bright, colorful image of a Black man dressed in white, lying in a flower bed, surrounded by groups of flower varieties; bees hovering in the margins on a solid green background; in a blond wood frame — The Late Spring Arrival, 2022
Lamar Peterson

G301

punching bag that has been covered in pony beads and studded spikes on the top half, and 12 rows of silver conical jingles on the lower half; multi colored nylon ribbon in blue, black, red, white and yellow, hangs along the bottom in four rows, 12” of fringe hangs below bag; text in beaded area reads, “each time you love love as deeply as if it were forever nothing is eternal” in four rows — NOTHING IS ETERNAL, 2017
Jeffrey Gibson

G259

large abstract painting in multicolored pigments; thick, blue bands of color across top and left side of canvas; light orange squared off section with darker puce wash of color overlapping and merging outwards toward center left edge; two curving bands of yellow pigment in upper right edge of canvas; vertical green and red bands of pigment in URC; smeary wash of puce pigment with dimension in LRQ; thin pink horizontal line in LRQ — Rio Grande, 1987
Helen Frankenthaler

G378

last supper type arrangement with seven figures seated at a table while a pregnant woman stands at the L edge of the composition; general pink/blue/purple color palette; "Vatican Cafe" is written in mirror above Christ figure's head — Vatican Cafe, 2014
Jim Denomie

G280

multicolored, geometric lettering attached to a multicoloredy, patterned background with alternating black and gray border; angular, geometric shapes create the outlines/suggestion of letters within individual squares, spelling out the title in the CQ; background consists of multicolored triangles in block pattern — KNOW YOU'RE MAGICK BABY, 2019
Jeffrey Gibson; Printer: Lower East Side Printshop, New York; Publisher: Sikkema Jenkins & Co., New York

G259

astract image; mostly square, rectangle, and triangular shaped torn pieces of paper and fabric in muted tans, pale orange, greys, creams, and some collage elements with drips and lines of black and blue ink; in white shadowbox frame — Untitled (No. 708), 1953
Anne Ryan

G369

abstract imagery in warm tones; yellow gradient color along top edge; a white rectangle shape with a half circle at top center with a pink gradient on the interior of the rectangle; magenta pink along L edge; yellow to brown gradient along R edge; wavy vertical shapes in light green, yellow and tan at bottom center — Gorodiva, 1968
Miyoko Ito

G375

assemblage with torn newspaper clippings, overlapping black and white Xeroxed photos of children playing; repeating images of young girl in black and white and newspaper clippings; adhered, broken green glass bottle; clumps of human hair; cigarette butts, matches; cigarette holes and singe marks; mounted to mauve mat board and framed — All-y All-y in Free, 1996
May Stevens

G374

layered collage consisting of old printed linoleum pieces that are torn, worn and layered; faux wood grain patterned pieces of linoleum with cowboy figure and cowboy boots in URQ and moving downward to right center and LRQ; waxy yellowed adhesive in URC and on upper right edge; layered linoleum pieces with floral designs in top center and in center, with yellow adhesive seeping from the edges; geometric patterned linoleum with gray, red and white lined pattern; muted mauve floral pattern on left edge; severely crackled blue and peach floral pattern in LLC; yellow stained backing paper visible in corners — Lesbian Dreams, 1992
Harmony Hammond

G373

chair with applied found objects including hoes, shovels, pick ax, wheels, cast iron pan, clothes iron, American flag, chains, padlocks, and metal ornaments — Voyage in Chains, 2000
Joe Minter

G374

Collage with pigments and applied beads; surreal head with face at right and second face at left, on hair bun; large upside down eye at center right; large frowning mouth at right; small ear near center; amphibian or snake eyes on chin of smaller face (on hair bun); small hand in front of leftmost eye on face on hair bun; headless body of seated leopard between back of larger head and hair bun; pink drapery around neck; applied grey and pearl-like beads on forehead of larger face; pink-grey mottled ground; white frame — Pretty Double-Head, 2010
Wangechi Mutu

G374

abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color — Besides as Before, 1989
Steven Sorman

Not on View

abstract painting with dark salmon ground with two rectangles, green on the L and red on the R; blue and red splatter up R edge — Candor, 1962
Hans Hofmann

Not on View

%C2%A9Estate of Roy Lichtenstein

Peace through Chemistry II, 1970

Roy Lichtenstein; Publisher: Gemini G.E.L., Los Angeles

Not on View

Surrealist style; six abstracted head-like forms in various colors with large cutout eyes; six tan spheres in foreground; three rock-like elements connected by black lines; two red forms connected with string-like lines in "eye sockets" of grey head; two other balls--red and blue — Les Corps des Esprits, 1974
Marcel Jean

Not on View

large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring pink peonies and pink roses — Vase, one of a pair, c. 1860
France

Not on View

large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring white and pink peonies and orange poppies — Vase, one of a pair, Date Unknown
Not on View

four square panels caked and textured with black paint and thick black tar; areas of mustard yellow and faint blue; arranged to form a square — Sandoz Feb 10 1987, 1987
Donald Sultan

Not on View

view of an underground London subway station with entrance gates at right and stairs leading upward at left; many people--elderly woman with shopping bag, man with wheeled suitcase, woman wearing hijab, woman with child; vending and signs at left — Terminus, 2012
Clive Head; Printer: Paupers Press, London; Publisher: Clive Head

Not on View

abstracted image of blurry oil field silhouette in black against yellow with white sun in URC — Oil Field, September 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

balding man with glasses in green suit seated on chair with small boy sitting on his PL leg; dark background — Rothko with Child, 1932
Milton Avery

Not on View

abstract image in muted multi-colored pigments; large, blooming shape with circular, dripping blobs in shades of black, gray, orange, red and yellow; tiny, bubbling textured shapes along outer edge; dark shapes migrate off the edge of the image onto the margin of the paper; swirling orange blob in LLQ; small, textured black blobs along bottom edge — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (7/9), 2017
Joachim Schulz

Not on View

abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom — Industrial Park, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

pair of worn blue wooden doors closed with two padlocks at left; one wooden door, with two plywood panels patching holes above and to left of door, at right side of image; brick wall — Deptford Blue Door, 1999
Sean Scully

Not on View

matchbox-style cardboard box made from a Cheer detergent box with printing primarily in blues and yellow; pink string holds side of cover closed and holds ends of box closed; box contains various ephemera--including matchbook covers, small bits of newspaper with images, portions of cardboard and paper consumer product packaging--and mainly figurative drawings--some on rough paper, some on bits of packaging/cardboard — Untitled (Cheer), after 1930
James Castle

