Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border — Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

red text on either side of a blue and red image of person with afro; blue background — Moby Grape, The Other Half, It's a Beautiful Day, Tim Hardin, January 24-25, Winterland, 1969
San Andreas Fault (Tad Hunter); Publisher: Family Dog Productions, San Francisco

G316

Bill Graham poster no. 136; blue background; hand holding torch over heart at center; red, yellow, and black text — "Heart and Torch," Big Brother & the Holding Company, Santana, Chicago Transit Authority, September 12-14, Filmore West, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

orange and pink close up image of a woman's face wearing sunglasses; blue text fit into shape of lenses; blue and pink borders — The Chambers Brothers, March 28-30, 1967, April 4-6, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

pink image of person on blue background; orange and pink flower shapes around image, petals contain text; pink and orange border; — The Wildflower, March 3-5, The Matrix, 1967
Victor Moscoso; Photographer: Elaine Mayes; Publisher: Neon Rose, San Francisco

G316

blue text dissapating behind green image of singer; neon orange background; green text with blue background along bottom; blue border — Junior Wells and his Chicago Blues Band, Steve Mann, December 27, 1966-January 8, The Matrix, 1966
Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background — “The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Family Dog poster no. 57; spiral in pink, red, green, and blue with female figure behind; text in blue and pink; yellow border; red typewritten text at bottom — "Swirly," The Doors, Miller Blues Band, Haji Baba, April 14-15, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 68; curling text in blue and green over red with two circles at center; green along one long side and blue along other long side, each with white typewritten text — Quicksilver Messenger Service, Mount Rushmore, Big Brother and the Holding Company, Horns of Plenty, June 29-30, July 1-2, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

white and yellow arcing grid on orange with yellow sun orb at top center; silhouette of a figure attached of purple and green wings on top of sun orb; blue and yellow curving elements at bottom with orange text; pink typewritten text at bottom — "Sky Web," The Charlatans, Buddy Guy, September 22-24, Avalon Ballroom, 1967
Bob Fried; Publisher: Family Dog Productions, San Francisco

G316

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Squiggly Trinity," Bo Didley, Lee Michaels, November 17-19, Avalon Ballroom, 1967

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

black ground; large round element at top in red, yellow, and white, with looping designs and faint skull element at center; arcs with bubble letters at bottom; white typewritten text at top — "Rorschach Test," Blues Project, It's A Beautiful Day, Nazz Are Blues Band, April 5-7, Avalon Ballroom, 1968
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green — "The Woman with Green Hair," Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

G316

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters — The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 26; skeleton surrounded by red and white roses and wearing a crown of roses against blue background — "Skull and Roses," Grateful Dead, Oxford Circle, September 16-17, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners — "Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 61; blue background with pink and orange text; pixilated blurry figure wearing a full skirt with four wings (?) in blue, red, and yellow on purple ground; "ANNABELLES BUTTERFLY DANCE" below figure in blue; purple typewritten text at bottom — "Butterfly Lady," The Doors, The Sparrow, May 12-13, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE" — Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

fuchsia, orange, purple, turquoise; geometric lines and rectangles with radiating letters of various typefaces; central photographic image of a woman's face, upside down, in fuchsia on orange; white typewritten text at bottom — "One Hundred Six," Youngbloods, Mount Rushmore, Phoenix, February 16-18, Avalon Ballroom, 1968
William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 101; black ground with red text; illustration of bleeding heart with roots and branches at center; blue typewritten text at bottom — "Eternal Reservoir," Quicksilver Messenger Service, Kaleidoscope, Charley Musselwhite, January 12-14, Avalon Ballroom, 1968
Rick Griffin; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 88; red background with green flame-like design and text; purple and green text in center in a T shape; white typewritten text at bottom of main design motif — "Ohm," Van Morrison, Daily Flash, Hair, Avalon Ballroom, October 20-22, 1967, 1967
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

double exposed, color image of Janis Joplin performing, framed by white, red and pink jukebox; green text at top; white and gray border with scalloped pattern; black background — Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1969
Randy Tuten; Artist: D. Bread (William Bostedt aka "Daddy Bread"); Photographer: Jim Mabbhell; Printer: Tea Lautrec Litho, San Francisco

