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orange and pink close up image of a woman's face wearing sunglasses; blue text fit into shape of lenses; blue and pink borders

%C2%A9 Victor Moscoso

The Chambers Brothers, March 28-30, 1967, April 4-6, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

Bill Graham poster no. 136; blue background; hand holding torch over heart at center; red, yellow, and black text

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Heart and Torch," Big Brother & the Holding Company, Santana, Chicago Transit Authority, September 12-14, Filmore West, 1968

Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966

Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

red text on either side of a blue and red image of person with afro; blue background

%C2%A9 San Andreas Fault

Moby Grape, The Other Half, It's a Beautiful Day, Tim Hardin, January 24-25, Winterland, 1969

San Andreas Fault (Tad Hunter); Publisher: Family Dog Productions, San Francisco

G316

pink image of person on blue background; orange and pink flower shapes around image, petals contain text; pink and orange border;

%C2%A9 Victor Moscoso %2F Elaine Mayes

The Wildflower, March 3-5, The Matrix, 1967

Victor Moscoso; Photographer: Elaine Mayes; Publisher: Neon Rose, San Francisco

G316

eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

“The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968

Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

blue text dissapating behind green image of singer; neon orange background; green text with blue background along bottom; blue border

%C2%A9 Victor Moscoso

Junior Wells and his Chicago Blues Band, Steve Mann, December 27, 1966-January 8, The Matrix, 1966

Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966

Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"The Woman with Green Hair," Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

G316

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 57; spiral in pink, red, green, and blue with female figure behind; text in blue and pink; yellow border; red typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Swirly," The Doors, Miller Blues Band, Haji Baba, April 14-15, Avalon Ballroom, 1967

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE"

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 61; blue background with pink and orange text; pixilated blurry figure wearing a full skirt with four wings (?) in blue, red, and yellow on purple ground; "ANNABELLES BUTTERFLY DANCE" below figure in blue; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Butterfly Lady," The Doors, The Sparrow, May 12-13, Avalon Ballroom, 1967

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

white and yellow arcing grid on orange with yellow sun orb at top center; silhouette of a figure attached of purple and green wings on top of sun orb; blue and yellow curving elements at bottom with orange text; pink typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Sky Web," The Charlatans, Buddy Guy, September 22-24, Avalon Ballroom, 1967

Bob Fried; Publisher: Family Dog Productions, San Francisco

G316

black ground; large round element at top in red, yellow, and white, with looping designs and faint skull element at center; arcs with bubble letters at bottom; white typewritten text at top

%C2%A9 Chet Helms DBA Family Dog Productions All Rights Reserved

"Rorschach Test," Blues Project, It's A Beautiful Day, Nazz Are Blues Band, April 5-7, Avalon Ballroom, 1968

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 68; curling text in blue and green over red with two circles at center; green along one long side and blue along other long side, each with white typewritten text

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver Messenger Service, Mount Rushmore, Big Brother and the Holding Company, Horns of Plenty, June 29-30, July 1-2, Avalon Ballroom, 1967

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 101; black ground with red text; illustration of bleeding heart with roots and branches at center; blue typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Eternal Reservoir," Quicksilver Messenger Service, Kaleidoscope, Charley Musselwhite, January 12-14, Avalon Ballroom, 1968

Rick Griffin; Publisher: Family Dog Productions, San Francisco

G316

fuchsia, orange, purple, turquoise; geometric lines and rectangles with radiating letters of various typefaces; central photographic image of a woman's face, upside down, in fuchsia on orange; white typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"One Hundred Six," Youngbloods, Mount Rushmore, Phoenix, February 16-18, Avalon Ballroom, 1968

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

heads of three women--two in profile flaking central forward facing head; long strawlike hair; women wear purple, orange, red, and mustard yellow headbands; Orientalist pattern around edges; text in purple at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Squiggly Trinity," Bo Didley, Lee Michaels, November 17-19, Avalon Ballroom, 1967

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 88; red background with green flame-like design and text; purple and green text in center in a T shape; white typewritten text at bottom of main design motif

