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panels with landscape scenes of a high-gabled house on the bank of a river; sailboat on river; cloudy sky with birds. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray; underglaze blue

Vase, one of a pair, 17th century

Netherlands

G310

panels bearing landscape which shows high-gabled house on a river bank; sailboat in river nearly; cloudy sky with birds. Shaped panel framed in blue band with large six-petaled flower at top and bottom. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray. Colors blue, green, yellow, rust; greenish glaze. Glaze covers inside bottom of food. Underglaze blue.

Vase, one of a pair, 17th century

Netherlands

G310

armchair witrh rush seat and painted black; five slats in back between turned uprights surmounted by ball shaped finials; paint removed by H. H.Soulen, 1928-29

Bannister-back armchair, c. 1730-1740

United States

G331

one complete wall of pine paneling consisting of four panels; first containing door; second panels; third chimney piece with fine moulding surrounding it with fluted pilasters over which are three small panels; fourth panels; dating from first half of 18th century; prov. from a house in Foxon just northeast of New Haven Conn.

Connecticut room, c. 1740

United States

G331

Landscape

Luxembourg Gardens at Twilight, 1879

John Singer Sargent

G351

chest, New England oak and pine panelled; of a type popularly known as 'Connecticut Chests' and believed to have originated in that locality; constructed of quartered oak, the hinged lid of pine; the front is divided into three arched panels carved with serrated ornament and framed by ebonized split balusters and round bosses; ends are similarly panelled; stands on extensions of the corner stiles

Chest, c. 1680-1700

United States

G331

mirror, lacquered, of Queen Anne style; rectangular chamfered frame has a high shaped crest and is gilded with sprays of foliage in yellow on a ground of dark green; old bevelled glass plate

Mirror frame, c. 1700-1710

United States

G331

chair, child's with reed seat; three slat back; front of arms considerably worn from having been pushed on floor

Child's chair, late 18th century

United States

G331

Bible box; front carved with simple geometric design of circles; carved pine

Bible box, 18th century

United States

G331

Study for a Costume, 1912

Leon Bakst

Not on View
towel scarf, loosely woven linen embroidered at both ends in a geometric design composed of two bands of squares, and highly stylized floral and tree motives, surmounted by three triangle shapes each containing a distinct geometric motif, the whole outlined and seperated by green thread; red, blue, green, yellow and tinsel threads; silk and tinsel on cotton

Towel scarf, 19th century

Armenia

Not on View
carved side chair, wood and upholstery

Side Chair, one of a pair, 17th century

Italy

Not on View
towel, loosely woven tan linen, embroidered at each end with three floral sprays, each bearing three flowers and two leaves in blue and red; on one end sprays with blue flowers flank one with red; on the other, and on other side of the material the position is reversed - a line of blue over-stitch forms a narrow border at the ends which are backed with a piece of floral dimity

Towel, 18th century

Turkey

Not on View
towel, or pillow border; embroidered on cream canvas in green silk diagonal and straight stitch; design of conventionalized shrubs, trees, flowers and lozenges

Towel, 19th century

Morocco

Not on View
bag, piece of Paisley shawl, cream and yellow silk background with floral design in several colors, chiefly blue and rose; rose silk lining

Bag, 18th century

Scotland

Not on View
towel, natural linen embroidered at each end with a border in a stylized tree design; this border is in turn surrounded by a narrow line of stitiching at the top of which is a row of very stiff single flowers; red, rose, yellow, and blue predominate

Towel, 19th century

Greece

Not on View
border, piece of tan linen embroidered with henna red silk in a star and lozenge design contained in a larger diamon-shaped motif; narrow border of running triangle motif; fragment of a larger piece

Border, 18th century

Not on View
towel scarf of green gauze-like cotton embroidered at each end with a band running floral leaf and stem design in shades of rose, blue, yellow and green and metal thread; narrow border of metal threads

Towel scarf, 19th century

Armenia

Not on View
handkerchief of loosely woven cotton embroidered around the edges with a series of flower and tree designs, and having in each corner a geometrical basket and flowers; rose, red, blue, green and gold threads; a type of buttonhole stitch makes a braid-like finish to the edges

Handkerchief, 18th century

Turkey

Not on View
parsee shirt, lavender satin embroidered in all-over design of flowers and birds in pale lavender and old rose silk. The deign becomes concentrated into a border around the slit neck, bottom and arm holes which are all bound with cerise satin.

Parsee Shirt, 19th century

India

Not on View
towel border embroidered on cotton in rose and apricot silk; conventionalized shrub and tree pattern and supplementary border of all-over lozenge pattern done in Moorish diagonal and straight stitch

Towel border, 19th century

Morocco

Not on View
cotton, piece of emboidered, probably a towel end, consisting of two pieces of closely woven material joined together and embroidered at one end with three rows of four horizontal floral sprays in shades of green, brown, blue, and tinsel thread; there is a border of cross stitch at the bottom which has a selvedge as has the top; one side has a whipped hem, the other is unfinished; silk and tinsel on cotton

Towel end, 19th century

Turkey

Not on View
shawl, four borders and corner butha woven seperastelt and stitched to black center. Pieces of embroidery carry the design over into the center; design of interlacing buthas in several colors, chiefly red; border design is a simple repeat not fitted around the corners; fringe at ends

Shawl, 19th century

India

Not on View

Interlude, 1919

Arthur B. Davies; Printer: Ernest Haskell

Not on View

%C2%A9 Estate Mabel Ducasse

Promerops, 20th century

Mabel L. Ducasse

Not on View

%C2%A9 Estate Mabel Ducasse

Jabiru, Jacamar, Jacamaralcyon, 20th century

Mabel L. Ducasse

Not on View

%C2%A9 Estate Mabel Ducasse

Pigeons, 20th century

Mabel L. Ducasse

Not on View

%C2%A9 Estate Mabel Ducasse

Dianelle, Digitale, Dindon, 20th century

Mabel L. Ducasse

Not on View

Running Doe and Buck, 20th century

Merina "Blue Flower" Lujan

Not on View
small round basket with flaring sides; coarsely coiled; design consists of a band of animal figures (probably walking birds), around the sides; colors are natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Small round shallow basket with flared sides; coiled. Design consists of four vertical bars of triangles connected by horizontal lines. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Small round basket with flared sides; coiled. Design consists of coyote tracks in panels around the sides. Colors are natural and black.

