black and white image of seated woman in lotus pose with rose on lap; one large image on R; nine smaller images on L; three smaller images at top L, rotated 90 degrees — Country Joe and the Fish, Pacific Gas and Electric, Boogie, Avalon Ballroom, July 23-25, 1968, 1968
San Andreas Fault; Photographer: Jerry Wainwright

Not on View

Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border — Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

Not on View

pink text around blue camel; orange background; — Sopwith Camel, Only Alternative, February 6-12, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

orange and yellow image of flying birds with group of people in background; blue and orange borders with text — The Sparrow, May 9-11, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

black and white line drawing of bald, naked men and naked women climbing out of swirling water onto a structure with steps and doorways; people appear to be helping one another with ropes, nets, and human chains — Emotional Hieroglyphic Studies, part #4-A, 1966
Peter Key Mack

Not on View

pink background with yellow image of four figures around more detailed image of man lying with holes in hands and feet (Jesus); blue lettering at top, yellow lettering at bottom — The Grateful Dead, Cafe Au Go-Go, June 1-10, 1967, 1967
Daniel Fennell

Not on View

blue and red block lettering on white background; red and black image of two dogs dressed in human's clothing--one in polka dots with a netted veil and one in a fedora — The Mothers, Sir Douglas, The Miracles, Winterland, January 17-18, 1969, 1969
San Andreas Fault (Tad Hunter)

Not on View

black and gray image of soldiers on horseback, riding through desert landscape; pair of crossed legs in fishnet stockings, rising out of horizon, appear to be holding up buffalo nickle; black border with gray text on top and bottom — Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1970
David Singer; Printer: Tea Lautrec Litho, San Francisco

Not on View

red and orange image of a sculpture of two figures in Classical style, in front of two birds; blue background; red text filling open space at top and between bird wings; red and orange borders — The Cloud, The Plastic Explosion, Webb's, April 1, 1967, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

black block text on gray background — Keep the Faith Baby, 1967
David Nordahl; Publisher: Pandora Productions

Not on View

eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background — “The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

Not on View

black and white line drawing of community of bald, naked men and naked women constructing and working on a multilevel, pyramidal dwelling in the middle of water; a second similar structure is in the background — Emotional Hieroglyphic Studies, part #2, 1966
Peter Key Mack

Not on View

red, floral text around a drawing of a short, fat airplane pieced together with panels, ladders, instruments, and other oddities; light green and yellow text at bottom; wood paneling background; verso: black and purple photograph of man sitting on ground behind a gravestone that read "Honey", with sleeping puppy in lap; black decorative corners and black border — Jefferson Airplane, Fillmore Auditorium, June 1967
Jim Michaelson; Artist: Dave Schiller

Not on View

brown drawing of butterfly with wheels attached to legs and a crow; orange border with brown text at top and bottom — Iron Butterfly, Crow, Met Sports Center, November 13, 1970, 1970
Jubalsky

Not on View

pink, blue, and light green image of man holding a stem of flowers at left (Paul McCartney); off white bar along bottom with blue text — Paul McCartney, 1967 (published 1968)
Richard Avedon

Not on View

red text on either side of a blue and red image of person with afro; blue background — Moby Grape, The Other Half, It's a Beautiful Day, Tim Hardin, January 24-25, Winterland, 1969
San Andreas Fault (Tad Hunter); Publisher: Family Dog Productions, San Francisco

Not on View

pink and red floral print on green background on bottom (red is actually text); pink and red floral pattern circle with ying yang shape on purple background at top — Poster Show, Neiman Marcus Exhibition Hall, October 2, 1967, 1967
Victor Moscoso

Not on View

orange-haired woman's face at center, in between orange and pink text; two doves at top; pink, swirling shapes fill in space around text; orange border — Moby Grape, Big Brother and the Holding Company, The Ark, November 4, 1967, 1967
Portal Publications Ltd., Corte Madera, Calif.