Not on View

doorway at left with multi-panel door, painted pink, white and two shades of green, with unpainted panels in ULC; another pink and white door covered with dented pink metal awning above it, at right side of image; pink sign with white text to left of door below awning; pink wooden wall, with turquoise in LLC — Santo Domingo #3, 1999
Sean Scully

Not on View

bare tree at center; clotheslines with clothes hanging at right; boys in LLC around a fire; city skyscrapers in background with searchlight, URQ — Tree, Manhattan, 1930
Martin Lewis

Not on View

drawing on small rectangle of paper with tilted purple square at center featuring an abstracted portrait; the text “free!” in white set within a red oblong shape overlaps the purple square at TL; small green rectangle floats over BRQ of purple square; abstracted face in ULC and to right center of purple square; two green “peaks” at URC; variety of shapes and lines make up rest of composition in green, yellow, red, blue, purple, and black pigments; there is a ½” strip at R edge of paper that is white save four distinct, vertically-oriented green rectangles; frame backing has “James Castle, jca 0674.20, CA 26219” written in black ink at TLC; printed label with artist name, title, medium, and dimensions affixed to backing along with “Knoedler & Company” label, framers label, a red ticket marked “sold,” and a side from an old ice cream box marked, “Home Dairies vanilla ice cream” — Untitled (Free!), after 1960
James Castle

Not on View

black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints — The Seasons, 1989
Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

standing figure with hands on hips, wearing a shiny silver HAZMAT suit, with green gloves and orange shoes; figure stands on gravel, with flames behind — Level A HAZMAT suit, alumized ("Disaster City" National Emergency Response and Rescue Training Center, Texas Engineering and Extention Service (TEEX), College Station, Texas), 2004
Paul Shambroom

Not on View

abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge — The Shelling of Dubrovnik 1999, August 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

abstract image: layered, circular blobs in black, gray, orange, yellow and green; pigment appears to be running, as if ink has migrating outward; muted yellow section on bottom, with dripping textured layers of ink moving downward; fiery red splotch in LLQ; small, splashes of pigment along outer white margins — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (5/9), 2017
Joachim Schulz

Not on View

abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky — Refugees, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

full-length silhouette of a female figure with hair flowing upward; grey ground; colored painterly lines around arms and legs with outwardly curved lines from hips to shins — Untitled (Korperfotogram 89), 1966
Floris Neusüss

Not on View

abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center — Dead Soldiers, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

slightly abstract image; seated brunette woman wearing a loose white garment, with her arms up and crossed over her head; green ground — Untitled (Seated female figure), 1985
Eric Fischl

Not on View

black-and-white drawing that is mostly darkened; horizontal streaky line in LRQ; series of dappled black lines against a gradated gray background in ULQ; small gray spots in top center — Double Feature, 2017
Tom LaDuke

Not on View

darkened sky scene; moon in center with trees ascending toward moon; patching dark veining surrounding sky around moon — Road Narrows, 2017
Tom LaDuke

Not on View

long panoramic sheet of paper with five separate rectangular scenes depicting boxing-related imagery, rendered in black and white pigments; left-most scene depicts referee in black and white striped shirt blowing whistle with boxer on left; scene that is second from left depicts two boxers in a ring, partaking in a match; center scene is a male face, gazing to PR; scene second from right depicts a figure wearing a robe, back facing the viewer, with another figure looking on at robed figure; right scene has a close-up view with crowd cheering — Untitled (Rumble in the Jungle), 2009
David Rathman

Not on View

Painting on cardboard. simplified face in red, green, grey and black with large eyes; inherent pigment spots and smudges in negative space — Untitled (Face), 1959
Jim Dine

Not on View

interior scene; standing male figure wearing white underwear, looking down at a naked seated man in a chair; two shaded windows with daylight streaming in; yellow rug on a hardwood floors; television on left edge with red cloth draped over it; small cat walking around the edge of a wall, heading into another room with a closet with shirt hanging on a hanger; shoes on the floor of the closet; brown paper bag on the closet floor; police uniform hat on the top shelf of the closet — Blue Uniform, 1991
Hugh Steers

Not on View

two women in energetic poses: woman at L in teal woven fabric, leaping onto one foot; woman at R, in dark fabric with multi-colored stripes in wide stride, with hands on top of head; large open-weave textile swaths in background; dangling shapes attached to ribbons; bright plaid woven fabric top and bottom borders — Out in Front, 1982
Emma Amos

Not on View

Black man wearing a light-colored hat with a small brim, dark-framed glasses, plaid suit, and bow tie, with his hands in his pants pockets, standing in front of a store on a city street with a grate in front of the windows; pictures of Muhammed Ali and Malcolm X at left, behind small grate — U.S. "Slow Kid" Thompson, Harlem, 1970s
Anthony Barboza

Not on View

Garment Worker, Manhattan, 1967

Beuford Smith

Not on View

six standing children and one seated child on the steps of a brick building with wooden columns flanking the front door; woman at left wearing a coat and holding an umbrella; "TERRY THE PRO" written in white chalk on wall to left of door — Harlem Children, Easter Sunday, 1965
Beuford Smith

Not on View

abstract painting; black and gray curving lines; red, yellow, blue rectangles stacked like steps near C; yellow, red, blue splatters; silver frame — Untitled, 1988
Louisa Chase

Not on View

abstract imagery with symbols, shapes, and text throughout; pale orange triangles around L, UL, and R sides; large, red drip shape on R; white background at center with yellow, orange and red shapes, gray splatters and streaks, and sinuous black lines evoking a face; smaller face at LC, below brown text; pink and blue spray painted text along bottom, above red and blue alternating text — Fort Gotham 646, 2016
Brad Kahlhamer

Not on View

abstract photographic image with vertical rainbow lines at center and pink and blue cloudlike forms with white spots of light of various sizes--may be distorted image of outer space with gas cloud and stars?; small color photo print resembling Polaroid image attached to outside of glazing on left side above center--image of four Black girls on a bench (pew?) with girl at right turning toward a figure in blue seated on bench behind them; black and gilt frame — Messier 81, Return of the Dove, 2018
Deana Lawson

Not on View

abstract image; white ground; green, black and blue hatched areas at right; painterly brushstrokes with blended colors at left: yellow with brown, orange and white, green, red with grey; yellow and peach areas at right; thick white-on-white horizontal brushstrokes in LLQ — parapylon 9, 2019
Pia Fries