Not on View

black and gray image of soldiers on horseback, riding through desert landscape; pair of crossed legs in fishnet stockings, rising out of horizon, appear to be holding up buffalo nickle; black border with gray text on top and bottom — Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1970
David Singer; Printer: Tea Lautrec Litho, San Francisco

Not on View

orange-haired woman's face at center, in between orange and pink text; two doves at top; pink, swirling shapes fill in space around text; orange border — Moby Grape, Big Brother and the Holding Company, The Ark, November 4, 1967, 1967
Portal Publications Ltd., Corte Madera, Calif.

Not on View

blue and white image of group of six (Jefferson Airplane) framed by illustration of house; red and orange text fit into shape of house; blue outline of face below image — Jefferson Airplane, Grateful Dead, Big Brother and the Holding Company, Hollywood Bowl, September 15, 1967, 1967
Jim Blashfield; Photographer: Herb Greene

Not on View

black block text on gray background — Keep the Faith Baby, 1967
David Nordahl; Publisher: Pandora Productions

Not on View

image of man's face with large afro, reflected onto bottom; upper image is yellow and green, lower is red and yellow; blue and white text at top and bottom — Hair, The American Tribal Love-Rock Musical, 1968
Alexius Ruspoli-Rodriguez

Not on View

black-and-white line drawing of bald, naked men and naked women working various jobs alongside a shallow body of water; some appear to be catching fish, cleaning fish, repairing structures, moving baskets, among other tasks — Emotional Hieroglyphic Studies, part #1, 1966
Peter Key Mack

Not on View

drawing of hot air balloon holding up ship with propeller on back and large winged woman at helm; ship holds musical instruments and several crew members; black lettering across top and bottom — Jefferson Airplane, Minneapolis Auditorium, May 15, 1970, 1970
Anne C. Elliott

Not on View

red, floral text around a drawing of a short, fat airplane pieced together with panels, ladders, instruments, and other oddities; light green and yellow text at bottom; wood paneling background; verso: black and purple photograph of man sitting on ground behind a gravestone that read "Honey", with sleeping puppy in lap; black decorative corners and black border — Jefferson Airplane, Fillmore Auditorium, June 1967
Jim Michaelson; Artist: Dave Schiller

Not on View

Art Nouveau-esque image of three figures, one playing an instrument in UL; framed by vines and flowers; lettering around figures and down center of sheet; black and gray drawing and text on pale yellow sheet; bright yellow verso — The Band, John Sebastian, Belaney and Bonnie, Butterfield Blues Band, Crow Muddy Waters, "Li'l Sun" Tony Glover, Midway Stadium, June 26,1971, 1971
Anne C. Elliott

Not on View

brown drawing of butterfly with wheels attached to legs and a crow; orange border with brown text at top and bottom — Iron Butterfly, Crow, Met Sports Center, November 13, 1970, 1970
Jubalsky

Not on View

black text around black and white image of group of five (the Yardbirds) on magenta pink background — Yardbirds, Country Joe and the Fish, Fillmore Auditorium, October 23, 1966, 1966
John Myers; Printer: West Coast Lithograph Co., San Francisco

Not on View

black print on gray sheet; text on left; image of woman on upper right immersed in trees, leaves, and other patterns; the word "tenderness" in a tet box and a heart pierced by thornes in the LR corner — Otis Redding, Bar Kays, Grim Reapers, The Factory, December 10, 1967, 1967
William Barr

Not on View

pink text around blue camel; orange background; — Sopwith Camel, Only Alternative, February 6-12, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

color photo of sun setting behind trees on a country road; purple text with gray and yellow accents over image — Mason-Cass, Ballin' Jack, Buffalo Bob Smith and the Howdy Doody Gang, Redeye, January 7-9, Winterland, 1971
Randy Tuten; Artist: Tea Lautrec Litho, San Francisco

Not on View

off white image of man playing guitar in UL corner; off white text in bottom 2/3 of poster; black background; attached to illustration board — The Who, Marquee, 1966
Unknown artist, 20th century