Not on View

Art Nouveau-esque image of three figures, one playing an instrument in UL; framed by vines and flowers; lettering around figures and down center of sheet; black and gray drawing and text on pale yellow sheet; bright yellow verso — The Band, John Sebastian, Belaney and Bonnie, Butterfield Blues Band, Crow Muddy Waters, "Li'l Sun" Tony Glover, Midway Stadium, June 26,1971, 1971
Anne C. Elliott

Not on View

blue and orange image of five people; one woman lying on her PR side, in front of two men kneeling, in front of two men standing; American flag in background; pink border with blue text — Big Brother and the Holding Company, January 17-22, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

pink image of person on blue background; orange and pink flower shapes around image, petals contain text; pink and orange border; — The Wildflower, March 3-5, The Matrix, 1967
Victor Moscoso; Photographer: Elaine Mayes; Publisher: Neon Rose, San Francisco

Not on View

black and white line drawing of bald, naked men and naked women climbing up a pyramid that disappears into the sky; figures fill the sky, rippling out from the pyramid — Emotional Hieroglyphic Studies, part #4-B, 1966
Peter Key Mack

Not on View

green and pink image of man wearing a chain necklace with key; orange text fit into UL corner; orange and pink borders; pink text along bottom — Big Brother and the Holding Company, January 31-February 5,The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

green and orange image of man with mustache, holding up PR hand (George Harrison); white and orange accents added to image around neck/shoulders and on palm; off white bar along bottom with black text — George Harrison, 1967 (published 1968)
Richard Avedon; Publisher: Commissioned by NEMS Enterprises, Ltd., London; Publisher: Cowles Education Corporation, New York , in cooperation with Richard Avedon Posters, Inc.; Distributor: Distributed for Look magazine by Cowles Education Corporation, New York , in cooperation with Richard Avedon Posters, Inc.

Not on View

image of surfer on wave with two hands coming out of water and one hand in sky holding the sun; green and orange alternating borders with text on top and bottom — The Canned Heat, Country Joe and the Fish, Luke's Pineapple Store, Blues Cres, Tony Sondoa, Waikiki Shell, August 8-9, 1967, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

black text on top and bottom, around black and silver image of woman in lace-trimmed dress; pale yellow sheet — The Amazing Charlatans, Frumious Bandersnatch, Triple AAA, Western Front Dance Academy, October 27-28, 1967, 1967
Mouse Studios

Not on View

various types of letting on R; smoking yellow, blue, and red hokah with pipe attached and marijuana leaves on L; brown background — A Puff of Kief in the Morning Makes a Man as Strong as a Hundred Camels in the Courtyard, 1967
Rick Griffin

Not on View

blue sky and red ground with variety of symbols at center, including a brick pyramid with all knowing eye at top, behind three trees with root systems and two mounds; branches of trees have a set of antlers and a red heart; lightening bolt is striking tree, coming from clouds under a sun that has wings and horns — The Unnameable, 1968
Rick Griffin

Not on View

red, yellow, and white flowers around green text box containing red text; pink and blue patterned corners (UL and LR) with text — Haight-Ashbury Neighborhood Clean-In, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

orange and yellow block lettering at top; green caterpillar smoking from hokah on table at center; red bearded figure holding a cigarette and a blue figure with top hat and cigarette in mouth at bottom; black and white patterned border — Mine Eyes Have Seen the Glory, 1967
Rick Griffin

Not on View

orange and pink close up image of a woman's face wearing sunglasses; blue text fit into shape of lenses; blue and pink borders — The Chambers Brothers, March 28-30, 1967, April 4-6, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

drawing of hot air balloon holding up ship with propeller on back and large winged woman at helm; ship holds musical instruments and several crew members; black lettering across top and bottom — Jefferson Airplane, Minneapolis Auditorium, May 15, 1970, 1970
Anne C. Elliott

Not on View

blue, purple, and red bearded man with hands to head and a third eye on forehand; green and red text haloed around man's head; product and advertisment information along bottom with image of print in LR corner — Tektronix Advertisement, 1997
Victor Moscoso

Not on View

double exposed, color image of Janis Joplin performing, framed by white, red and pink jukebox; green text at top; white and gray border with scalloped pattern; black background — Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1969
Randy Tuten; Artist: D. Bread (William Bostedt aka "Daddy Bread"); Photographer: Jim Mabbhell; Printer: Tea Lautrec Litho, San Francisco

Not on View

pink overlapping circles on blue background, with silver image overtop; orange borders with orange text on pink background (text is reflected over vertical centerline) — KMPX, 1967
Victor Moscoso

Not on View

off white image of man playing guitar in UL corner; off white text in bottom 2/3 of poster; black background; attached to illustration board — The Who, Marquee, 1966
Unknown artist, 20th century

Not on View

black and white line drawing of a frowning bald, naked man sitting on an island raised out of water, throwing pebbles into the water; sun with decorative rays in UR — Emotional Hieroglyphic Studies, part #4-C, 1966
Peter Key Mack