Not on View

3/4 length portrait of a Black figure wearing a white suit with pink water lillies on it; white ground — 2pc Floral Suit, 2020
Amoako Boafo

Not on View

abstracted landscape; high horizon line; painterly black and grey sky with white full moon; painterly, thickly textured landscape with grey, brown, and black at bottom; hourglass-like form at left center; colorful band at horizon line with red, green, turquoise, orange, and yellow — Fall John's Bay, 2002-2003
John Walker

Not on View

abstract image; white vertical grass-like elements; diagonal black lines in ULQ; organic light and dark forms — Nachtbild (44), 1991
Floris Neusüss

Not on View

highly abstracted squiggly line drawing, possibly of 3/4 portrait of woman and bust, with hand at LL — Wax Quintuplet, 2008
Chloe Piene

Not on View

irregular, organic shapes, some resembling letters, in muted purple, burgundy, and brown tones; horizontal brick red wash across shapes; bright red shape at C and UR; unframed — Notch, 2016
Clare Grill

Not on View

abstracted image with realistic tree stumps, logs, flowers and foliage at bottom, with the body of a man transforming into star shapes made up of triangles blending in to a background of sky and bare trees made up of similar star shapes made of triangles; white spot (sun or moon?) in URC; text in Old English script in black at bottom: "Dim and dark Indistinct and shadowy By my body After a thousand years of life Thousands of years of death / I quit my body to the Realm of Radiance Find rest knowing Trees will become rocks Rocks will become trees / The Holy Flower of the North Star That together For every nature Everything fashioned And all creation / The Body of Adam All is being dissolved into one root Exists in one another Is drawn to each other" — Body of Adam, 2016
Eric Beltz

Not on View

highly abstracted black line drawing, with squiggly lines; rounded shape with rounded peak — Wax Quintuplet, 2008
Chloe Piene

Not on View

black line drawing with squiggly lines; highly abstract image; framed in white frame — Wax Quintuplet, 2008
Chloe Piene

Not on View

brightly colored print with geometric shapes in background and geometric flowers; pinwheel shaped flower at L with isosceles triangle petals; starburst flower at UL with diamond and triangle petals; flower on long stem at R with diamond petals in pastel colors; diamond, square, rectangular, and circle patterns in background — Atomic Mystic Portrait 3, 2016
Polly Apfelbaum; Publisher: Durham Press, Durham, Penn.

Not on View

collaged pieces of paper covered in a thin layer of white media — Composite 4 (frayed), 2016
Kevin Appel

Not on View

collaged pieces of paper covered in a thin layer of white media; float mounted in a white frame — Untitled Composite, 2016
Kevin Appel

Not on View

two camels crossing in different directions; red section along the bottom that gradates upwards into gold; text that reads "CAMEL" across top; brown wood frame — Double Camel, 1962
Larry Rivers

Not on View

Capriccio, Hans Hofmann — Capriccio, 1945
Hans Hofmann

Not on View

abstract image in black, blue and yellow pigments; tiny black dots throughout, forming a scalloped pattern in C and C R; yellow dots in top C, URQ, LLQ, and in C L; blue shape in C; small red band of pigment at LR edge of sheet — Untitled, 1987
Sigmar Polke

Not on View

open box-shaped form made of 4 L-shaped panels overlapping on base; dark abstracted iris design in black, gold metallic, silver, burgundy, purple, and blue glazes — Box that is not a Box, 2016
Nakamura Takuo

Not on View

black and white photograph of three young girls in white, wearing feather angel wings; girl at L is looking up, girl at R looks directly at camera; girl in background, out of focus, looks upward — Three Communion Girls, Brazil, 1981
Sebastião Salgado

Not on View

abstract image with overlapping blocky red, black, and gray forms against white background; framed — Compostion II, 1962
Afro Basaldella; Publisher: Enrico Castelli, Rome

Not on View

four removable trays/compartments plus cover, held into place with a base with triangular brackets on short ends and a horizontal element at top; trays and cover lift off and stack on each other; decorated with floral motifs in red, pink, green and white with gold edging; top decorated with four red dragons at corners and scalloped red cartouche with pink and red flowers growing from rock; side supports have red and gold scrolling moldings — Wedding chest, early 19th century
China

Not on View

nine black-and-white etchings printed on one sheet of paper; images of a shower, people inside of geometric "cages", a woman with a rotary phone as her head, a centaur in a suit, a figure seated in a desk chair with an umbrella over their head; black wood frame — Zeno at 4 a.m., 2001
William Kentridge; Printer: Maurice Payne, London; Publisher: David Krut Projects, Johannesburg, Cape Town, London, and New York

Not on View

highly abstracted squiggly black line drawing of roundish form with hand-like shape at LL — Wax Quintuplet, 2008
Chloe Piene

Not on View

highly abstracted black, squiggly line drawing; two roundish forms, each with small dot, with concentration of lines at L — Wax Quintuplet, 2008
Chloe Piene

Not on View

abstract image in orange, yellow, white and blue pigments; orange background with three blue circular shapes on left, center and right; long, thin white shapes placed diagonally and intersecting at center; trapezoidal yellow shapes behind blue circles; yellow rectangle on right — Untitled, 1971
Herbert Ferber

Not on View

24 pages; 26 illustrations; cover has six triangles that each have an abstract design on interior; imagery within book is generally geometric with many stars and triangles arranged in shapes reminiscent of a kaleidoscope. Not signed — Untitled (Kaleidoscope book), not dated
James Castle

Not on View

matte black patina; relief carving with pairs of guns and saws, feathers, roundel with open book and flames; rectangular — Songbird, 2009
Aaron Spangler

Not on View

image of back of a person's head with overlapping cornrows on top, giving way to natural, curly black hair, accented with brown and orange; arch of thin black lines over top of head, with orange and brown color around head as well — Crown, 2002
Emma Amos; Publisher: Emma Amos

Not on View

abstracted female figure clutching white object patterned with ribbon, swirl motif, obscuring most of body; skeletal fingers in dark blue visible through the white motif; face has shadowy, indistinct features; overall pallet of purples and white; purple background with blue swaths along lower edge, orange lines; white frame — Urkindifuratira (You Turned Your Back on Me), 2017
Portia Zvavahera