Not on View

pink Gothic text on blue background; purple image of Roman-esque soldier with ax at left on pink background; purple border — Big Brother and the Holding Company, The New Breed, Stockton Civic Auditorium, April 16, 1967, 1967
Mouse Studios

Not on View

boy and girl on pink and blue striped background; pink text at top; red border with green text at top and bottom — The Blushing Peony, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

image of surfer on wave with two hands coming out of water and one hand in sky holding the sun; green and orange alternating borders with text on top and bottom — The Canned Heat, Country Joe and the Fish, Luke's Pineapple Store, Blues Cres, Tony Sondoa, Waikiki Shell, August 8-9, 1967, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

black text along right side and in between drawing of pink and yellow flower on green stem — Primer (War is Not Healthy for Children and Other Living Things), 1967
Lorraine Schneider; Publisher: Another Mother for Peace, Los Angeles

Not on View

purple text and portrait image of man (Lenny Bruce) on orange background — Lenny Bruce, The Mothers, Fillmore Auditorium, June 24-25, 1966, 1966
Victor Moscoso

Not on View

purple and white image of group of six (Jefferson Airplane) with teal text above and below; teal and red wavy lines down left and right sides — Jefferson Airplane, Junior Wells' Chicago Blues Band, Tim Rose, Hey Joe, Fillmore Auditorium, December 16-18, 1966, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Photographer: Herb Greene

Not on View

red and orange image of a sculpture of two figures in Classical style, in front of two birds; blue background; red text filling open space at top and between bird wings; red and orange borders — The Cloud, The Plastic Explosion, Webb's, April 1, 1967, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

black crow on branch with open mouth holding the Grateful Dead album, "Wake of the Flood," gray text announcing "All new stuff" coming out of bird's beak; album cover has man cloaked in brown holding bushel of wheat and a scythe, with body of water in background — All New Stuff, Grateful Dead, Wake of the Flood, 1973
Rick Griffin

Not on View

black and white line drawing of a frowning bald, naked man sitting on an island raised out of water, throwing pebbles into the water; sun with decorative rays in UR — Emotional Hieroglyphic Studies, part #4-C, 1966
Peter Key Mack

Not on View

green and orange portrait of man with pink and blue accents around face; yellow, oval border around image with pink text; blue background with yellow and pink borders — "Death and Transfiguration," The Plastic Explosion, The Plague, Webb's, April 14-15, Stockton, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

red and black image of man with guitar and woman, over blue waves; image framed by purple rosed; red text around image; purple border — Mason-Cass, Bread, John Fahey, Joy of Cooking, Winterland, October 16-18, 1970
Randy Tuten; Artist: Tea Lautrec Litho, San Francisco

Not on View

pink and red floral print on green background on bottom (red is actually text); pink and red floral pattern circle with ying yang shape on purple background at top — Poster Show, Neiman Marcus Exhibition Hall, October 2, 1967, 1967
Victor Moscoso

Not on View

pink, blue, and light green image of man holding a stem of flowers at left (Paul McCartney); off white bar along bottom with blue text — Paul McCartney, 1967 (published 1968)
Richard Avedon

Not on View

pink overlapping circles on blue background, with silver image overtop; orange borders with orange text on pink background (text is reflected over vertical centerline) — KMPX, 1967
Victor Moscoso

Not on View

green text and leaf design on black background, around black and yellow image of Native American man on horseback with arms outstretched — 10th Biennial Wilderness Conference, Hilton Hotel, April 7-9, 1967, 1967
Mouse Studios; Artist: The Bindweed Press

Not on View

orange and yellow block lettering at top; green caterpillar smoking from hokah on table at center; red bearded figure holding a cigarette and a blue figure with top hat and cigarette in mouth at bottom; black and white patterned border — Mine Eyes Have Seen the Glory, 1967
Rick Griffin

Not on View

brown and white image with blue shadow accents of moustached man holding dove on PR hand; off white bar along bottom with black text — Ringo Starr, 1967 (published 1968)
Richard Avedon

