wooden figure stands with arms outstretched and legs slightly bent inside a rectangular frame with minimal decoration; figure has round head, with a simple, smooth headdress; his eyes are oval, his nose angular, and his triangle-shaped mouth small and slightly open; figure's neck is long and wide, his torso is a round cylinder, and his genitalia are exposed; the figure is footless--his legs disappear into the frame; the entire piece is a dark reddish brown, the natural hue of the wood — Framed male figure, early 20th century
Holo

G250

silver metal cross in openwork style; slightly asymmetrical; looping knots and bars; some incised lines — Cross pendant, late 19th-early 20th century
Ethiopia

G254

standing unisex figure, head adorned with tall, rounded headdress; face is simple with flat, white porcelain eyes, a small carved nose, and a mouth somewhat obscured by round, fabric pouch under chin, which ties at back of neck; figure's abdomen is covered by protruding cylinder with mirrored-front; figure's legs and feet are carved directly into a circular base; overall color of piece is the brown of clay in which it is encrusted; however, there is some red in the fabric piece tied at neck — Power figure, early 20th century
Sundi

G250

at the top of tapper is a large, square head with a face characterized by oval, wide-set eyes, prominent nose, and partially open mouth; on top of head is a small headdress carved with patterned lines and slightly rounded at top; figure kneels on cone shape of tapper--her arms are bent at her waist and she cups her breasts with her hands; figure's belly is round with a large belly button and belt at her waist; top of tapper cone has a band of hash-mark-like carvings; tapper curves down to a point; tan in color overall — Tapper, 18th century
Yoruba

G254

stool with seated figure; top of stool is round and slightly concave, with a pattern of oval carvings around the edge; seat of stool rests on the head of the figure, with the thin arms supporting the seat as well; head is round, with wide closed oval eyes, small nose and thin, smiling mouth; two ears lie against either side of head, with ornate hair that curves outward away from the head and forms a handle that is attached to the back of the figure; neck is covered with a bright blue multistrand beaded necklaces; breasts are pointed and protrude out; torso is covered with intricate carvings; figure rests on its knees; striped loincloth covers bottom of figure; legs rest on round, flat base of stool; all one dark shade of wood--dark brown; six fingers on each hand — Stool, c. 1900
Luba

Not on View

staff scepter; top of the scepter is carved as a male human head; top of the head is wearing a pointed headdress or helmet; figure's hair is carved around the helmet and ends down below the chin; ears are carved at the side of the head; figure has thick eyebrows and wide yellow mirror eyes with black pupils sealed in resin; traces of tukula under the eyes; nose is carved and prominent; lip are small and pursed; chin is covered in a short beard; the rest of the figure is the body of the staff; base of the staff has carved detailing at the bottom and tapers slightly; wood is dark brown except for eyes — Staff, 19th century
Mbala

Not on View

small carved staff finial representing a figure with round head, large, oval eyes, and heavy eyelids; nose is an elongated triangle, and mouth is small and lips are partly open; on top of head there is a round, flat headdress; figure has one arm around its waist with the other arm bent and the face resting on the hand of bent arm; main body of figure is cylindrical with a carved band below the waist and below that a larger, carved base; the figure is the dark brown hue of the wood from which it is carved — Staff finial, c. 1915
Beembe

Not on View

one of two figurative brass staves, which are attached by a chain at the tops of their cone-shaped headdresses; this figure has been identified as male (the other female); however, the staves appear identical, with wide, oval eyes, wide pointed noses, and a small mouth with slightly parted lips; both figures have patterned decoration on their forehead and cheeks; both wear a beehive shaped headdress that ends in a point; the heads are attached to the body of the stave, which has an ornate design; main body of stave is cylindrical in shape, below it the stave leads into a point; staves are all one brass color, with the bottom section appearing to be a more brownish color — Staff with male head, 20th century
Yoruba

Not on View

mask is long and oval, with a long narrow nose and two sets of eyes; top eyes each have dark slits that run side to side; bottom eyes are rubbed smooth; there is a deep, vertical groove between the nose and mouth; mouth is small and thin, and below it are six small holes on edge of mask; there is a hole on each side of the mask, at the edge, in between the top and bottom sets of eyes; mask is slightly yellow color of ivory with the carvings appearing brown-black — Mask, 20th century
Lega

