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abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color

%C2%A9 1989 Steven Sorman

Besides as Before, 1989

Steven Sorman

Not on View
unframed triptych; all three images are of an individual man with his arms raised up near his head and his elbows out, wearing a white shirt and black pants with a brown background; man's position varies slightly between images a: both his hands on the back of this neck; collared shirt; eyes looking to viewer’s right b: one hand on the back of his head and the other is curled above his shoulder; his eyes are downcast c: one hand on the back of his head and the other on the side of his head above his ear; he looks out to the viewer

%C2%A9 Lynette Yiadon-Boakye

Shelves for Dynamite, 2018

Lynette Yiadom-Boakye

G374

photo collage with pigments and applied beads; surreal head with face at right and second face at left, on hair bun; large upside down eye at center right; large frowning mouth at right; small ear near center; amphibian or snake eyes on chin of smaller face (on hair bun); small hand in front of leftmost eye on face on hair bun; headless body of seated leopard between back of larger head and hair bun; pink drapery around neck; applied grey and pearl-like beads on forehead of larger face; pink-grey mottled ground; white frame

Pretty Double-Head, 2010

Wangechi Mutu

G374

3/4 length portrait of a Black figure wearing a white suit with pink water lillies on it; white ground

2pc Floral Suit, 2020

Amoako Boafo

G373

large abstract painting in multicolored pigments; thick, blue bands of color across top and left side of canvas; light orange squared off section with darker puce wash of color overlapping and merging outwards toward center left edge; two curving bands of yellow pigment in upper right edge of canvas; vertical green and red bands of pigment in URC; smeary wash of puce pigment with dimension in LRQ; thin pink horizontal line in LRQ

%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY

Rio Grande, 1987

Helen Frankenthaler

G375

four removable trays/compartments plus cover, held into place with a base with triangular brackets on short ends and a horizontal element at top; trays and cover lift off and stack on each other; decorated with floral motifs in red, pink, green and white with gold edging; top decorated with four red dragons at corners and scalloped red cartouche with pink and red flowers growing from rock; side supports have red and gold scrolling moldings

Wedding chest, early 19th century

China

Not on View
drawing on small rectangle of paper with tilted purple square at center featuring an abstracted portrait; the text “free!” in white set within a red oblong shape overlaps the purple square at TL; small green rectangle floats over BRQ of purple square; abstracted face in ULC and to right center of purple square; two green “peaks” at URC; variety of shapes and lines make up rest of composition in green, yellow, red, blue, purple, and black pigments; there is a ½” strip at R edge of paper that is white save four distinct, vertically-oriented green rectangles; frame backing has “James Castle, jca 0674.20, CA 26219” written in black ink at TLC; printed label with artist name, title, medium, and dimensions affixed to backing along with “Knoedler & Company” label, framers label, a red ticket marked “sold,” and a side from an old ice cream box marked, “Home Dairies vanilla ice cream”

Copyright %C2%A9 2018 James Castle Collection and Archive LP%2C All rights reserved.

Untitled (Free!), after 1960

James Castle

Not on View
small foot; vessel flares outward to wide, nearly flat shoulder; small mouth; light brownish tint; blue rings and swirls at mouth; brown and blue swirls on one side; grid, bars and other textured areas

%C2%A9 Dick Huss

Vessel, 1984

Dick Huss

Not on View
black and white photograph of crowd of walking people in foreground and palm trees in background; black wood frame with plexi

%C2%A9 Sebasti%C3%A3o Salgado %2F Amazonas images. All rights reserved.