%C2%A9 Chet Helms DBA Family Dog Productions All Rights Reserved

"Ohm," Van Morrison, Daily Flash, Hair, Avalon Ballroom, October 20-22, 1967, 1967

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 26; skeleton surrounded by red and white roses and wearing a crown of roses against blue background

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Skull and Roses," Grateful Dead, Oxford Circle, September 16-17, Avalon Ballroom, 1966

Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

double exposed, color image of Janis Joplin performing, framed by white, red and pink jukebox; green text at top; white and gray border with scalloped pattern; black background

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1969

Randy Tuten; Artist: D. Bread (William Bostedt aka "Daddy Bread"); Photographer: Jim Mabbhell; Printer: Tea Lautrec Litho, San Francisco

Not on View
black and gray image of soldiers on horseback, riding through desert landscape; pair of crossed legs in fishnet stockings, rising out of horizon, appear to be holding up buffalo nickle; black border with gray text on top and bottom

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1970

David Singer; Printer: Tea Lautrec Litho, San Francisco

Not on View
orange-haired woman's face at center, in between orange and pink text; two doves at top; pink, swirling shapes fill in space around text; orange border

Moby Grape, Big Brother and the Holding Company, The Ark, November 4, 1967, 1967

Portal Publications Ltd., Corte Madera, Calif.

Not on View
blue and white image of group of six (Jefferson Airplane) framed by illustration of house; red and orange text fit into shape of house; blue outline of face below image

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Jefferson Airplane, Grateful Dead, Big Brother and the Holding Company, Hollywood Bowl, September 15, 1967, 1967

Jim Blashfield; Photographer: Herb Greene

Not on View
black-and-white line drawing of bald, naked men and naked women working various jobs alongside a shallow body of water; some appear to be catching fish, cleaning fish, repairing structures, moving baskets, among other tasks

%C2%A9 Peter Key Mack

Emotional Hieroglyphic Studies, part #1, 1966

Peter Key Mack

Not on View
drawing of hot air balloon holding up ship with propeller on back and large winged woman at helm; ship holds musical instruments and several crew members; black lettering across top and bottom

%C2%A9 Anne C. Elliott

Jefferson Airplane, Minneapolis Auditorium, May 15, 1970, 1970

Anne C. Elliott

Not on View
red, floral text around a drawing of a short, fat airplane pieced together with panels, ladders, instruments, and other oddities; light green and yellow text at bottom; wood paneling background; verso: black and purple photograph of man sitting on ground behind a gravestone that read "Honey", with sleeping puppy in lap; black decorative corners and black border

%C2%A9 Jim Michaelson

Jefferson Airplane, Fillmore Auditorium, June 1967

Jim Michaelson; Artist: Dave Schiller

Not on View
Art Nouveau-esque image of three figures, one playing an instrument in UL; framed by vines and flowers; lettering around figures and down center of sheet; black and gray drawing and text on pale yellow sheet; bright yellow verso

%C2%A9 Anne C. Elliott

The Band, John Sebastian, Belaney and Bonnie, Butterfield Blues Band, Crow Muddy Waters, "Li'l Sun" Tony Glover, Midway Stadium, June 26,1971, 1971

Anne C. Elliott

Not on View
black text around black and white image of group of five (the Yardbirds) on magenta pink background

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Yardbirds, Country Joe and the Fish, Fillmore Auditorium, October 23, 1966, 1966

John Myers; Printer: West Coast Lithograph Co., San Francisco

Not on View
black print on gray sheet; text on left; image of woman on upper right immersed in trees, leaves, and other patterns; the word "tenderness" in a tet box and a heart pierced by thornes in the LR corner

%C2%A9 William Barr

Otis Redding, Bar Kays, Grim Reapers, The Factory, December 10, 1967, 1967

William Barr

Not on View
black text on top and bottom, around black and silver image of woman in lace-trimmed dress; pale yellow sheet

%C2%A9 Stanley Mouse %2F Mouse Studios

The Amazing Charlatans, Frumious Bandersnatch, Triple AAA, Western Front Dance Academy, October 27-28, 1967, 1967