Not on View

red and pink image of man wearing sunglasses on yellow background (John Lennon); red and green wave accents added to lenses of sunglasses; off white bar along bottom edge with green text — John Lennon, 1967 (published 1968)
Richard Avedon

Not on View

red and blue text over brown image of man in fedora hat with button on coat that reads "Indian Agent"; black outline around image and text — Jefferson Airplane, Big Brother and the Holding Company, Quicksilver Messenger Service, The Charlatans, The Grateful Dead, May 30, Winterland, 1967
Rick Griffin; Artist: Alton Kelley; Artist: Stanley Mouse

Not on View

pink Gothic text on blue background; purple image of Roman-esque soldier with ax at left on pink background; purple border — Big Brother and the Holding Company, The New Breed, Stockton Civic Auditorium, April 16, 1967, 1967
Mouse Studios

Not on View

boy and girl on pink and blue striped background; pink text at top; red border with green text at top and bottom — The Blushing Peony, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

orange woman on right with purple flowing hair; orange, purple and red text fit into left side — Big Brother and the Holding Company, Jack the Ripper, The Ark, October 6, 1967, 1968
Portal Publications Ltd., Corte Madera, Calif.

Not on View

black text integrated into illustrated collage of various objects--clock, US flag, chandelier, street light, sidewalk path, mountains; orange background — Canned Heat, John Mayall, Sir Douglas Quintet, Winterland, October 31, 1968, 1968
Randy Tuten; Printer: Tea Lautrec Litho, San Francisco

Not on View

green text and leaf design on black background, around black and yellow image of Native American man on horseback with arms outstretched — 10th Biennial Wilderness Conference, Hilton Hotel, April 7-9, 1967, 1967
Mouse Studios; Artist: The Bindweed Press

Not on View

black text around black and white image of group of five (the Yardbirds) on magenta pink background — Yardbirds, Country Joe and the Fish, Fillmore Auditorium, October 23, 1966, 1966
John Myers; Printer: West Coast Lithograph Co., San Francisco

Not on View

black textbox with purple and pink block lettering, framed by different concert posters in orange, pink, and purple; black and white image of curly haired man at top (Bob Fried) — Jerry Garcia and Friends, Kingfish, Keith and Donna, The Mirrors, Winterland, June 17, 1975, 1975
Bob Fried; Artist: Alton Kelley; Artist: Victor Moscoso; Artist: Stanley Mouse; Artist: Randy Tuten; Artist: Wes Wilson

Not on View

orange text at top on black background; circle with black bottom and black and orange patterned top on bottom, with orange background — The World Cannot Continue to Wage War like Physical Giants and to Seek Peace like Intellectual Pygmies, 1969
Unknown

Not on View

purple and white image of group of six (Jefferson Airplane) with teal text above and below; teal and red wavy lines down left and right sides — Jefferson Airplane, Junior Wells' Chicago Blues Band, Tim Rose, Hey Joe, Fillmore Auditorium, December 16-18, 1966, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Photographer: Herb Greene

Not on View

black-and-white line drawing of bald, naked men and naked women working various jobs alongside a shallow body of water; some appear to be catching fish, cleaning fish, repairing structures, moving baskets, among other tasks — Emotional Hieroglyphic Studies, part #1, 1966
Peter Key Mack

Not on View

black print on gray sheet; text on left; image of woman on upper right immersed in trees, leaves, and other patterns; the word "tenderness" in a tet box and a heart pierced by thornes in the LR corner — Otis Redding, Bar Kays, Grim Reapers, The Factory, December 10, 1967, 1967
William Barr

Not on View

black crow on branch with open mouth holding the Grateful Dead album, "Wake of the Flood," gray text announcing "All new stuff" coming out of bird's beak; album cover has man cloaked in brown holding bushel of wheat and a scythe, with body of water in background — All New Stuff, Grateful Dead, Wake of the Flood, 1973
Rick Griffin

Not on View

pink and blue image of three standing figures; green border with text around left, top, and right sides — Otis Rush, February 28-March 2, The Matrix,, 1967
Victor Moscoso; Artist: Raoul Ubac; Publisher: Neon Rose, San Francisco

Not on View

black block lettering around image of Native American man on horseback holding guitar; drawing of talon gripping two thunderbolts coming down out of clouds around title at top — Pow Wow, A Gathering of the Tribes for a Human Be-In, Lawrence Ferlinghetti, Allen Ginsberg, Timothy Leary, Jerry Rubin, January 14, Polo Grounds, Golden Gate Park, 1967
Rick Griffin

