuba

G236

cotton panel with various shades and sizes of blue and white stripes; light blue thread connects 13 strips of fabric together to create panel; two ends are hemmed with blue thread

Wrapper, 20th century

Dogon

G236

tapestry; orange twill cotton or wool multicolor weft-faced ends; cotton and metallic wool tassels

Headwrap (xk'ap), c. 1970

Tz'utujil Maya

Not on View
long woven band, green stripes on sides, central band of geometric motifs green, orange, blue, magenta, pink; several sections of inscriptions

Woman's belt (faja), 1983

K'iche' Maya

Not on View
long band with orange, green, black, pink, white flowers against magenta ground; ends in colored fringe

Woman's ceremonial belt (faja), 1945-1950

Maya

Not on View
geometrical pattern in half circle shape--3-1/2 repeats; white, lavender, light blue, light turquoise, shade of blues, clear to dark, dark green almost black

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1970

Automation, 1970

Barbara Brown; Producer: Heal's Fabrics

Not on View
cotton vertical stripes; plain weave; center seam joining two panels; red, green, black

Man's Blanket, 20th century

Myanmar (Burma)

Not on View
blue tie dyed plain weave cotton; adire cloth

Wrapper, late 20th century

Nigeria

Not on View
four rows of flowers; each flower has four petals light violet, mauve, old pink, dark ochre; bkg. white

%C2%A9 Heal%27s Fabrics%2C London%2C Lucienne Day%2C 1972

Petal, 1972

Lucienne Day; Producer: Heal's Fabrics

Not on View
5-1/4 repeats--eight rows of helix--each has two colors grey, light green--light blue, light green--light blue, dark blue--dark blue, dark green--bkg. white

%C2%A9 Heal%27s Fabrics%2C London%2C Lucienne Day%2C 1970

Helix, 1970

Lucienne Day; Producer: Heal's Fabrics

Not on View
four rows--cross orange and purple on square ochre--bkg. white

%C2%A9 Heal%27s Fabrics%2C London%2C Lucienne Day%2C 1969

Celtic Cross, 1969

Lucienne Day; Producer: Heal's Fabrics

Not on View
bkg. white; circles, spirals, mauve, pink rose, purple, violet, on white horizontal arcades with violet border

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1973

Ikebana, 1973

Barbara Brown; Producer: Heal's Fabrics

Not on View
bkg. white--circles, arabesques violet and white; crescendo purple circles

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1973

Crescendo, 1973

Barbara Brown; Producer: Heal's Fabrics

Not on View
five repeats; bkg. white; circle between rectangles each form with black border; grey little circles become like bubbles in the center circle

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1971

Ondine, 1971

Barbara Brown; Producer: Heal's Fabrics

Not on View
geometrical pattern in half circle shape; four repeats; white, mauve, grey, pink rose, brown, violet, purple, dark blue, dark purple

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1970

Automation, 1970

Barbara Brown; Producer: Heal's Fabrics

Not on View
brown ground; white squares with cia rcles brown/beige; circles like bubbles

%C2%A9 Heal%27s Fabrics%2C London%2C Diane Bell%2C 1974

Reflection, 1974

Diane Bell; Producer: Heal's Fabrics

Not on View
bkg. white; circles and arabesques black and white; crescendo dark green circles

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1973

Crescendo, 1973

Barbara Brown; Producer: Heal's Fabrics

Not on View
meadow with dark orange stylized flowers; blue, green, ochre, white, black areas; half circles dotted line black, ochre, white, green

%C2%A9 Heal%27s Fabrics%2C London%2C Diane Bell%2C 1977

Vista, 1977

Diane Bell; Producer: Heal's Fabrics

Not on View
2-1/3 repeats; bkg. ecru; sunflowers motifs black, brown, dark and light green

%C2%A9 Heal%27s Fabrics%2C London%2C Howard Carter%2C 1962

Sunflower, 1962

Howard Carter; Manufacturer: Heal's Fabrics

Not on View
4-1/2 repeats; bkg. white; rectangles with violet border inside stripes and circle motif (mauve, white and purple)

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1971

Precision, 1971

Barbara Brown; Producer: Heal's Fabrics

Not on View
4-1/2 ĂĽ 1/3 repeats; bkg. white; rectangles with dark blue border inside stripes and circles motif (grey, white and light blue)