Basket, 20th century

Indé (Apache)

Not on View
Oval basket in heavy coilwork. Design consists of double row of brown triangles, possibly representing flower petals. Colors are brown and natural.

Basket, 20th century

Indé (Apache)

Not on View
Wide, olla shaped basket; coiled. Design consists of black devil's claw disk at starting point, and five sets of black meanders that run vertically to a black rim. Colors are natural and black.

Basket, 20th century

Indé (Apache)

Not on View
Large rectangular basket, with rim and cover. The technic is twined on the bottom, and coilwork on the sides. Design consists of ten vertical imbricated panels with simple geometric designs in red and green. Cover is twined weaving.

Basket, 19th-20th century

Klikitat

Not on View
spherical-shaped woman's hat. The technic is plain twined weaving of rush on a rush foundation. Design consists of a stepped diagonal radial pattern in dark brown.

Basket, 19th-20th century

Modoc

Not on View
Miniature round basket with flared sides and plaited border; coiled. Design consists of a checkered pattern broken by three solid vertical bars. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket; coiled. Design consists of a stepped radial pattern in red and black. Colors are natural black and red.

Miniature Round Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket; coiled. Design consists of rows of horizontal stripes broken by three vertical bands. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature olla basket with cover; coiled. Design consists of a series of outlined triangles. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature covered basket; coiled. Design consists of four panels of ladder-like motifs. Motif on cover may be some kind of animal. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature black oval basket with flared sides; coiled. Decoration is natural-colored coyote tracks in rows around the sides.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
rug, Navajo, red field with stepped edge lozenges in brown, orange, yellow, grey, and white; ends finished with triple band border in red, tan, and black

Rug, 20th century

Diné (Navajo)

Not on View
Miniature round flat plaque; coiled. Design consists of maze pattern with figure at entrance (House of Suihii Ki--see 42.18.72). Colors are natural and black.

Basketry Plaque, 20th century

Akimel O'odham (Pima)

Not on View
Vase-shaped basket with flare rim; coiled. Design consists of modified fret pattern in successive rows. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
spherical basket in plain twined weaving. Design consists of narrow brown and black bands near the top and bottom with a center band of groups of black triangles.

Basket, late 19th century

Yurok

Not on View
Miniature olla basket; coiled. Design consists of four blue figures which resemble cactii. Colors are natural, blue, brown, and black.

Miniature Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
shawl, doshalla (long shawl) finely woven of olive green with design of rambling floral sprays and leaves in green, rose, yellow, orange, blue outlined in embroidery stitch; two borders on ends, the wide outer one composed of vari-colored stripes alternating with olive green, all with Mihrab tops enclosing single flowering plants; lined at one end with strip of black cotton, and furnished at one end with brass rings for hanging, fringed ends, narrow border on sides

Shawl, c. 1870

Iran

Not on View
Basket, straw, American Indian (Pima), XXc NO SPECIFIC PHOTO AND DIMS. ON CAT. CARD (GROUP INFORMATION) Basket with pinched handle and double mouth; fine coilwork. Design consists of stepped radial rectangles, possibly a modified whirlwind pattern. Colors are natural and black.

Basket, early 20th century

Indé (Apache)

Not on View
Vase-shaped basket with flared rim; coiled. Design consists of vertical rows of triangles split by solid bars which originate from central devil's claw. Possibly represents arrow-points. Design is in black against natural, with black rim.

Basket, early 20th century

Indé (Apache)

Not on View
Round basket in a bandbox shape with cover. The technique is a combination of plain twined weaving (near base), crossed-warp twined (in center), and an alternating checker and twined (at rim). There are bands of false embroidery at the bottom, on the cover, and the rim of the cover. Materials are a foundation of spruce root, with false embroidery of grasses. Design consists of two bands of reversed T-bars in red and purple, and a spiral on the cover in white and two shades of red.

Basket, 19th-20th century

Tsimshian or Tlingit

Not on View
Small round basket in bandbox shape with rim and cover. Technic is wrapped twined weaving of grass stems around a base, probably of cedar bark. Design consists of two dark blue birds with spread wings on the body of the basket with red band near the bottom. Cover has a central red disk surrounded by a circle of purple shapes.

Basket, early 20th century

Nuu-chah-nulth (Nootka)

Not on View
round basket with deeply flared sides; coiled; design consists of four rows of connected chevrons which form a simple meander in natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View
batik panel, cotton, with all-over repeat design of dark blue diamonds with tan patterns; alternating with tan diamonds with dark blue patterns; broad dark blue and tan border at each end contains hexagonal tan lozenges and terminates in fringe-like lines of alternating blue and tan; narrow blue and tan border along sides; entire piece is backed with gold paint

Panel, 18th-19th century

Indonesia

Not on View
Shallow round basket with cover; finely coiled. Design conisists of whirlwind pattern on sides and cover. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
string of blue glass wampum, consisting of 86 facet cut beads strung on tape; beads of this type usually found in Arizona graves

Necklace, 20th century

Diné (Navajo)

Not on View
Miniature olla basket with cover; coiled. Design consists of stepped rectangles in red and black. Colors are natural, red and black.

Miniature Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Shallow rectangular basket; coiled. Design consists of vertical panels of checkerwork around sides. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Shallow boat-shaped basket; coiled. Design consists of a band of coyote tracks around the rim. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
miniature tray-like basket; coiled; design is four coyote tracks; colors are natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View
miniature basket, with flared sides; finely coiled; design consists of a flower with four spade-shaped petals which fill the sides; the flower is natural color against a brown background

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature flat plaque; coiled. Design consists of a central devil's claw from which emanates a maze pattern, at the entrance of which stands a human figure. This pattern is called the House of Shuihii Ki, a legendary figure, who supposedly lives in the mountains where no one can find him. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of three pairs of dancing figures. Cover has what looks like an animal motif on it. Colors are natural and black.

Miniature basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature vertical-walled, deep basket; coiled. Design consists of horizontal bands broken by diagonal bands that form triangles. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Basket, straw, American Indian (Pima), XXc NO SPECIFIC PHOTO AND DIMS. ON CAT. CARD (GROUP INFORMATION) Deep round basket; coiled. Design consists of a double row of brown triangles, possibly representing feathers. Colors are natural and brown.

Basket, early 20th century

Indé (Apache)

Not on View
Vase-shaped basket with flared rim; coiled. Design consists of central devil's claw disk in black with crenellated concentric circles in natural and black, interrupted by diamonds at the neck. Has a black, plaited rim.