Not on View

blue and black figure standing in doorway with pink arch pattern over image; blue and pink text on sides and bottom; orange border — The Doors, March 7-11, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

red and green image of group of five people on blue background; orange text at top; orange and green borders — The Only Alternative, His Other Possibilities, February 17-19, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

red, yellow, and white flowers around green text box containing red text; pink and blue patterned corners (UL and LR) with text — Haight-Ashbury Neighborhood Clean-In, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

various types of letting on R; smoking yellow, blue, and red hokah with pipe attached and marijuana leaves on L; brown background — A Puff of Kief in the Morning Makes a Man as Strong as a Hundred Camels in the Courtyard, 1967
Rick Griffin

Not on View

blue and orange image of five people; one woman lying on her PR side, in front of two men kneeling, in front of two men standing; American flag in background; pink border with blue text — Big Brother and the Holding Company, January 17-22, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

blue and red block lettering on white background; red and black image of two dogs dressed in human's clothing--one in polka dots with a netted veil and one in a fedora — The Mothers, Sir Douglas, The Miracles, Winterland, January 17-18, 1969, 1969
San Andreas Fault (Tad Hunter)

Not on View

black text on top and bottom, around black and silver image of woman in lace-trimmed dress; pale yellow sheet — The Amazing Charlatans, Frumious Bandersnatch, Triple AAA, Western Front Dance Academy, October 27-28, 1967, 1967
Mouse Studios

Not on View

black block lettering around image of Native American man on horseback holding guitar; drawing of talon gripping two thunderbolts coming down out of clouds around title at top — Pow Wow, A Gathering of the Tribes for a Human Be-In, Lawrence Ferlinghetti, Allen Ginsberg, Timothy Leary, Jerry Rubin, January 14, Polo Grounds, Golden Gate Park, 1967
Rick Griffin

Not on View

black text integrated into illustrated collage of various objects--clock, US flag, chandelier, street light, sidewalk path, mountains; orange background — Canned Heat, John Mayall, Sir Douglas Quintet, Winterland, October 31, 1968, 1968
Randy Tuten; Printer: Tea Lautrec Litho, San Francisco

Not on View

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Moby Grape, 1967

Jim Marshall; Publisher: Columbia Records, New York

Not on View

pink background with yellow image of four figures around more detailed image of man lying with holes in hands and feet (Jesus); blue lettering at top, yellow lettering at bottom — The Grateful Dead, Cafe Au Go-Go, June 1-10, 1967, 1967
Daniel Fennell

Not on View

black and white line drawing of bald, naked men and naked women climbing up a pyramid that disappears into the sky; figures fill the sky, rippling out from the pyramid — Emotional Hieroglyphic Studies, part #4-B, 1966
Peter Key Mack

Not on View

green and orange image of man with mustache, holding up PR hand (George Harrison); white and orange accents added to image around neck/shoulders and on palm; off white bar along bottom with black text — George Harrison, 1967 (published 1968)
Richard Avedon; Publisher: Commissioned by NEMS Enterprises, Ltd., London; Publisher: Cowles Education Corporation, New York , in cooperation with Richard Avedon Posters, Inc.; Distributor: Distributed for Look magazine by Cowles Education Corporation, New York , in cooperation with Richard Avedon Posters, Inc.

Not on View

red and blue text over brown image of man in fedora hat with button on coat that reads "Indian Agent"; black outline around image and text — Jefferson Airplane, Big Brother and the Holding Company, Quicksilver Messenger Service, The Charlatans, The Grateful Dead, May 30, Winterland, 1967
Rick Griffin; Artist: Alton Kelley; Artist: Stanley Mouse

Not on View

orange and yellow image of flying birds with group of people in background; blue and orange borders with text — The Sparrow, May 9-11, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

red and pink image of man wearing sunglasses on yellow background (John Lennon); red and green wave accents added to lenses of sunglasses; off white bar along bottom edge with green text — John Lennon, 1967 (published 1968)
Richard Avedon

Not on View

blue, purple, and red bearded man with hands to head and a third eye on forehand; green and red text haloed around man's head; product and advertisment information along bottom with image of print in LR corner — Tektronix Advertisement, 1997
Victor Moscoso