Not on View

red and green image of group of five people on blue background; orange text at top; orange and green borders — The Only Alternative, His Other Possibilities, February 17-19, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

purple text and portrait image of man (Lenny Bruce) on orange background — Lenny Bruce, The Mothers, Fillmore Auditorium, June 24-25, 1966, 1966
Victor Moscoso

Not on View

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Moby Grape, 1967

Jim Marshall; Publisher: Columbia Records, New York

Not on View

blue and white image of group of six (Jefferson Airplane) framed by illustration of house; red and orange text fit into shape of house; blue outline of face below image — Jefferson Airplane, Grateful Dead, Big Brother and the Holding Company, Hollywood Bowl, September 15, 1967, 1967
Jim Blashfield; Photographer: Herb Greene

Not on View

red and orange lettering around drawing of can, pipe, packets, and marijuana leaves on yellow diamond shaped background; blue background with red border — Can-A-Blis, Pipe and Cigarette Tobacco Advertisement, 1967
Rick Griffin

Not on View

blue text dissapating behind green image of singer; neon orange background; green text with blue background along bottom; blue border — Junior Wells and his Chicago Blues Band, Steve Mann, December 27, 1966-January 8, The Matrix, 1966
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

block text coming out of the foreheads of image of three men; text fit into drop shape below men; text along bottom; yellow background — Cream, James Cotton Blues Band, Jeremy and the Satyrs, Blood, Sweat, and Tears, Fillmore Auditorium, March 7, 1968, Winterland, March 8-10, 1968, 1968
Stanley Mouse; Printer: Tea Lautrec Litho, San Francisco

Not on View

black text along right side and in between drawing of pink and yellow flower on green stem — Primer (War is Not Healthy for Children and Other Living Things), 1967
Lorraine Schneider; Publisher: Another Mother for Peace, Los Angeles

Not on View

red and black image of man with guitar and woman, over blue waves; image framed by purple rosed; red text around image; purple border — Mason-Cass, Bread, John Fahey, Joy of Cooking, Winterland, October 16-18, 1970
Randy Tuten; Artist: Tea Lautrec Litho, San Francisco

Not on View

brown and white image with blue shadow accents of moustached man holding dove on PR hand; off white bar along bottom with black text — Ringo Starr, 1967 (published 1968)
Richard Avedon

Not on View

image of man's face with large afro, reflected onto bottom; upper image is yellow and green, lower is red and yellow; blue and white text at top and bottom — Hair, The American Tribal Love-Rock Musical, 1968
Alexius Ruspoli-Rodriguez

Not on View

color photo of sun setting behind trees on a country road; purple text with gray and yellow accents over image — Mason-Cass, Ballin' Jack, Buffalo Bob Smith and the Howdy Doody Gang, Redeye, January 7-9, Winterland, 1971
Randy Tuten; Artist: Tea Lautrec Litho, San Francisco

Not on View

green and orange portrait of man with pink and blue accents around face; yellow, oval border around image with pink text; blue background with yellow and pink borders — "Death and Transfiguration," The Plastic Explosion, The Plague, Webb's, April 14-15, Stockton, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

Bill Graham poster no. 136; blue background; hand holding torch over heart at center; red, yellow, and black text — "Heart and Torch," Big Brother & the Holding Company, Santana, Chicago Transit Authority, September 12-14, Filmore West, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

Not on View

blue and black figure standing in doorway with pink arch pattern over image; blue and pink text on sides and bottom; orange border — The Doors, March 7-11, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View

Family Dog poster no. 79; bright blue ground; illustration at center of multiple figures including woman with snake, Quaker Oats man, Lipton Tea man, woman with baked goods, woman with grapes, and corn, wheat, pumpkin, and mushrooms, with red can at top; red, yellow, green and brown border and text — Big Brother and the Holding Company, Blue Cheer, Eighth Penny Matter, September 8-9, Denver, 1967
Rick Griffin; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 67; brown ground; black and white photograph of two men wearing hats leaning on table with lamp in foreground — The Charlatans, The 13th Floor Elevators, Avalon Ballroom, June 22-25, 1967, 1967
Rick Griffin; Photographer: Herb Greene; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 89; comic strip in multi-colors with "The Family Dog" at top; mouse and blonde surfer characters; pink typewritten text at bottom — Quicksilver Messenger Service, Sons of Champlin, Taj Mahal and the Blue Flames, October 27-29, Avalon Ballroom, 1967
Rick Griffin; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 71; brown with black and green text; black and white photograph of seated man with candlestick — The Charlatans, The Youngbloods, The Other Half, July 13-16, Avalon Ballroom, 1967
Bob Fried; Photographer: Herb Greene; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 41; orange background with illustration of back of sailing ship ship on water in center, with "1967" on back — Country Joe and the Fish, Moby Grape, Lee Michaels, Avalon Ballroom, December 30-31, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