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown

Precision, 20th century

Barbara Brown; Producer: Heal's Fabrics

Not on View
alternate squares with diagonal stripes on one half; plain color other half white, blue strips on bkg. green; green, blue stripes on bkg. white

%C2%A9 Heal%27s Fabrics%2C London%2C Lucienne Day%2C 1967

Apex, 1967

Lucienne Day; Producer: Heal's Fabrics

Not on View
3-1/4 repeats; bkg. white; pattern of weaving white and purple; architectural forms black and white; stripes purple and yellow

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1973

Intermesh, 1973

Barbara Brown; Producer: Heal's Fabrics

Not on View
silk, warp-faced, some ikat, multicolor stripes (pink, red, yellow, purple); multicolor fringe

Wrap, 1945-1950

Maya

Not on View
Shirt made of brown cotton, said to be ixcaco, with narrow natural white stripes; narrow bands of silk supplementary weft patterning at ends of sleeves and at hem in pink, magenta, yellow, green and white.

Man's ceremonial shirt (camisa), c. 1955

Maya

Not on View
cotton and silk, multicolor (pink, red, green, yellow, purple, white) stripes. Surface ornamentation (Dyed)

Shawl (perraje), 1975

K'iche' Maya

Not on View
Two-panel huipil with randa; plain weave, white ground with multicolor supplementary weft patterning; pattern consists primarily of rows of birds with occasional rows of unidentifed form - possibly ceiba tree or urn with plant life; design predominantly red with yellow, green, blue, pink and purple accents multicolor embroidered neck.

Woman's blouse (Huipil), c. 1970

Maya

Not on View
red and white with multicolored embroidered diamonds; purple and green bands around armholes; red and green bands around neckhole

Woman's blouse (Huipil), 20th century

Maya

Not on View
red silk tunic with metallic (gold) decorative embroidery at hem, wrists, chest and in two bands running vertically up front

Tunic, c. 1920

India

Not on View
red cotton plain weave; ikat stripes (yellow, black, green)

Woman's skirt (Corte), 20th century

Maya

Not on View
Two panel huipil with round cut neck opening; randa joins two sections; red ground cloth with very thin multi-colored warp stripes; elaborate floral embroidery encircles the neck and shoulder area. Surface ornamentation (Needlework)

Woman's blouse, 1975

Maya

Not on View
tzute; warp-faced red and white cotton with silk supplementary weft in blue, yellow and white; black band runs vertically through center

Cloth (tzute), 1955-1960

Maya

Not on View
plain weave/supplementary weft; pink, fushia, metallic gold, violet

Panel, 20th century

Laos

Not on View
warp-faced plain weave with multicolor stripes; two large black stripes separated by multicolor; red edges

Ahuayo, 20th century

Bolivia

Not on View
ikat, blue, white, pink with pink edge; two panels stitched together

Poncho, early 20th century

Ecuador

Not on View
white warp-faced ribbed cotton with supplemental weft; mostly red, also yellow, blue and white; fringe on one end; beige bands run vertically down edges

Cofradia table cover, 1955

Maya

Not on View
white plain cotton weave with white supplemental weft and color (tan, purple, pink, green); supplementary weft at borders

Cofradia Tzute, 1955-1960

Maya

Not on View
huipil; red stripe cotton; plain weave; embroidered neck

Saint's Huipil, 1965-1970

Maya

Not on View
beige silk pants with drawstring; go with tunic (97.189.55)

Pants, 20th century

India

Not on View
silk tunic; beige with machine embroidery of flowers in green, purple, red at neck

Tunic, 20th century

India

Not on View
blue/white warp-faced cotton stripe with silk embroidered band vertically through center (purple, yellow, pink)

Cloth (tzute), 1950

Maya

Not on View
Two panel huipil with v-cut neck opening; brown cotton ground with narrow white stripe; supplementary weft patterning (? embroidery?) in purple, pink, yellow, green; designs include bird figures, rayed diamonds, chevrons.