Not on View

standing woman with long red hair, wearing orange helmet and breastplate and white skirt, holding a white flag on a red pole with her PL hand and blowing into an orange horn held in her PR hand; red sunrise behind her; ground made of various pieces of torn and cut cardboard, including corrugated cardboard and other types of packaging; piece disassembles into two vertical sections which affix together with Velcro — National Union of Women's Suffrage Societies, 2017
Andrea Bowers; Artist: after a design by Caroline Marsh Watts

Not on View

abstract painting; a dark palette with green and blue undertones; red, white, yellow and grey splatters throughout — July Night, 1994-1995
Pat Steir

Not on View

unframed triptych; all three images are of an individual man with his arms raised up near his head and his elbows out, wearing a white shirt and black pants with a brown background; man's position varies slightly between images a: both his hands on the back of this neck; collared shirt; eyes looking to viewer’s right b: one hand on the back of his head and the other is curled above his shoulder; his eyes are downcast c: one hand on the back of his head and the other on the side of his head above his ear; he looks out to the viewer — Shelves for Dynamite, 2018
Lynette Yiadom-Boakye

Not on View

image of a woman in a blue underwear with her hand on her hip, looking back over her PL shoulder at the viewer; interior scene with light purple walls and a floral couch; clock on the wall above the woman's head is gold with a Pegasus on the right side — Eternity, 2017
Deana Lawson

Not on View

image of three standing Black men; man at left is heavy set with small moustache and hands on waist, wearing turquoise shirt and brown pants; man at center wears light blue sweatshirt, pink pants and white, pink and brown checked cap; man at right has short beard and wears blue and brown spotted shirt and blue pants — Willy, Billy Joe, and Leroy, 1973
Shirley Gorelick

Not on View

pointillist drawing of young woman's face, looking distantly to L; organically patterned background; shaded in gray tones — Ave Maria 8, 2016
Sebastiaan Bremer

Not on View

colored etching; woman in center, PL arm raised throwing yellow flower petals into a well in a sparsely wooded area; large tree next to well, trunk curves upwards toward left; man looking out behind large tree watching woman at well; boarder of white flowers edges LLC, reaching upwards to top left corner and along the bottom toward LRC; pink hearts scattered along top and sides of image — Vignette (Wishing Well), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

black and white etching of a portrait of a man; gazing toward PR; wearing a dense gray robe with black and white pointed lines; black background — Untitled (Handsome Young Man), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

portrait of a woman in a white dress; facing PR with her eyes looking straight ahead; hair pulled back in high pony tail; white background with black flecks — Untitled (Young Woman), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

two rectangular blocks of red with horizontal black brushstrokes, with drips extending from bottom; four lines of identical text with horizontal lines drawn through them--two lines at top of sheet, two lines at bottom of sheet; two lines of text between red rectangles--bottom line of text is, "President's Surveillance Program"; received in heavy distressed, darkened metal frame. Not signed (see Notes) — President's Surveillance Program, 2016
Jenny Holzer

Not on View

large drawing with numerous layers of lines and scribbles overlapping until forming a dark, textured mass that occupies the majority of the center and down into LRQ; squared off section in LLQ — Untitled 978 W, 1997-98
Il Lee

Not on View

hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; triangular shaped element at top center — Untitled, 2014
Rosana Castrillo Diaz

Not on View

hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; shaded ground space at right — Untitled, 2014
Rosana Castrillo Diaz

Not on View

bathroom scene; male figure wearing white underwear, stands in front of a white claw foot bathtub looking to the PR, with PR arm across his chest; PL wrist is bound with a red string or rope and attached to another nude figure in a jumbled, compromised position, draped over the edge of the bathtub; both bodies appear to have been wounded, with suggestions of bloodstains on the edges of the bodies and the bathtub; chair on the right center edge; stool with green fabric draped over it in LRQ; yellow bath mat on a brown tiled floor; yellow walls and blue shower curtain — Tied at the Wrist, 1988
Hugh Steers

Not on View

interior kitchen scene; seated figure in red shorts and a white t shirt, cigarette in PR hand, while PL hand holds a pink cup resting on a table; standing figure in a suit holding a stack of money in both hands; stove and sink on center left — The Smoker's Dilemma, 1990
Hugh Steers

Not on View

black-and-white 3/4 length portrait of a woman with long dreadlocks or braids, with shorter braids/dreadlocks on the top of her head, with her eyes closed and hands raised with palms facing out; woman wears a headband, beaded necklace with two large gems and two small skulls, and a dark long-sleeved shirt — See-Line Woman (The General), 2019
Renée Stout

Not on View

rectangular sheet of paper which has been crumpled, creased, and folded overall, with an irregular shape; mottled, variegated brown, pink, maroon, orange and green, with red-orange horizontal section below center with greenish hues below; touches and spots of silver metallic paint at top and bottom edges, around center, and in LLQ; received framed in white frame — Untitled, 1971
Sam Gilliam

Not on View

abstract drawing with grey ground and black geometric forms and curvilinear lines; black, distressed wood frame with a silver inset — Untitled (Cap d'Antibes), 1953
George Morrison

Not on View

repeating layered squares in nine rows; four rows of squares at top include text from birth certificates--printed and hand written--against a dark ground, with painterly blue, red and yellow stripes over the top; five rows of squares at bottom are hand written names and numbers with similarly colored painterly stripes over the top; squares form a basketweave pattern — DNA Etching I, 2015
McArthur Binion; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

%C2%A9 Martin Puryear

Black Cart, 2008

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

abstract image; two large symmetrical arcs with a vertical white line between them; ovoid space beneath arc on left has horizontal pattern like paving stones of irregular shapes; space beneath arc on right is mottled black and grey; line drawings in brown in ULC and LRQ of right angles with arcs and two symmetrical arcs in URC — Lean To, 2012
Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

abstract image in greys, black and white; roughly cornucopia-shaped form with white oval at bottom; lines extending up from center of oval to rounded knob in ULC; mottled grey ground — Phrygian (Cap in the Air), 2012
Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

layers of black paper of different sizes shot through with bullet holes, with staples sticking out of edges, in a black shadow box; shipped with removable Plexi cover--meant to be displayed without cover — Smoke 1, 2015
Mitchell Squire

Not on View

triptych: R image: female figure in white silhouette facing R, with hair in kerchief, bare chested, puffy apron or skirt; C image depicts silhouetted female upper torso and head, being pulled by three smaller silhouetted figures with rope at L, and pushed by two smaller silhouetted figures at R; L image masculine figure in white silhouette wearing ponytail wig, high-necked jacket, holding a burning candle in outstretched hand — Resurrection Story with Patrons, 2017
Kara Walker; Printer: Burnet Editions, New York; Publisher: Sikkema Jenkins & Co., New York