People of Keny Walking for Polio Vaccinations, Rumbek District, Southern Sudan, 2001 (printed 2009)

SebastiĂŁo Salgado

Not on View
matte black patina; relief carving with pairs of guns and saws, feathers, roundel with open book and flames; rectangular

%C2%A9 Aaron Spangler

Songbird, 2009

Aaron Spangler

Not on View
abstract drawing with grey ground and black geometric forms and curvilinear lines; black, distressed wood frame with a silver inset

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Cap d'Antibes), 1953

George Morrison

Not on View
abstract image in orange, yellow, white and blue pigments; orange background with three blue circular shapes on left, center and right; long, thin white shapes placed diagonally and intersecting at center; trapezoidal yellow shapes behind blue circles; yellow rectangle on right

%C2%A9 Estate of Herbert Ferber

Untitled, 1971

Herbert Ferber

Not on View
black and white etching of a portrait of a man; gazing toward PR; wearing a dense gray robe with black and white pointed lines; black background

%C2%A9 Kerry James Marshall

Untitled (Handsome Young Man), 2010

Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
portrait of a woman in a white dress; facing PR with her eyes looking straight ahead; hair pulled back in high pony tail; white background with black flecks

%C2%A9 Kerry James Marshall

Untitled (Young Woman), 2010

Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
repeating layered squares in nine rows; four rows of squares at top include text from birth certificates--printed and hand written--against a dark ground, with painterly blue, red and yellow stripes over the top; five rows of squares at bottom are hand written names and numbers with similarly colored painterly stripes over the top; squares form a basketweave pattern

%C2%A9 McArthur Binion%2C Paulson Fontaine Press%2C publisher

DNA Etching I, 2015

McArthur Binion; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
black silhouette of a cart with a body with a rounded top and spoked wheels at bottom center; line drawing in brown of same style of cart in profile in URC; mottled brown ground

%C2%A9 Martin Puryear

Black Cart, 2008

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
abstract image; two large symmetrical arcs with a vertical white line between them; ovoid space beneath arc on left has horizontal pattern like paving stones of irregular shapes; space beneath arc on right is mottled black and grey; line drawings in brown in ULC and LRQ of right angles with arcs and two symmetrical arcs in URC

%C2%A9 Martin Puryear

Lean To, 2012

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
abstract image in greys, black and white; roughly cornucopia-shaped form with white oval at bottom; lines extending up from center of oval to rounded knob in ULC; mottled grey ground

%C2%A9 Martin Puryear

Phrygian (Cap in the Air), 2012

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
layers of black paper of different sizes shot through with bullet holes, with staples sticking out of edges, in a black shadow box; shipped with removable Plexi cover--meant to be displayed without cover

Copyright %C2%A9 Mitchell Squire

Smoke 1, 2015

Mitchell Squire

Not on View
triptych: R image: female figure in white silhouette facing R, with hair in kerchief, bare chested, puffy apron or skirt; C image depicts silhouetted female upper torso and head, being pulled by three smaller silhouetted figures with rope at L, and pushed by two smaller silhouetted figures at R; L image masculine figure in white silhouette wearing ponytail wig, high-necked jacket, holding a burning candle in outstretched hand

%C2%A9 Kara Walker

Resurrection Story with Patrons, 2017

Kara Walker; Printer: Burnet Editions, New York; Publisher: Sikkema Jenkins & Co., New York

Not on View
abstract image; black ground; wide red curving lines bordered in multicolored lines; lacy elements around curves; forms filled with white chalk-like coloring; multicolored lines over curving forms; top and bottom borders are yellow and red; left and right borders are mottled multicolors

%C2%A9 Frank Stella %2F Artists Rights Society %28ARS%29%2C New York

Pergusa Three, 1983

Frank Stella; Printer: Tyler Graphics, Ltd., Mount Kisco, New York; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
colored etching; woman in center, PL arm raised throwing yellow flower petals into a well in a sparsely wooded area; large tree next to well, trunk curves upwards toward left; man looking out behind large tree watching woman at well; boarder of white flowers edges LLC, reaching upwards to top left corner and along the bottom toward LRC; pink hearts scattered along top and sides of image

%C2%A9 Kerry James Marshall

Vignette (Wishing Well), 2010

Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
organic and inorganic forms in bright multicolors; primarily vertical format; accordion pleated, curling forms on base--primarily red with blue, green and yellow; several brightly-colored lotus seed pods; two folding fans--one primarily blue, the other primarily tan, both with multicolored flecks; blue gourd shape with flecks of color near top; some hand tools at top

%C2%A9 2014 Nancy Graves Foundation %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Tarot, 1984