Woman's blouse (Huipil), 1930-1940

Maya

Not on View
white fabric shirt without sleeves; decorated with wide embroidered trim at bottom edge in multicolored geometric designs; bars of multicolored embroidered rectangles and triangles at neck, chest and sides; feathers at chest and bottom edge

Wedding blouse (huipil), 20th century

Maria Sanchez de la Cruz

Not on View
One-panel huipil of white cotton commercial fabric; round-cut neck opening; hand-sewn hem at lower edge. Yellow, rayed sun embroidery circles neck opening; burgundy embroidered area 3 1/2" wide provides background for upper half of pattern; highly abstracted animal and bird figures embroidered with hombre floss in non-realistic colors encircle the sun border. Figures include peacocks, quetzal, owl?, misc. mythological birds; rabbits, fox?, cat? other highly stylized animals, real and imagined.

Woman's blouse (Huipil), 20th century

K'iche' Maya

Not on View
small panel; plain weave; two red bands down center; green edges; multicolor stripes

Ahuayo, 20th century

Bolivia

Not on View
Cotton plain weave in red with multicolor (yellow, orange pink, green, blue , purple); supplemental weft

Cloth (tzute), 1975-1980

Maya

Not on View
orange silk pants; go with tunic (97.189.53)

Pants, c. 1920

India

Not on View
bkg. white; four repeats; four vertical motifs grey, black, blue, green (brushed waves)

%C2%A9 Heal%27s Fabrics%2C London%2C Lucienne Day%2C 1963

Tekka, 1963

Lucienne Day; Manufacturer: Heal's Fabrics

Not on View
white ground, green letters HEAL Fabrics London

%C2%A9 Heal%27s Fabrics%2C London

Heal Fabrics Banner, 20th century

Heal's Fabrics

Not on View
cotton warp-faced red, yellow, purple; silk supplemental weft in blue, white, yellow

Cloth (tzute), 20th century

Maya

Not on View
white cotton plain weave with multicolor supplemental weft

Cloth (tzute), 1965-1970

Maya

Not on View
plain weave; horizontal stripes; supplemental weft; primarily orange and green

Panel, 20th century

Laos

Not on View
red/black squares with surface geometric designs printed/stamped on fabric

Man's Wrapper, 20th century

Asante

Not on View
cotton plain weave; tie dyed to result in a pattern of light blue; two panels sewn together; adire cloth

Woman's wrapper, 1995

Yoruba

Not on View
light brown, black, yellow, white; plain and patterned weave over green stripe

Skirt, early 20th century

Vietnam

Not on View
weft interlock tapestry and brocade patterning; blue/green and metallic gold; red/orange band on one end

Sari, 20th century

India

Not on View
reverse applique panel; red with multicolor design of animal

Mola, late 20th century

Panama

Not on View
red plain weave/supplemental weft

Shoulder cloth, 20th century

Indonesia

Not on View
supplementary weft patterns and plain weave variations; black and white stripes dominate smaller brown and multicolored stripes

Panel, 20th century

Laos

Not on View
plain weave; red, white, yellow; four vertical panels sewn together; dark green bias edging on all four sides

Panel, late 19th century

Uzbekistan

Not on View
long fringe; orange, red and purple bands; brocade

Panel, 20th century

Laos

Not on View
Three panel huipil with square-cut neck opening; White ground cloth with red and yellow supplemental weft patterning; Designs inclued, animals, bird in tree patterns, figures, diamonds.

Woman's blouse (Huipil), 20th century

Maya

Not on View
brown/red stripe edges; warp face; plain weave

Iscayo, 20th century

Bolivia

Not on View
plain weave, horizontal stripes; red cotton

Panel, 20th century

Laos

Not on View
tie dyed scarf; purple, light purple, green and white designs

Scarf, 20th century

Indonesia

Not on View
center motif one row with small rectangles, shade of three blues and two greens, some white; one row with small rectangles shade of four greens, two blues, some white; bkg. blue with horizontal lines

%C2%A9 Heal%27s Fabrics%2C London%2C Lucienne Day%2C 1967

Causeway, 1967

Lucienne Day; Producer: Heal's Fabrics

Not on View
bkg. white; decrease and increase black and white stripes on spiral

%C2%A9 Heal%27s Fabrics%2C London%2C Barbara Brown%2C 1969

Spiral, 1969

Barbara Brown; Producer: Heal's Fabrics

Not on View
3-1/2 repeats; bkg. dark blue; Teasle dark blue/light blue and grey; white sparkles

