unframed triptych; all three images are of an individual man with his arms raised up near his head and his elbows out, wearing a white shirt and black pants with a brown background; man's position varies slightly between images a: both his hands on the back of this neck; collared shirt; eyes looking to viewer’s right b: one hand on the back of his head and the other is curled above his shoulder; his eyes are downcast c: one hand on the back of his head and the other on the side of his head above his ear; he looks out to the viewer — Shelves for Dynamite, 2018
Lynette Yiadom-Boakye

G373

large drawing with numerous layers of lines and scribbles overlapping until forming a dark, textured mass that occupies the majority of the center and down into LRQ; squared off section in LLQ — Untitled 978 W, 1997-98
Il Lee

G380

abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color — Besides as Before, 1989
Steven Sorman

Not on View

%C2%A9 Estate of Charles White

Jessica, 1970

Charles White; Printer: Joseph Mugnani, American, born Italy, 1912–1992 and Hugo Mugnani, American, 1916-2001, Los Angeles

G374

large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring pink peonies and pink roses — Vase, one of a pair, c. 1860
France

Not on View

large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring white and pink peonies and orange poppies — Vase, one of a pair, Date Unknown
Not on View

curved top; flat base; horizontally placed chainsaw between base and top; unfinished surface — Stool, Date Unknown
Asante

Not on View

multicolored robe on blue-green ground; green brushstrokes in bottom margin; grey texture in top margin — The Robe in France, 1985
Jim Dine; Publisher: Pace Editions, New York

Not on View

drawing on small rectangle of paper with tilted purple square at center featuring an abstracted portrait; the text “free!” in white set within a red oblong shape overlaps the purple square at TL; small green rectangle floats over BRQ of purple square; abstracted face in ULC and to right center of purple square; two green “peaks” at URC; variety of shapes and lines make up rest of composition in green, yellow, red, blue, purple, and black pigments; there is a ½” strip at R edge of paper that is white save four distinct, vertically-oriented green rectangles; frame backing has “James Castle, jca 0674.20, CA 26219” written in black ink at TLC; printed label with artist name, title, medium, and dimensions affixed to backing along with “Knoedler & Company” label, framers label, a red ticket marked “sold,” and a side from an old ice cream box marked, “Home Dairies vanilla ice cream” — Untitled (Free!), after 1960
James Castle

Not on View

matte black patina; relief carving with pairs of guns and saws, feathers, roundel with open book and flames; rectangular — Songbird, 2009
Aaron Spangler

Not on View

bare tree at center; clotheslines with clothes hanging at right; boys in LLC around a fire; city skyscrapers in background with searchlight, URQ — Tree, Manhattan, 1930
Martin Lewis

Not on View

portrait of a woman in a white dress; facing PR with her eyes looking straight ahead; hair pulled back in high pony tail; white background with black flecks — Untitled (Young Woman), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

black and white etching of a portrait of a man; gazing toward PR; wearing a dense gray robe with black and white pointed lines; black background — Untitled (Handsome Young Man), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

colored etching; woman in center, PL arm raised throwing yellow flower petals into a well in a sparsely wooded area; large tree next to well, trunk curves upwards toward left; man looking out behind large tree watching woman at well; boarder of white flowers edges LLC, reaching upwards to top left corner and along the bottom toward LRC; pink hearts scattered along top and sides of image — Vignette (Wishing Well), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

collaged pieces of paper covered in a thin layer of white media — Composite 4 (frayed), 2016
Kevin Appel

Not on View

simplified image of a white rooster with a red comb and waddle, black tail feathers and yellow beak and feet; mottled gray background — Rooster, 1950
Milton Avery

Not on View

standing male figure wearing dark colored clothing with vertical blue irregular stripes on pants; man has dark hair with receding hairline and small goatee; painterly color swaths in background in brown, green, yellow and blue; white vertical painterly line to right of figure; irregularly applied, dripping shiny clear resin over image — José Luis Ferrer, 1998
Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis

Not on View

brightly colored print with geometric shapes in background and geometric flowers; pinwheel shaped flower at L with isosceles triangle petals; starburst flower at UL with diamond and triangle petals; flower on long stem at R with diamond petals in pastel colors; diamond, square, rectangular, and circle patterns in background — Atomic Mystic Portrait 3, 2016
Polly Apfelbaum; Publisher: Durham Press, Durham, Penn.