Not on View

black textbox with purple and pink block lettering, framed by different concert posters in orange, pink, and purple; black and white image of curly haired man at top (Bob Fried) — Jerry Garcia and Friends, Kingfish, Keith and Donna, The Mirrors, Winterland, June 17, 1975, 1975
Bob Fried; Artist: Alton Kelley; Artist: Victor Moscoso; Artist: Stanley Mouse; Artist: Randy Tuten; Artist: Wes Wilson

Not on View

pink and blue image of three standing figures; green border with text around left, top, and right sides — Otis Rush, February 28-March 2, The Matrix,, 1967
Victor Moscoso; Artist: Raoul Ubac; Publisher: Neon Rose, San Francisco

Not on View

blue sky and red ground with variety of symbols at center, including a brick pyramid with all knowing eye at top, behind three trees with root systems and two mounds; branches of trees have a set of antlers and a red heart; lightening bolt is striking tree, coming from clouds under a sun that has wings and horns — The Unnameable, 1968
Rick Griffin

Not on View

black and white image of seated woman in lotus pose with rose on lap; one large image on R; nine smaller images on L; three smaller images at top L, rotated 90 degrees — Country Joe and the Fish, Pacific Gas and Electric, Boogie, Avalon Ballroom, July 23-25, 1968, 1968
San Andreas Fault; Photographer: Jerry Wainwright

Not on View

green and pink image of man wearing a chain necklace with key; orange text fit into UL corner; orange and pink borders; pink text along bottom — Big Brother and the Holding Company, January 31-February 5,The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

orange woman on right with purple flowing hair; orange, purple and red text fit into left side — Big Brother and the Holding Company, Jack the Ripper, The Ark, October 6, 1967, 1968
Portal Publications Ltd., Corte Madera, Calif.

Not on View

black and white line drawing of community of bald, naked men and naked women constructing and working on a multilevel, pyramidal dwelling in the middle of water; a second similar structure is in the background — Emotional Hieroglyphic Studies, part #2, 1966
Peter Key Mack

Not on View

block text coming out of the foreheads of image of three men; text fit into drop shape below men; text along bottom; yellow background — Cream, James Cotton Blues Band, Jeremy and the Satyrs, Blood, Sweat, and Tears, Fillmore Auditorium, March 7, 1968, Winterland, March 8-10, 1968, 1968
Stanley Mouse; Printer: Tea Lautrec Litho, San Francisco

Not on View

black and white line drawing of bald, naked men and naked women climbing out of swirling water onto a structure with steps and doorways; people appear to be helping one another with ropes, nets, and human chains — Emotional Hieroglyphic Studies, part #4-A, 1966
Peter Key Mack

Not on View

red and orange lettering around drawing of can, pipe, packets, and marijuana leaves on yellow diamond shaped background; blue background with red border — Can-A-Blis, Pipe and Cigarette Tobacco Advertisement, 1967
Rick Griffin

Not on View

orange text at top on black background; circle with black bottom and black and orange patterned top on bottom, with orange background — The World Cannot Continue to Wage War like Physical Giants and to Seek Peace like Intellectual Pygmies, 1969
Unknown

Not on View

black and white; ghoulish silhouette of woman's head and torso superimposed over a white doily-like mandala; white typewritten text at bottom — Frumious Bandersnatch, Clearlight, Buddy Guy, Avalon Ballroom, June 14-16, 1968, 1968
Larry Stark

Not on View

printed in black and green; demon-like figure with small bat wings, thin limbs, and long white beard crouching at center with arms up with stylized green flames behind him surrounded by an archway with columns — The Daily Flash, The Rising Sons, Big Brother and Holding Company, The Charlatans, Avalon Ballroom, May 6-7, 1966, 1966
Wes Wilson

Not on View

black and red; face of Statue of Liberty with a white tear beneath her PL eye; red ground with red-on-red text; red typewritten text at bottom center — Blood, Sweat, and Tears, John Handy, Son House, Avalon Ballroom, March 15-17, 1968, 1968
Stanley Mouse