Mouse Studios

Not on View
pink text around blue camel; orange background;

%C2%A9 Victor Moscoso

Sopwith Camel, Only Alternative, February 6-12, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
red and green image of group of five people on blue background; orange text at top; orange and green borders

%C2%A9 Victor Moscoso

The Only Alternative, His Other Possibilities, February 17-19, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
red, yellow, and white flowers around green text box containing red text; pink and blue patterned corners (UL and LR) with text

%C2%A9 Victor Moscoso

Haight-Ashbury Neighborhood Clean-In, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
various types of letting on R; smoking yellow, blue, and red hokah with pipe attached and marijuana leaves on L; brown background

%C2%A9 Rick Griffin

A Puff of Kief in the Morning Makes a Man as Strong as a Hundred Camels in the Courtyard, 1967

Rick Griffin

Not on View
green text and leaf design on black background, around black and yellow image of Native American man on horseback with arms outstretched

%C2%A9 Stanley Mouse %2F The Bindweed Press

10th Biennial Wilderness Conference, Hilton Hotel, April 7-9, 1967, 1967

Mouse Studios; Artist: The Bindweed Press

Not on View
brown and white image with blue shadow accents of moustached man holding dove on PR hand; off white bar along bottom with black text

Photograph by Richard Avedon %C2%A9 The Richard Avedon Foundation

Ringo Starr, 1967 (published 1968)

Richard Avedon

Not on View
image of surfer on wave with two hands coming out of water and one hand in sky holding the sun; green and orange alternating borders with text on top and bottom

%C2%A9 Victor Moscoso

The Canned Heat, Country Joe and the Fish, Luke's Pineapple Store, Blues Cres, Tony Sondoa, Waikiki Shell, August 8-9, 1967, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
purple text and portrait image of man (Lenny Bruce) on orange background

%C2%A9 Bill Graham Archives%2C LLC. All rights reserved.

Lenny Bruce, The Mothers, Fillmore Auditorium, June 24-25, 1966, 1966

Victor Moscoso

Not on View
color photo of sun setting behind trees on a country road; purple text with gray and yellow accents over image

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Mason-Cass, Ballin' Jack, Buffalo Bob Smith and the Howdy Doody Gang, Redeye, January 7-9, Winterland, 1971

Randy Tuten; Artist: Tea Lautrec Litho, San Francisco

Not on View
off white image of man playing guitar in UL corner; off white text in bottom 2/3 of poster; black background; attached to illustration board

The Who, Marquee, 1966

Unknown artist, 20th century

Not on View
orange and yellow block lettering at top; green caterpillar smoking from hokah on table at center; red bearded figure holding a cigarette and a blue figure with top hat and cigarette in mouth at bottom; black and white patterned border

%C2%A9 Rick Griffin

Mine Eyes Have Seen the Glory, 1967

Rick Griffin

Not on View
purple and white image of group of six (Jefferson Airplane) with teal text above and below; teal and red wavy lines down left and right sides

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Jefferson Airplane, Junior Wells' Chicago Blues Band, Tim Rose, Hey Joe, Fillmore Auditorium, December 16-18, 1966, 1966

Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Photographer: Herb Greene

Not on View
red and orange image of a sculpture of two figures in Classical style, in front of two birds; blue background; red text filling open space at top and between bird wings; red and orange borders

%C2%A9 Victor Moscoso

The Cloud, The Plastic Explosion, Webb's, April 1, 1967, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
red and black image of man with guitar and woman, over blue waves; image framed by purple rosed; red text around image; purple border

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Mason-Cass, Bread, John Fahey, Joy of Cooking, Winterland, October 16-18, 1970

Randy Tuten; Artist: Tea Lautrec Litho, San Francisco

Not on View
pink and red floral print on green background on bottom (red is actually text); pink and red floral pattern circle with ying yang shape on purple background at top