Not on View

collaged pieces of paper covered in a thin layer of white media; float mounted in a white frame — Untitled Composite, 2016
Kevin Appel

Not on View

layers of black paper of different sizes shot through with bullet holes, with staples sticking out of edges, in a black shadow box; shipped with removable Plexi cover--meant to be displayed without cover — Smoke 1, 2015
Mitchell Squire

Not on View

abstract image; two large symmetrical arcs with a vertical white line between them; ovoid space beneath arc on left has horizontal pattern like paving stones of irregular shapes; space beneath arc on right is mottled black and grey; line drawings in brown in ULC and LRQ of right angles with arcs and two symmetrical arcs in URC — Lean To, 2012
Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

abstract image with overlapping blocky red, black, and gray forms against white background; framed — Compostion II, 1962
Afro Basaldella; Publisher: Enrico Castelli, Rome

Not on View

© Martin Puryear

Black Cart, 2008

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

highly abstracted squiggly line drawing, possibly of 3/4 portrait of woman and bust, with hand at LL — Wax Quintuplet, 2008
Chloe Piene

Not on View

black line drawing with squiggly lines; highly abstract image; framed in white frame — Wax Quintuplet, 2008
Chloe Piene

Not on View

highly abstracted black, squiggly line drawing; two roundish forms, each with small dot, with concentration of lines at L — Wax Quintuplet, 2008
Chloe Piene

Not on View

highly abstracted squiggly black line drawing of roundish form with hand-like shape at LL — Wax Quintuplet, 2008
Chloe Piene

Not on View

open box-shaped form made of 4 L-shaped panels overlapping on base; dark abstracted iris design in black, gold metallic, silver, burgundy, purple, and blue glazes — Box that is not a Box, 2016
Nakamura Takuo

Not on View

abstract image in greys, black and white; roughly cornucopia-shaped form with white oval at bottom; lines extending up from center of oval to rounded knob in ULC; mottled grey ground — Phrygian (Cap in the Air), 2012
Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

highly abstracted black line drawing, with squiggly lines; rounded shape with rounded peak — Wax Quintuplet, 2008
Chloe Piene

Not on View

highly abstract image; gray and black charcoal background, scribbled and smeared; overlapping scribbled pockets of yellow, red, green, blue; paper inherently crumpled — Untitled (Abstract composition), c. 1955-58
Norman Kanter

Not on View

balding man with glasses in green suit seated on chair with small boy sitting on his PL leg; dark background — Rothko with Child, 1932
Milton Avery

Not on View

Surrealist style; six abstracted head-like forms in various colors with large cutout eyes; six tan spheres in foreground; three rock-like elements connected by black lines; two red forms connected with string-like lines in "eye sockets" of grey head; two other balls--red and blue — Les Corps des Esprits, 1974
Marcel Jean

Not on View

abstract painting with dark salmon ground with two rectangles, green on the L and red on the R; blue and red splatter up R edge — Candor, 1962
Hans Hofmann

Not on View

©Estate of Roy Lichtenstein

Peace through Chemistry II, 1970

Roy Lichtenstein; Publisher: Gemini G.E.L., Los Angeles

Not on View

multicolored vertical lines and primarily vertical rows of dots; orange and blue predominate — Streaming, 2009
Lisa Nankivil; Publisher: Highpoint Editions, Minneapolis

Not on View

organic and inorganic forms in bright multicolors; primarily vertical format; accordion pleated, curling forms on base--primarily red with blue, green and yellow; several brightly-colored lotus seed pods; two folding fans--one primarily blue, the other primarily tan, both with multicolored flecks; blue gourd shape with flecks of color near top; some hand tools at top — Tarot, 1984
Nancy Graves

Not on View

four applied rectangles on top half of sheet--three on top, with one beneath; rectangles from left to right: green square with white flower at top and white lines at bottom, white rectangle with reddish-purple stylized torso and head of figure with open mouth with white horizontal line on chest, purplish-red rectangle with thin circular white scratch-outs; irregular rectangle of soiled white cloth with blue stripes and pattern in ULC beneath green rectangle; some black ink vertical scratchy lines beneath rectangles; black ink splatters, ULC; brown and reddish brown vertical and horizontal waxy marks around rectangles; ground paper is white with pale grey — Untitled, 1981
Hannelore Baron

Not on View

grey-peach wash on bottom of ground, with touches of peach and yellow at bottom center; six applied rectangles of various sizes and orientations at center, including vertical strips of cloth (maroon and blue stripes beneath dirty cream-colored cloth) at center top; grey abstract splotchy imagery at left on largest rectangle (standing figure?); thin lines in sketchy letter-like configurations at bottom center, on applied rectangle in ULQ in reddish-black and on soiled blue and white striped fabric at left center; rectangle of red with white scratches circular design at center bottom — Untitled, 1981
Hannelore Baron