Not on View

cylindrical, curved knife handle with a round top that has faint facial features--eyes, nose, and mouth carved into it; a small rectangular shape protrudes at the back of the "neck;" the bottom of the handle has three carved bands; the entire piece is light yellow in color--the natural hue of the ivory from which it is carved — Circumcision knife handle, 20th century
Luba

Not on View

standing female figure has round head, long nose, round, sunken eyes, oval mouth, and a chin that protrudes far beyond the cheeks; the top of her head is divided into seven patterned rows; a patterned collar with distinct edges rests around her neck at the base of head; body is cylindrical with high, pointed breasts and arms bent at the elbow; shoulders appear pulled back; the figure's hands meet at her midriff and appear to hold a square object with a hole in the middle; her legs are thick and bend at the knees; she has very large feet that rest flat against the base; figure's PR leg and foot are noticeably thicker than PL counterparts; a carved hole represents her genitals; piece is natural hue of wood--a dark brown--with fading in the indentations — Standing female figure, late 19th century
Songo

Not on View

ivory amulet carved into shape of oval head, with a three-pronged headdress; eyes are large ovals and appear to be closed; a thin, uninterrupted line between the forehead and eyes reads as a brow; three vertical lines decorate the center of the forehead; nose is indicated by a small protrusion and two holes for nostrils; mouth is a dark line pointing up at center; there is a line that runs from cheek to cheek below the nose, the neck is covered with three bands of dark dots, and two holes run through the headdress and a red cord is thread through the holes; reverse of amulet is undecorated and flat; the piece is a light shade of cream, the natural color of the ivory — Pendant, 19th century
Pende

Not on View

flask is long and thin with a cylindrical base; bottom of piece has metal band with line of dots around center; above band is main base of piece with ornate design in shape of circle at center and curved designs at top; another metal band separates the base from the neck of the flask and a smaller metal band separates the neck from three bands of ivory, followed by a thicker band of metal; the ivory stopper of the flask is carved into the likeness of a head; the head is oval with small eyes, sharp eyebrows, a wide nose, and a small mouth; on top of head is a small, round headdress — Flask, 18th century
Mende

Not on View

figure is human male; round headdress at top of head; forehead is slightly misshapen; details of the face are worn, but there are wide eyes, small nose and smiling mouth; neck is undefined; body continues from the head; small detailing of nipples and belly button on torso; small penis; legs are slightly bent at the knee with unpronounced feet at the bottom; metal cord wrapped around neck and continues at the back of the figure; natural color with heavy wear — Male power figure, c. 1900
Yanzi

Not on View

standing male figure with slightly bent knees; face is characterized by large, oval eyes with horizontal slits in the middle, a triangular nose, a crescent-shaped mouth, and a square beard; he wears an elaborate headdress that runs down the side of his face and connects with his beard; the figure's arms are bent and his hands rest on his protruding belly; feet blend into a round base and there is a carving for each toe; figure's genitals are visible; the piece is the dark brown hue of the wood from which it is carved and it has a sheen — Standing male figure, early 20th century
Songe

Not on View

standing figure roughly carved with heart-shaped head and cylindrical body; two protruding mounds indicate breasts and are set wide apart; arms and legs are minimally rendered--no differentiated hands or feet; eyes and ears are wide, simply carved concentric circles; figure's back has series of tiny dark hash marks up and down each side of spine area — Standing figure, 20th century
Lega

Not on View

female "pwo" mask; "face" of mask is oval and defined by two large concave eyes, with slits at center, a long thin nose with a wooden bar nose ring at its base, and a mouth that is open, revealing carved teeth (some missing); two small, square ears jut out from either side of face and each ear has a metal hoop earring; top of mask is flat with remains of decoration on its rim; blue designs are painted and carved at forehead, cheeks, and below nose; entire mask is the natural orange brown of the wood from which it was carved; however, eyes appear darker brown, and ears and moth appear somewhat lighter brown; holes line the entire edge of mask — Mask, c. 1930
Chokwe

Not on View

comb with two figures perched atop a square base with concave sides and patterning; ten pointed teeth attached at bottom of base; figure on left has a round head with vertical rows of hair; eyes are oval and mouth is small and partially open; the left figure's shoulders are pointed, with arms at side and hands resting on upper torso; figure has protruding breasts and belly button; the torso is decorated with four diamond-shaped carvings; the figure's hips are wide-se; the figure's knees protrude out into space with legs and feet resting against the base of the comb; the figure on the right has similar features, but hair is represented by horizontal rows, arms are less rigidly bent and thus hands rest easily on lower belly; the figure on the right also has torso decorated with diamond-shaped carvings; from behind the figures' buttocks are visible at top of base; entire piece is the reddish tan hue of the wood — Comb, mid 20th century
Zela