Basket, 20th century

probably Akimel O'odham (Pima)

Not on View
kussaba or square shawl; the ground is of black wool, parts of which have been woven separately and fastened together; shawl is completely covered with floral and arabesque designs; border woven separately and added; supplementary border of fringed strips of colored woolen; the design has been outlined in embroidered stitch; alike on both sides

Shawl (kussaba), 18th century

India

Not on View
Miniature round basket; coiled. Design consists of a bands of human figures with joined hands. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View

So this is all we got ourselves killed for!, 1835

Honoré Daumier

Not on View

Female Dancer, c. 1920

Arthur B. Davies

Not on View
Miniature round basket with cover; coiled. Design consists of pairs of human figures in red and black.

Miniature basket, 20th century

Tohono O'odham (Papago)

Not on View
Small round basket in a bandbox shape with rim and cover. The technic is plain twined and wrapped twined weaving of grass stems on foundation of cedar bark. Design consists of geometric bands of yellow and purple, red and green, on the sides and cover.

Basket, 19th-20th century

Qwiqwidicciat (Makah)

Not on View
bowl-shaped basket of plain twined weaving. Design consists of a band of simple geometric designs around the belly, perhaps mountain or cloud symbols. There are three raised, wrapped twined bands just below the rim. Colors are brown and natural.

Basket, 19th-20th century

Natinixwe (Hupa)

Not on View
shallow tray; finely coiled, with plaited border; design consists of a central devil's claw from which emanate four squash blossom petals that enlarge concentrically to the rim; colors are natural and black

Basket, early 20th century

Akimel O'odham (Pima)

Not on View
Large oval basket with deep flaring sides; coiled. Design consists of four petal-blossom on the bottom and a four-petal squash blossom design on the sides which enlarge concentrically to the rim. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Small round basket in a bandbox shape with rim and cover. the technic is plain twined and wrapped twined weaving of grass stems on a foundation of cedar bark. Design consists of a band of four walking birds on the sides and three on the cover, in black.

Basket, late 19th-early 20th century

Qwiqwidicciat (Makah)

Not on View

In the Park, 1906

William J. Glackens

Not on View
sqaure shawl, small, with ground of yellow wool, the central portion of which is decorated by large circles, butha and lotus; border of fine floral design woven separately and added; supplementary border of fringed strips of colored wool

Shawl, 19th century

India

Not on View
towel scarf, portion of, closely woven cotton embroidered at each end with two rows of two floral motives, and finished by a border of running wavy floral and leaf design; the flowers in the units appear to be springing from a cornucopia; red, purple, yellow, green and gold threads

Towel Scarf, 19th century

Armenia

Not on View
pillow border of fine tan canvas embroidered with a design of conventionalized flowers (pinks) in satin, feather and chain stitch in red silk; the border is in two sections, the lower serving as a narrow border to the upper, the whole of which is sewed to a wider strip of coarse canvas

Pillow border, 19th century

Greek Islands

Not on View
towel of cambric embroidered at each end with two floral sprays and a running border of leaves, flowers and bow knots; mauve, pink, bronze, cream and gold metal threads and tinsel

Towel, 19th century

Armenia

Not on View
Small shallow basket with flared edges and plaited rim; coiled. Design consists of three checkered rectangular bands alternating with three checkered patches that narrow to form arrows which orient towards the center of the basket. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Small plaque with slightly flared edges; coiled. Design consists of a central devil's claw surrounded by modified fretwork (possibly a butterfly-wings pattern). Colors are natural and black.

Small Plaque, 20th century

Akimel O'odham (Pima)

Not on View
Miniature plaque with slightly flared edges; coiled. Design consists of central devil's claw from which emanate three squash-blossom petals which enlarge concentrically to the rim. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round dished plaque; coiled. Design consists of a central devil's claw surrounded by concentric circles; these are broken by three rows of triangles. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
hot water jug, pear-shaped, cabriole, on three legs, terminating in turned-up scrolls, loose, domed cover in two stages finished with vase shaped finial, C-shaped handle, brass spigot with shaped handle, handle of spigot loose

Hot water jug, 19th century

England

Not on View
Damask square (pillow top_ of grey-green satin with repeat design of large floral spray of roses, leaves and half open pomegranate; from this, above, springs, ruined stone arch, a tree, and view of tower and house woven in pale blue. Rest of design in naturalistic colors. Fragments of gold galloon edge.

Pillow top, 18th century

Germany

Not on View
rug, Navajo or Chimayo, made up of two strips seamed up center; design of stripes in rose, yellow, pale green and cream; on the cream stripe geometic motifs with saw tooth outlines in shades of red and coral; narrow fringe at ends; Spanish-American, New Mexican

Rug, 20th century

Diné (Navajo)

Not on View
one of a pair of pieces from dress, embroidered in several colors, chiefly red; floral, foliate and scroll designs; two borders of conventional openwork divide the embroidery into three sections; the center one, a narrow band

Fragment, 19th century

Czechoslovakia

Not on View
corner fragment of an Indian shawl; border in shades of rose with black center, conventional scroll and floral design

Corner fragment of a shawl, 19th century

India

Not on View
Rectangle of ivory satin brocaded with figures of courtiers and ladies, rampant dogs and stags, couchant lions under palm trees, and large peacock, the latter with velvet necks and "eyes," separated from each other by stylized Renaissance fountains. The whole lined with apricot satin and edged with silk fringe of yellow, gold, ivory and turquoise. Last 8" cut away, leaving lining and fringe intact.

Panel, 17th century

Spain

Not on View
skull cap, folding into six sections, worked in white silk over cords into all-over design, further ornamented with 6 lobed stars in brown and cuving frond-like designs in white outlined in brown; edging of black braid; partly lined with red and white calico

Skull Cap, 19th-20th century

Armenia or Syria

Not on View
towel scarf of fine cotton embroidered at each end with two rose sprays in rose, purple, silver and gold threads and having border of double dove-tailed chevrons across ends and part way up each side; silk and metal on cotton

Towel scarf, 19th century

Turkey

Not on View
pillow border embroidered on natural linen in green silk in Moorish diagonal and straight stitch in conventional flower pot and tree design; edge finished with buttonhole stitch

Pillow border, 19th century

Morocco

Not on View
Small plaque with slightly flared edges; coiled. Design consists of a central devil's claw surrounded by modified fretwork (possibly butterfly-wings). Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Basket, straw (ruffia), American Indian (Pima XXc NO SPECIFIC PHOTO AND DIMS. ON CAT. CARD (GROUP INFORMATION) Large coiled plaque with handle. Design consists of concentric circles to the rim. Colors are natural and black.