Family Dog poster no. 45; gold background with standing female figure with very long golden hair wearing a green robe leaning on a tall vase against red circle; green text — The Grateful Dead, Quicksilver Messenger Service, January 27-28, Avalon Ballroom, 1967
Alton Kelley; Designer: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 78; blue background with nude female figure with wings; orange and pink; purple typewritten text at bottom — Miller Blues Band, Mother Earth, Bukka White, Avalon Ballroom, September 1-3, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

photo of man with his PL hand up to his head, looking down at an inkwell, with a pen beneath his PR hand; orange, red, yellow, and black; "HEAVY" in elaborate text at top; black typewritten text at bottom — Country Joe and the Fish, Charlatans, Dan Hicks and His Hot Licks, Avalon Ballroom, January 26-28, 1968, 1968
Alton Kelley; Artist: Stanley Mouse

Not on View

cartoonish style; landscape with figures and text in clouds in sky; black and white pyramid of people and animals at bottom center with red and white striped ground; sun at center right; black typewritten text at bottom center — Buddy Guy, Quicksilver, Son-House, Avalon Ballroom, February 23-25, 1968, 1968
Paul Zavorskas

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Pink Floyd, Avalon Ballroom, 1968

Bob Schnepf

Not on View

photographic image of a kneeling nude man kissing a reclining nude woman with one knee upraised, in pink and purple; blue ground with black trees superimposed over man's body and woman's head — The Steve Miller Band, Howlin' Wolf, Conqueroo, Avalon Ballroom, July 12-14, 1968, 1968
Paul Kagan

Not on View

photo of Michelangelo’s Adam and God's hand from the Sistine Chapel printed in brown; text in green and pink; brown typewritten text at bottom — Big Brother and the Holding Company, Charles Lloyd, Sir Douglas Quintet, March 17-18, Avalon Ballroom, 1967
Rick Griffin

Not on View

green ground at top, yellow ground at bottom; yellow and red head and torso of Christ handing a lily, with a flaming heart on his chest, at top; purple upside-down sketchy skulls and swastikas, with head and torso of skeleton wearing crown and colorful medals on its chest; purple typewritten text along left edge at ULC — The Fugs, Ace of Cups, Allmen Joy, Avalon Ballroom, April 12-14, 1968, 1968
Jaxon

Not on View

oval composition with orange ground around edges; portrait of a yellow-skinned woman with red hair and flowers and scrolling patterns surrounding her head, wearing a lacy blouse; blue typewritten text at bottom — Young Bloods, It's a Beautiful Day, Santana Blues Band, Garden of Delights, Avalon Ballroom, June 28-30, 1968, 1968
David Warren

Not on View

black and white; ghoulish silhouette of woman's head and torso superimposed over a white doily-like mandala; white typewritten text at bottom — Frumious Bandersnatch, Clearlight, Buddy Guy, Avalon Ballroom, June 14-16, 1968, 1968
Larry Stark

Not on View

black and white manipulated photographic image; pair of dirty hands holding a fruit which appears to be growing on a thick stem from the ground below — Byrds, Taj Mahal, Genesis, Avalon Ballroom, November 1-3, 1968, 1968
Wes Wilson

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Jerry Abrams, Quicksilver Messenger Service, Sons of Champlin, Initial Shock, Avalon Ballroom, November 28-30, 1968, 1968

Steve Rahn; Artist: San Andreas Fault (Tad Hunter)

Not on View

black and white; negative image in an oval of a standing man with long hair and long bangs wearing a striped shirt and a squash blossom necklace; "8" and club symbol in ULC and LRC (upside down); white typewritten text at bottom — Quicksilver Messenger Service, Dan Hicks and his Hot Licks, Howlin' Wolf, Avalon Ballroom, July 26-28, 1968, 1968
Casey Simpson; Printer: Tea Lautrec Litho, San Francisco; Publisher: Family Dog Productions, San Francisco

Not on View

black and white photographic image of a hollow TV cabinet outdoors casting a shadow in foreground — Quicksilver Messenger Service, Black Pearl, Ace of Cups, Avalon Ballroom, October 4-6, 1968, 1968
Wes Wilson