Not on View

comb carved to have head of woman wearing a headdress, which meets at point with top scooped away; there is a hollow space in the middle; head is upside down triangle; nose and eyebrows are connected, forming a palm-tree-like shape; eyes are lopsided circles that are divided in two; mouth is simple indentation; left cheek has a series of dots that form square, the right cheek has a slanted pointed ellipse; ears are flat and stick out from the side of the head; neck is long and thin with rings carved into it and a rosary hanging from it; from the neck down is the comb; top is square, with small scoops taken out of each side; figure has small, raised breasts; flat square is sectioned into a square grid pattern; every other square has an "X" through it; square separates at the bottom into the thick teeth of the comb; head is a dark, black wood, while the bottom is a light honey-colored wood — Comb, c. 1900
Asante

Not on View

figurative, brass staff finial with small, seated man holding an object in each hand; figure's head is tilted up and adorned with a cylindrical headdress extending away from him; the top of the headdress is flat with a beaded pattern at the rim; figure's eyes are large, with round pupils at center; he has a mustache that curves up at the ends and a round beard; the figure wears a necklace and a square cloth around his waist, which covers his groin; the chair in which the figure sits is complex in design, with beaded and braided patterns and cutouts, and a flat, round base with beaded and braided accents; figure's legs point out in front of him and his feet do not reach the ground — Staff finial, c. 1930
Bamum

Not on View

pipe stem and bowl; stem of pipe has a metal spike through it; stem is reddish in color with faces carved into it that form four rows--in first and fourth row faces are right side up, and in second and third row faces are upside down; bowl of pipe is dark brown and L-shaped; there is a curved element, similar to a trigger shape, connecting the vertical and horizontal elements of bowl; horizontal element has three human figures with upraised arms bent at the elbow, round stomachs, and truncated legs and feet; the top of the bowl and the end of the bowl, near the rim, have carved bands — Pipe stem and pipe bowl, 20th century
Bamum

Not on View

top of the spoon is carved into a human figure; figure is wearing a rounded headdress; face has simple features, with wide glass eyes, carved nose and large open mouth; small ears carved into the side of the head; figure is holding a cup-like object up in the its left hand; figure is seated with PL foot drawn back toward buttocks with knee up and with PR knee raised with PR hand on knee; PR lower leg is unnaturally short; stem of the spoon is plain, with two raised rings close to the figure and one raised ring close to the bowl; stem tapers into a large spoon bowl; spoon is dark wood, with light colors worn around the figure's face and chest, as well as on the stem and bowl — Spoon, 20th century
Kongo

Not on View

wood bust with round head covered with large, oval, patterned headdress protruding up and out; side of headdress are flat; face is carved in by small indentation--eyes, nose, mouth, and three small lines on each cheek; neck is long and thin and attached to a tall, square base with carvings on front; the piece overall is a light brown--natural hue of the wood — Doll, 20th century
Yoruba

Not on View

figurative female pendant; main body of pendant is thick and rectangular, with a slightly thinner neck and a round head; dark lines on face mark the large, oval eyes, the large round nose, and the wide mouth; head is carved with dark lines that resemble hair; arms lie against the body and bend up so that hands rest on shoulders; a line runs down the center of torso, and two circles, with dark dots in the center lie on either side of line; entire piece is a light cream color with darker discolorations throughout — Pendant, 19th century
Luba

Not on View

brass spoon with tapered rectangle handle; two lines run vertically down edges of handle, one on each side; handle is sectioned off into five rectangles, each has a pattern that alternates rectangle to rectangle--first pattern is series of curved indentations and second pattern is a series of triangles; after rectangles is a series of half circle indentations running down the edges of the handle, which tapers to a plain bowl; in center of bowl on reverse is a black symbol that resembles a joined "c" and a "g" — Spoon, 20th century
Asante

Not on View

headcrest in the figure of a bird; top has two tall, carved plumes, which rest on top of carved square piece with slim, long arms extending from each corner; face is flat and square; bird has prominent eyes and a large curved beak; bottom ends in four-legged base, with the knees slightly bent; wood is dark brown — Headcrest, 20th century
Bamana