Basket, 20th century

Indé (Apache)

Not on View
Saucer-shaped basket in crud coilwork. Design consists of checkered areas in black and natural (probably represents sunflower motif.)

Basket, 20th century

Indé (Apache)

Not on View
Miniature round flate plaque; coiled. Design consists of a circular fret pattern. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
necklace, made up of pendants of turquoise and bone; twenty tooth-shaped pendants inlaid with turquoise chips bordered by a black band; each pendant separated by four bone disc beads which make up ends of necklace

Necklace, 20th century

A'shiwi (Zuni)

Not on View
rug, Navajo, made up of horizontal stripes of coral and pale salmon color; the coral stripes carry bands of double comb motifs in brown on pale salmon ground; the stripes are set off from each other with narrow bands of triple dot design; edges overcast; tassels at corners

Rug, 20th century

Diné (Navajo)

Not on View
rug, Navajo, red ground with design of horizontal bands carrying designs of deep zigzag stripes, a conventionalized floral vine, step-sided lozenges, and stepped pyramids in red, yellow, purple, green, orange, black and white; sides burttonholed in red yarn

Rug, 20th century

Diné (Navajo)

Not on View
doshalla or long shawl; pink ground entirely covered with butha and fine floral sprays; narrow borders on sides and ends were woven separatly and added; backed with a piece of soft pink woolen which has a border of blue taffeta, and a binding which shows on the right side

Shawl (doshalla), 18th century

India

Not on View
piece of hand-made linen embroidered in seven rows of geometric designs, three units in each row; rose, gold, green, brown and tinsel threads; one end finished with narrow hem and cross stitch border; one end unfinished

Panel, 19th century

Bulgaria

Not on View
pillow border, embroidered in purplish-black diagonal and straight stitch in a conventionalized design, of trees, flower pots and flowers; edge finished with a buttonhole stitch

Pillow border, 19th century

Morocco

Not on View
pillow border, embroidered in lavendar silk in a design of lozenges and geometrical flowers; Moorish diagonal and straight stitch; the edge is finished with buttonhole stitch

Pillow border, 19th century

Morocco

Not on View
shawl, fringed doshalla type, of sheer white wool printed in green, red and blue. Deep end borders carry pattern of slender palmettes filled with conventionalized blossoms. Main field has all-over pattern of triple leaved shrubs springing from vase-shaped motifs and framed with trailing leaves. At intervals throughout the field a narrow silk stripe has been woven into the ground of the shawl. Selvedge sides, silk fringe at ends.

Shawl, 19th century

France

Not on View
Miniature round basket with cover; coiled. Design consists of four human figures with arms upraised. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
small, shallow, saucer-shaped basket; finely coiled; design is a stepped, three-pointed star; the center is a black disc (devil's claw), and the points of the star are composed of alternate rows of natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature olla basket with flared rim and cover; coiled. Design consists of simple geometric pattern of horizontal and vertical bars in red. Colors are natural, black and red.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of a stepped radial pattern of coyote tracks and horizontal stripes. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature basket, olla shape; coiled. Design consists of swastikas connected with fretwork. Colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
miniature basket, very shallow with sloping sides; finely woven, design consists of a flower with fifteen petals in natural fiber against a black background; the main part of the flower is the bottom of the basket, while the petals fill the sides

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with flared sides; coiled. Design consists of black coyote tracks and a geometric motif which may represent mountains.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket, with cover missing; coiled. Design consists of coyote tracks in four panels in natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
towel scarf of gauze-like cotton material embroidered at each end with a row of four floral trees springing from small pots in scarlet, rose, flesh and brown silks and tinsel; a border of open work tinsel embroidered with stiffly drawn flowers runs across each end and part way up the sides; silk and tinsel on cotton

Towel scarf, 19th century

Armenia

Not on View
towel, end, linen, heavily embroidered with stylized roses, pinks(?), and lilies and leaves in shades of blue, green, yellow floss and tinsel thread; border of stem stitch flanked by leaves, across bottom

Towel, 19th century

Turkey

Not on View
towel, loosely woven cotton material, embroidered at each end in gilt, shell pink and rose threads with three floral sprays; narrow border embroidered with gilt thread at each end; silk and gilt on cotton

Towel, 19th century

Turkey

Not on View
towel end, loosely woven linen in two strips joined vertically, embroidered with a design of two motives enclosed in an octagon shape which contains a basket and geometric flowers and leaves; the octagon is in turn surrounded by a group of stiffly drawn flowers; there is a narrow border of stiff red and yellow flowers across the bottom; blue, red and tan colors predominate

Towel end, 19th century

Armenia

Not on View
doshalla or long shawl with a yellow wool ground completely covered with Butha and intricate thal; border at each end woven on a vari-colored striped ground containing floral and basket design; narrow border on white ground is applied at the sides and set off the end border; this shawl is the same on both sides and the design is entirely outlined in embroidered stitch; alike on both sides

Shawl (Doshalla), 18th century

India

Not on View
doshalla, or long shawl, of white woolen completely covered with large floral sprays containing pinks, zinnias and thistles; fringed ends - no border - woven in two pieces and joined; some of the leaves have been outlined in embroidered stitch; this shawl may have been woven in Persia for Indian trade

Shawl, late 19th century

India

Not on View
doshalla, or long shall, of white woolen, hand woven, with ends decorated by a row of butha which are composed of many tiny flowers and leaves; simple corner ornaments in the design of a floral spray; narrow border on ends and sides of floral design

Doshalla, 19th century

India

Not on View
towel, piece of, coarse linen strip embroidered with horizontal floral sprays on pale cream and blue; narrow border of split stitch at bottom; silk on cotton

Piece of a Towel, 19th century

Turkey

Not on View
pillow border, embroidered in lavendar silk in diagonal and straight stitch in a conventionalized design of flowers and trees; edge is finished in buttonhole stitch

Pillow border, 19th century

Morocco

Not on View
border, natural color linen, embroidered in red diagonal and straight stitch in a very conventionalized design of leaves and flowers; the veins of the leaves done in feather stitch

Border, 19th century

Morocco

Not on View
Miniature round baske with cover; coiled. Design consist of a series of stepped diamonds. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature oval basket with straight sides; coiled. Design consists of a band of animals (probably dogs), around sides. Colors are natural and black.