Not on View

%C2%A9 Estate of Charles White

Jessica, 1970

Charles White; Printer: Joseph Mugnani, American, born Italy, 1912–1992 and Hugo Mugnani, American, 1916-2001, Los Angeles

Not on View

four applied rectangles on top half of sheet--three on top, with one beneath; rectangles from left to right: green square with white flower at top and white lines at bottom, white rectangle with reddish-purple stylized torso and head of figure with open mouth with white horizontal line on chest, purplish-red rectangle with thin circular white scratch-outs; irregular rectangle of soiled white cloth with blue stripes and pattern in ULC beneath green rectangle; some black ink vertical scratchy lines beneath rectangles; black ink splatters, ULC; brown and reddish brown vertical and horizontal waxy marks around rectangles; ground paper is white with pale grey — Untitled, 1981
Hannelore Baron

Not on View

grey-peach wash on bottom of ground, with touches of peach and yellow at bottom center; six applied rectangles of various sizes and orientations at center, including vertical strips of cloth (maroon and blue stripes beneath dirty cream-colored cloth) at center top; grey abstract splotchy imagery at left on largest rectangle (standing figure?); thin lines in sketchy letter-like configurations at bottom center, on applied rectangle in ULQ in reddish-black and on soiled blue and white striped fabric at left center; rectangle of red with white scratches circular design at center bottom — Untitled, 1981
Hannelore Baron

Not on View

Self-Portrait: I Feel Like Fire Today!, 1981

Luis Cruz Azaceta

Not on View

Standing male figure wearing dark colored clothing with vertical blue irregular stripes on pants; man has dark hair with receding hairline and small goatee; painterly color swaths in background in brown, green, yellow and blue; white vertical painterly line to right of figure; irregularly applied, dripping shiny clear resin over image — José Luis Ferrer, 1998
Julian Schnabel; Printer: Fine Art Printing, New York; Publisher: Lococo Fine Art Publishers, St. Louis

Not on View

The Red Hat, 2022

Lamar Peterson

P&DS

abstract image; black ground; wide red curving lines bordered in multicolored lines; lacy elements around curves; forms filled with white chalk-like coloring; multicolored lines over curving forms; top and bottom borders are yellow and red; left and right borders are mottled multicolors — Pergusa Three, 1983
Frank Stella; Printer: Tyler Graphics, Ltd., Mount Kisco, New York; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View

central panel has old stretched pieced quilt with leaf pattern in various printed fabrics, with blue painted ground on blocks and maroon panted borders, with two overlapping pieces of corrugated metal at bottom of panel; left and right panels are worn corrugated metal with words painted in green capital letters — Chicken Lady, 1989
Harmony Hammond

Not on View

abstract image; black at top; four irregular collaged rectangles--three large and one small--in a horizontal row along horizon line; irregular rounded elements with dark, dripping outlines, including one horizontal head at center, on white field at bottom; collaged elements contain abstracted faces, bones, and suggestions of other body parts, in tans, black, and white; grey strip frame — Napalm Elegy / White Night, 1970
Rudolf Baranik

Not on View

black gessoed paper with visible brushstrokes and semiglossy finish; three large silver-black layered rectangles; one large complete rectangle on right side, with upper left rectangle implied to be layered underneath by intersecting at downwards angle; third rectangle angled upward underneath other rectangles at lower left; long narrow hole between where right rectangle touches upper left rectangle; hole has irregular edges with partially exposed lower layers of gesso; some brown gesso or paper layers exposed at top of hole; rectangles have darkened shadow-like effect around edges — #24, 2018
David Goldes

Not on View

black gessoed paper with visible brushstrokes and semigloss finish; two large silver-black circles in center; circles have curved lines radiating away from center of paper; at center of paper between circles is irregularly shaped hole with charred-looking edges; hole has rough and irregular edge shape; hole leaves most of circles intact and has two-prong-like shape at sides; each circle has small charred triangle with partially removed gesso layers at edges of circle near short edges of paper — #26, 2018
David Goldes

Not on View

black gessoed paper with visible brushstrokes and satin finish; twenty silver-black cubes layered across each other in random pattern; some edges of cubes and most places where cubes touch have charred appearance, with layers of gesso visible; in some places browned gesso or paper layers are visible; in twelve places small holes visible in middle of charred areas — #25, 2018
David Goldes

Not on View

rainbow border; violent, colorful imagery throughout; hanged figure with green face, rainbow bulging eyeball and a large, purple glove on PR hand; cartoonish figure in black and white pigments being shot with a bullet in C right; burning flames in URQ and ULQ; gray truck in center; pig-like face wearing a witch's hat, with hearts for eyes, sticking out tongue in bottom center — La Mano Blanca, 1979
Luis Cruz Azaceta

Not on View

layers of backs of rectangular paper targets of different sizes shot through with bullet holes, with staples sticking out of edges; black and grey on reverse of paper; in plywood shadow box with Plexi cover — The Young Gladiators #7, 2013
Mitchell Squire

Not on View

abstract black-and-white mixed media drawing; horizontal lines throughout dense black; several diagonal lines at bottom; light vertical impression of line on L with outline of oval at UL — The Third Entity #1, 2016
Jack Whitten

Not on View

Collage of photographs in black and white, sepia and white, red and white, and blue and white; three concentric rectangular areas of raised metal; images include surgical instruments, doctor and nurse with a baby, two nude children and girl in a dress holding hands, hands and fingers, hands sculpting a bust, dancers, group of seated people with topless women, hand in a brace, two women playing bongo drums — Togethering 9, 2020
Carmen Winant

Not on View

bold and lighter branching wavy lines in brown, in a horizontal format — Lightning Bolt in South Africa, February 2007, from "Echo #3", 2015-2019
Rafael Villares

Not on View

heavy brown zigzagging lines at center with lighter and thinner branches extending from it — Lightning Bolt in Arlington, USA, May 2005, from "Echo #3", 2015-2019
Rafael Villares

Not on View

some thick brushstrokes in brown ink with thinner tendrils — Roots from Helonio Plant, from "Echo #3", 2015-2019
Rafael Villares

Not on View

bold and thin wavy lines in brown with some wide areas especially along right side of form — Mackenzie River Basin, from "Echo #3", 2015-2019
Rafael Villares

