showing 257 results matching creditline:"Gift of Mrs. C.C. Bovey"

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Chair with Spanish feet, wood with rush seat,(maple or beech?) Purchase 1914 The Dunwoody Fund; repurchased 1929 by Mrs. C.C. Bovey and given for the Josephine Koon Room

Side chair, one of a pair, c. 1710-1720

United States

G331

Chair with Spanish feet, wood with rush seat,(maple or beech?) Purchase 1914 The Dunwoody Fund; repurchased 1929 by Mrs. C.C. Bovey and given for the Josephine Koon Room

Side chair, one of a pair, 1730

United States

G331

Toile, large piece, copper plate print in rose, Jeanne D'Arc design. Illustrating five incidents in Jeanne's life Her appearance before the king; leading Charles into Rouen; Jeanne going into battle; Jeanne repudiated by the king; Jeanne at the stake. The piece is made up of two widths of the toile stitched together.

Panel, c. 1815

France

Not on View
Toile, fragments, "Le Triomphe de Voltaire" design, printed in rose. In the center, Voltaire is crowned with laurel by Henri IV in armor, a reference to Voltaire's epic poem, the Henriade, widely acclaimed in France (published in London, 1728). To the left, an old man poles a boat; at right, a group of spectators under a tree and beyond, a baroque fountain, towers, arbors, amorini, and a mounted herald.

Panel, c. 1788

Pierre Dubern et Cie

Not on View
Plum colored medallion toile, Directoire groups of mother and children and medallion prints. Somewhat faded and torn.

Panel, c. 1814

France

Not on View
Square shawl, patchwork, of hand-loom woven pieces with inserted scrolls of black and white and river design in border. Field carries pattern of large cones and arabesques converging on the shaped central panel. Inner border has running flower and leaf design. Outer border embroidered. Fringed edges. #9 in Exhibition.

Shawl, 19th century

India

Not on View

Shawl, mid 19th century

France

Not on View
Monuments of Rome

Section of a valance, 19th century

Jules Mallet

Not on View
Shawl, printed in colors on fine cream-colored wool. Central panel of interlocking pear-motifs and trailing floral sprays on dark blue ground edged with border of pear-motifs filled with floral vines and geometric designs on red ground. Narrow outer border of running flower and vine pattern. Narrow blue borders at ends with remains of twisted blue silk fringe. Shawl badly worn and torn in center and borders. Printed fabric.

Shawl, early 19th century

England

Not on View
Toile, fragment of, printed in rose with L'Art d'Amour design.

Panel, 19th century

France

Not on View

%C2%A9 Theodore Suina

Deer Dance, c. 1940-42

Theodore Suina (Ku Pe Ru, Snow Beads)

Not on View
Toile, fragment, copperplate print in rose and yellow, of Monuments of Paris drawn by Hippolyte Lebas.

Monuments of Paris, c. 1818

France

Not on View
miniature basket, shallow with sloping sides; finely coiled; design consists of alternating reversed T-bars in a continuous pattern around the sides, in natural and black (possibly a variation of a squash-blossom design.)

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Toile, fragment, Les Monuments du Midi design, coper plate print, rose on white, drawn by Hippolyte Lebas, engraved by Jules Mallet. Lattice background of starred lozenges with groups of people walking, watching dancing bears, playing bowls. Fragment patched and pieced and quite faded.

Panel, c. 1818

Hippolyte Lebas; Engraver: Jules Mallet

Not on View
Toile, fragment, Monuments of Paris design, copperplate print in rose. Repeat pattern showing Louvre and Henri IV on horseback in front of Notre Dame. Fragment backed with linen and quilted in large lozenge pattern.

Panel, 19th century

France

Not on View
Toile, length of, printed in plum and yellow with a large scale repeat design of birds, flowers, and baskedt of fruit.

Panel, 19th century

France

Not on View
Toile, fragment of mauve medallions, with various scenes, including banquet and battle scenes, from classical story. Hemmed at bottom and one side.

Panel, c. 1819

France

Not on View
Toile, strip, printed in plum color with scenes of the hunt.