Not on View

one of a pair of dance headpieces adorned with a small wooden figure of an antelope; figure rests on top of woven basket; antelope has long snout with an open mouth and slightly protruding tongue; its eyes are almond shaped and positioned on the upper side of either side of the head; its ears are oval and situated on either side of the head, each with a red loop tied through it like an earring; the animal's head and back are decorated with carvings; long antlers are carved in spiral patterns and protrude out away from the figure; a long, thick neck connects to the round but lithe body of the antelope; the animals rests back on its haunches and has a rope tied around its neck; a metal band is also present at the animal's neck; the figure sits on a woven mound that resembles an upside down basket; the entire body of the antelope is the dark brown of the wood from which it is carved — Dance headpiece, 20th century
Bamana

Not on View

cross is a plain dark wood; tips are covered in metal; top point has a metal ring at the top; two seated figures are perched on the horizontal section on either side of the Christ figure; figures' hands are clasped together at the chest; figure of Christ has long, thin arms, nailed at the palms into the horizontal section; carved fingers on each hand; face is peaceful, with closed eyes and straight, expressionless mouth; head is rounded; torso has carved, prominent ribs on the side of the body; around waist is a carved garment; legs are long and thin; feet are nailed together; wood of the cross is dark; figures are a lighter color — Crucifix, 18th century
Kongo

Not on View

one of two figurative brass staves, which are attached by a chain at the tops of their cone-shaped headdresses; this figure has been identified as female (the other male); however, the staves appear identical, with wide, oval eyes, wide pointed noses, and a small mouth with slightly parted lips; both figures have patterned decoration on their forehead and cheeks; both wear a beehive shaped headdress that ends in a point; the heads are attached to the body of the stave, which has an ornate design; main body of stave is cylindrical in shape, below it the stave leads into a point; staves are all one brass color, with the bottom section appearing to be a more brownish color — Staff with female head, 20th century
Yoruba

Not on View

cup and handle appearing in form of hand and arm; cup has cylindrical top that rests on round bottom; top has carved patterns of zigzags in narrow rows; bottom has design with thick crisscrossed lines; handle is woven design and the part that connects to cup is a hand with four fingers; the top of the hand has a design carved into it; the piece is a dark brown hue — Cup, 20th century
Kuba

Not on View

triple headed cup in natural honey-color of wood out of which it is carved; the top of the cups are straight and taper into the figure of a head; each cup rim is carved with crisscross pattern; the faces have eyebrows, closed eyes, triangular noses, and pursed lips; each face has carved lines that extend from the inside and outside corners of the eyes to behind the ears; two rows of carved squares create a pattern between the temples and ears on all faces; the heads connect at a long single neck, which widens at the bottom forming the base; the neck is carved with the same pattern as the pattern at the top of each head — Cup, mid 20th century
Shoowa Kuba

Not on View

abstract image with orange, bright pink, yellow, white, blue and green ribbon-like elements — Ressac, 1973 (published 1974)
Stanley William Hayter; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Etablissements Guillard, Cachan, France

Not on View

glass with water with a yellow lemon behind it; black diagonal stripes in background — Untitled (Still Life with Lemon and Glass), 1974
Roy Lichtenstein; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Styria Studio, New York

Not on View

shadowy interior with four figures seated around a table with a window beyond; another window in ULC with a standing figure in front of it — Ver Männer in der Kneipe, c. 1892-1893
Käthe Kollwitz

Not on View

three brown fedora hats arranged vertically; orange color washes and grey lines in background — Three Hats, 1974
Claes Oldenburg; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Styria Studio, New York

Not on View

simplified line drawing of nude woman with small head; PR arm bent at elbow and pointed downward; PL hand on shoulder; drapery folds held in each hand and covering lower legs; wide hips turned toward PL — Nude with Drapery, 20th century
Gaston Lachaise

Not on View

sailboat in foreground at left being tossed about by waves; a larger sailing boat in middle ground at right — Bewegte See mit einem Zweimaster und Segelboot, 1828
Johann Christian Clausen Dahl

Not on View

3/4 length portrait of a woman with an oval face and dark hair in a bobbed hairstyle, with her PL hand under her chin; woman wears a dark blouse with 3/4 sleeves — Madame Paul Petit, 1935
Jacques Villon

Not on View

simplified line drawing of standing woman with her head lifted up (facial features not visible--only underside of woman's chin), arms upraised in a V with palms upward, and legs crossed with feet in ballet fourth position; woman wears a short skirt with longer sheer skirt — Isadora Duncan, 20th century
André Albert Marie Dunoyer de Segonzac