%C2%A9 Heal%27s Fabrics%2C London%2C Jane Daniels%2C 1960

Teasle, c.1960

Jane Daniels; Producer: Heal's Fabrics

Not on View
part of a baby carrier without ties; top square panel with black and red appliqués; black pieces are embroidered overall with tan, brown, white, cream, blue and green flowers; panel bordered on three sides with peachy tan embroidered floral bands accented with sequins; bottom rectangular panel has floral appliqués on purple ground; this panel bordered with black and green geometric appliqués; black and blue backing

Baby carrier, Date Unknown

Shui

Not on View
head covering; 2 panels joined with decorative woven band; red background; embroidered geometric design; yellow, hues of green, black, blue; mirrors with crochet edge; animals and figures

Odtini, 1900-1925

India

Not on View
continuous supplementary weft; 2 panels; white ground with navy, rose and yellow patterning; fringe is twisted and knotted

Khes, mid 20th century

India

Not on View
plain peach background (cotton) with pieced border; yellow, red, black on 3 sides; 2 appliqued figures (one red, one brown) on each side; some decorative stitches (yellow, white, brown), top left corner; brown cross and small rectangles in black, brown, white; 3 sides have fabric fringe

Battle Flag, 1940-1950

Asante

Not on View
white fabric shawl embroidered with red/black (primarily), also purple, yellow, green; 3 panels sewn together

Shawl, 19th century

Pakistan

Not on View
red cotton embroidered with silk; bright yellow/gold floral motifs; broad bands of embroidery at each end

Pulkari (Head Coverning), 1900-1925

India

Not on View
3 white, red and black brocaded stripes on black background; 4" long fringe on both ends; vertical 10" long button hole in the central part for head

Man's Manta, c. 1975

Mapuche

Not on View
front: all-over embroidery with pink, black, purple, ecru, yellow, green, orange, red, metallic; sequins and mirrors embroidered into patterns; back: central orange panel with diamond embroidered patterns, surrounded by borders of embroidery, rickrack, sequins and lace; tassels at neck

Wedding Coat, 20th century

Sindh

Not on View
black and red cotton ground with double weave designs and supplementary weft patterning at both end sections in multicolored cotton; green, yellow, ecru; additional piece attached at each end

Loin Cloth, 20th century

Khumi

Not on View
black woven poncho with 1/2" wide blue woven stripe on each side; finished on 4 sides with red and green cotton thread, zigzag machine stitched; green and yellow cotton curly machine sewn selvedge around edges; weave has vertical 11" long button hole in central part for head; square design on edge

Man's Poncho, 1960-1970

Quechua

Not on View
long silk ikat panel; red/black/navy/gold/tan; top 31" are a second piece sewn on

Panel, late 19th century

Uzbekistan

Not on View
white smocked blouse with red, black, green, yellow, blue, gold embroidery; stylized floral designs at shoulder and neck; pink and cream embroidered ribbon at cuffs with black embroidery binding

Child's Blouse, 1900-1925

Czech Republic

Not on View
continuous weft patterning; variations on diamond patterns in black, red and natural ecru

Ceremonial Shawl, 20th century

Myanmar (Burma)

Not on View
light tan sash with embroidery, applique and tassel fringe at each end; multicolored embroidery in bands on either side of applique squares; four rows of yarn balls, each attached to four plastic beads, form tassels; six tassels per row; one tassel has a metal bead

Sash, from a three-piece set, 20th century

Lolo

Not on View
tan with black, geometric embroidery with four wide bands at ends; self fringe

Shaman's sash, first half 20th century

Yao

Not on View
red ground with geometric pattern in gold, green, blue and black, 6" wide, along edges; center section: row of llama-like creatures at top, elephants at bottom; row of temple-like structures below llamas with drum-shapes structures below temples, alternating with tree-like motifs; row of mountain shapes below elephants; not a closed tube

Buddhist ceremonial wall hanging (Pidan), c. 1985

Cambodia

Not on View
wide sleeved black dress with embroidered panel from shoulders down to four separate embroidered medallion shapes near hem; panel in three sections (chest, waist and apron) embroidered in rust red, pale orange and gold threads in geometric, circle and border patterns; back panel from shoulder to waist with "V" pattern and medallions incorporated in overall panel; triangular and circular embroidered areas at top of sleeves; small straight opening at neckline