Panel, 19th century

France

Not on View
Shawl, of patchwork, embroiderd in a design of star-shaped medallions alternately red and yellow, red and green. expanding outward from center of field. Double border of flower-filled cones and floral sprays. Embroidered cones in corners of field. Material, design, color, and execution of inferior quality. #16 in exhibition. Embroidery.

Shawl, 19th century

India

Not on View
Doshalla, or long shawl, hand-loom woven, made of jamawar, a patterned shawl cloth woven by the yard, and finished with separate woven borders. Design of alternating vertical stripes. The wide one carrying a running floral design in which pinks are the chief blossom, the narrow one a reciprocal floral band. Pale blue ground. Wide end borders with a band of large cones. Black cotton lining. # 8.

Doshalla, 19th century

India

Not on View
Toile, fragment, printed in rose with two scenes from William Tell and bold mountain views.

Panel, c. 1814

France

Not on View
Kussaba, or square shawl. Elaborate all-over design of floral arabesques and trailing vines in shade of red, green, yellow, and blue. Black center with embroidered cartouche. Border of flowering shrub, blossoms, arabesques, with supplementary border of strips of fringed wool of various colors. An exceptionally fine example of weaving, with two sides almost identical in appearance. Several holes and tears appear in border. Cf. 30.62.4 which Mrs. Bovey thinks is the same and possibly woven by the same hand. 42.48 purchased in Pasadena; 30.62.4 at Liberty's

Shawl (kussaba), 18th century

India

Not on View
Shawl, made up of remounted parts of woolen shawl or curtain. White center with red outer border embroidered in horizontal darn stitch in a design of floral arabesque and cones. Shaped medallion of same design applied to center of field. Inner border of red flowering shrubs. Lining of brick red woolen. The embroidery is very finely done and imitates weaving. Some tears in border. #5 of exhibition. Embroidery.

Shawl, 19th century

Iran

Not on View
Toile, large fragment, printed in rust with two scenes from married life.

Panel, 19th century

France

Not on View
Toile, fregment, printed in rose with scenes of children at play, sepereated by large leafy branches. Backed with cotton, lined with cotton batten, and quilted in lozenge design.

Toile Fragment, 19th century

France

Not on View
Toile, fragment, printed oin rose, shoowing one motif of Henri V charging on horseback. Printed fabric.

Toile Fragment, 19th century

France

Not on View
Toile, strip of, printed in puce and yellow with paysage Suisse design.

Panel, 19th century

France

Not on View
Toile, fragment, copper plate print in rose, from Le Carrousel design. The motif is a flower-filled urn on a vine-clad, trellised balustrade. On the face if the column on which the urn stands is the monogram in a lozenge shield. Below and to the left, clumps of leafy branches.

Toile Fragment, c. 1800

France

Not on View
Long shawl, of hand-loom woven patchwork with a design of inserted floral medallions in shades of green, red, turquoise blue, and yellow. Field carries large cones and arabesques. Design and colors show European influence. Partially lined with black cotton. #11 in travelling exhibition.

Long Shawl, 19th century

India

Not on View
Linen, fragment, monochrome block print of The Little Drinker design. The dotted ground and pattern of arabesques are typical of the first Jouy toiles under Oerkampf. An irregular piece, torn at top.

The Little Drinker, c. 1770

France

Not on View
Square Shawl, hand-loom woven , of patchwork. The design of spreading circles, carrynig paired cones and floral and leaf patterns, is bordered by a wide band of interlocking arch.

Square Shawl, 19th century

India

Not on View
Kashmir, Amli-rumel, or square embroidered shawl, worked in darn and stem stitch in a design of cones and floral arabesque in shades of red, blue, green, and yellow on a white ground. Border of serpentine scrolls and rosettes with outer border of floral panels. Fringed edges. A very fine example. #4 of exhibition.

Kashmir, Amli-rumal, 19th century

India

Not on View
Toile, width of, printed in rose, with four scenes of a wedding.

Panel, 19th century

France

Not on View
Toile, fragment of mauve medallion, showing another motif of the design on 40.23.20. A cavalier, standing under a spreading tree, eavesdrops on the conversation of two women sitting on a raised platform with a latticed wall at the back. Piece patched at lower right.