Not on View

black and white photographic image of a nude woman seated in lotus position with her hands together in prayer position at her chest, with a rose on her lap; white typewritten text at bottom — Country Joe and the Fish, Pacific Gas and Electric, Boogie, Avalon Ballroom, July 23-25, 1968, 1968
San Andreas Fault (Tad Hunter)

Not on View

black ground; five stylized dancing figures in grey at center are cut around their edges and pre-creased above and below for a fold-out effect; blue radiating pink letters at top--pink radiating blue letters at bottom; pink typewritten text at bottom — Kaleidoscope, Mother Earth, Country Weather, Avalon Ballroom, June 21-23, 1968, 1968
Patrick Lofthouse

Not on View

black on white image of patriotic shield with eagle and lightning bolts with a pyramid with an eye surrounded be a spiral of limbs and leaves below, surrounded by a cold frame with scrolls and shells; "INDEPENDANCE" at top; black typewritten text at bottom — Quicksilver Messenger Service, Siegal Schwall, The Phoenix, July 4, Avalon Ballroom, 1967
Rick Griffin

Not on View

motorcycle with "TRUTH" in the chrome on side; black border with white text at bottom; blue typewritten text at bottom center — Soul Survivors, Box Tops, Jimmerfield Legend, 1601 West Evans Street, Denver, December 15-16, 1967, 1967
Alton Kelley

Not on View

topless woman wearing a gold headband and a flowing pink loincloth riding on an orange spotted dinosaur; mushroom in bottom corners; white typewritten text at bottom — Junior Wells, Canned Heat, Chrome Syrcus, Clover, Avalon Ballroom, May 3-5, 1968, 1968
Carl Lundgren

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Pink Floyd, Avalon Ballroom, 1968

Bob Schnepf

Not on View

photo composite image; large orange moon at top center in mottled graded blue sky; topless woman printed in orange wearing a hat riding on the back of a blue and white flying owl, with stars around her; "Blue Cheer" in blue and orange over moon; blue typewritten text at bottom — Blue Cheer, Superfine Dandelion, 1601 West Evans Street, Denver, November 3-4, 1967, 1967
Bob Fried

Not on View

head, chest, and one bare breast of woman with orange skin and yellow spaghetti-like hair at center; orange radiating arcs above woman's face; blue architectural elements at bottom--columns, arcing stairway, brick walls; purple typewritten text at bottom — Youngbloods, Kaleidoscope, Hourglass, Avalon Ballroom, May 24-26, 1968, 1968
John Thompson

Not on View

printed in black and green; text with square black and white photographic image of woman in showgirl-style costume — Love, Captain Beefhart and his Magic Band, Big Brother and the Holding Company, Avalon Ballroom, May 20-22, 1966, 1966
Wes Wilson

Not on View

image of a king of spades playing card with lion at center; orange, red, purple, blue, greens, black; black typewritten text at bottom — Buddy Guy, Captain Beefheart, Blue Cheer, Avalon Ballroom, October 13-15, 1967, 1967
Jack Hatfield

Not on View

printed in black and red; bull's head with "CHOICE" on neck on red ground — Captain Beefheart and his Magic Band, The Oxford Circle, Avalon Ballroom, June 17-18, 1966, 1966
Stanley Mouse

Not on View

flower at bottom center in the form of a woman with very long blonde hair, surrounded by red-centered daisies; two men in white cowboy hats and green jackets at top, with banjo and mandolin; multicolored spots at edges; blue typewritten text and bottom — "Nashville Katz," Flatt & Scruggs, Lewis and Clarke Expedition, Avalon Ballroom, November 30-December 2, 1967, 1967
Doyle Phillips

Not on View

photographic portrait of Native American man with long hair wearing a hat, beaded necklace, and three medals on his vest; orange and red organic symmetrical designs over image; black text; black typewritten text at bottom — Van Morrison, The Daily Flash, 1601 West Evans Street, Denver, October 13-14, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

black and white; photographic image of one of the gargoyles from Notre Dame; text in black and white over image — The Grass Roots, Big Brother and the Holding Company, The Buddha from Muir Beach, Avalon Ballroom, June 3-4, 1966, 1966
Victor Moscoso

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver Messenger Service, The Great Society, Avalon Ballroom, September 9-10, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

Not on View

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