Not on View

abstracted female figure clutching white object patterned with ribbon, swirl motif, obscuring most of body; skeletal fingers in dark blue visible through the white motif; face has shadowy, indistinct features; overall pallet of purples and white; purple background with blue swaths along lower edge, orange lines; white frame — Urkindifuratira (You Turned Your Back on Me), 2017
Portia Zvavahera

Not on View

pointillist drawing of young woman's face, looking distantly to L; organically patterned background; shaded in gray tones — Ava Maria 8, 2016
Sebastiaan Bremer

Not on View

black ring against gray-white ground with grey pencil line grid at center, with pencil lines radiating outward inside and outside black circle; received framed in black and silver frame — Circle of Multifarious Precisions, 1979
Richard Pousette-Dart

Not on View

slightly abstract image; seated brunette woman wearing a loose white garment, with her arms up and crossed over her head; green ground — Untitled (Seated female figure), 1985
Eric Fischl

Not on View

Painting on cardboard. simplified face in red, green, grey and black with large eyes; inherent pigment spots and smudges in negative space — Untitled (Face), 1959
Jim Dine

Not on View

hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; shaded ground space at right — Untitled, 2014
Rosana Castrillo Diaz

Not on View

hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; triangular shaped element at top center — Untitled, 2014
Rosana Castrillo Diaz

Not on View

abstract image in muted multi-colored pigments; large, blooming shape with circular, dripping blobs in shades of black, gray, orange, red and yellow; tiny, bubbling textured shapes along outer edge; dark shapes migrate off the edge of the image onto the margin of the paper; swirling orange blob in LLQ; small, textured black blobs along bottom edge — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (7/9), 2017
Joachim Schulz

Not on View

abstract image: layered, circular blobs in black, gray, orange, yellow and green; pigment appears to be running, as if ink has migrating outward; muted yellow section on bottom, with dripping textured layers of ink moving downward; fiery red splotch in LLQ; small, splashes of pigment along outer white margins — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (5/9), 2017
Joachim Schulz

Not on View

abstract image in orange, yellow, white and blue pigments; orange background with three blue circular shapes on left, center and right; long, thin white shapes placed diagonally and intersecting at center; trapezoidal yellow shapes behind blue circles; yellow rectangle on right — Untitled, 1971
Herbert Ferber

Not on View

view of an underground London subway station with entrance gates at right and stairs leading upward at left; many people--elderly woman with shopping bag, man with wheeled suitcase, woman wearing hijab, woman with child; vending and signs at left — Terminus, 2012
Clive Head; Printer: Paupers Press, London; Publisher: Clive Head

Not on View

repeating layered squares in nine rows; four rows of squares at top include text from birth certificates--printed and hand written--against a dark ground, with painterly blue, red and yellow stripes over the top; five rows of squares at bottom are hand written names and numbers with similarly colored painterly stripes over the top; squares form a basketweave pattern — DNA Etching I, 2015
McArthur Binion; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

abstract drawing with grey ground and black geometric forms and curvilinear lines; black, distressed wood frame with a silver inset — Untitled (Cap d'Antibes), 1953
George Morrison

Not on View

nine black-and-white etchings printed on one sheet of paper; images of a shower, people inside of geometric "cages", a woman with a rotary phone as her head, a centaur in a suit, a figure seated in a desk chair with an umbrella over their head; black wood frame — Zeno at 4 a.m., 2001
William Kentridge

Not on View

black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints — The Seasons, 1989
Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

abstract image with seahorse, Mona Lisa's face, stars, squares, circles and triangles in dark blue — Summer (Blue), 1985-1991
Jasper Johns; Publisher: Brooke Alexander Editions, New York; Printer: Universal Limited Art Editions (ULAE)

Not on View

small foot; vessel flares outward to wide, nearly flat shoulder; small mouth; light brownish tint; blue rings and swirls at mouth; brown and blue swirls on one side; grid, bars and other textured areas — Vessel, 1984
Dick Huss

Not on View

abstract pattern of linear shapes in pinks, white, maroon, blues and green; green diagonal at right — Return to E, 1988
Guy Goodwin

Not on View

black and white image of a forested area; horizontal fallen tree with thick dark trunk and branches layered over the top of the log in center; thin, layered gradated leaves throughout — Lake Quinalt Deadfall II, 2018
Michael Kareken; Publisher: Highpoint Editions, Minneapolis

Not on View

abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center — Dead Soldiers, October 2004
Donald Sultan; Printer: Maurice Payne, New York; Publisher: Arte y Naturaleza, Madrid

Not on View

abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge — The Shelling of Dubrovnik 1999, August 2004
Donald Sultan; Printer: Maurice Payne, New York; Publisher: Arte y Naturaleza, Madrid