Toile fragment, c. 1815

France

Not on View
Toile, fragmen, Fables of La Fontaine design. Copper plate printing in mauve. The various fables are enclosed in oval, round and rectangular medalions with the title of each at the bottom of eact medallion. See object file for detailed information on the fables.

The Fables of La Fontaine, 19th century

France

Not on View
small round coiled plaque; design is that of an eagle; colors are natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Toile, fragment, printed in rose with a scene representing a poet(?) reading to a woman seated at a table laden with fruit, etc. A group of women, one playing a lyre, and a boy holding a large dog, surround the central figures. Faded and torn; pathched in spots.

Toile Fragment, 19th century

France

Not on View
Toile, printed in rose with very large scale design representing to watch-towers and a drawbridge in a landscape of trees and enormous floral sprays.

Panel, 19th century

France

Not on View
Square shawl, of hand-loom patchwork with a design of large scrolls and serpentine border. The outer border is embroidered on strips of plain colored wool. Colors chiefly red, yellow, blue, green; lining of black cotton. Badly worn and darned in middle field. One corner turned back on field and stitched down. #13 in travelling exhibition.

Square Shawl, 19th century

India

Not on View
pair of earrings made of loops of small turquoise disc beads with one larger pendant turquoise flanked by two coral pendants; two red disc beads at top of one earring; four at top of other; strung on string

Pair of Earrings, 20th century

Diné (Navajo)

Not on View
Long Shawl, of hand-loom woven patchwork. The design of floral cones, arabesques and leaves is uncommon, and does not repeat throughout the length of the shawl. An exceptionally fine example with great delicacy of detail. Lining of black cotton. #12 in travelling exhibition.

Long Shawl, 19th century

India

Not on View
Toile, fragment, printed in mauve with Robinson Crusoe in design and showing various incidents in the hero's adventure. Holes in left side. Signed by F. Pieters

Panel, c. 1815

France

Not on View
Toile, fragment, printed in rose with repeats of Marguerite in the jewel scene from Faust, and extremely large floral spray. Piece torn and split.

Panel, 19th century

Not on View
Toie, fragment of medallion design printed in mauve. Repeat pattern of four medallions separated by large floral bouquets. In each medallion a different episode of the story of Cupid and Venus?

Panel, 19th century

France

Not on View
Toile, fragment, printed in mauve with four scenes of a rustic wedding: introducing the bride; the marriage; the wedding dance; and the wedding feast. Signed, below dance scene: Delmes Deliniavit et Sculpsit.

Panel, 19th century

France

Not on View
Toile, fragment printed in mauve, Fables of L Fontaine.

The Fables of Fontaine, c. 1815

France

Not on View
Doshalla, or long shawl, hand-loom woven in one piece. White field with end cones woven in colors. The corner ornaments are embroidered in darn stitch. Lining of tan sateen. This type of long shawl is called 'shapasand' #7 in exhibition.

Doshalla, 19th century

India

Not on View

Panel, 19th century

Not on View
Toile, fragment, Monuments of Paris design. Copperplate print in mauve. The repeat shows the Place de la Concorde with Madeleine in the background; Saint sulpice, and the Chamber of Deputies.

Panel, c. 1819

France

Not on View
Shawl, hand-loom woven in one piece with the border attached. Design of a 'moon' and four quarters in shades of yellow, red, green, and blue. The field surrounding central 'moon' medallion is filled with diagonal rows of flowered cones on a black ground. Lining of scarlet wool. Type of Indian Square shawl is called a 'chandar'. #6 of exhibition.

Shawl, 19th century

India

Not on View
monuments of Paris design in rose; the Place VendĂ´me, surrounded by four other monuments, including Notre Dame and the Madeleine; possibly one of the designs by Hippolyte Lepas

Panel, 1825

France

Not on View
Toile, piece of in SCENES OF EGYPT pattern. Polychrome printing with orange and rust predominating. Torn at upper edge. (1940).; two pieces have seperated from the main portio of the fabric, now in TBox 807 MS, 11/3/2000.