%C2%A9 Victor Moscoso

Poster Show, Neiman Marcus Exhibition Hall, October 2, 1967, 1967

Victor Moscoso

Not on View
pink, blue, and light green image of man holding a stem of flowers at left (Paul McCartney); off white bar along bottom with blue text

Photograph by Richard Avedon %C2%A9 The Richard Avedon Foundation

Paul McCartney, 1967 (published 1968)

Richard Avedon

Not on View
pink overlapping circles on blue background, with silver image overtop; orange borders with orange text on pink background (text is reflected over vertical centerline)

%C2%A9 Victor Moscoso

KMPX, 1967

Victor Moscoso

Not on View
black block lettering around image of Native American man on horseback holding guitar; drawing of talon gripping two thunderbolts coming down out of clouds around title at top

%C2%A9 Rick Griffin

Pow Wow, A Gathering of the Tribes for a Human Be-In, Lawrence Ferlinghetti, Allen Ginsberg, Timothy Leary, Jerry Rubin, January 14, Polo Grounds, Golden Gate Park, 1967

Rick Griffin

Not on View
green and orange portrait of man with pink and blue accents around face; yellow, oval border around image with pink text; blue background with yellow and pink borders

%C2%A9 Victor Moscoso

"Death and Transfiguration," The Plastic Explosion, The Plague, Webb's, April 14-15, Stockton, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
black crow on branch with open mouth holding the Grateful Dead album, "Wake of the Flood," gray text announcing "All new stuff" coming out of bird's beak; album cover has man cloaked in brown holding bushel of wheat and a scythe, with body of water in background

%C2%A9 Rick Griffin

All New Stuff, Grateful Dead, Wake of the Flood, 1973

Rick Griffin

Not on View
black and white line drawing of a frowning bald, naked man sitting on an island raised out of water, throwing pebbles into the water; sun with decorative rays in UR

%C2%A9 Peter Key Mack

Emotional Hieroglyphic Studies, part #4-C, 1966

Peter Key Mack

Not on View
blue and black figure standing in doorway with pink arch pattern over image; blue and pink text on sides and bottom; orange border

%C2%A9 Victor Moscoso

The Doors, March 7-11, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
black text integrated into illustrated collage of various objects--clock, US flag, chandelier, street light, sidewalk path, mountains; orange background

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Canned Heat, John Mayall, Sir Douglas Quintet, Winterland, October 31, 1968, 1968

Randy Tuten; Printer: Tea Lautrec Litho, San Francisco

Not on View
color photograph of five men holding various items (washboard, spoon, gun, cast iron pan); building window visible in background; black background/border around image; purple band logo at TC

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Moby Grape, 1967

Jim Marshall; Publisher: Columbia Records, New York

Not on View
pink background with yellow image of four figures around more detailed image of man lying with holes in hands and feet (Jesus); blue lettering at top, yellow lettering at bottom

%C2%A9 David Fennell

The Grateful Dead, Cafe Au Go-Go, June 1-10, 1967, 1967

Daniel Fennell

Not on View
black and white line drawing of bald, naked men and naked women climbing up a pyramid that disappears into the sky; figures fill the sky, rippling out from the pyramid

%C2%A9 Peter Key Mack

Emotional Hieroglyphic Studies, part #4-B, 1966

Peter Key Mack

Not on View
pink and blue image of three standing figures; green border with text around left, top, and right sides

%C2%A9 Victor Moscoso

Otis Rush, February 28-March 2, The Matrix,, 1967

Victor Moscoso; Artist: Raoul Ubac; Publisher: Neon Rose, San Francisco

Not on View
blue sky and red ground with variety of symbols at center, including a brick pyramid with all knowing eye at top, behind three trees with root systems and two mounds; branches of trees have a set of antlers and a red heart; lightening bolt is striking tree, coming from clouds under a sun that has wings and horns

%C2%A9 Rick Griffin

The Unnameable, 1968

Rick Griffin

Not on View
blue, purple, and red bearded man with hands to head and a third eye on forehand; green and red text haloed around man's head; product and advertisment information along bottom with image of print in LR corner