Miniature Basket, 20th century

Tohono O'odham (Papago)

Not on View
Miniature shallow basket; coiled. Design consists of a series of rhombiodal figures produced by crossing three sets of radial curves. It results in flower-like pattern. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Miniature round basket; coiled. Design consists of four diagonal bands of stepped vertical stripes (possibly whirlwind pattern.) Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View

Buffalo Dancer, 20th century

Kun Funa

Not on View
Small olla shaped basket with cover; coiled. Design consists of five vertical bands of checkerwork. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
piece from sleeve, embroidered in shades of red, beige and pruple; a band of pinkish lace on the hem; the design is made up of leaves, round spots and conventional flowers

Fragment, 19th century

Czechoslovakia

Not on View
bag, made from pieces of two shawls, the side shown in picture has a design of leaves and flowers in red, blue, green and beige on a cream silk background; the other side is all wool, much coarser, with an all over pattern, mainly red; borders from two other shawls; red wool lining

Bag, 19th century

Scotland

Not on View
Miniature round basket with cover; coiled. Design consists of series of animal heads, probably buffalo. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of rows of horizontal stripes broken by four vertical red stripes. Cover has a flower design in black and red. Colors are black, red and natural.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
miniature deep round basket; coiled; design consists of rows of double stripes around sides; colors are natural and black

Miniature basket, 20th century

Tohono O'odham (Papago)

Not on View
large oval basket with straight sides; coarsely coiled; design consists of two series of locomotives with four attached cars and caboose; colors are natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Miniature vertical-walled basket; coiled. Decoration consists of coyote tracks enclosed in panels. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of four vertical bands of triangles. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket; coiled. Design consists of three figures that resemble birds of some kind. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of a floral pattern in red and black. Colors are natural, black and red.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature olla basket with flared rim and cover; coiled. Design consists of three horizontal bands broken by three checkered chevrons. Cover has a swastika design. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
miniature basket, shallow and vertical-walled; finely coiled; design is a stepped, linear pattern in natural and black, which completely fills the side walls

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of a simple fret around sides. Cover has red spots. Colors are natural, red and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of stepped triangles in a radial pattern. Cover has a four-petal squash-blossom pattern. Colors are natural, red, and black.

Miniature Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover, shallow; coiled. Design is a stepped linear pattern with coyote tracks on cover.

Miniature basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round deep basket with cover; coiled. Design consists of a fret pattern. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
round shallow basket; coiled. Design consists of stepped radial segments in different shades of natural and orange colored reed.

Basket, 19th-20th century

Luiseño

Not on View
Victorian rosewood side chair, c.1860, shaped back with cresting of elaborately carved rose sprays; chair frame, at front, also carries carving of roses; front legs curve in gentle cabriole and are finished with casters; back and seat are upholstered in blue and gold brocade of large floral pattern

Victorian side chair, c. 1860

John Henry Belter Factory

Not on View
Small basket with flared sides. The technic on the bottom is plain twined and alternating twined and checkered. The sides alternate plain twined alternating twined and checkered. The sides alternate plain twined with crossed-warp twined weaving. Design consists of bands of parallelograms in false embroidery of red and purple. Materials are foundation of spruce root, with false embroidery of grasses.

Basket, 19th-20th century

Tlingit

Not on View
Miniature round flat plaque; coiled. Design consists of a combined fret and swastika pattern in excellent design. Colors are natural and black.

Miniature Basket, 20th century

Akimel O'odham (Pima)

Not on View
Shallow oval basket with handles in wrapped twined and plain weave. Only design consists of three black raised bands and a black rim. Colors are brown and black.

Basket, 20th century

Indonesia

Not on View
Miniature flat round plaque; coiled. Design consists of a flower pattern with four central petals and eight outer petals. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature shallow oval basket; coiled. Design consists of stepped diagonal stripes on the sides. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Schnaps bottle, glass, blown glass, square, of brownish glass with short neck and applied collar; concave base with ragged cleavage scar (pontil mark); this scar found on bottles made before 1850

Schnapps Bottle, 18th century

Netherlands

Not on View
Schnaps bottle, blown glass, square, of brownish glass with short neck and applied collar; concave base with ragged cleavage scar (pontil mark); this scar found on bottles made before 1850

Schnapps Bottle, 18th century

Netherlands

Not on View
Small round basket in a bandbox shape with rim and cover. The technic is plain twined and wrapped twined weaving of grass stems on a foundation of cedar bark. Design consists of rows of colored stripes on sides and cover, in orange, red and purple.

Basket, 19th-20th century

Qwiqwidicciat (Makah)

Not on View
Deep oval basket; coiled and imbricated. The sewing is of cedar and spruce root on a root foundation, and the imbricated ornament is of squaw grass and cedar bark. Design consistsof vertical rows of triangles split through the centers by vertical bars.

Basket, 19th-20th century

Salish

Not on View
spherical basket in plain twined weaving. Design consists of stripes of rust and tan at bottom and rim. There is a band of saw-toothed parallelograms in rust around the center.

Basket, 19th-20th century

Pit River

Not on View
Small round dished plaque; coiled. Design consists of a combined fret and swastika pattern in excellent workmanship. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
towel scarf of natural linen woven with self stripes, embroidered on each end with three conventionalized flower motifs in cream, tan, blue, green, and metal threads, and two tree (?) motifs; border at each end and part way up sides composed of running leaf and vine design; ends finished with a narrow fringe; silk on cotton

Towel scarf, 19th century

Turkey

Not on View
cover of linen formed by two strips joined together and embroidered all over in a pattern of spiny leaves and flowers in blue and beige; composed of a central square with regular rows of the flower enclosed in two spiny leaves; a complete border is composed of alternating flower and leaf design and set off from center by a line of diagonal and straight stitch; silk on linen

Cover, 19th century

Turkey

Not on View
one of a pair of pieces from dress, embroidered in several colors, chiefly red; floral, foliate and scroll designs; two borders of conventional openwork divide the embroidery into three sections; the center one, a narrow band

Fragment, 19th century

Czechoslovakia

Not on View
embroidery, piece of; with flowers and spiny leaf design in blue, green, and henna red. Much of the design obliterated by wear; probably fragment of curtain; selvedge sides with one end hemmed and the other unfinished; silk on cotton

Piece, 18th century

Turkey

Not on View
kussaba, or square shawl, having a center of yellow wool woven with leafy sprays. The border, woven separately and added, is on a red ground covered with floral butha and fantastic leaf designs; there is a second narrower border and a final border of strips of fringed woolen