Egyptian Monuments (Les monuments de l'Egypte), 19th century

Jean-Baptiste Huet; Artist: after Louis-François Cassas; Mill: Manufacture de Jouy

Not on View

The Irish Fair, 1923

George Bellows; Printer: Bolton Brown

Not on View
Toile, fragment of polychrome print in a large scale design of a column decorated with urns filled with flowers and flanked with a row of flower baskets and floral sprays. Blue, yellow, pink, green and yellow on cocoa-colored ground.

Pillar print, c. 1830

England

Not on View
Toile, strip, printed in plum color with scenes of the Hunt La Chasse aux Perdrix, La Chasse au cerf, La Chasse aus canards, La Chasse au renard,signed PH.W.

The Hunts, first half of the 19th century

France

Not on View
Toile, fragment, printed in red with a repeat design, consisting of two (card illegible).

Toile Fragment, 19th century

France

Not on View

So you want to meddle with the press!, 1833

Honoré Daumier

Not on View

%C2%A9 Elizabeth Olds

Harlem Musicians, c. 1937-1940

Elizabeth Olds; Publisher: Works Progress Administration , New York

Not on View

Buffalo Hunt, On Snow Shoes, 1844

George Catlin

Not on View
Bird illustration

Upupa Epops, 1862-1873 ?

Adam B. Walter; Artist: after John Gould

Not on View

Le passé. Le présent. L'Avenir (Louis-Philippe), 1834

Honoré Daumier

Not on View

Heave-ho!. . . Heave-ho! Heave-ho!, 1832

Honoré Daumier

Not on View

Le FantĂ´me (from La Caricature), 1835

Honoré Daumier

Not on View
"vue d'optique" print popular in the latter half of the 18th century and early 19th century; "vue d'optique" prints emphasized perspective and produced an illusion of depth when viewed through a zograscope

Vue Perspective du Fauxbourg et du port de Scheveningue a une lieue de la Haye en Hollande, c. 1780

Jacques Chéreau

Not on View

Masks of 1831, 1832

Honoré Daumier

Not on View

Celui-la, on peut le mettre en liberté! il n'est plus dangereux. (from La Caricature), 1834

Honoré Daumier

Not on View

Moderne Galilée, "Et pourtant elle marche" (from La Caricature), 1834

Honoré Daumier

Not on View

Pour un pauvre Américain, s'il vous plaît. (from La Caricature), 1835

Honoré Daumier

Not on View

1830 et 1833 (Louis-Philippe), from La Caricature, 1833

Honoré Daumier

Not on View

Mr. KĂ©ratr, 1856

Honoré Daumier

Not on View

%C2%A9 Elizabeth Olds

Three Men and a Fish, 1940

Elizabeth Olds

Not on View
Panorama of public procession from Buckingham Palace to Westminster Abbey (and back) in celebration of the coronation of Queen Victoria (1819-1901) on June 28,1838

Fores' Grand Coronation Procession, August 20, 1838

Unknown artist, British, 19th century; Publisher: Messrs Fores, London

Not on View

White Wolves Attacking a Buffalo Bull, 1844

George Catlin

Not on View

Quelle Sale Representation, Mon Dieu! (from La Caricature, June 18, 1835), 19th century

Honoré Daumier

Not on View

Nobody Made Fun Of, 1837

George Cruikshank

Not on View
Plate 2

An Easy Place Practice, 1832

George Cruikshank

Not on View
Plate 1

Odd Fish, 1832

George Cruikshank

Not on View

Stalagmites - Sun, 20th century

Gerald K. Geerlings

Not on View
paper covers

Plate 1, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View
paper covers

Pastime - Time Last, 1827

George Cruikshank; Project Manager: George Cruikshank

Not on View
paper covers

Behind Time, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

Scraps and Sketches, Part 3, 19th century

George Cruikshank

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Gramp's Barn, 20th century

Charles T. Giertsen

Not on View
paper covers

Time Called and Time Come, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

Scraps and Sketches, Part 3, 19th century

George Cruikshank

Not on View
paper covers

Hard Times, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

Infatuation a Spare Rib, 1831

George Cruikshank

Not on View

Gentility: A Jolly Companion, 1828

George Cruikshank

Not on View
paper covers

Christmas Time, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View
paper covers