%C2%A9 Victor Moscoso

Tektronix Advertisement, 1997

Victor Moscoso

Not on View
blue and orange image of five people; one woman lying on her PR side, in front of two men kneeling, in front of two men standing; American flag in background; pink border with blue text

%C2%A9 Victor Moscoso

Big Brother and the Holding Company, January 17-22, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
blue and red block lettering on white background; red and black image of two dogs dressed in human's clothing--one in polka dots with a netted veil and one in a fedora

%C2%A9 San Andreas Fault

The Mothers, Sir Douglas, The Miracles, Winterland, January 17-18, 1969, 1969

San Andreas Fault (Tad Hunter)

Not on View
orange woman on right with purple flowing hair; orange, purple and red text fit into left side

Big Brother and the Holding Company, Jack the Ripper, The Ark, October 6, 1967, 1968

Portal Publications Ltd., Corte Madera, Calif.

Not on View
black and white line drawing of community of bald, naked men and naked women constructing and working on a multilevel, pyramidal dwelling in the middle of water; a second similar structure is in the background

%C2%A9 Peter Key Mack

Emotional Hieroglyphic Studies, part #2, 1966

Peter Key Mack

Not on View
black and white line drawing of bald, naked men and naked women climbing out of swirling water onto a structure with steps and doorways; people appear to be helping one another with ropes, nets, and human chains

%C2%A9 Peter Key Mack

Emotional Hieroglyphic Studies, part #4-A, 1966

Peter Key Mack

Not on View
orange text at top on black background; circle with black bottom and black and orange patterned top on bottom, with orange background

The World Cannot Continue to Wage War like Physical Giants and to Seek Peace like Intellectual Pygmies, 1969

Unknown

Not on View
green and orange image of man with mustache, holding up PR hand (George Harrison); white and orange accents added to image around neck/shoulders and on palm; off white bar along bottom with black text

Photograph by Richard Avedon %C2%A9 The Richard Avedon Foundation

George Harrison, 1967 (published 1968)

Richard Avedon; Publisher: Commissioned by NEMS Enterprises, Ltd., London; Publisher: Cowles Education Corporation, New York , in cooperation with Richard Avedon Posters, Inc.; Distributor: Distributed for Look magazine by Cowles Education Corporation, New York , in cooperation with Richard Avedon Posters, Inc.

Not on View
red and blue text over brown image of man in fedora hat with button on coat that reads "Indian Agent"; black outline around image and text

%C2%A9 Rick Griffin %2F Alton Kelley %2F Stanley Mouse

Jefferson Airplane, Big Brother and the Holding Company, Quicksilver Messenger Service, The Charlatans, The Grateful Dead, May 30, Winterland, 1967

Rick Griffin; Artist: Alton Kelley; Artist: Stanley Mouse

Not on View
orange and yellow image of flying birds with group of people in background; blue and orange borders with text

%C2%A9 Victor Moscoso

The Sparrow, May 9-11, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
red and pink image of man wearing sunglasses on yellow background (John Lennon); red and green wave accents added to lenses of sunglasses; off white bar along bottom edge with green text

Photograph by Richard Avedon %C2%A9 The Richard Avedon Foundation

John Lennon, 1967 (published 1968)

Richard Avedon

Not on View
green and pink image of man wearing a chain necklace with key; orange text fit into UL corner; orange and pink borders; pink text along bottom

%C2%A9 Victor Moscoso

Big Brother and the Holding Company, January 31-February 5,The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
black textbox with purple and pink block lettering, framed by different concert posters in orange, pink, and purple; black and white image of curly haired man at top (Bob Fried)

%C2%A9 Wes Wilson %2F Stanley Mouse %2F Alton Kelley

Jerry Garcia and Friends, Kingfish, Keith and Donna, The Mirrors, Winterland, June 17, 1975, 1975

Bob Fried; Artist: Alton Kelley; Artist: Victor Moscoso; Artist: Stanley Mouse; Artist: Randy Tuten; Artist: Wes Wilson