Shawl, 19th century

India

Not on View
skull cap, folding into six sections, worked in white silk over cords into all-over design, further ornamented with 4 and 5-lobed stars in green and white and red and white; edging of purple, pink and green braid, in cross stitch; partly lined with red and black calico

Skull Cap, 19th-20th century

Armenia or Syria

Not on View
rug, finely woven, with a design of interlocking stepped lozenge medallions outlined in black and white on red ground; the medallions contain different motifs basaed on the lozenge or cruciform form; sides overcast in black yarn; tassels at corners

Rug, 20th century

Diné (Navajo)

Not on View
rug, Navajo, sand-colored with bands of double saw-tooth design in black; sides overcast; in the center of the rug a narrow band of vertical lines in tan separates two of the saw-tooth motifs

Rug, 20th century

Diné (Navajo)

Not on View
towel scarf of loosely woven heavy cotton with deep end borders of geometric designs in red, navy, and white

Towel scarf, 19th century

Not on View
fragment of a blue silk coat, pattern in red

Fragment of Blue Silk Coat, 19th century

India

Not on View
towel fragment of cotton emboridered at each end with three roses, two of which are surrounded by leaves, seperated one from the other by bow knots, and a running floral and leaf design; shades of rose, green and black predominate; silk on cotton

Towel fragment, 19th century

Armenia

Not on View
painted silk, naturalistic roses and garlands of other flowers painted on white taffeta

Panel, 18th century

France

Not on View
small, saucer-like basket; coiled; design consists of central devil's claw from which emanate three squash blossom petals that enlarge concentrically to the rim of the basket; colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of horizontal bands broken by three vertical bars. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Shallow basket with flared sides; coiled. Design consists of central devil's claw disk, and rows of coyote tracks on sides. Colors are natural and black.

Basket, 20th century

Indé (Apache)

Not on View
tan stripes with large floral pattern

Curtain, 18th century

Portugal

Not on View
shawl, silk, very sheer with bands of more closely woven material; cream background, center and fringe, printed border of sprays of flowers, chiefly blue and rose

Shawl, 19th century

France

Not on View
47.20.1-6; Buttons, three pair. The star shaped buttons were made with sand moulds. The other two pair are decorated with typical Navajo radiating designs stamped with a die and one pair is set with turquoise

Button, one of a pair, 20th century

Diné (Navajo)

Not on View
band from dress embroidered in red; three conventional borders and above them a floral and foliate design repeated once

Fragment, 19th century

Not on View
bag, piece of a Kashmir shawl with design of blue palmettes made up of tiny leaves and flowers; white wool lining

Bag, 19th century

India

Not on View

Tea caddy ornamented with rolled paper, c. 1800

England

Not on View
string of very fine wampum, greyish color, found in a Navajo grave near Globe Arixzona; wampum as fine as this is seldom found

Necklace, 20th century

Diné (Navajo)

Not on View
string of large, deep blue glass wampum, consisting of 77 facet-cut beads strung on white tape; beads of this type usually found in Arizona graves

Necklace, 20th century

Diné (Navajo)

Not on View
saddle blanket, Hopi, so-called "Divorce" blanket with one half of the field in white and the other half in black; in the outer corners of the two fields, white on black and black on white, a bent stem terminating in three solid discs; edges overcast, corners finished with tassels of green and black wool

Saddle blanket, c. 1900

Hopituh Shinumu (Hopi)

Not on View
rug, Navajo, twill weave, in bands of yellow and red and rose, set off from each other by narrow zigzag bands of black and yellow or plain yellow

Rug, 20th century

Diné (Navajo)

Not on View
Miniature olla basket with cover; coiled. Design consists of a double row of zig-zag stripes around the body of the basket. Cover has a swastika. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature olla basket with cover; coiled. Design consists of horizontal bands broken by three sets of vertical bands. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature olla basket with cover; coiled. Design is a row of diamonds running horizontally around the sides. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
rug, Navajo, black with wide end borders of red edged with stepped designs in black and carrying a band of broken lozenge motifs in center; this is said to be half of a dress worn by the Navajo Indians

Dress (Biil), c. 1850-1880

Diné (Navajo)

Not on View
rug, finely woven in a design of interlocking stepped and sawtooth medallions in shades of red, ranging from brilliant orange to purple and white; end borders carry band of reciprocal zigzag stripes with sawtooth edges; edges overcast with red wool

Rug, 20th century

Diné (Navajo)

Not on View
rug, Navajo, with deep horizontal zigzag stripes in shades of rose and white, banded with narrow stripes in blue, orange, dark brown, and gray; edges overcast with grey yarn

Rug, 20th century

Diné (Navajo)

Not on View
miniature oval basket, shallow with flared sides; coiled; design consists of a band of animals, which seem to be dogs, around the side; colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of three animal heads, probably buffalo. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of four human figures. Cover has coyote tracks. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
shallow basket with flared sides; coiled. Design consists of central devil's claw from which emanate three squash blossom petals which enlarge concentrically to the rim. In between the petals the design is worked to resemble a flower petal. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
miniature basket, olla shape; coiled; design consists of swastikas which are connected with fretwork; colors are natural and black

Miniature basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Desing consists of three vertica bands of ladder like motifs. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
rug, Chimayo, made up of two strips seamed in the middle; design of horizontal stripes in pink, red, gray, and pale orange. Inner side border of double-edged saw tooth band in orange, outer border of sawtooth zigzag stripes in red and pink; at ends triple border of red, rose, and pink bands; ends lightly fringed

Rug, 20th century

Chimayó

Not on View
kussaba, or square shawl (double); one side is white while other has blue ground; completely covered with floral, leaf and arabesque design; many pieces have been woven separately and incorporated into the whole; the border, woven separately and added, is covered with flowers and floral trees; much of the design is outlined in embroidered stitch; outer border of strips of fringed colored woolen with flowers woven into top

Shawl, mid 19th century

India

Not on View
towel scarf of closely woven cotton material embroidered at each end with three horizontal spiny leaf sprays in shades of pink, yellow and green silk and green raffia; there is a narrow border of wavy stem, leaf and flower design across the bottom which is finished with a buttonhole stitch edging in brown silk extending part way up the sides; one side finished with selvedge, the other with whipped hem

Towel scarf, 19th century

Turkey

Not on View
border, linen, embroidered in red silk in a design of strips alternating with linen which at one time must have been covered with green silk, bits of which remain; the edges are finished with red braid, some of which has been torn off; there are several holes in the piece