Time Badly Employed, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

London Going out of Tanen or The March of Bricks and Mortar, 1829

George Cruikshank

Not on View
Plate 5

Tails, 1832

George Cruikshank

Not on View

Preservation Spoonkill, 1831

George Cruikshank

Not on View
Plate 4

Cigar Divan, Pleasure Boat, The Ale house and The Home, 1832

George Cruikshank

Not on View

The Comfortables, 19th century

George Cruikshank

Not on View
Plate 3

The Fiends Frying Pan, 1832

George Cruikshank

Not on View

%C2%A9 Elizabeth Olds

Picasso Study Club, 1940

Elizabeth Olds

Not on View

%C2%A9 Elizabeth Olds

Merry-Go-Round, 1940

Elizabeth Olds

Not on View

%C2%A9 Elizabeth Olds

Tourists, c. 1938-1939

Elizabeth Olds; Publisher: Works Progress Administration , New York

Not on View

Panels, 19th century

France

Not on View

Kussaba, 19th century

India

Not on View

Panel, c. 1815

France

Not on View

Valance fragment, 19th century

France

Not on View

Toile, 19th century

France

Not on View

Shawl, 19th century

India

Not on View

Panel, 19th century

France

Not on View

The Life of the Virgin, 19th century

France

Not on View

Toile Fragment, 19th century

France

Not on View

Kussaba, 19th century

India

Not on View

The Departing Son, 19th century

France

Not on View

Panel, 19th century

France

Not on View

Textile, Date Unknown

Not on View

Woodblock for printing Toiles, 18th century

France (?)

Not on View

Panel, 19th century

France

Not on View

Fragment of a shawl, 19th century

India

Not on View

Piazza di S. Maria Nouella, 18th century

Guiseppe Zocchi

Not on View

In the Park (Dark), 1916

George Bellows

Not on View

Elsie, Emma, and Marjorie, 1921

George Bellows; Printer: Bolton Brown

Not on View

Evening Snowstorm, 1921

George Bellows; Printer: Bolton Brown

Not on View

The Crow's Nest, 19th century

George Marples

Not on View

The Jackdaws of Chartres, 19th century

George Marples

Not on View

Legs of the Sea, 1921

George Bellows; Printer: Bolton Brown

Not on View

Arrangement - Emma in a Room, 1921

George Bellows; Printer: Bolton Brown

Not on View

Mah-To-Toh-Pa, The Mandan Chief, 1844

George Catlin

Not on View

Smyrnium, 18th century

Unknown Italian

Not on View

Façade de Notre Dame, 20th century

Victor Jean Roux-Champain

Not on View

Wounded Buffalo Bull, 1844

George Catlin

Not on View

The Snow-Shoe Dance, 1844

George Catlin

Not on View

The American Buffalo, 1844

George Catlin

Not on View

Antelope Shooting, 1844

George Catlin

Not on View

Ball-Play Dance, 1844

George Catlin

Not on View

O-Job-Be-Ways, 1844

George Catlin

Not on View

Buffalo Hunt, Dying Buffalo Bull in Snow Drift, 1844

George Catlin

Not on View

Ball Players, 1844

George Catlin

Not on View

Buffalo Hunt, Chasing back, 1844

George Catlin

Not on View

Catching the Wild Horse, 19th century

George Catlin

Not on View

The War Dance, 1844

George Catlin

Not on View

Buffalo Hunt, Chase, 1844

George Catlin

Not on View

Joc-O-Sot (The Walking Bear), 1844

George Catlin

Not on View

The Scalp Dance, 1844

George Catlin

Not on View

Archery of the Mandans, 1844

George Catlin

Not on View

Music, 1786

Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani

Not on View

Untitled: Floral Arrangement and Vase, 18th century

Unknown Italian

Not on View

The Funeral Procession of Arthur, Duke of Wellington, 1853

Unknown artist, British, 19th century; Publisher: Ackerman & Co.