Nancy Graves

Not on View
four applied rectangles on top half of sheet--three on top, with one beneath; rectangles from left to right: green square with white flower at top and white lines at bottom, white rectangle with reddish-purple stylized torso and head of figure with open mouth with white horizontal line on chest, purplish-red rectangle with thin circular white scratch-outs; irregular rectangle of soiled white cloth with blue stripes and pattern in ULC beneath green rectangle; some black ink vertical scratchy lines beneath rectangles; black ink splatters, ULC; brown and reddish brown vertical and horizontal waxy marks around rectangles; ground paper is white with pale grey

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
grey-peach wash on bottom of ground, with touches of peach and yellow at bottom center; six applied rectangles of various sizes and orientations at center, including vertical strips of cloth (maroon and blue stripes beneath dirty cream-colored cloth) at center top; grey abstract splotchy imagery at left on largest rectangle (standing figure?); thin lines in sketchy letter-like configurations at bottom center, on applied rectangle in ULQ in reddish-black and on soiled blue and white striped fabric at left center; rectangle of red with white scratches circular design at center bottom

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring pink peonies and pink roses

Vase, one of a pair, c. 1860

France

Not on View
large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring white and pink peonies and orange poppies

Vase, one of a pair, Date Unknown

Not on View
abstract painting with dark salmon ground with two rectangles, green on the L and red on the R; blue and red splatter up R edge

Copyright %C2%A9 The Renate%2C Hans and Maria Hofmann Trust %2F Miles McEnery Gallery

Candor, 1962

Hans Hofmann

Not on View
multicolored robe on blue-green ground; green brushstrokes in bottom margin; grey texture in top margin

%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York

The Robe in France, 1985

Jim Dine; Publisher: Pace Editions, New York

Not on View
abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Refugees, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Dead Soldiers, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstract image in muted multi-colored pigments; large, blooming shape with circular, dripping blobs in shades of black, gray, orange, red and yellow; tiny, bubbling textured shapes along outer edge; dark shapes migrate off the edge of the image onto the margin of the paper; swirling orange blob in LLQ; small, textured black blobs along bottom edge

%C2%A9 Joachim Schulz

"Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (7/9), 2017

Joachim Schulz

Not on View
abstracted image of blurry oil field silhouette in black against yellow with white sun in URC

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Oil Field, September 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
balding man with glasses in green suit seated on chair with small boy sitting on his PL leg; dark background

%C2%A9 Milton Avery Trust %2F Artists Rights Society %28ARS%29%2C New York

Rothko with Child, 1932

Milton Avery

Not on View
Painting on cardboard. simplified face in red, green, grey and black with large eyes; inherent pigment spots and smudges in negative space

%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York

Untitled (Face), 1959

Jim Dine

Not on View
black ring against gray-white ground with grey pencil line grid at center, with pencil lines radiating outward inside and outside black circle; received framed in black and silver frame

%C2%A9 Richard Pousette-Dart %2F Artists Rights Society %28ARS%29%2C New York

Circle of Multifarious Precisions, 1979

Richard Pousette-Dart

Not on View
slightly abstract image; seated brunette woman wearing a loose white garment, with her arms up and crossed over her head; green ground

%C2%A9 Eric Fischl

Untitled (Seated female figure), 1985

Eric Fischl

Not on View
highly abstracted squiggly line drawing, possibly of 3/4 portrait of woman and bust, with hand at LL

%C2%A9 Chloe Piene

Wax Quintuplet, 2008

Chloe Piene

Not on View
abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Industrial Park, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

The Shelling of Dubrovnik 1999, August 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstract image: layered, circular blobs in black, gray, orange, yellow and green; pigment appears to be running, as if ink has migrating outward; muted yellow section on bottom, with dripping textured layers of ink moving downward; fiery red splotch in LLQ; small, splashes of pigment along outer white margins

%C2%A9 Joachim Schulz

"Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (5/9), 2017

Joachim Schulz

Not on View
Surrealist style; six abstracted head-like forms in various colors with large cutout eyes; six tan spheres in foreground; three rock-like elements connected by black lines; two red forms connected with string-like lines in "eye sockets" of grey head; two other balls--red and blue