Border, 19th century

Greek Islands

Not on View
shawl piece, probably central portion of Kussaba; green ground with butha or cones and arabesques; the corner ornaments are elaborated butha

Shawl piece, 19th century

India

Not on View

Pillow border, 19th century

Morocco

Not on View
cap, made by gathering coarse printed material onto a straight piece, which is embroidered with floral and foliate designs in several colors, chiefly yellow; a good deal of metal thread is used; the hem is edged with colored lace

Hat, 19th century

Czechoslovakia

Not on View
towel of loosely woven cotton material embroidered at each end with a series of floral motifs and spiny leaves in rose, green, blue, red and yellow; there is a running floral border at the ends (which are whipped); silk and metal threads on cotton

Towel, 19th century

Turkey

Not on View
border; piece of red silk embroidered in all over spaced design of stiff single flowers with leaves; chain and laid stitch in green, yellow and white; where the border of sound flower and leaf design is joined to the piece is a series of palmettes outlined in yellow and green alternating with small scrolls; silk on silk

Border, 18th century

India

Not on View
bag, piece of Kashmir shawl, large palmettes form border; all over floral design in blue, green and rose on cream background; lined with cream-colored pongee; much worn and darned

Bag, 18th century

India

Not on View
47.20.1-6; Buttons, three pair. The star shaped buttons were made with sand moulds. The other two pair are decorated with typical Navajo radiating designs stamped with a die and one pair is set with turquoise

Button, one of a pair, 20th century

Diné (Navajo)

Not on View
47.20.1-6; Buttons, three pair. The star shaped buttons were made with sand moulds. The other two pair are decorated with typical Navajo radiating designs stamped with a die and one pair is set with turquoise

Button, one of a pair, 20th century

Diné (Navajo)

Not on View
piece from sleeve, embroidered in colors, principally yellow wiwth a band of colored lace on the hem; the wide border of floral designs is connected by a strip of embroidery with the narrow scroll border

Fragment, 19th century

Czechoslovakia

Not on View
piece from sleeve embroidered with flower designs in several colors, principally red; a band of colored lace on the hem

Fragment, 19th century

Czechoslovakia

Not on View
bag, piece of Kashmir shawl, cream ground with floral decoration in blue and rose, made up of regularly repeated sprays; bag made with material wrong side up; cream colored pongee lining; much worn and darned

Bag, 18th century

India

Not on View
Round coiled plaque. Design consists of central devil's claw from which emanates black geometrically-shaped bands to the rim. Colors are natural and black.

Round Coiled Plaque, 20th century

Tohono O'odham (Papago)

Not on View
shallow basket with flared sides; coiled; design consists of central devil's claw from which emanate four squash-blossom petals that enlarge concentrically to the rim; colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Deep round basket of plain twined weaving with false embroidery. The weaving and foundation are probably spruce root, and the false embroidery is dyed grasses. The design consists of successive stripes of purple, red, orange and green. There are two bands of false embroidery, which consist of parallelograms and coyote tracks in red and brown against a natural background.

Basket, 19th-20th century

Tlingit

Not on View
miniature basket, with sloping sides; finely coiled; design consists of a zig-zag stripe on a brown band running around the sides of the basket; colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
coat of fiine white wool, embroidered in colors; Slide Filed under India

Coat, 19th century

Iran or India

Not on View
Minute round basket with cover; coiled. Design consists of a band of dots. Colors are natural and black.

Miniature Round Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of a band of stepped horizontal stripes around the sides. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket; coiled. Design consists of a band of four coyote tracks. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Round basket with flared sides; coiled. Design consists of whirlwind pattern with coyote tracks on bottom. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
shallow basket with sloping sides; coiled; design consists of central black disc, (devil's claw) from which emanate three sets of concentric, enlarging petals; on the smallest petal of each set is a figure which resembles a butterfly; colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with flared rim; coiled. Design consists of horizontal bars broken by three diagonal bands of stepped vertical stripes (possibly modified whirlwind pattern). Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Saucer-shaped basket; coiled. Design consists of a modified fret pattern in successive rows that forms a four-petal flower. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Miniature round basket; coiled. Design consists of five vertical bands of triangles. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
part of striped silk chasuble from a priest's vestment, Louis SVI design.; a flowing ribbon motif in metal thread both gold and silver over a cream background of heavy silk, much worn; a garland motive of delicate leaves in silver and pink flowers and knots of pink roses brocaded over the stripes completes the design

Chasuble fragment, 19th century

France

Not on View
Miniature oval low basket; coiled. Design consists of a band of animal figures (probably dogs), around sides. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of four human figures. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of three pairs of dancing people. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with attached cover; coiled. Design consists of vertical stripes in natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with flared sides; coiled. Design consists of four checkered panels. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
rug, so-called "Sand Painting"; tan field, bordered in rose, with six human figures in attitudes of a ceremonial dance; border of hook design in dark brown on white; rug shows human dancers wearing Yei masks for ceremonial performance; rug is termed a Yeibichai

"Sand Painting" rug, 20th century

Diné (Navajo)

Not on View
Miniature basket, round with narrow mouth; coiled. Design consists of three rows of petal motif around sides. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
square of silk brocage, pear design

Panel, 18th century

India

Not on View
Miniature round basket; coiled. Design consists of series of plant moitifs, possibly cactus. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Miniature round basket with cover; coiled. Design consists of four animal figures around body (probably dogs). Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
miniature basket with flaring sides; finely coiled; design consists of a series of ladder-like vertical segments around the sides; colors are natural and black

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
miniature deep round basket; coiled; design consists of vertical bands of stacked coyote tracks; colors are natural and black

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Miniature round basket; coiled. Decoration consists of a row of three swastikas around sides. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
unfinished cover for basket; technic is wrapped twined weaving; design is modified fret in natural and black

Basket, 20th century

Qwiqwidicciat (Makah)

Not on View
Miniature round basket with cover; coiled. Design consists of slanted fretwork. Colors are natural and black.

Basket, 20th century

Akimel O'odham (Pima)

Not on View
Miniature thimble-shaped basket; coiled. Decoration is coyote tracks. Colors are natural and black.

Basket, 1900-1942

Akimel O'odham (Pima)

Not on View
Small round basket with flared sides; coiled. Design consists of central devil's claw disk, and double row of spaced brown triangles, with brown rim.