Not on View

The Marriage Procession of V & A, 1840

Unknown artist, British, 19th century; Publisher: Messrs Fores, London

Not on View

The Bear Dance, 1844

George Catlin

Not on View

Buffalo Hunt, Under the White Wolf Skin, 1844

George Catlin

Not on View

Female Papan-tree; and Carabus Insects, 1800

J. Pass; Publisher: J. Wilkes, London

Not on View

Sion, Switzerland, 20th century

Stella Langdale

Not on View

Moscovia vrbs Metropolis..., 1617

Georg Braun; Artist: Formerly attributed to Unknown Italian

Not on View

Mr. Baill.. (Baillot) agent de change, député. (from La Caricature), 1833

Honoré Daumier

Not on View

Malbroug s'en va-t-en guerre, Mironton, ton, ton, mirontaine, ......... (from La Caricature), 1835

Honoré Daumier

Not on View

Mr. Benjamin Dudessert (Benjamin Delessert) Ă©conomiste et homme politique. (from La Caricature), 1833

Honoré Daumier

Not on View

Gros Cupide, va! (Lepeintre jne rĂ´le de Tragala dans Vingt ans plus tard). (from La Caricature), 1834

Honoré Daumier

Not on View

Athéniens prenez garde à Philippe! (Démosthènes aux Athéniens.), from La Caricature, 1835

Honoré Daumier

Not on View

Récompense honnête, décernée, en 1800, à Louis Philippe d'Orléans, ......... (from La Caricature), 1835

Honoré Daumier

Not on View

2e Vue des Boulevard prise du premier Caffe pres le Reservoir de la Ville, 18th century

Francesco Stringa

Not on View

Baissez le rideau, la farce est jouée (Lower the Curtain, the Farce is Over). (Louis Philippe en Paillasse....) (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. Etien.... (Charles-Guillaume Etienne) Ă©crivain dramatique, ........ (from La Caricature), 1833

Honoré Daumier

Not on View

- très humbles, très soumis, très obéissans...et surtout très voraces Sujets. (from La Caricature), 1832

Honoré Daumier

Not on View

La Tentation, parodie d'une toile de Teniers. (from La Caricature), 1835

Honoré Daumier

Not on View

Quand le Diable devint vieux il se fit Ermite. (Louis Philippe & Talleyrand), from La Caricature, 1835

Honoré Daumier

Not on View

Charles de Lameth (Charles-Malo-Francois, come de) (Celebrites de la Caricature), (from La Caricature), 1832

Honoré Daumier

Not on View

Nous sommes tous d'honnĂŞtes gens, ...... (from La Caricature), 1834

Honoré Daumier

Not on View

Le Moulin du Télégraphe. (from La Caricature), 1834

Honoré Daumier

Not on View

Chimère de l'Imagination. - Mon dieu! si j'allais faire un enfant a tête de Poire.. (from La Caricature), 1833

Honoré Daumier

Not on View

OĂą allons-nous, oĂą allons-nous?...nous marchons sur un volcan, ........ (from La Caricature), 1834

Honoré Daumier

Not on View

Repos de la France. (from La Caricature), 1834

Honoré Daumier

Not on View

Vue D'Optique l'Hotel Royal des Invalides du coté de Vaugirard, 18th century

Francesco Stringa

Not on View

Mr. Guiz.. (François-Pierre-Guillaume Guizot) homme d'état et écrivain. (from La Caricature), 1833

Honoré Daumier

Not on View

Un rentier des bons royaux - Un rentier des Cortès. (from La Caricature), 1834

Honoré Daumier

Not on View

Voyage à travers les populations empressées. (from La Caricature), 1834

Honoré Daumier

Not on View

Le Chateau du Bourguemestre Waker aux environs d'Amsterdam, Ville Capitalle de Hollande, 18th century

Francesco Stringa

Not on View

comte d'Argout (Antoine-Maurice-Apollinaire, comte d'Argout), from La Caricature, 1832

Honoré Daumier

Not on View

Le Carcan. (from La Caricature), 1835

Honoré Daumier

Not on View

Vue Perspective de la superbe place de St. Mare a Venice, 18th century

Francesco Stringa

Not on View

Le cauchemar. (from La Caricature), 1832

Honoré Daumier

Not on View

De tes humbles foutriquets Reçois, le jour de ta fête, ......... (from La Caricature), 1835

