showing 100 of 257 results matching creditline:"Gift of Mrs. C.C. Bovey". (load 157 more)

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Chair with Spanish feet, wood with rush seat,(maple or beech?) Purchase 1914 The Dunwoody Fund; repurchased 1929 by Mrs. C.C. Bovey and given for the Josephine Koon Room

Side chair, one of a pair, 1730

United States

G331

Chair with Spanish feet, wood with rush seat,(maple or beech?) Purchase 1914 The Dunwoody Fund; repurchased 1929 by Mrs. C.C. Bovey and given for the Josephine Koon Room

Side chair, one of a pair, c. 1710-1720

United States

G331

Toile, fragments, "Le Triomphe de Voltaire" design, printed in rose. In the center, Voltaire is crowned with laurel by Henri IV in armor, a reference to Voltaire's epic poem, the Henriade, widely acclaimed in France (published in London, 1728). To the left, an old man poles a boat; at right, a group of spectators under a tree and beyond, a baroque fountain, towers, arbors, amorini, and a mounted herald.

Panel, c. 1788

Pierre Dubern et Cie

Not on View
Toile, piece of in SCENES OF EGYPT pattern. Polychrome printing with orange and rust predominating. Torn at upper edge. (1940).; two pieces have seperated from the main portio of the fabric, now in TBox 807 MS, 11/3/2000.

Egyptian Monuments (Les monuments de l'Egypte), 19th century

Jean-Baptiste Huet; Artist: after Louis-François Cassas; Mill: Manufacture de Jouy

Not on View
monuments of Paris design in rose; the Place VendĂ´me, surrounded by four other monuments, including Notre Dame and the Madeleine; possibly one of the designs by Hippolyte Lepas

Panel, 1825

France

Not on View
Square shawl, patchwork, of hand-loom woven pieces with inserted scrolls of black and white and river design in border. Field carries pattern of large cones and arabesques converging on the shaped central panel. Inner border has running flower and leaf design. Outer border embroidered. Fringed edges. #9 in Exhibition.

Shawl, 19th century

India

Not on View
Plum colored medallion toile, Directoire groups of mother and children and medallion prints. Somewhat faded and torn.

Panel, c. 1814

France

Not on View
Toile, large piece, copper plate print in rose, Jeanne D'Arc design. Illustrating five incidents in Jeanne's life Her appearance before the king; leading Charles into Rouen; Jeanne going into battle; Jeanne repudiated by the king; Jeanne at the stake. The piece is made up of two widths of the toile stitched together.

Panel, c. 1815

France

Not on View

Shawl, mid 19th century

France

Not on View
Shawl, printed in colors on fine cream-colored wool. Central panel of interlocking pear-motifs and trailing floral sprays on dark blue ground edged with border of pear-motifs filled with floral vines and geometric designs on red ground. Narrow outer border of running flower and vine pattern. Narrow blue borders at ends with remains of twisted blue silk fringe. Shawl badly worn and torn in center and borders. Printed fabric.

Shawl, early 19th century

England

Not on View
Toile, fragment of polychrome print in a large scale design of a column decorated with urns filled with flowers and flanked with a row of flower baskets and floral sprays. Blue, yellow, pink, green and yellow on cocoa-colored ground.

Pillar print, c. 1830

England

Not on View
Toile, strip, printed in plum color with scenes of the Hunt La Chasse aux Perdrix, La Chasse au cerf, La Chasse aus canards, La Chasse au renard,signed PH.W.

The Hunts, first half of the 19th century

France

Not on View
Kussaba, or square shawl. Elaborate all-over design of floral arabesques and trailing vines in shade of red, green, yellow, and blue. Black center with embroidered cartouche. Border of flowering shrub, blossoms, arabesques, with supplementary border of strips of fringed wool of various colors. An exceptionally fine example of weaving, with two sides almost identical in appearance. Several holes and tears appear in border. Cf. 30.62.4 which Mrs. Bovet thinks is the same and possibly woven by the same hand. 42.48 purchased in Pasadena; 30.62.4 at Liberty's

Shawl (kussaba), 18th century

India

Not on View
Long shawl, of hand-loom woven patchwork with a design of inserted floral medallions in shades of green, red, turquoise blue, and yellow. Field carries large cones and arabesques. Design and colors show European influence. Partially lined with black cotton. #11 in travelling exhibition.