%C2%A9 Marcel Jean

Les Corps des Esprits, 1974

Marcel Jean

Not on View
bare tree at center; clotheslines with clothes hanging at right; boys in LLC around a fire; city skyscrapers in background with searchlight, URQ

%C2%A9 Estate of Martin Lewis

Tree, Manhattan, 1930

Martin Lewis

Not on View
heavy brown zigzagging lines at center with lighter and thinner branches extending from it

%C2%A9 Rafael Villares

Lightning Bolt in Arlington, USA, May 2005, from "Echo #3", 2015-2019

Rafael Villares

Not on View
brown zigzagging lines with branches in mainly horizontal format

%C2%A9 Rafael Villares

Cauto River Basin, from "Echo #3", 2015-2019

Rafael Villares

Not on View
wide area of bold and lighter wavy lines extending down from top, in brown

%C2%A9 Rafael Villares

Lightning Bolt in Rio de Janeiro, Brazil, 2001, from "Echo #3", 2015-2019

Rafael Villares

Not on View
brown branching and zigzagging lines primarily in a diagonal from UR to LL

%C2%A9 Rafael Villares

Amazon River Basin, from "Echo #3", 2015-2019

Rafael Villares

Not on View
heavy brown zigzagging line extending diagonally from ULC to LRC with thinner branches extending from it

%C2%A9 Rafael Villares

Lightning Bolt in California, 2009, from "Echo #3", 2015-2019

Rafael Villares

Not on View
zigzagging bold and lighter wavy branching lines in a horizontal format

%C2%A9 Rafael Villares

Yangtze River Basin, from "Echo #3", 2015-2019

Rafael Villares

Not on View
bold and lighter branching wavy lines in brown, in a horizontal format

%C2%A9 Rafael Villares

Lightning Bolt in South Africa, February 2007, from "Echo #3", 2015-2019

Rafael Villares

Not on View
some thick brown lines extending down from central top point; thinner slightly wavy lines extending down

%C2%A9 Rafael Villares

Roots from Rosemary Plant, from "Echo #3", 2015-2019

Rafael Villares

Not on View
brown branching lines in the form of a human brain

%C2%A9 Rafael Villares

Cerebral Arteries, from "Echo #3", 2015-2019

Rafael Villares

Not on View
bold and thin wavy lines in brown with some wide areas especially along right side of form

%C2%A9 Rafael Villares

Mackenzie River Basin, from "Echo #3", 2015-2019

Rafael Villares

Not on View
treelike form with even branching in brown

%C2%A9 Rafael Villares

Meningeal Arteries, from "Echo #3", 2015-2019

Rafael Villares

Not on View
some thick brushstrokes in brown ink with thinner tendrils

%C2%A9 Rafael Villares

Roots from Helonio Plant, from "Echo #3", 2015-2019

Rafael Villares

Not on View
thick rather straight horizontal line in brown with thinner branching wavy lines extending from it

%C2%A9 Rafael Villares

Veins from the Lower Leg, from "Echo #3", 2015-2019

Rafael Villares

Not on View
brown thick and thin branching lines in the form of a human heart

%C2%A9 Rafael Villares

Arteries and Veins of the Heart, from "Echo #3", 2015-2019

Rafael Villares

Not on View
thick brown wavy lines extending down from vertical line, with some thinner wavy branches extending down

%C2%A9 Rafael Villares

Roots from Acacia Tree, from "Echo #3", 2015-2019

Rafael Villares

Not on View
heavy and light brown wavy lines extending down from a central point at top

%C2%A9 Rafael Villares

Grass Roots, from "Echo #3", 2015-2019

Rafael Villares

Not on View
long panoramic sheet of paper with five separate rectangular scenes depicting boxing-related imagery, rendered in black and white pigments; left-most scene depicts referee in black and white striped shirt blowing whistle with boxer on left; scene that is second from left depicts two boxers in a ring, partaking in a match; center scene is a male face, gazing to PR; scene second from right depicts a figure wearing a robe, back facing the viewer, with another figure looking on at robed figure; right scene has a close-up view with crowd cheering