Honoré Daumier

Not on View

Mr. Prune (Clement-François-Victor-Gabriel Prunelle) médecin et homme politique (from La Caricature), 1833

Honoré Daumier

Not on View

Partez, mon cher, et qu'on lui fasse prendre ce bouillon, de onze heures Ă  midi. (from La Caricature), 1835

Honoré Daumier

Not on View

Conference de Londres. (from Caricatures Politiques), 1832

Honoré Daumier

Not on View

Dupin aine (Andre-Marie-Jean-Jacques), from La Caricature, 1832

Honoré Daumier

Not on View

Un grand mortier à très petite portée. (from La Caricature), 1834

Honoré Daumier

Not on View

VoilĂ  la Guerre! ...Sauve qui peut! (from La Caricature), 1835

Honoré Daumier

Not on View

La première blessure. (from La Caricature), 1835

Honoré Daumier

Not on View

Récompense honnête aux électeurs obéissans (from La Caricature), 1834

Honoré Daumier

Not on View

Les Mannequins Politiques. Ce jeu n'a duré que trois jours. (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. Arlépaire (from La Caricature), 1833

Honoré Daumier

Not on View

Vue du Chateau...Belle Vue, 18th century

Francesco Stringa

Not on View

Mr. D'Argo.. (Antoine-Maurice-Appollinaire, comte d'Argout) ministre, ..... (from La Caricature), 1833

Honoré Daumier

Not on View

Gros Jean Buzeaud. (from La Caricature), 1835

Honoré Daumier

Not on View

Sire! Lisbonne est prise - aaaah!!...aussi j'ai révé que je me battais crânement. (from La Caricature), 1833

Honoré Daumier

Not on View

Mr. Vieux-Niais (Jean-Pons-Guillaume Viennet) Littérateur et homme politique. (from La Caricature), 1833

Honoré Daumier

Not on View

Petits! petits! petits! ...venez! venez! venez!... venez donc Dindons! (from La Caricature), 1834

Honoré Daumier

Not on View

Les honneurs du Panthéon. (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. Royer-Col.... (Pierre-Paul Royer-Collard) philosophe et homme politique. (from La Caricature), 1833

Honoré Daumier

Not on View

La tĂŞte branlante. (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. Odieux. (Antoine Odier) homme politique, 1833

Honoré Daumier

Not on View

Le Maréchal Mortier la veille de la bataille de Waterloo. (from La Caricature), 1835

Honoré Daumier

Not on View

J. Claude Fulchiron "Mr. Fulchir" (from La Caricature), 1833

Honoré Daumier

Not on View

Magot de la Chine. (Tiré du cabinet de Mr. Ch. Philipon.) from La Caricature, 1834

Honoré Daumier

Not on View

Ksssss! Pedro....Ksssss! Ksssss! Miguel! (CĂ©s deux capon lĂ  ne se feront jamais grand mal.) from La Caricature, 1833

Honoré Daumier

Not on View

Marie-Louise-Charlotte-Philippine Pairis, fille soumise & patentée par la police. (from La Caricature), 1835

Honoré Daumier

Not on View

Vue d'un Palais Ă  Rome ou les Saints peres tiennent leurs Conciles, 18th century

Francesco Stringa

Not on View

Le Triomphateur. (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. Joliv.... (Adolphe Jollivet) homme politique. (from La Caricature), 1833

Honoré Daumier

Not on View

de Podenas "Mr. Pot de Maz" (from La Caricature), 1833

Honoré Daumier

Not on View

Yeux noirs, front haut, teint brun, barbe, favoris...c'est bon! ...on te reconnaîtra, mon gaillard. (from La Caricature), 1834

Honoré Daumier

Not on View

La jument du prince et le chien de la princesse. (from La Caricature), 1834

Honoré Daumier

Not on View

Trés bien! trés bien! vous vous êtes partfaitement conduits! l'on va vous....... (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. De Rign. (Henri-Gauthier, comte de Rigny) vice-amiral, ministre. (from La Caricature), 1833