Not on View

brown thick and thin branching lines in the form of a human heart — Arteries and Veins of the Heart, from "Echo #3", 2015-2019
Rafael Villares

Not on View

some thick brown lines extending down from central top point; thinner slightly wavy lines extending down — Roots from Rosemary Plant, from "Echo #3", 2015-2019
Rafael Villares

Not on View

zigzagging bold and lighter wavy branching lines in a horizontal format — Yangtze River Basin, from "Echo #3", 2015-2019
Rafael Villares

Not on View

treelike form with even branching in brown — Meningeal Arteries, from "Echo #3", 2015-2019
Rafael Villares

Not on View

wide area of bold and lighter wavy lines extending down from top, in brown — Lightning Bolt in Rio de Janeiro, Brazil, 2001, from "Echo #3", 2015-2019
Rafael Villares

Not on View

heavy brown zigzagging line extending diagonally from ULC to LRC with thinner branches extending from it — Lightning Bolt in California, USA, 2009, from "Echo #3", 2015-2019
Rafael Villares

Not on View

thick rather straight horizontal line in brown with thinner branching wavy lines extending from it — Veins from the Lower Leg, from "Echo #3", 2015-2019
Rafael Villares

Not on View

thick brown wavy lines extending down from vertical line, with some thinner wavy branches extending down — Roots from Acacia Tree, from "Echo #3", 2015-2019
Rafael Villares

Not on View

brown zigzagging lines with branches in mainly horizontal format — Cauto River Basin, Cuba, from "Echo #3", 2015-2019
Rafael Villares

Not on View

brown branching lines in the form of a human brain — Cerebral Arteries, from "Echo #3", 2015-2019
Rafael Villares

Not on View

heavy and light brown wavy lines extending down from a central point at top — Grass Roots, from "Echo #3", 2015-2019
Rafael Villares

Not on View

abstract image; blues, greys, tan, brown with purple splatters predominately at right and yellow splatters predominately at left; received in strip frame with gold at front edge — Some Day Before April, 1973
Peter Bradley

Not on View

highly abstract image; gray and black charcoal background, scribbled and smeared; overlapping scribbled pockets of yellow, red, green, blue; paper inherently crumpled — Untitled, c. 1955-58
Norman Kanter

Not on View

black and white photograph of crowd of walking people in foreground and palm trees in background; black wood frame with plexi — People of Keny Walking for Polio Vaccinations, Rumbek District, Southern Sudan, 2001 (printed 2009)
Sebastião Salgado

Not on View

long horizontal landscape with a parade facing R of horses, bears, griffith, ridden by figures in elaborate costume with oversized stylized heads who are holding staffs, scales, musical instruments; green grassy ground below and blue sky above in which floats imagery from indigenous cultures of North America, Meso-America, and Africa; three banners with lettering at L, C, and R; to R of center is portrait of person in feathered headdress with flesh flayed from neck down, one arm outstretched dropping gold coins from hand — The Waters of Oblivion in Mictlán, 2021
Enrique Chagoya; Printer: Magnolia Editions, Oakland, Calif.; Publisher: Magnolia Editions, Oakland, Calif.

Not on View

Black-and-white lithograph depicting Death at R in gas mask, holding sword, watching marionette figures dance on a stage; central marionette is Hitler in suit of armor with swastika shield; Uncle Sam at far right; other figures represent countries in conflict — Danse Macabre, 1933
Mabel Dwight; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

Not on View

black ring against gray-white ground with grey pencil line grid at center, with pencil lines radiating outward inside and outside black circle; received framed in black and silver frame — Circle of Multifarious Precisions, 1979
Richard Pousette-Dart

Not on View

long horizontal print divided into 8 pages/sections that are numbered right to left in the TR of each page; title in gold color cursive lettering at top of first page; overall design is a seascape with imagery borrowed from ancient cultures, 19th century prints, and 20th century comics; page 1 is a portrait of a Black woman in white robe and turbin; subsequent pages have imagery of flying demons, people in boats; ships expoding, birds, fish, reference to Hiroshige's Great Wave, Mesoamerican temple, Popeye, Batman symbol — Illegal Alien's Guide to the Concept of Relative Surplus Value, 2009
Enrique Chagoya; Printer: Shark's Ink, Boulder, Colorado; Publisher: Shark's Ink, Boulder, Colorado

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Ink drawing colored with markers on white paper; busy scene of hedgehog with spoon at BL; hedgehog, ladder, butterfly, and mushroom at BR; at TC is a figure in a butterfly wing skirt, reaching down for an apple; face looking out window at TR; arrived in a modern blond wood Artserve frame — Caught Hands, 2023
Christina Forrer

Not on View

The Community Book of King Ahuizote's Granny, 2021

Enrique Chagoya; Printer: Magnolia Editions, Oakland, Calif.; Publisher: Magnolia Editions, Oakland, Calif.

Not on View

Break Away at Dawn, 2022

Simone Elizabeth Saunders

Not on View

Black-and-white image of two farmers, looking to left, wearing large hats and overalls, tying sacks of grain in a wheat field — Missouri Wheat Farmers, 1938
Joe Jones; Printer: George C. Miller; Publisher: Associated American Artists, New York

Not on View

red pigments with black shading; large bomb in center; text at top of image that reads "9000 lbs. "LITTLE BOY"= 12,500 tons of T.N.T...."; heart etched in bottom left of body of bomb, with the inscription reading "FERMI OPPENHEIMER TELLER" inside of the heart; blue print of bomb at bottom center of image; grid with tiny black dots in LLC: white, small airplane in ULC — The Hiroshima Bomb, 1984
Robert Arneson

Not on View

crowded, colorful scene with many disproportionate figures with very large heads in background; two cowboys at center--one at left wears black hat, shirt and chaps with blue jeans and is being thrown from a reddish-brown steer, with second cowboy in red shirt, orange chaps and blue jeans, riding steer at center; received framed in white frame; two sheets — Rodeo Scene, 1976
Mimi Gross

Not on View

organic and inorganic forms in bright multicolors; primarily vertical format; accordion pleated, curling forms on base--primarily red with blue, green and yellow; several brightly-colored lotus seed pods; two folding fans--one primarily blue, the other primarily tan, both with multicolored flecks; blue gourd shape with flecks of color near top; some hand tools at top — Tarot, 1984
Nancy Graves