%C2%A9 David Rathman

Untitled (Rumble in the Jungle), 2009

David Rathman

Not on View
black-and-white drawing that is mostly darkened; horizontal streaky line in LRQ; series of dappled black lines against a gradated gray background in ULQ; small gray spots in top center

%C2%A9 Tom LaDuke

Double Feature, 2017

Tom LaDuke

Not on View
darkened sky scene; moon in center with trees ascending toward moon; patching dark veining surrounding sky around moon

%C2%A9 Tom LaDuke

Road Narrows, 2017

Tom LaDuke

Not on View
highly abstracted black line drawing, with squiggly lines; rounded shape with rounded peak

%C2%A9 Chloe Piene

Wax Quintuplet, 2008

Chloe Piene

Not on View
highly abstracted black, squiggly line drawing; two roundish forms, each with small dot, with concentration of lines at L

%C2%A9 Chloe Piene

Wax Quintuplet, 2008

Chloe Piene

Not on View
open box-shaped form made of 4 L-shaped panels overlapping on base; dark abstracted iris design in black, gold metallic, silver, burgundy, purple, and blue glazes

%C2%A9 Nakamura Takuo

Box that is not a Box, 2016

Nakamura Takuo

Not on View
simplified image of a white rooster with a red comb and waddle, black tail feathers and yellow beak and feet; mottled gray background

%C2%A9 Milton Avery Trust %2F Artists Rights Society %28ARS%29%2C New York

Rooster, 1950

Milton Avery

Not on View
standing male figure wearing dark colored clothing with vertical blue irregular stripes on pants; man has dark hair with receding hairline and small goatee; painterly color swaths in background in brown, green, yellow and blue; white vertical painterly line to right of figure; irregularly applied, dripping shiny clear resin over image

%C2%A9 1998 Julian Schnabel %2F Artists Rights Society %28ARS%29%2C New York

José Luis Ferrer, 1998

Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis

Not on View
collaged pieces of paper covered in a thin layer of white media; float mounted in a white frame

%C2%A9 Kevin Appel

Untitled Composite, 2016

Kevin Appel

Not on View
matchbox-style cardboard box made from a Cheer detergent box with printing primarily in blues and yellow; pink string holds side of cover closed and holds ends of box closed; box contains various ephemera--including matchbook covers, small bits of newspaper with images, portions of cardboard and paper consumer product packaging--and mainly figurative drawings--some on rough paper, some on bits of packaging/cardboard

Copyright %C2%A9 2018 James Castle Collection and Archive LP%2C All rights reserved.

Untitled (Cheer), after 1930

James Castle

Not on View
abstracted image with Ben-Day dots and color fields of yellow, blue and red, with black outlines; face in profile at left with hand holding a steaming test tube; face in ULQ, looking in a microscope; beakers in URQ; belts and gears at bottom center

%C2%A9Estate of Roy Lichtenstein

Peace through Chemistry II, 1970

Roy Lichtenstein; Publisher: Gemini G.E.L., Los Angeles

Not on View
abstract image with seahorse, Mona Lisa's face, stars, squares, circles and triangles in dark blue

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Summer (Blue), 1985-1991

Jasper Johns; Publisher: Brooke Alexander Editions, New York; Printer: Universal Limited Art Editions (ULAE)

Not on View
abstract pattern of linear shapes in pinks, white, maroon, blues and green; green diagonal at right

Copyright of the artist%2C artist%27s estate%2C or assignees

Return to E, 1988

Guy Goodwin

Not on View
pair of worn blue wooden doors closed with two padlocks at left; one wooden door, with two plywood panels patching holes above and to left of door, at right side of image; brick wall

%C2%A9 Sean Scully %2F Artists Rights Society %28ARS%29%2C NY %2F IVARO%2C Ireland

Deptford Blue Door, 1999

Sean Scully

Not on View
standing figure with hands on hips, wearing a shiny silver HAZMAT suit, with green gloves and orange shoes; figure stands on gravel, with flames behind

Copyright %C2%A9 2004 Paul Shambroom

Level A HAZMAT suit, alumized ("Disaster City" National Emergency Response and Rescue Training Center, Texas Engineering and Extention Service (TEEX), College Station, Texas), 2004