Long Shawl, 19th century

India

Not on View
Linen, fragment, monochrome block print of The Little Drinker design. The dotted ground and pattern of arabesques are typical of the first Jouy toiles under Oerkampf. An irregular piece, torn at top.

The Little Drinker, c. 1770

France

Not on View
Toile, fragment, printed in rose with repeats of Marguerite in the jewel scene from Faust, and extremely large floral spray. Piece torn and split.

Panel, 19th century

Not on View
Doshalla, or long shawl, hand-loom woven in one piece. White field with end cones woven in colors. The corner ornaments are embroidered in darn stitch. Lining of tan sateen. This type of long shawl is called 'shapasand' #7 in exhibition.

Doshalla, 19th century

India

Not on View
Toile, fragment, printed in mauve with four scenes of a rustic wedding: introducing the bride; the marriage; the wedding dance; and the wedding feast. Signed, below dance scene: Delmes Deliniavit et Sculpsit.

Panel, 19th century

France

Not on View
Toile, printed in rose with very large scale design representing to watch-towers and a drawbridge in a landscape of trees and enormous floral sprays.

Panel, 19th century

France

Not on View
Square Shawl, hand-loom woven , of patchwork. The design of spreading circles, carrynig paired cones and floral and leaf patterns, is bordered by a wide band of interlocking arch.

Square Shawl, 19th century

India

Not on View
Shawl, of patchwork, embroiderd in a design of star-shaped medallions alternately red and yellow, red and green. expanding outward from center of field. Double border of flower-filled cones and floral sprays. Embroidered cones in corners of field. Material, design, color, and execution of inferior quality. #16 in exhibition. Embroidery.

Shawl, 19th century

India

Not on View
Square shawl, of hand-loom patchwork with a design of large scrolls and serpentine border. The outer border is embroidered on strips of plain colored wool. Colors chiefly red, yellow, blue, green; lining of black cotton. Badly worn and darned in middle field. One corner turned back on field and stitched down. #13 in travelling exhibition.

Square Shawl, 19th century

India

Not on View
Toile, fragment, copperplate print in rose and yellow, of Monuments of Paris drawn by Hippolyte Lebas.

Monuments of Paris, c. 1818

France

Not on View
Toile, width of, printed in rose, with four scenes of a wedding.

Panel, 19th century

France

Not on View
Toile, fragment, Monuments of Paris design. Copperplate print in mauve. The repeat shows the Place de la Concorde with Madeleine in the background; Saint sulpice, and the Chamber of Deputies.

Panel, c. 1819

France

Not on View
Toile, length of, printed in plum and yellow with a large scale repeat design of birds, flowers, and baskedt of fruit.

Panel, 19th century

France

Not on View

Panel, 19th century

Not on View
Toie, fragment of medallion design printed in mauve. Repeat pattern of four medallions separated by large floral bouquets. In each medallion a different episode of the story of Cupid and Venus?

Panel, 19th century

France

Not on View
Toile, fregment, printed in rose with scenes of children at play, sepereated by large leafy branches. Backed with cotton, lined with cotton batten, and quilted in lozenge design.

Toile Fragment, 19th century

France

Not on View
Toile, strip of, printed in puce and yellow with paysage Suisse design.

Panel, 19th century

France

Not on View
Kashmir, Amli-rumel, or square embroidered shawl, worked in darn and stem stitch in a design of cones and floral arabesque in shades of red, blue, green, and yellow on a white ground. Border of serpentine scrolls and rosettes with outer border of floral panels. Fringed edges. A very fine example. #4 of exhibition.

Kashmir, Amli-rumal, 19th century

India

Not on View
Toile, fragment, printed oin rose, shoowing one motif of Henri V charging on horseback. Printed fabric.

Toile Fragment, 19th century

France

Not on View
Toile, large fragment, printed in rust with two scenes from married life.

Panel, 19th century

France

Not on View
Toile, fragment, copper plate print in rose, from Le Carrousel design. The motif is a flower-filled urn on a vine-clad, trellised balustrade. On the face if the column on which the urn stands is the monogram in a lozenge shield. Below and to the left, clumps of leafy branches.

Toile Fragment, c. 1800

France

Not on View
Shawl, made up of remounted parts of woolen shawl or curtain. White center with red outer border embroidered in horizontal darn stitch in a design of floral arabesque and cones. Shaped medallion of same design applied to center of field. Inner border of red flowering shrubs. Lining of brick red woolen. The embroidery is very finely done and imitates weaving. Some tears in border. #5 of exhibition. Embroidery.