Not on View

square in LLC of sheet broken into two rectangles side by side, each with alternating blue and red diagonal stripes — Tetuan III, 1973 (published 1974)
Frank Stella; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Gemini G.E.L., Los Angeles

Not on View

recto: abstracted face with washes of color--red, purple, grey and black; verso: abstracted face formed by white space between flat areas of khaki; some smudgy colors from recto around edges — Portrait Head (recto and verso), 1961
Mark Tobey

Not on View

three horizontal painterly lines in black--top lines are longer than bottom line--with some drip like spots — Tallith for Meyer Schapiro, 1973 (published 1974)
Robert Motherwell; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Catherine Mosley , artist's studio, Greenwich, Conn.

Not on View

simplified line drawn portrait of a woman with a thick neck looking slightly toward PR; waves in her hair at the nape of her neck — Head, 20th century
Gaston Lachaise

Not on View

abstracted image; black linearly depicted woman's face at top center; breast at left in ULQ; hips and woman's genitals at bottom left of center; pair of hands slightly left of center; scroll with star at center in URQ; geometric design made up of pale peach dots at left — Le Fil d'Adriane, 1973 (published 1974)
André Masson; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York

Not on View

two horizontal images with cursive-like, illegible "text" above and below each image; top image is black and white with figure wearing a hat and an animal in a horse-drawn cart, in silhouette; other animals (pigs and sheep?) in silhouette in landscape; faux "seal" at top center in sky; bottom image in color; low horizon line with silhouette of standing figure in barren landscape; green and pink at bottom of sky; brownish cloud; faux "seal" in blue at bottom center — Untitled, 1974
Saul Steinberg; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York

Not on View

abstract image with light, reverse-printed newsprint text; some light green tendril-like elements — Noname (Elephant), 1973 (published 1974)
Robert Rauschenberg; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Untitled Press, Inc., Captiva, Florida

Not on View

shades of grey and black; target, in a painterly style — Target, 1973 (published 1974)
Jasper Johns; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Simca Print Artists, Inc., New York

Not on View

abstract image with painterly lines and swaths of color--primarily orange, with pink at bottom--purple, olive green and brown at top — Untitled, 1973 (published 1974)
Alexander Liberman; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: 2RC Edizioni d'Arte, Rome

Not on View

woman in ULQ wearing a long dark dress at a plow pulled by a young man and an older man in LRQ — Pflugzieher und Weib, 1902
Käthe Kollwitz

Not on View

small pendant of hippo ivory carved into likeness of man's face; on top of head rests three-pointed crown with a band of repeating black dots below; face has high forehead, bulging eyes, rounded nose, and mouth that protrudes to a point; man has triangular beard that tapers at bottom; piece is yellowish in hue with the reverse being a darker brown — Pendant, mid 20th century
Pende

Not on View

stool with female caryatid; seat of the stool is round and flat, with the edges decorated with a repeating pattern of ovals; seat reset on the head and arms of the female figure, whose head is large and oval; eyes are large and oval, slitted down the middle; two rows of dots lead down to her nose, which is a large triangular shape; mouth is oval, with prominent lips; arms are thick and bent to support the seat of the stool; breasts are pointed and protrude out into space; beneath torso is carved in intricate patterns; figure is kneeling, resting on her bent legs which connect to the base of the stool; edges of the base are also carved in an oval pattern, similar to seat; entire piece is the natural color of the wood--a dark brown — Stool, 20th century
Luba

Not on View

figure has a carved, hollow cylinder at the top of the head; behind the cup shape is a piece of cord with a thin circle of wood at the end, which forms a cover for the cylinder; figure's head is rounded, with prominent eyes; nose is small; lips are pursed into a point; ears are carved at the side of the head; neck is long and thin; figure is seated, with the arms bent at the elbows, with the hands resting on the face; back is hunched; knees are bent into a seated position; piece is anchored by the large feet which are connected at the heel; feet have notched carvings for toes; honey-colored — Mortar, 20th century
Lulua

Not on View

one of a pair of dance headpieces adorned with a small wooden figure of an antelope; figure rests on top of woven basket; antelope has long snout with an open mouth and slightly protruding tongue; its eyes are round and placed on the front of the head and its ears are oval and situated on either side of the head; the animal's head and back are decorated with carvings; long antlers are carved in spiral patterns and protrude out away from the figure; a long, thick neck connects to the round but lithe body of the antelope; the animals rests back on its haunches and has a rope tied around its neck; a metal band is also present at the animal's neck; the figure sits on a woven mound that resembles an upside down basket; the entire body of the antelope is the dark brown of the wood from which it is carved — Dance headpiece, 20th century
Bamana

Not on View

bracelet with banded decorations of silver studs; round and thick, made of ivory that appears yellow on the inside, and lighter on the outside; outside of bracelet has four stripes formed by tiny repeating studs of silver — Bracelet, 19th century
Democratic Republic of Congo (?)