Not on View

abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom — Industrial Park, October 2004
Donald Sultan; Printer: Maurice Payne, New York; Publisher: Arte y Naturaleza, Madrid

Not on View

abstracted image of blurry oil field silhouette in black against yellow with white sun in URC — Oil Field, September 2004
Donald Sultan; Printer: Maurice Payne, New York; Publisher: Arte y Naturaleza, Madrid

Not on View

abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky — Refugees, October 2004
Donald Sultan; Printer: Maurice Payne, New York; Publisher: Arte y Naturaleza, Madrid

Not on View

four removable trays/compartments plus cover, held into place with a base with triangular brackets on short ends and a horizontal element at top; trays and cover lift off and stack on each other; decorated with floral motifs in red, pink, green and white with gold edging; top decorated with four red dragons at corners and scalloped red cartouche with pink and red flowers growing from rock; side supports have red and gold scrolling moldings — Wedding chest, early 19th century
China

Not on View

black and white photograph of three young girls in white, wearing feather angel wings; girl at L is looking up, girl at R looks directly at camera; girl in background, out of focus, looks upward — Three Communion Girls, Brazil, 1981
Sebastião Salgado

Not on View

abstracted image of reflections on water; colored pencil-like green areas with predominately horizontal shading at top 3/4 of sheet; some light blue, grey and black solid-colored areas primarily in LLQ and ULQ; graphite pencil-like marks and shading at LRQ; applied thin transparent paper along right edge creating milky appearance — of Summer, 2016
Jim Hodges; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View

black-and-white image of a forested area; gradated trees against a white sky; two darker branches in center right edge; single dark, twisting branch in LLQ, extending upwards into URQ — Humphrey Head IV, 2018
Michael Kareken; Publisher: Highpoint Editions, Minneapolis

Not on View

two rectangular blocks of red with horizontal black brushstrokes, with drips extending from bottom; four lines of identical text with horizontal lines drawn through them--two lines at top of sheet, two lines at bottom of sheet; two lines of text between red rectangles--bottom line of text is, "President's Surveillance Program"; received in heavy distressed, darkened metal frame. Not signed (see Notes) — President's Surveillance Program, 2016
Jenny Holzer

Not on View

pair of worn blue wooden doors closed with two padlocks at left; one wooden door, with two plywood panels patching holes above and to left of door, at right side of image; brick wall — Deptford Blue Door, 1999
Sean Scully

Not on View

standing figure with hands on hips, wearing a shiny silver HAZMAT suit, with green gloves and orange shoes; figure stands on gravel, with flames behind — Level A HAZMAT suit, alumized ("Disaster City" National Emergency Response and Rescue Training Center, Texas Engineering and Extention Service (TEEX), College Station, Texas), 2004
Paul Shambroom

Not on View

doorway at left with multi-panel door, painted pink, white and two shades of green, with unpainted panels in ULC; another pink and white door covered with dented pink metal awning above it, at right side of image; pink sign with white text to left of door below awning; pink wooden wall, with turquoise in LLC — Santo Domingo #3, 1999
Sean Scully

Not on View

matchbox-style cardboard box made from a Cheer detergent box with printing primarily in blues and yellow; pink string holds side of cover closed and holds ends of box closed; box contains various ephemera--including matchbook covers, small bits of newspaper with images, portions of cardboard and paper consumer product packaging--and mainly figurative drawings--some on rough paper, some on bits of packaging/cardboard — Untitled (Cheer), after 1930
James Castle

Not on View

triptych: R image: female figure in white silhouette facing R, with hair in kerchief, bare chested, puffy apron or skirt; C image depicts silhouetted female upper torso and head, being pulled by three smaller silhouetted figures with rope at L, and pushed by two smaller silhouetted figures at R; L image masculine figure in white silhouette wearing ponytail wig, high-necked jacket, holding a burning candle in outstretched hand — Resurrection Story with Patrons, 2017
Kara Walker; Printer: Burnet Editions, New York; Publisher: Sikkema Jenkins & Co., New York

Not on View

image of back of a person's head with overlapping cornrows on top, giving way to natural, curly black hair, accented with brown and orange; arch of thin black lines over top of head, with orange and brown color around head as well — Crown, 2002
Emma Amos; Publisher: Emma Amos

Not on View

abstract black-and-white mixed media drawing; horizontal lines throughout dense black; several diagonal lines at bottom; light vertical impression of line on L with outline of oval at UL — The Third Entity #1, 2016
Jack Whitten

Not on View

abstract black-and-white mixed media drawing; horizontal lines throughout; dense, black center; diagonal line from UL to LR — The Third Entity #10, 2016
Jack Whitten