Dress, 20th century

Yemen

Not on View
black vest with predominately orange and red printed lining fabrics; horizontal bands of multicolored horizontal cross stitch embroidered geometric patterns; decorated overall with buttons of various colors and styles; three pendants on PR shoulder: beaded triangle, three-sided medallion with two red beads and cluster of flower-shaped buttons on cord; zippers used as trim at arm openings, front opening and hem

Child's vest, mid 20th century

Pakistan

Not on View
dark blue skirt with embroidered panel and horizontally striped fabric at top; embroidered panel in pink, gray and brown in geometric patterns; pink, gray and brown striped panels above and below embroidered panel; solid dark blue fabric panel at bottom of skirt

Skirt, 20th century

Tai Dam

Not on View
multicolored woven bag with attached multicolored small fabric balls; multicolored various length tassel fringe with balls on end; long braided fabric shoulder strap

Bag, 20th century

Lisu

Not on View
black and rust felt rug with white cording around all cut edges; geometric design includes stars and organic shapes

Rug, late 19th-early 20th century

Kirghiz

Not on View
pair of leggings; mostly deep red silk threads in horizontal bands at top and vertical bands at bottom; geometric patterns at top in dark blue, light green, cream, gold and orange; feather patterned rows at bottom; bottom bands intersected with two single rows of gold threads on b only; some small feathered areas in orange, dark blue, light green, aqua and creamy gold (a and b); heavy black thread seams

Pair of woman's leggings, 1925-1950

Pashtun Mangal

Not on View
dark brown skirt with horizontal bands of embroidery in dark green, dark blue, cream, red and rust; three smaller bands at top and three at bottom with embroidered horizontal lines and embroidered angled lines; wide embroidered horizontal band in middle of skirt of bold geometric design; rust colored binding at each side edge; intermittent decorative loops of thread at top and bottom of embroidered bands

Skirt, 20th century

Maa

Not on View
heavily embroidered bodice--skirt has been removed; colors include gold, maroon, green, white, black, red; geometric patterns in wide bands; back of bodice not embroidered; woven silk piece at top in yellow and red--maroon below; embroidered band at waist; tufts of yarn in red and black on cuffs and center front, along shoulder seams and sleeve seams in front

Bodice (dress top), c. 1920-1950

Pashtun

Not on View
predominately dark pink and white; woven with pairs of tigers facing one another, in alternating colors; key design borders; purple, orange, green stripes at ends; braided tan tassels at one short end

Funeral banner, mid 20th century

White Thai

Not on View
dark blue; tapering sleeves; front, arms and sides stitched in multicolored threads with organic and geometric patterns embellished with gold sequins and metallic gold threads; pennant-like elements on stomach; vertical embroidered bands of various styles on each side on back; front placket of orange and yellow silk; two shell fragments and orange bead on PL side above pennant-like shape; shell fragment and bead on PL sleeve

Dress, early 20th century

Yemen

Not on View
indigo colored headpiece with white floral motifs and blue and white stripe pattern; ends each have two bands of appliqué and two bands of multicolored embroidery, seven rows of tassels, fringe and a row of pompoms along each side

Headpiece, from a three-piece set, 20th century

Lolo

Not on View
small bag with shells and tassels; circular motif at center with long tassel; long tassels also at corners, bottom edge center and center of back; all tassels (short and long) have shells at attachment; long tassels have second set of shells near bottom end; background is orange; embroidery is green, yellow, brown and purple

Bag, 20th century

India or Pakistan

Not on View
short purple velvet jacket with dark red panel around neck and front opening; four snap closures on front; sequins around sleeve hems, lower edges of front and at sleeve seams; double row down front; 3" side band of green fabric attached to bottom edge of back has three rows of sequins and rows of embroidery in blue, red, yellow and white; bottom edges of back and sleeves bound in red fabric; front bound in white

Jacket, from a two-piece set, 20th century

Palaung

Not on View
checked design with green, tan, white, pink and purple bars and squares

%C2%A9 Loon Yar Kyaw

Panel, 21st century

Loon Yar Kyaw

Not on View

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