Not on View

male figurative heddle pulley carved from a medium-brown wood; figure crouches on a hollow stand that holds a pulley system; figure's head is flat, eyes are oval, nose is pointed, and mouth is small and juts out from face; figure has one continuous eyebrow; at top of head is a flat round headdress with a small flat ball at center top; a line runs down the center of the figure's chest and his arms are angular, slightly bent; figure's hands are slightly defined, and his feet are less so; at center in between figure's legs is an animal head that may also be read as a penis — Heddle pulley, 20th century
Senufo

Not on View

one of pair of fertility pipes; pipe has a dark brown clay bowl with a long wooden stem that is honey in color; bowl of pipe is rendered as face with semi-circle eyes, a large nose, curved like a beak, with flared nostrils, and a small ellipses mouth; area around eyes is smooth, but area around ears and forehead hosts a carved pattern comprised of rows of tiny dots; top of bowl is smooth with a rounded lip and bottom of bowl tapers down into labia; carved design resembling a palm tree is on the PR side of the "neck," which connects the bowl to the stem; the stem has a series of carvings and starts wide and then tapers into thinner cylinder; there are two metal collars where the stem and bowl connect--the second protrudes and is disk-like — Pipe, mid 20th century
Yaka

Not on View

standing male figure carved from wood; knees are slightly bent and he holds an object against his midriff; thick strands of hair pull away from his forehead, giving the impression of a headdress; shallow carvings indicate oval eyes and a thin mouth; nose is square and protrudes slightly; two ears rest high up on either side of the figure's head; his chest is bare, besides a grid-like pattern carved into the right side of his chest--this pattern is also present on PL shoulder blade; carvings in his pubic region lead down to his exposed genitalia; figure's feet are square and create the base; flower carving on upper PR arms; the piece is a dark brown with slight sheen — Standing male figure, early 20th century
Beembe

Not on View

pestle body is a cylinder that spreads into a wider base; top of pestle is carved into the likeness of a head, with hair carved into five patterned rows that pull back from forehead and one patterned row running horizontally along base of neck; eyes are in the shape of diamonds and nose is in shape of flat triangle; the mouth is a thin oval with slightly parted lips; there are two, short vertical lines carved into each cheek, and a longer line running from the bridge of the nose to the middle of the forehead; the neck is slightly thinner than the body of the pestle, and a carved ring separates the body from the round base; the entire piece is a medium brown--the natural color of the wood — Pestle, c. 1920
Luba

Not on View

Standing male figure, 1900-1925

Yoruba

Not on View

comb with figure; comb is long and rectangular, with four wide teeth and a rectangular base, carved with patterns; on top of base is a seated figure whose feet rest on the top of the base; figure's legs bend at knees and torso is square; arms are bent at elbows, so that hands rest on either sides of the face; face has wide, thin mouth, a small nose that points straight ahead, and two large, oval eyes that rest flat on either side of head; on top of head is a striped band, that has a flat top and protrudes out into space; tan in color overall — Comb, 20th century
Lunda or Lwena

Not on View

cup with carved human face; top of cup is straight and tapers into the head where carved straight lines indicate hair; face has pointed ellipses for eyes, a triangular nose, and pursed lips; there is a prominent vertical element carved between the eyes; ears at each side of head appear like slightly protruding circles with hole at center; handle of cup starts at top of head, at back, and ends at bottom of head; head tapers into a neck, which forms the base of the cup; entire piece is carved from wood with dark-brown hue — Cup, c. 1900
Leele

Not on View

figure wears a small rounded cloth and fiber headdress perched on the top of the head; head is round and smooth with carved hair extending to the back of the head; face has small, carved eyes, a small raised nose and a small carved mouth; figure has a long thick neck; chest has prominent breasts; arms are thin, long and fall straight from the shoulder; abdomen is tall and long and ends in a fiber base; dark wood — Power figure, early 20th century
Kusu or Zimba