Shawl, 19th century

Iran

Not on View
Toile, fragment, Monuments of Paris design, copperplate print in rose. Repeat pattern showing Louvre and Henri IV on horseback in front of Notre Dame. Fragment backed with linen and quilted in large lozenge pattern.

Panel, 19th century

France

Not on View
Long Shawl, of hand-loom woven patchwork. The design of floral cones, arabesques and leaves is uncommon, and does not repeat throughout the length of the shawl. An exceptionally fine example with great delicacy of detail. Lining of black cotton. #12 in travelling exhibition.

Long Shawl, 19th century

India

Not on View
Toile, fragment of mauve medallions, with various scenes, including banquet and battle scenes, from classical story. Hemmed at bottom and one side.

Panel, c. 1819

France

Not on View
Toile, fragment, printed in rose with two scenes from William Tell and bold mountain views.

Panel, c. 1814

France

Not on View
Toile, fragment, printed in rose with a scene representing a poet(?) reading to a woman seated at a table laden with fruit, etc. A group of women, one playing a lyre, and a boy holding a large dog, surround the central figures. Faded and torn; pathched in spots.

Toile Fragment, 19th century

France

Not on View
Toile, fragment of mauve medallion, showing another motif of the design on 40.23.20. A cavalier, standing under a spreading tree, eavesdrops on the conversation of two women sitting on a raised platform with a latticed wall at the back. Piece patched at lower right.

Toile fragment, c. 1815

France

Not on View
Toile, fragment printed in mauve, Fables of L Fontaine.

The Fables of Fontaine, c. 1815

France

Not on View
Toile, fragmen, Fables of La Fontaine design. Copper plate printing in mauve. The various fables are enclosed in oval, round and rectangular medalions with the title of each at the bottom of eact medallion. See object file for detailed information on the fables.

The Fables of La Fontaine, 19th century

France

Not on View
Toile, strip, printed in plum color with scenes of the hunt.

Panel, 19th century

France

Not on View
Toile, fragment of, printed in rose with L'Art d'Amour design.

Panel, 19th century

France

Not on View
Toile, fragment, printed in mauve with Robinson Crusoe in design and showing various incidents in the hero's adventure. Holes in left side. Signed by F. Pieters

Panel, c. 1815

France

Not on View
Toile, fragment, printed in red with a repeat design, consisting of two (card illegible).

Toile Fragment, 19th century

France

Not on View

The Irish Fair, 1923

George Bellows; Printer: Bolton Brown

Not on View
Monuments of Rome

Section of a valance, 19th century

Jules Mallet

Not on View
Toile, fragment, Les Monuments du Midi design, coper plate print, rose on white, drawn by Hippolyte Lebas, engraved by Jules Mallet. Lattice background of starred lozenges with groups of people walking, watching dancing bears, playing bowls. Fragment patched and pieced and quite faded.

Panel, c. 1818

Hippolyte Lebas; Engraver: Jules Mallet

Not on View
Doshalla, or long shawl, hand-loom woven, made of jamawar, a patterned shawl cloth woven by the yard, and finished with separate woven borders. Design of alternating vertical stripes. The wide one carrying a running floral design in which pinks are the chief blossom, the narrow one a reciprocal floral band. Pale blue ground. Wide end borders with a band of large cones. Black cotton lining. # 8.

Doshalla, 19th century

India

Not on View

%C2%A9 Theodore Suina

Deer Dance, c. 1940-42

Theodore Suina (Ku Pe Ru, Snow Beads)

Not on View
Shawl, hand-loom woven in one piece with the border attached. Design of a 'moon' and four quarters in shades of yellow, red, green, and blue. The field surrounding central 'moon' medallion is filled with diagonal rows of flowered cones on a black ground. Lining of scarlet wool. Type of Indian Square shawl is called a 'chandar'. #6 of exhibition.

Shawl, 19th century

India

Not on View
pair of earrings made of loops of small turquoise disc beads with one larger pendant turquoise flanked by two coral pendants; two red disc beads at top of one earring; four at top of other; strung on string

Pair of Earrings, 20th century

Diné (Navajo)

Not on View
miniature basket, shallow with sloping sides; finely coiled; design consists of alternating reversed T-bars in a continuous pattern around the sides, in natural and black (possibly a variation of a squash-blossom design.)