Not on View
pink Gothic text on blue background; purple image of Roman-esque soldier with ax at left on pink background; purple border

%C2%A9 Stanley Mouse %2F Mouse Studios

Big Brother and the Holding Company, The New Breed, Stockton Civic Auditorium, April 16, 1967, 1967

Mouse Studios

Not on View
boy and girl on pink and blue striped background; pink text at top; red border with green text at top and bottom

%C2%A9 Victor Moscoso

The Blushing Peony, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
black and white image of seated woman in lotus pose with rose on lap; one large image on R; nine smaller images on L; three smaller images at top L, rotated 90 degrees

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Country Joe and the Fish, Pacific Gas and Electric, Boogie, Avalon Ballroom, July 23-25, 1968, 1968

San Andreas Fault; Photographer: Jerry Wainwright

Not on View
block text coming out of the foreheads of image of three men; text fit into drop shape below men; text along bottom; yellow background

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Cream, James Cotton Blues Band, Jeremy and the Satyrs, Blood, Sweat, and Tears, Fillmore Auditorium, March 7, 1968, Winterland, March 8-10, 1968, 1968

Stanley Mouse; Printer: Tea Lautrec Litho, San Francisco

Not on View
red and orange lettering around drawing of can, pipe, packets, and marijuana leaves on yellow diamond shaped background; blue background with red border

%C2%A9 Rick Griffin

Can-A-Blis, Pipe and Cigarette Tobacco Advertisement, 1967

Rick Griffin

Not on View
black text along right side and in between drawing of pink and yellow flower on green stem

Primer (War is Not Healthy for Children and Other Living Things), 1967

Lorraine Schneider; Publisher: Another Mother for Peace, Los Angeles

Not on View
image of man's face with large afro, reflected onto bottom; upper image is yellow and green, lower is red and yellow; blue and white text at top and bottom

Hair, The American Tribal Love-Rock Musical, 1968

Alexius Ruspoli-Rodriguez

Not on View
brown drawing of butterfly with wheels attached to legs and a crow; orange border with brown text at top and bottom

Iron Butterfly, Crow, Met Sports Center, November 13, 1970, 1970

Jubalsky

Not on View
black block text on gray background

Keep the Faith Baby, 1967

David Nordahl; Publisher: Pandora Productions

Not on View
Family Dog poster no.D-12; blue ground with abstract illustration of face made up of pair of birds, butterfly, arcs, and scrolls in pink, red, and green with blue ground and yellow stars; black typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Chaotic License," Chuck Berry, The Sons of Champlin, November 17-18, 1601 West Evans Street, Denver, 1967

Rick Griffin; Artist: Victor Moscoso; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 38; man wearing top hat printed in blue and black with blue and red spiral eyes, surrounded by blue and red spirals

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Indian with the Swirling Eyes," Big Brother & the Holding Company, Oxford Circle, Lee Michaels, December 9-10, Avalon Ballroom, 1966

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 109; green background with female figure surrounded by hair in purple; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Lovelady," Love, Congress of Wonders, Sons of Champlin, March 8-10, Avalon Ballroom, 1968

Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 84; figures with raised arms playing harp, cymbals, drum, and horn in center in red and yellow; yellow and white radiating checkerboard behind figures text at top and bottom in blue, red, and green; blue typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Flash," The Doors, Lothar and the Hand People, Captain Beefheart & His Magic Band, September 29-30, 1601 West Evans Street, Denver, 1967

Bob Schnepf; Publisher: Family Dog Productions, San Francisco

Not on View
black and white; ghoulish silhouette of woman's head and torso superimposed over a white doily-like mandala; white typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Frumious Bandersnatch, Clearlight, Buddy Guy, Avalon Ballroom, June 14-16, 1968, 1968

Larry Stark

Not on View
pinkish-orange eagle in a golden cloud over a yellow orb emitting six lightning bolts; orange stars at top; eagle holds green ribbon in its beak; cartoon hand with middle finger raised at bottom center above two green ribbons; blue typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Electric Flag, Mad River, The Fugs, 13th Floor Elevator, Avalon Ballroom, February 2-4, 1968, 1968