Not on View

may be in the form of a rounded vessel with three bands around wide neck and three bands around stemmed base; small loop handle on one side; small round opening on opposite side; golden brown patina — Whistle, c. 1900
Luba

Not on View

half-figure cylindrical in shape with thick neck; head is round with two large, round eyes with slits through the middle, a small nose, and a thin mouth; the figure's ears are visible and a smooth headdress covers the back of the head; there is a round hole carved into the center of the head; figure's small arms are bent and the hands rest on the figure's chest; the figure ends at the torso, which is resting on a square base; entire piece is dark brown, the natural color of the wood — Half figure, early 20th century
Luba

Not on View

small wooden figure kneels and holds a short staff; figure has elaborate headdress with carved stripe pattern protruding from four, round, segmented carvings that rest at top of forehead; face has carved stripes at cheeks, temples, and chin; row of three, small oval carvings decorate brow; figure's eyelids project out and have design carved into them; figure's lips are parted to reveal carved teeth; breasts are pronounced and angular, the PL breast rests on top of/alongside staff; staff has a curved piece at top that extends over figure's PL shoulder and down back; round, hollow ring of wood connects figure to base; wood is dark brown, has a rough texture, and a sheen — Male figure, 20th century
Yoruba

Not on View

staff with carved male figure at top, his knees bent and hands resting on his midriff; figure's head is small with wide, oval eyes, pointed nose, wide mouth, and pointed chin; on top of figure's head is a flat, oblong headdress that projects backward--the front and sides have elaborate carvings and the back has a crescent shaped carving with a raised, vertical seam at middle; figure's neck is wide and becomes a part of the figure's chest, which has small breasts; the arms are long and bent at the elbows, and the hands rest on the stomach; the shoulder blades are round and pronounced; figure has large hips and legs, in a squatting position, and male genitalia; feet are large and flat, creating the base of the figure; body of staff is lighter brown than figure — Staff, 20th century
Luchazi or Lwena

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amulet of a bending female figure cylindrical in shape with a round, bumpy top; directly beneath the round top the wood curves in, and then connects to the larger base; face of figure is distinguished with shallowly carved eyes, mouth, and nose; her arms bend upward toward two small bumps resembling breasts; main body of amulet has various carvings, with holes possibly resembling eyes, and semicircular carvings, similar to a mouth; bottom of piece is flat; entire piece is made of hippo ivory and has alternating darker and lighter shade of the natural material — Amulet, late 19th century
Luba

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divination quadruped; pig on all fours; animal's face has a prominent squared off nose; eyes are placed near the top of the head; mouth is a straight line beneath the nose; ears are long and pointed and carved against animal's head; back is flat with a plug-like object sitting in the middle, secured by string that wraps around the animal's neck and tail; object is a tall cylinder that tapers into a wide half sphere that sits flat on the back; figure's boy and legs are carved with geometric patterns; legs are straight and rectangular; tail is thick and long; figure is a honey colored wood — Leele rubbing oracle, 20th century
Leele

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round mask with oval eyes that have narrow horizontal spaces forming eyelids; a thin carved line runs from the top center of the forehead down through the narrow, long nose; the mouth opens to reveal metal teeth; two consecutive indentations mark the sides of both eyes, as well as beneath the eyes; a carved circle with a cross in the middle decorates each cheek; crescent shaped ears protrude slightly on either side of head; a band covers the top of the forehead, with two thin lines followed by a roughly cut layer with some hollowed out holes; entire mask is one natural dark wood color with hints of red, and has sheen to its surface — Mask, 20th century
Lwena

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cup is carved into likeness of a head that leads down to a pointed chin; lip of the cup has hard edge that is raised from the head and carved in flowing lines; face has large, oval eyes, a small, round nose, and an O-shaped mouth; multiple curved lines run down from the bottom of the eyes to the jawline; there is a small circle carved in space between eye and ear on both sides of head; the hair is intricately carved in a grid pattern with a braided, rope-like pattern at back; neck attaches to round, flat base of cup and is adorned with a carved necklace (?); curved handle runs from base of head to base of neck; the entire piece is the dark-brown hue of the wood from which it is carved — Cup, 20th century
Kuba