Basket, 20th century

probably Akimel O'odham (Pima)

Not on View
Miniature oval basket with straight sides; coiled. Design consists of a meander around the sides. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
miniature basket, deep and vertical walled; finely coiled; design is a slanted meander in natural and black (possibly devil's claw.)

Basket, 20th century

Akimel O'odham (Pima)

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Indian Dancers, c. 1930 (?)

E. T. Quannie

Not on View
Round basket in heavy coilwork. Design consists of alternate figures of humans and animals in brown.

Basket, 20th century

Indé (Apache)

Not on View
towel, linen, embroidered at each end with a series of five flower and pot motifs seperated one from the other by a narrow frame effect in silk and metal threads, which is in turn decorated at the joining corners by a conventionalized rose and leaf design; blue, rose, yellow and green; silk on linen

Towel, 19th century

Armenia

Not on View
towel, of woolen in two weights embroidered at each end with an elaborate design composed of flowers, leaves and baskets in yellow, pale rose, blue and tinsel; there is a border of stylized leaves and flowers and between this and the slightly fringed ends is a narrow strip of drawn threads

Towel, 19th century

Turkey

Not on View
pillow border, embroidered in red silk diagonal and straight stitch on tan linen; conventional shrub and tree design with the supplementary border in lozenge design; in three pieces seamed together

Pillow border, 19th century

Morocco

Not on View
towel end of loosely woven cotton embroidered with three sprays and having at each end a running leaf design as a border; rose, blue, green and metal threads the bottom and sides whipped with gold thread; silk on cotton

Towel end, 19th century

Turkey

Not on View
Small coiled plaque. Design consists of concentric rows of animal figures, probably dogs. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
rug, dark blue field carrying two vases flanked by stylized pale blue peacocks at the ends; stylized flowers spring from the vases and are scattered throughout the field; small, stiffly drawn animals appear at intervals; three borders, the main one carrying a running flower and leaf design in shades of blue on a red ground; pile worn to warp in places; cotton warp; Selma knot; woven fabric

Rug with vases and peacocks, 19th century

Iran

Not on View
Small round basket with flared sides; coiled. Design consists of central devil's claw disk from which emanates a swastika, the arms of which radiate in a fret pattern to the rim. Colors are natural and black.

Basket, 20th century

Tohono O'odham (Papago)

Not on View
Deep round miniature basket; coiled. Design consists of a band of female figures in black and light blue.

Miniature Basket, 20th century

Tohono O'odham (Papago)

Not on View
Saucer-shaped basket; coiled. Design consists of double T-bars connecting an inner stripe with the rim. Colors are natural black.

Basket, 20th century

Indé (Apache)

Not on View
towel scarf of sheer mercerized silk gauze self-striped in groups of three wide and six narrow stripes, embroidered at each end with four vertical floral and leaf units in pale blue, cream and gilt thread; the colors of the flowers are alternated, two being cream and two blue; the ends are finished with silk fringe beneath a line of gilt stitching; silk and gilt on cotton

Towel scarf, 19th century

Turkey

Not on View
fragment of loosely woven linen, probably a towel end, embroidered in three rows of floral sprays containing three units each, cream, rose, blue and tinsel threads; three sides have a narrow border of tan and green stitching; silk on linen

Fragment, 19th century

Turkey

Not on View

Whirlwinds, 19th century

George Elbert Burr

Not on View

Noisetier d'Amerique, 19th century

Michel Bouquet

Not on View
Bird's-eye view of Florence, Italy

Florence, 1643

Claes Janz. Visscher II; Artist: After Hieronymus Cock; Artist: Formerly ascribed to Antonio Tempesta

Not on View

%C2%A9 Estate Mabel Ducasse

Oiseau - mouche, 20th century

Mabel L. Ducasse

Not on View
one of a pair of panels from shirt, embroidered in red, picked out with white and yellow; two bands of open work divide into three sections of solid embroidery, which is made up of leaves, scrolls and rosettes

Fragment, 19th century

Not on View

Figue blanche ronde, 19th century

Michel Bouquet

Not on View
shallow large basket; coarsely coiled; design is in black with irregular geometric designs in natural reed

Basket, 20th century

Tohono O'odham (Papago)

Not on View

%C2%A9 Estate Mabel Ducasse

Paon, Pape, 20th century

Mabel L. Ducasse

Not on View

Nefflier à gros Fruit, 19th century

Michel Bouquet

Not on View

Springtime, Paradise Valley, Arizona, 19th-20th century

George Elbert Burr

Not on View

Doorway to Illusion, 1919 (printed 1929)

Arthur B. Davies; Printer: Frank A. Nankivell

Not on View

Springtime, 1919

Jerome Myers; Publisher: E. Weyhe, Inc., New York

Not on View

Nocturne, 1918-1919

Arthur B. Davies; Printer: Ernest Haskell

Not on View

Whirl of Dance, 1917

Arthur B. Davies

Not on View

Ebb and Flow, 1917

Arthur B. Davies

Not on View
U. S. 19th century A Box 1; Signature pencilled on bottom

Grand Canyon - Evening Glow, 19th century

Benjamin C. Brown

Not on View
stumpwork picture, embroidered; design gentleman and lady in garden with animal in foreground and gate in distance

Embroidered panel, mid 17th century

England

Not on View
jar, gray, decorated with pattern of leaves in cobalt blue

Jar, 18th century

United States

Not on View

Tappit hen, 18th century

Scotland

Not on View

Courting Mirror, 18th century

United States

Not on View

Fragment, 18th century

France

Not on View

Panel, 18th century

France

Not on View

Fragment, 17th century

France

Not on View

Panel, 17th century

Italy

Not on View

Panel, 17th century

France or Italy

Not on View

Panels from a chasuble, 17th century

France

Not on View

Panel, 17th century

France

Not on View

Panel, 16th-17th century

France

Not on View

Panel, 16th-17th century

Italy

Not on View

Fragment, 18th century

France

Not on View

Fragment, 17th century

Italy

Not on View

Fragment, 18th century

France

Not on View

Panel, 17th century

France or Italy

Not on View

Panel, 18th century

France

Not on View

Fragment, 18th century

France

Not on View

Panel, 17th century

France

Not on View

Panel, 16th-17th century

Italy

Not on View

Fragment, 18th century

France

Not on View

Panel, 18th century

France

Not on View

Panel, 18th century

France

Not on View

Panel, 16th-17th century

Italy

Not on View

Fragment, 18th century

France

Not on View

Fragment, 17th century

Italy

Not on View

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