Honoré Daumier

Not on View

J. CH. PERSIL Persil (Jean-Charles) homme politique (from La Caricature), 1832

Honoré Daumier

Not on View

Mr. Cunin Grid.... (Laurent Cunin, dit Cunin-Gridaine), from La Caricature, 1833

Honoré Daumier

Not on View

Vue du fameux Theatre de la Ville de Naples en Italie, 18th century

Francesco Stringa

Not on View

Soult, marechal de France (Nicolas-Jean de Dieu), from La Caricature, 1832

Honoré Daumier

Not on View

Mr. Barthe (FĂ©lix Barthe) Jurisconsulte et homme politique, ministre de la justice (from La Caricature), 1833

Honoré Daumier

Not on View

Philippe mon père, ne me laissera donc plus de gloire à acquérir! (from La Caricature), 1834

Honoré Daumier

Not on View

Mr. Sébast... (le Comte Horace Sebastiani) maréchal de France, homme politique (from La Caricature), 1833

Honoré Daumier

Not on View

Mlle. Etienne-Joconde...-BĂ©cassine de Constitutionnel (from La Caricature), 1834

Honoré Daumier

Not on View

L'apoplexie allant remplacer Ă  Londres la paralysie (from La Caricature), 1835

Honoré Daumier

Not on View

Buffalo Hunt, Surround, 1844

George Catlin

Not on View

Buffalo Dance, 1844

George Catlin

Not on View

Buffalo Hunt, Chase, 1844

George Catlin

Not on View

Africanische Friffellaria mit schonen haarigten blumen, 19th Century

Unknown German, 19th century

Not on View

No. 3120, 1831

Swan; Publisher: S. Curtis

Not on View

The Great Echinated Melon-thistle or Turks Cap, 1800

J. Pass; Publisher: J. Wilkes, London

Not on View

The Turnip Field, 1830

Robert Seymour

Not on View

Wi-Jun-Jon, An Assinneboin Chief, 1844

George Catlin

Not on View

Approaching in a Ravine, 1844

George Catlin

Not on View

Attacking the Grizzly Bear, 1844

George Catlin

Not on View

Ball Play, 1844

George Catlin

Not on View

First Steps, 1936

Jean Charlot; Printer: George C. Miller; Publisher: American Artists Group, New York

Not on View

Fabricante de Tortilla, 1937

Jean Charlot; Printer: George C. Miller; Publisher: American Artists Group, New York

Not on View

Nouveau langage musical, ou societe d' amateurs executant une symphonie, dans un cercle philharmonique, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Famille de Scarabees, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

L' attente d' un convive, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Vo regardez (?) Miledy, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Les Lumieres leur font peur, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Print, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

-Arrivez, arrivez nourice -Dieux! comme y ressemble a Mosieu(?), 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

No. 134 (Yellow Daisy), 1790

Sydenham Teak Edwards; Publisher: William Curtis

Not on View

-J'y vendrais plutot ma derniere, d' abord! -Eh bien! attendez(?) le jugement, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

La Promenade de duex soeurs a marier, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

-Que diable, monsieur, on ne recule pas comme ca. -Oh! je suis brave a ma maniere,...j'avance en reculant, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Ah! j' t' y prends mon lapin...a manger les choux du voison, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Oh! Cest positif, ma chere, la recherche..., 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Tu t' entetes a jouer avee Monsieur; tu vois bien qu' il retourne le roi a choque coup, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Flower Print No. 167 (Yellow Flowers and Seed Pod), 1791

Sydenham Teak Edwards; Publisher: William Curtis

Not on View

De l'ensemble donc f…… !, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

M. Martin-Pecheur apportant au Diner a sa famille, 19th century

Jean Ignace Isidore GĂ©rard Grandville

Not on View

Untitled, Floral Arrangement and Vase, 18th century

Unknown Italian

Not on View

Rubus Fruticosus, 18th century

Unknown English, 16th century

Not on View

View from Glastenbury Tor, 19th century

M. M. Rudge

Not on View

Indian Oven, New Mexico, 20th century

Samuel Chatwood Burton

Not on View

Tortilleras, 1938

Jean Charlot

Not on View

Woman Lifting Rebozo, 1936

Jean Charlot

Not on View

Introducing Georges Carpentier, 1921

George Bellows; Printer: Bolton Brown

Not on View

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