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one of pair of fertility pipes; pipe has a dark brown clay bowl with a long wooden stem that is honey in color; bowl of pipe is rendered as face with semi-circle eyes, a large nose, curved like a beak, with flared nostrils, and a small ellipses mouth; area around eyes is smooth, but area around ears and forehead hosts a carved pattern comprised of rows of tiny dots; top of bowl is smooth with a rounded lip and bottom of bowl tapers down into phallus; carved design resembling the letter "m" is on the PR side of the "neck," which connects the bowl to the stem; the stem has a series of carvings and starts wide and then tapers into thinner cylinder; there are two metal collars where the stem and bowl connect--the second protrudes and is disk-like — Pipe, mid 20th century
Yaka

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round drum shaped box with birch bark body; flat cover decorated with daisy-type floral motif in white and white with brown-tipped quills; body of box decorated with vertical white quills — Box with floral motif on cover, 20th century
Lorraine Besto and daughters

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drum shaped box on birch bark body; flat top decorated with floral rondel and basket weave-like border in white quills; central element in flower made of small bits of red quills; one band around edge of cover and one band around body of box with alternating X-motifs and basket weave diamonds with white quills — Box with floral motif on cover, 20th century
Amelia Kimewon-Trudeau

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thin layer of birch bark with symmetrical design with two birds, four butterflies and two worm-like creatures surrounding a starburst — Bitten birch bark design with birds, butterflies and starburst, 1990
Angelique Merasty Levac

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apple shaped form with knob handle; flat cover with defined vertical rim; light brown; ring foot; three openwork bands on body — Basket with cover, 20th century
Rena Point Bolton

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drum shaped box; birch bark base; top of cover decorated with star motif with white and light brown porcupine quills; one band around edge of cover and one band around box with repeating X-motifs — Box with star motif on cover, c. 1970
Anishinaabe (Ojibwe)

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thin layer of birch bark with symmetrical design of two birds above and below a starburst — Bitten birch bark design with two birds and starburst, 1990
Angelique Merasty Levac

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drum shaped basket with flat cover and bottom; birch bark base with quillwork on exterior; cover has white ground with image of a black bear and a border of white stars and brown and white X-shapes; similar stars and X-shapes in two bands on body of basket — Box with black bear motif on cover, Date Unknown
United States

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light brown; circular form with stepped lid; knob handle; dark brown designs around knob with five triangles forming broken-apart star, two additional triangles and three areas of brown radiating lines; woven V-shapes on outer edges; woven radiating star design on underside — Basket with cover, Date Unknown
Anishinaabe (Ojibwe)

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primarily black; maskette with round eyes and frowning mouth with red lips and visible white teeth; alternating gold and mother-of-pearl inlays around face; raptor's head at top with wings on back, with rust red inlays on top of wings and mother-of-pearl at center of back; vertical element wrapped with gold wire and tipped in ivory at bottom — Shaman's curling medallion, 2010
Darrell White

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pendant: standing figure holding pompon-like elements; silver mask with wide smiling mouth with visible teeth lifts to reveal a fossilized ivory face with mouth in an O shape; PR arm is hinged; element in PL hand is movable; figure wears skirt with alternating brown and white veined and grey stones, bordered with ivory band with black vertical and horizontal lines and red dots; figure wears green, tan and brown mottled boots; pin on back; necklace: alternating oval elements--gold flatter mask-like element with incised designs alternate with raised inset ivory elements with black designs — "Yup'ik Dancer V A" pendant and necklace, 2009
Denise Wallace

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pendant: in the form of a turtle; double-sided; top has coral and turquoise eyes; red coral square at tip of tail; turquoise, lapis and coral beads at points of starburst on shell, with coral gem at center; back has green and black inlaid eyes; red coral square at tip of tail; flat shell on back is inlay in geometric design with dark blue ground with circles, lines and tapering bars in various colors of gemstones; neck collar: curved design, open at back; asymmetrical decoration with hand and arrowhead connected with a zigzag at PR, with inlaid tiny round gems around zigzag; two stepped triangles right of center with turquoise and coral round inlay; hand with predominately blue inlays connected to zigzag at PL near back; ends of collar have inlays--opal on PR, various gems on PL with lines and circles — Turtle pendant and neck collar, c. 2000
Jesse Monongya

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Untitled 12, 1974

Andy Warhol; Printer: Alexander Heinrici, New York; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York

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Green Curve with Radius of 20', 1974

Ellsworth Kelly; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Gemini G.E.L., Los Angeles

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Necklace with two removable pendants and removable mask ornament, 1987

Denise Wallace

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