Not on View

brown bear with green eyes wearing pink ballet slippers on its hind feet, standing behind and holding up a yellow trimmed purple banner with yellow and blue text; yellow mountain in background; grass and flowers at bottom; white typewritten text at bottom — Quicksilver, Ace of Cups, Flamin' Groovies, Avalon Ballroom, May 10-12, 1968, 1968
Bob Schnepf

Not on View

photo collage with moon in orange sky and mountains in background; horizontally placed black monkey face with wild eyes and wide open mouth with teeth bared; cat dressed in pink dress and flowered bonnet at left; blue typewritten text and bottom — Siegel Schwall, Blue Cheer, Soul Survivors, Avalon Ballroom, December 21-23, 1967, 1967
Chris Johnson

Not on View

black and white photographic image of a run-down abandoned gas station; "HOLY CITY SERVICE" painted at front edge of overhang — Flatt and Scruggs, Jack Elliott, Sons of Champlin, Country Weather, Avalon Ballroom, September 27-29, 1968, 1968
Wes Wilson

Not on View

black and red; face of Statue of Liberty with a white tear beneath her PL eye; red ground with red-on-red text; red typewritten text at bottom center — Blood, Sweat, and Tears, John Handy, Son House, Avalon Ballroom, March 15-17, 1968, 1968
Stanley Mouse

Not on View

black and white; composite image in a trident shape with alligator at bottom, leaves, fruits, insects and butterflies, man's head with dark glasses, and parachute; black ground; white typewritten text at bottom center — The Youngbloods, It's A Beautiful Day, Initial Shock, Avalon Ballroom, August 29-31, 1968, 1968
Roger Weil

Not on View

butterfly with purple, silver, and black wings with body in the form of a nude woman with head tilted up; green ground; green typewritten text at bottom — Iron Butterfly, Velvet Underground, Chrome Cyrcus, Avalon Ballroom, June 7-9, 1968, 1968
Bob Schnepf

Not on View

green, red, blue; eyes and forehead with red hexagon with radiating lines extending from center of forehead; "BREAK ON THROUGH TO THE OTHER SIDE" below text at top; white typewritten text at bottom center — The Doors, The Sparrow, Country Joe and the Fish, Avalon Ballroom, March 3-4, 1967, 1967
Victor Moscoso

Not on View

left side of image: black and white photo of a standing man wearing round glasses and a military helmet in front of patriotic bunting, pointing with PR hand, inside an oval picture frame with a figure with two small American flags at bottom of frame; right side of image: Statue of Liberty figurine — Mother Earth, Kaleidoscope, A.B. Skhy, Garden of Delights, Avalon Ballroom, November 8-10, 1968, 1968
Jerry Wainwright

Not on View

photo of three men--one standing, one seated on a log or drum, one seated on ground--wearing tall rounded hats, skirted coats, and leggings with wraps; two men have waist-length hair in tight curls, one man has shoulder length hair; text in blue, white, and orange at top; blue typewritten text at bottom — Grateful Dead, Quicksilver Messenger Service, Johnny Hammond and his Screaming Nighthawks, Robert Baker, Avalon Ballroom, March 24-26, 1967, 1967
Rick Griffin

Not on View

square with text in pink, purple, yellow, and blue with yellow eye at center; purple and green ground; blue border; purple typewritten text at bottom — Big Brother and the Holding Company, The Charlatans, Blue Cheer, Avalon Ballroom, March 31-April 1, 1967, 1967
Victor Moscoso

Not on View

grainy black and white image of nude woman's body with PL knee up and PR leg folded in, with head not visible — Love, Lee Michaels, Saloom Sinclair and Mother Bear, Garden of Delights, Avalon Ballroom, November 15-17, 1968, 1968
Thomas Weir

Not on View

black and white; dark manipulated photographic image of a foreshortened standing barefoot man viewed from low angle — Grateful Dead, Lee Michaels, Linn County, Mance Lipscomb, Avalon Ballroom, October 11-13, 1968, 1968
Wes Wilson

Not on View

photographic image printed in green and yellow of three rows of people wearing gas masks of various types; pink banner with yellow text at top: "IT'S A GAS!"; blue ground with black vertical lines; blue typewritten text at bottom — Quicksilver, Charlatans, It's A Beautiful Day, Avalon Ballroom, April 26-28, 1968, 1968
Alton Kelley

Not on View

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