Paul Shambroom

Not on View
black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Seasons, 1989

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View
collaged pieces of paper covered in a thin layer of white media

%C2%A9 Kevin Appel

Composite 4 (frayed), 2016

Kevin Appel

Not on View
abstract image with overlapping blocky red, black, and gray forms against white background; framed

%C2%A9 Afro Basaldella %2F Artists Rights Society %28ARS%29%2C New York

Compostion II, 1962

Afro Basaldella; Publisher: Enrico Castelli, Rome

Not on View
highly abstracted squiggly black line drawing of roundish form with hand-like shape at LL

%C2%A9 Chloe Piene

Wax Quintuplet, 2008

Chloe Piene

Not on View
pointillist drawing of young woman's face, looking distantly to L; organically patterned background; shaded in gray tones

%C2%A9 Sebastiaan Bremer

Ava Maria 8, 2016

Sebastiaan Bremer

Not on View
black line drawing with squiggly lines; highly abstract image; framed in white frame

%C2%A9 Chloe Piene

Wax Quintuplet, 2008

Chloe Piene

Not on View
black gessoed paper with visible brushstrokes and satin finish; twenty silver-black cubes layered across each other in random pattern; some edges of cubes and most places where cubes touch have charred appearance, with layers of gesso visible; in some places browned gesso or paper layers are visible; in twelve places small holes visible in middle of charred areas

%C2%A9 David Goldes

#25, 2018

David Goldes

Not on View
black gessoed paper with visible brushstrokes and semigloss finish; two large silver-black circles in center; circles have curved lines radiating away from center of paper; at center of paper between circles is irregularly shaped hole with charred-looking edges; hole has rough and irregular edge shape; hole leaves most of circles intact and has two-prong-like shape at sides; each circle has small charred triangle with partially removed gesso layers at edges of circle near short edges of paper

%C2%A9 David Goldes

#26, 2018

David Goldes

Not on View
hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; triangular shaped element at top center

%C2%A9 Rosana Castrillo Diaz

Untitled, 2014

Rosana Castrillo Diaz

Not on View
hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; shaded ground space at right

%C2%A9 Rosana Castrillo Diaz

Untitled, 2014

Rosana Castrillo Diaz

Not on View
abstracted female figure clutching white object patterned with ribbon, swirl motif, obscuring most of body; skeletal fingers in dark blue visible through the white motif; face has shadowy, indistinct features; overall pallet of purples and white; purple background with blue swaths along lower edge, orange lines; white frame

%C2%A9 Portia Zvavahera

Urkindifuratira (You Turned Your Back on Me), 2017

Portia Zvavahera

Not on View
abstract painting; a dark palette with green and blue undertones; red, white, yellow and grey splatters throughout

%C2%A9 Pat Steir

July Night, 1994-1995

Pat Steir

Not on View
black gessoed paper with visible brushstrokes and semiglossy finish; three large silver-black layered rectangles; one large complete rectangle on right side, with upper left rectangle implied to be layered underneath by intersecting at downwards angle; third rectangle angled upward underneath other rectangles at lower left; long narrow hole between where right rectangle touches upper left rectangle; hole has irregular edges with partially exposed lower layers of gesso; some brown gesso or paper layers exposed at top of hole; rectangles have darkened shadow-like effect around edges

%C2%A9 David Goldes

#24, 2018

David Goldes

Not on View
abstract painting; black and gray curving lines; red, yellow, blue rectangles stacked like steps near C; yellow, red, blue splatters; silver frame

%C2%A9 Estate of Louisa Chase

Untitled, 1988

Louisa Chase

Not on View
color image of a topless Black woman wearing a long white skirt with two pairs of baby shoes tied around her waist and holding a cast iron skillet in her PL hand; white Colonial-style house with green shutters behind woman

Isabelle, Lefferts House, Brooklyn (Self-Portrait), 2016

Nona Faustine

Not on View
nine black-and-white etchings printed on one sheet of paper; images of a shower, people inside of geometric "cages", a woman with a rotary phone as her head, a centaur in a suit, a figure seated in a desk chair with an umbrella over their head; black wood frame

%C2%A9 William Kentridge. All rights reserved.