Not on View

abstract photographic image with vertical rainbow lines at center and pink and blue cloudlike forms with white spots of light of various sizes--may be distorted image of outer space with gas cloud and stars?; small color photo print resembling Polaroid image attached to outside of glazing on left side above center--image of four Black girls on a bench (pew?) with girl at right turning toward a figure in blue seated on bench behind them; black and gilt frame — Messier 81, Return of the Dove, 2018
Deana Lawson

Not on View

24 pages; 26 illustrations; cover has six triangles that each have an abstract design on interior; imagery within book is generally geometric with many stars and triangles arranged in shapes reminiscent of a kaleidoscope. Not signed — Untitled (Kaleidoscope book), not dated
James Castle

Not on View

layers of backs of rectangular paper targets of different sizes shot through with bullet holes, with staples sticking out of edges; black and grey on reverse of paper; in plywood shadow box with Plexi cover — The Young Gladiators #7, 2013
Mitchell Squire

Not on View

long panoramic sheet of paper with five separate rectangular scenes depicting boxing-related imagery, rendered in black and white pigments; left-most scene depicts referee in black and white striped shirt blowing whistle with boxer on left; scene that is second from left depicts two boxers in a ring, partaking in a match; center scene is a male face, gazing to PR; scene second from right depicts a figure wearing a robe, back facing the viewer, with another figure looking on at robed figure; right scene has a close-up view with crowd cheering — Untitled (Rumble in the Jungle), 2009
David Rathman

Not on View

abstract image; black ground; wide red curving lines bordered in multicolored lines; lacy elements around curves; forms filled with white chalk-like coloring; multicolored lines over curving forms; top and bottom borders are yellow and red; left and right borders are mottled multicolors — Pergusa Three, 1983
Frank Stella; Printer: Tyler Graphics, Ltd., Mount Kisco, New York; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View

abstract painting; a dark palette with green and blue undertones; red, white, yellow and grey splatters throughout — July Night, 1994-1995
Pat Steir

Not on View

black ground with white spots and arcs, concentrated at center Titanium white pigment and linseed oil on Tyvek with black gesso and black Golden Acrylic Pastel Ground. Made from polystyrene cups that transferred titanium white dry pigment and linseed oil to Tyvek when placed into a wind vortex created by the artist using commercial barrel fans. — Vortex Drawing 17, 2017
Alexa Horochowski; Publisher: Highpoint Editions, Minneapolis

Not on View

abstract painting; black and gray curving lines; red, yellow, blue rectangles stacked like steps near C; yellow, red, blue splatters; silver frame — Untitled, 1988
Louisa Chase

Not on View

two women in energetic poses: woman at L in teal woven fabric, leaping onto one foot; woman at R, in dark fabric with multi-colored stripes in wide stride, with hands on top of head; large open-weave textile swaths in background; dangling shapes attached to ribbons; bright plaid woven fabric top and bottom borders — Out in Front, 1982
Emma Amos

Not on View

image of two oil barrels suspended amid a jumble of hoses and branches printed in the LR portion of paper in navy blue ink; vertical and horizontal linear forms printed over the top with salmon colored ink; cobalt blue and white brush strokes (acrylic paint) over top; white space to L — Barrel Up, 1990
Robert Rauschenberg

Not on View

Robert Rauschenberg%2C Bellini %233%2C 1988 © Robert Rauschenberg Foundation

Bellini #3 (Allegory of Perseverance), 1988

Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

Not on View

abstract image; four vertical rectangles, from left: rust red, mottled yellow, black and grey-orange horizontal stripes, rust red — Santa Barbara 22, 1987
Sean Scully; Printer: Garner Tullis Workshop, Santa Barbara, Calif.

Not on View

Vessel, mid 20th century

Mambila

Not on View

Vessel, Date Unknown

Not on View

Stool, Date Unknown

Yoruba

Not on View

Untitled (Berries and Clams), 2003

John Walker

Not on View

Mode No. 6, Jean-Paul Gaultier, 1996

Sarah Moon

Not on View

Fragrance, Fendi, 1986

Sheila Metzner

Not on View

The Absorbed Tradition, 2014

Erik Madigan Heck

Not on View

The Melody After the Meeting, 2004

Luis González Palma

Not on View

Homage to Max Ernst, 1975

Roy Lichtenstein; Publisher: Les Éditions Georges Visat, Paris

Not on View

Modern Head #2, 1970

Roy Lichtenstein; Publisher: Gemini G.E.L., Los Angeles

Not on View

La Blusa Rosa II, 1995

Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis

Not on View

La Blusa Rosa I, 1995

Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis

Not on View

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