Not on View

abstract image with collage-like elements; torn, layered sections of paper, some with pigment; thick horizontal band of black paint with impasto across top of image; washy red section in C and URQ; thick strip of white pigment, with black pigment imbedded, running horizontally across the bottom; vertical short lines along bottom; green pigment in LRC — Red Piano, 1957
Alfred Leslie

Not on View

brown branching and zigzagging lines primarily in a diagonal from UR to LL — Amazon River Basin, from "Echo #3", 2015-2019
Rafael Villares

Not on View

simplified image of a white rooster with a red comb and waddle, black tail feathers and yellow beak and feet; mottled gray background — Rooster, 1950
Milton Avery

Not on View

Gray softcover manual bound with white cloth tape; BROKEN MANUAL appears on spine as if written with a black marker; cover has printed title underlined with black marker and the 'Lester's' lightly written in pencil to the L of the title; authors' names printed at BC: Lester B. Morrison & Alec Soth; interior has green pages with typeface instructions interspersed with white pages containing Soth's photographs; some of the images are accompanied by descriptions that appear handwritten in pencil; many images of scenes that evoke loneliness and isolation, portraits of bearded man, burnt bus, old building, etc.; a few pages fold out; colophon on last page gives date as 2010; production and printing Steidl, Gottingen, Germany; back cover is a black-and-white image of man with face obscured along with stamps and bar code — Broken Manual, 2010
Alec William Soth; Author: Lester B. Morrison (Alec Soth); Publisher: Little Brown Mushroom, St. Paul, Minnesota

Not on View

Abstract black-and-white mixed media drawing; horizontal lines throughout; dense, black center; diagonal line from UL to LR — The Third Entity #10, 2016
Jack Whitten

Not on View

multicolored form with hanging tendrils with beads — Radiations of the Midnight Walker, Victorious in Round Number 8, He Who Moves Inside of the Womb of Magik and Timelessness, He Who Moves Here, There, and Everywhere Chanting: I AM THE GREATEST! And Chanting: WITCHCRAFT WILL NEVER TOUCH ME!, 2016
Leonardo Benzant

Not on View

large painting with rust colored pigment that is applied in a thick layer; dimensional elements under pigment that resemble thick straps that crisscross horizontally and are secured with large bolts and grommets, which have also been covered with pigment; paint coated ropes and cords dangle from straps on top, in the center and on the bottom; traces of yellow and green pigment show through in several areas — Coverup, 2012
Harmony Hammond

Not on View

textured surface in green and black pigment, with tiny 'v' shapes carved into a waxy material that is on the surface of the canvas; faint, hazy square in the center in red pigment, with transparent green pigment overlapping — Green Veil, 1975
Harmony Hammond

Not on View

two collaged figures with wolf heads on female human bodies; figure on L has snake skin patterned legs and hands on the other figure's waist; the figure on R has a yellow, brown, and pink watercolored body with white splatter pattern and PL hand on hip; above figures are draped black and red ribbon-like streamers — Intertwined, 2002
Wangechi Mutu

Not on View

color image of a topless Black woman wearing a long white skirt with two pairs of baby shoes tied around her waist and holding a cast iron skillet in her PL hand; white Colonial-style house with green shutters behind woman — Isabelle, Lefferts House, Brooklyn (Self-Portrait), 2016
Nona Faustine

Not on View

multicolored robe on blue-green ground; green brushstrokes in bottom margin; grey texture in top margin — The Robe in France, 1985
Jim Dine; Publisher: Pace Editions, New York

Not on View

symmetrical shape with 10 inward curving sides, with grommet at each "corner" which stretch the canvas by white ropes--three attached to the floor, two attached to the left, two attached to the right, and three attached to the ceiling, holding the canvas away from the wall; abstract image with bright colors--purple, black, white, orange, red, brown; rounded forms in a vertical line at center bottom; radiating tapering wide lines; arcing forms at top — Evolution, 1970
Joe Overstreet

Not on View

Pieces of found wood and paper nailed and stapled together, some painted; black wood frame with Plexiglas — Einstein's Secret, 1958-61
Alfred Leslie

Not on View

Abstract portrait head composed of stacked shapes; large, gray square on bottom center positioned at an angle; two cut out squares with red circles in URC of each square, resembling eyes; tan smaller square on top of gray square with two yellow bands of color at top with red triangle at bottom center of lower band; black, wavy abstract shape at top; white background — Hat with Red Eyes, 1966
Ray Johnson

Not on View

Several collage-like elements attached to a rectangular structure; wood knobs, wool carpet pieces, and small dowels coated in multi-colored pigments; wood horse on top left edge, with wool carpet mane and tail; wood table-like structure in top center, coated in light pink pigment with brown and gray blobs, with painted dowels extending off the top of the 'table'; wind-up wooden handle in yellow, red and mauve pigments in upper left edge of frame; wood spoon in red and tab pigments attached under horse shape in top left edge; several round wood shapes, some attached to rectangular bases, attached to surface, painted in red, orange and maroon pigments; raised textured section in center — A Traveler Returns to the Shetland Islands, 1962
Roy De Forest

Not on View

Untitled, Richard Pousette-Dart — Untitled, c. 1947
Richard Pousette-Dart

Not on View

pair of nude reclining embracing figures; male figure with reddish skin lying on top of a woman with orange skin; woman has long dark hair; turquoise ground; received in wood strip frame — Hold, 1972
Joan Semmel

Not on View

abstract image with seahorse, Mona Lisa's face, stars, squares, circles and triangles in dark blue — Summer (Blue), 1985-1991
Jasper Johns; Publisher: Brooke Alexander Editions, New York; Printer: Universal Limited Art Editions (ULAE)

Not on View

abstract pattern of linear shapes in pinks, white, maroon, blues and green; green diagonal at right — Return in "E", 1988
Guy Goodwin

Not on View

curved top; flat base; horizontally placed chainsaw between base and top; unfinished surface — Stool, Date Unknown
Asante

Not on View

small foot; vessel flares outward to wide, nearly flat shoulder; small mouth; light brownish tint; blue rings and swirls at mouth; brown and blue swirls on one side; grid, bars and other textured areas — Untitled, 1984
Dick Huss

Not on View

triangular slab of glass, etched in greys, blue and greens on bottom in irregular shapes; two rocks at one corner of glass slab — Untitled, 20th century
Kreg Kallenberger

Not on View

Black and white image of a forested area; horizontal fallen tree with thick dark trunk and branches layered over the top of the log in center; thin, layered gradated leaves throughout. — Lake Quinalt Deadfall II, 2018
Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Black-and-white image of a forested area; gradated trees against a white sky; two darker branches in center right edge; single dark, twisting branch in LLQ, extending upwards into URQ. — Humphrey Head IV, 2018
Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Titanium white pigment and linseed oil on Tyvek with black gesso and black Golden Acrylic Pastel Ground. Made from polystyrene cups that transferred titanium white dry pigment and linseed oil to Tyvek when placed into a wind vortex created by the artist using commercial barrel fans. — Vortex Drawing 17, 2017
Alexa Horochowski; Publisher: Highpoint Editions, Minneapolis

Not on View

abstract image; four vertical rectangles, from left: rust red, mottled yellow, black and grey-orange horizontal stripes, rust red — Santa Barbara 22, 1987
Sean Scully; Printer: Garner Tullis Workshop, Santa Barbara, Calif.