Zeno at 4 a.m., 2001

William Kentridge; Printer: Maurice Payne, London; Publisher: David Krut Projects, Johannesburg, Cape Town, London, and New York

Not on View
two rectangular blocks of red with horizontal black brushstrokes, with drips extending from bottom; four lines of identical text with horizontal lines drawn through them--two lines at top of sheet, two lines at bottom of sheet; two lines of text between red rectangles--bottom line of text is, "President's Surveillance Program"; received in heavy distressed, darkened metal frame. Not signed (see Notes)

%C2%A9 Jenny Holzer %2F Brand X Editions%2C New York %2F Artists Rights Society %28ARS%29%2C New York

President's Surveillance Program, 2016

Jenny Holzer

Not on View
abstract imagery with symbols, shapes, and text throughout; pale orange triangles around L, UL, and R sides; large, red drip shape on R; white background at center with yellow, orange and red shapes, gray splatters and streaks, and sinuous black lines evoking a face; smaller face at LC, below brown text; pink and blue spray painted text along bottom, above red and blue alternating text

%C2%A9 Brad Kahlhamer

Fort Gotham 646, 2016

Brad Kahlhamer

Not on View
curved top; flat base; horizontally placed chainsaw between base and top; unfinished surface

Stool, Date Unknown

Asante

Not on View
24 pages; 26 illustrations; cover has six triangles that each have an abstract design on interior; imagery within book is generally geometric with many stars and triangles arranged in shapes reminiscent of a kaleidoscope. Not signed

Copyright %C2%A9 2018 James Castle Collection and Archive LP%2C All rights reserved.

Untitled (Kaleidoscope book), not dated

James Castle

Not on View
abstract black-and-white mixed media drawing; horizontal lines throughout dense black; several diagonal lines at bottom; light vertical impression of line on L with outline of oval at UL

%C2%A9 Jack Whitten Estate %2F Hauser %26 Wirth

The Third Entity #1, 2016

Jack Whitten

Not on View
doorway at left with multi-panel door, painted pink, white and two shades of green, with unpainted panels in ULC; another pink and white door covered with dented pink metal awning above it, at right side of image; pink sign with white text to left of door below awning; pink wooden wall, with turquoise in LLC

%C2%A9 Sean Scully %2F Artists Rights Society %28ARS%29%2C NY %2F IVARO%2C Ireland

Santo Domingo #3, 1999

Sean Scully

Not on View
black and white photograph of three young girls in white, wearing feather angel wings; girl at L is looking up, girl at R looks directly at camera; girl in background, out of focus, looks upward

%C2%A9 Sebasti%C3%A3o Salgado %2F Amazonas images. All rights reserved.

Three Communion Girls, Brazil, 1981

SebastiĂŁo Salgado

Not on View
brightly colored print with geometric shapes in background and geometric flowers; pinwheel shaped flower at L with isosceles triangle petals; starburst flower at UL with diamond and triangle petals; flower on long stem at R with diamond petals in pastel colors; diamond, square, rectangular, and circle patterns in background

%C2%A9 Polly Apfelbaum

Atomic Mystic Portrait 3, 2016

Polly Apfelbaum; Publisher: Durham Press, Durham, Penn.

Not on View
standing woman with long red hair, wearing orange helmet and breastplate and white skirt, holding a white flag on a red pole with her PL hand and blowing into an orange horn held in her PR hand; red sunrise behind her; ground made of various pieces of torn and cut cardboard, including corrugated cardboard and other types of packaging; piece disassembles into two vertical sections which affix together with Velcro

%C2%A9 Andrea Bowers

National Union of Women's Suffrage Societies, 2017

Andrea Bowers; Artist: after Caroline Marsh Watts

Not on View
layers of backs of rectangular paper targets of different sizes shot through with bullet holes, with staples sticking out of edges; black and grey on reverse of paper; in plywood shadow box with Plexi cover

Copyright %C2%A9 Mitchell Squire

The Young Gladiators #7, 2013

Mitchell Squire

Not on View

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