Victor Moscoso

Not on View
square with text in pink, purple, yellow, and blue with yellow eye at center; purple and green ground; blue border; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Big Brother and the Holding Company, The Charlatans, Blue Cheer, Avalon Ballroom, March 31-April 1, 1967, 1967

Victor Moscoso

Not on View
black and white; Art Deco style borders forming three rectangular areas--one at center with distorted photographic image of a man's head with his forehead far above his face; text at right

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Steve Miller Band, Muddy Waters, A.B. Skhy Blues Band, Avalon Ballroom, September 20-22, 1968, 1968

Wes Wilson

Not on View
photographic image printed in green and yellow of three rows of people wearing gas masks of various types; pink banner with yellow text at top: "IT'S A GAS!"; blue ground with black vertical lines; blue typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver, Charlatans, It's A Beautiful Day, Avalon Ballroom, April 26-28, 1968, 1968

Alton Kelley

Not on View
rectangular black-and-white image of an air balloon with a ball with stars and large American flags at bottom, with a female figure standing on ball and a male acrobat hanging face up from bottom of ball; blue ground; patriotic striped archway with draping curtain forms

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Daily Flash, Quicksilver Messenger Service, Country Joe and the Fish, Avalon Ballroom, November 18-19, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

Not on View
head of cartoon man with glasses (Alfred E. Neuman) in oval at top center with an atomic mushroom cloud in ULC and a toadstool in URC; pair of hands holding a book at bottom; printed in black, medium green, light green, and tan; green typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Other Half, Sons of Champlin, 1601 West Evans Street, Denver, November 10-11, 1967, 1967

Alton Kelley; Artist: Stanley Mouse

Not on View
blurry black-and-white photo of a sculpture of a nude woman holding a curving flowing drapery over her head and behind her back; black ground; white arcing text with red star at center at left side

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Jefferson Airplane, Other Half, 1601 West Evans Street, Denver, November 7-8, 1967, 1967

Alton Kelley

Not on View
seated man with blue hair and beard and red skin, holding a staff in his PR hand, with a large orange fish arcing around him; woman with red skin in LLC with her PR arm draped across man's lap, reaching up to touch man's chin with her PL hand; other orange fish around figures; red waves and orange sky; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Moby Grape, The Charlatans, Avalon Ballroom, February 24-25, 1967, 1967

Victor Moscoso

Not on View
photo of a seated nude woman outdoors with her PR leg drawn in, printed in yellow and purple; two circles with flame-form text in purple and pink; green ground; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Blue Cheer, Country Joe and the Fish, Lee Michaels, Flamin' Groovies, Mad River, Mount Rushmore, Avalon Ballroom, December 31, 1967, 1967

Bob Schnepf; Photographer: Thomas Weir

Not on View
printed in brown and gold; mainly text with organic scrolling root-like elements in rectangular section at top

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Hayfevver: Leaves, Grass Roots, Grateful Dead, May 27-28, Avalon Ballroom, 1966

Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View
woman and baby holding a flower in front of a bright red circle; gold edging with foliage and Classical figures, with a portrait in each corner; black typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Big Brother and the Holding Company, Mount Rushmore, Canned Heat, Mother Earth, Avalon Ballroom, July 20-23, 1967, 1967

Dennis Nolan

Not on View
tan ground; symmetrical organic orange-red and red scrolling design surrounding tan ankh with Eye of Horus at center; black typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Allmen Joy, Lothar and the Hand People, 1601 West Evans Street, Denver, October 27-28, 1967, 1967

Alton Kelley; Artist: Stanley Mouse

Not on View
central rectangle with black-and-white photo of a young man with a feather in his long hair, wearing beaded necklaces; symmetrical design with black and gold border motifs; black typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Big Brother and the Holding Company, Quicksilver Messenger Service, Oxford Circle, Avalon Ballroom, February 17-18, 1967, 1967

Alton Kelley; Artist: Stanley Mouse

Not on View

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