Not on View

image of two oil barrels suspended amid a jumble of hoses and branches printed in the LR portion of paper in navy blue ink; vertical and horizontal linear forms printed over the top with salmon colored ink; cobalt blue and white brush strokes (acrylic paint) over top; white space to L — Barrel Up, 1990
Robert Rauschenberg

Not on View

Robert Rauschenberg%2C Bellini %233%2C 1988 %C2%A9 Robert Rauschenberg Foundation

Bellini #3 (Allegory of Perseverance), 1988

Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

Not on View

I Know Why The Caged Bird Sings, 2019

Bisa Butler

G322

Untitled (Civil Rights March), c. 1963

Charles Alston

G304

Untitled, 1997-2016

Luis González Palma

G374

Stool, Date Unknown

Yoruba

Not on View

Black Moonlight, 1980

Howard Hodgkin; Printer: Solo Press, New York; Publisher: Bernard Jacobson Ltd.

Not on View

Vessel, Date Unknown

Not on View

Launch Complex 39, Pad B Space Shuttle Active, John F. Kennedy Space Center, NASA, Florida, 2004

Lynn Davis

Not on View

Funeral of the Anarchist, 2014

Paolo Ventura

Not on View

Untitled 12.5, 2016

Canan Tolon

Not on View

#3, from "Atlas Walls", 1997

Sean Scully

Not on View

Title page from "Atlas Walls", 1997

Sean Scully

Not on View

#12, from "Atlas Walls", 1997

Sean Scully

Not on View

Fragrance, Fendi, 1986

Sheila Metzner

Not on View

Mode No. 6, Jean-Paul Gaultier, 1996

Sarah Moon

Not on View

#4, from "Atlas Walls", 1997

Sean Scully

Not on View

#8, from "Atlas Walls", 1997

Sean Scully

Not on View

#7, from "Atlas Walls", 1997

Sean Scully

Not on View

Vessel, mid 20th century

Mambila

Not on View

#2, from "Atlas Walls", 1997

Sean Scully

Not on View

#1, from "Atlas Walls", 1997

Sean Scully

Not on View

#10, from "Atlas Walls", 1997

Sean Scully

Not on View

#11, from "Atlas Walls", 1997

Sean Scully

Not on View

#5, from "Atlas Walls", 1997

Sean Scully

Not on View

#9, from "Atlas Walls", 1997

Sean Scully

Not on View

#6, from "Atlas Walls", 1997

Sean Scully

Not on View

Paysage Intime, Red, 2016

Erik Madigan Heck

Not on View

Christian, 2013

John Sonsini

Not on View

War Drawing Jacket, 1982-2011

Kim Jones

Not on View

The Falls 1, 2015

Christopher Russell

Not on View

Another Time Another Place, 1970

H. C. Westermann

Not on View

Whales, 2018

Erik Madigan Heck

Not on View

Untitled #7, 2000

Doug Starn; Artist: Mike Starn

Not on View

Canola Fields #2, Luoping, Yunnan Province, China, 2011

Edward Burtynsky

Not on View

Without A Face (Junay Watanabe), 2018

Erik Madigan Heck

Not on View

Balenciaga Harper's Bazaar, 2016

Erik Madigan Heck

Not on View

Anna Halprin, 2017

Alec William Soth

Not on View

Paysage Intime, Waterfall, 2016

Erik Madigan Heck

Not on View

Ute's Books, Odessa, 2018

Alec William Soth

Not on View

Without A Face (Yellow), 2013

Erik Madigan Heck

Not on View

Balance-15, 2015

Matsutani Takesada

Not on View

Uma, Patou Dress, Couture, British Vogue, 1986

Sheila Metzner

Not on View

Thank You Jesus for Paul Robeson (and for Nicholas Murray's Photograph - 1926), 1995

Emma Amos

Not on View

Hope, c. 1980-1990

Purvis Young

Not on View

Dandora Landfill #4, Plastics Recycling, Nairobi, Kenya, 2016

Edward Burtynsky

Not on View

Chicago 10, 1948

Aaron Siskind

Not on View

Colony of Chinastrap Pengiuns at Bailey Head, Antartica, 2005 (printed 2007)

Sebastião Salgado

Not on View

Vietnam, 1995 (printed 2003)

Sebastião Salgado

Not on View

Manzanillo 7, 1955

Aaron Siskind

Not on View

Iceberg between Paulet Island and the Shetland Islands on the Antartic Canal, Anartica, 2005 (printed 2007)

Sebastião Salgado

Not on View

Untitled (Kabul, Afghanistan), 1996

Sebastião Salgado

Not on View

Keni, New Orleans, 2018

Alec William Soth

Not on View

Martin Weinstein, Minneapolis, Minnesota, 2003

Alec William Soth

Not on View

Chicago 25, 1957

Aaron Siskind

Not on View

Chicago 22, 1960

Aaron Siskind

Not on View

Greater Burhan Oil Field, Kuwait, 1991 (printed 2003)

Sebastião Salgado

Not on View

New York, 1950

Aaron Siskind

Not on View

Overlap Square, 1992

Mel Kendrick

Not on View

The Absorbed Tradition, 2014

Erik Madigan Heck

Not on View

Eggplant, 1985

Robert Mapplethorpe

Not on View

Tarot Telepathy, c. 1920-1950

Felipe Jesus Consalvos

Not on View

Dryland Farming #6, Monegros County, Aragon, Spain, 2010

Edward Burtynsky

Not on View

Jupiter No. 14, 1994

Al Held

Not on View

Untitled, c. 1980

Theodore Roszak

Not on View

BL-07835, 2007-08

Il Lee

Not on View

Monsters of Manhattan, 2016

Inka Essenhigh

Not on View