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
small round coiled plaque; design is that of an eagle; colors are natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View

So you want to meddle with the press!, 1833

Honoré Daumier

Not on View

Mr. KĂ©ratr, 1856

Honoré Daumier

Not on View
Plate 5

Tails, 1832

George Cruikshank

Not on View

Nobody Made Fun Of, 1837

George Cruikshank

Not on View
Plate 4

Cigar Divan, Pleasure Boat, The Ale house and The Home, 1832

George Cruikshank

Not on View
Plate 2

An Easy Place Practice, 1832

George Cruikshank

Not on View

Scraps and Sketches, Part 3, 19th century

George Cruikshank

Not on View
paper covers

Time Called and Time Come, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Gramp's Barn, 20th century

Charles T. Giertsen

Not on View

Infatuation a Spare Rib, 1831

George Cruikshank

Not on View

Stalagmites - Sun, 20th century

Gerald K. Geerlings

Not on View
paper covers

Behind Time, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View
paper covers

Christmas Time, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View
Plate 3

The Fiends Frying Pan, 1832

George Cruikshank

Not on View
paper covers

Time Badly Employed, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

The Comfortables, 19th century

George Cruikshank

Not on View

Gentility: A Jolly Companion, 1828

George Cruikshank

Not on View
paper covers

Pastime - Time Last, 1827

George Cruikshank; Project Manager: George Cruikshank

Not on View
paper covers

Plate 1, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

Scraps and Sketches, Part 3, 19th century

George Cruikshank

Not on View
Plate 1

Odd Fish, 1832

George Cruikshank

Not on View

London Going out of Tanen or The March of Bricks and Mortar, 1829

George Cruikshank

Not on View
paper covers

Hard Times, 1827

George Cruikshank; Publisher: George Cruikshank

Not on View

Preservation Spoonkill, 1831

George Cruikshank

Not on View

Quelle Sale Representation, Mon Dieu! (from La Caricature, June 18, 1835), 19th century

Honoré Daumier

Not on View

Buffalo Hunt, On Snow Shoes, 1844

George Catlin

Not on View

Le FantĂ´me (from La Caricature), 1835

Honoré Daumier

Not on View

Moderne Galilée, "Et pourtant elle marche" (from La Caricature), 1834

Honoré Daumier

Not on View
Peep show print

Vue Perspective du Fauxbourg et du port de Scheveningue a une lieue de la Haye en Hollande, 18th century

Francesco Stringa

Not on View

Le passé. Le présent. L'Avenir (Louis-Philippe), 1834

Honoré Daumier

Not on View

1830 et 1833 (Louis-Philippe), from La Caricature, 1833

Honoré Daumier

Not on View

Celui-la, on peut le mettre en liberté! il n'est plus dangereux. (from La Caricature), 1834

Honoré Daumier

Not on View

Pour un pauvre Américain, s'il vous plaît. (from La Caricature), 1835

Honoré Daumier

Not on View
Panorama of public procession from Buckingham Palace to Westminster Abbey (and back) in celebration of the coronation of Queen Victoria (1819-1901) on June 28,1838

Fores' Grand Coronation Procession, August 20, 1838

Unknown artist, British, 19th century; Publisher: Messrs Fores, London

Not on View

White Wolves Attacking a Buffalo Bull, 1844

George Catlin

Not on View
Bird illustration

Upupa Epops, 1862-1873 ?

Adam B. Walter; Artist: after John Gould

Not on View

%C2%A9 Elizabeth Olds

Harlem Musicians, c. 1937-1940

Elizabeth Olds; Publisher: Works Progress Administration , New York

Not on View

%C2%A9 Elizabeth Olds

Three Men and a Fish, 1940

Elizabeth Olds

Not on View

%C2%A9 Elizabeth Olds

Picasso Study Club, 1940

Elizabeth Olds

Not on View

%C2%A9 Elizabeth Olds

Tourists, c. 1938-1939

Elizabeth Olds; Publisher: Works Progress Administration , New York

Not on View

%C2%A9 Elizabeth Olds

Merry-Go-Round, 1940

Elizabeth Olds

Not on View

Masks of 1831, 1832

Honoré Daumier

Not on View

Heave-ho!. . . Heave-ho! Heave-ho!, 1832

Honoré Daumier

Not on View

Panel, 19th century

France

Not on View

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