large abstract painting in multicolored pigments; thick, blue bands of color across top and left side of canvas; light orange squared off section with darker puce wash of color overlapping and merging outwards toward center left edge; two curving bands of yellow pigment in upper right edge of canvas; vertical green and red bands of pigment in URC; smeary wash of puce pigment with dimension in LRQ; thin pink horizontal line in LRQ — Rio Grande, 1987
Helen Frankenthaler

G375

abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color — Besides as Before, 1989
Steven Sorman

Not on View

unframed triptych; all three images are of an individual man with his arms raised up near his head and his elbows out, wearing a white shirt and black pants with a brown background; man's position varies slightly between images a: both his hands on the back of this neck; collared shirt; eyes looking to viewer’s right b: one hand on the back of his head and the other is curled above his shoulder; his eyes are downcast c: one hand on the back of his head and the other on the side of his head above his ear; he looks out to the viewer — Shelves for Dynamite, 2018
Lynette Yiadom-Boakye

G374

Titanium white pigment and linseed oil on Tyvek with black gesso and black Golden Acrylic Pastel Ground. Made from polystyrene cups that transferred titanium white dry pigment and linseed oil to Tyvek when placed into a wind vortex created by the artist using commercial barrel fans. — Vortex Drawing 17, 2017
Alexa Horochowski; Publisher: Highpoint Editions, Minneapolis

G266-G274

Black and white image of a forested area; horizontal fallen tree with thick dark trunk and branches layered over the top of the log in center; thin, layered gradated leaves throughout. — Lake Quinalt Deadfall II, 2018
Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Black-and-white image of a forested area; gradated trees against a white sky; two darker branches in center right edge; single dark, twisting branch in LLQ, extending upwards into URQ. — Humphrey Head IV, 2018
Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

four removable trays/compartments plus cover, held into place with a base with triangular brackets on short ends and a horizontal element at top; trays and cover lift off and stack on each other; decorated with floral motifs in red, pink, green and white with gold edging; top decorated with four red dragons at corners and scalloped red cartouche with pink and red flowers growing from rock; side supports have red and gold scrolling moldings — Wedding chest, early 19th century
China

Not on View

large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring pink peonies and pink roses — Vase, one of a pair, c. 1860
France

Not on View

large ornate form; pair of winged animal handles; leaf-like mouth, raised in back; relief morning glories around foot; central painted floral spray featuring white and pink peonies and orange poppies — Vase, one of a pair, Date Unknown
Not on View

abstract image with seahorse, Mona Lisa's face, stars, squares, circles and triangles in dark blue — Summer (Blue), 1985-1991
Jasper Johns; Publisher: Brooke Alexander Editions, New York; Printer: Universal Limited Art Editions (ULAE)

Not on View

pair of worn blue wooden doors closed with two padlocks at left; one wooden door, with two plywood panels patching holes above and to left of door, at right side of image; brick wall — Deptford Blue Door, 1999
Sean Scully

Not on View

standing figure with hands on hips, wearing a shiny silver HAZMAT suit, with green gloves and orange shoes; figure stands on gravel, with flames behind — Level A HAZMAT suit, alumized ("Disaster City" National Emergency Response and Rescue Training Center, Texas Engineering and Extention Service (TEEX), College Station, Texas), 2004
Paul Shambroom

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black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints — The Seasons, 1989
Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

bare tree at center; clotheslines with clothes hanging at right; boys in LLC around a fire; city skyscrapers in background with searchlight, URQ — Tree, Manhattan, 1930
Martin Lewis

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simplified image of a white rooster with a red comb and waddle, black tail feathers and yellow beak and feet; mottled gray background — Rooster, 1950
Milton Avery

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standing male figure wearing dark colored clothing with vertical blue irregular stripes on pants; man has dark hair with receding hairline and small goatee; painterly color swaths in background in brown, green, yellow and blue; white vertical painterly line to right of figure; irregularly applied, dripping shiny clear resin over image — José Luis Ferrer, 1998
Julian Schnabel; Publisher: Lococo Fine Art Publishers, St. Louis

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collaged pieces of paper covered in a thin layer of white media; float mounted in a white frame — Untitled Composite, 2016
Kevin Appel

Not on View

doorway at left with multi-panel door, painted pink, white and two shades of green, with unpainted panels in ULC; another pink and white door covered with dented pink metal awning above it, at right side of image; pink sign with white text to left of door below awning; pink wooden wall, with turquoise in LLC — Santo Domingo #3, 1999
Sean Scully

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abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky — Refugees, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center — Dead Soldiers, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

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abstract image in muted multi-colored pigments; large, blooming shape with circular, dripping blobs in shades of black, gray, orange, red and yellow; tiny, bubbling textured shapes along outer edge; dark shapes migrate off the edge of the image onto the margin of the paper; swirling orange blob in LLQ; small, textured black blobs along bottom edge — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (7/9), 2017
Joachim Schulz

Not on View

abstracted image of blurry oil field silhouette in black against yellow with white sun in URC — Oil Field, September 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

balding man with glasses in green suit seated on chair with small boy sitting on his PL leg; dark background — Rothko with Child, 1932
Milton Avery

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Painting on cardboard. simplified face in red, green, grey and black with large eyes; inherent pigment spots and smudges in negative space — Untitled (Face), 1959
Jim Dine

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black ring against gray-white ground with grey pencil line grid at center, with pencil lines radiating outward inside and outside black circle; received framed in black and silver frame — Circle of Multifarious Precisions, 1979
Richard Pousette-Dart

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slightly abstract image; seated brunette woman wearing a loose white garment, with her arms up and crossed over her head; green ground — Untitled (Seated female figure), 1985
Eric Fischl

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collaged pieces of paper covered in a thin layer of white media — Composite 4 (frayed), 2016
Kevin Appel

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brightly colored print with geometric shapes in background and geometric flowers; pinwheel shaped flower at L with isosceles triangle petals; starburst flower at UL with diamond and triangle petals; flower on long stem at R with diamond petals in pastel colors; diamond, square, rectangular, and circle patterns in background — Atomic Mystic Portrait 3, 2016
Polly Apfelbaum; Publisher: Durham Press, Durham, Penn.

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abstract image with overlapping blocky red, black, and gray forms against white background; framed — Compostion II, 1962
Afro Basaldella; Publisher: Enrico Castelli, Rome

Not on View

black and white photograph of three young girls in white, wearing feather angel wings; girl at L is looking up, girl at R looks directly at camera; girl in background, out of focus, looks upward — Three Communion Girls, Brazil, 1981
Sebastião Salgado

Not on View

highly abstracted squiggly black line drawing of roundish form with hand-like shape at LL — Wax Quintuplet, 2008
Chloe Piene

Not on View

pointillist drawing of young woman's face, looking distantly to L; organically patterned background; shaded in gray tones — Ava Maria 8, 2016
Sebastiaan Bremer

Not on View

black line drawing with squiggly lines; highly abstract image; framed in white frame — Wax Quintuplet, 2008
Chloe Piene

Not on View

highly abstracted black line drawing, with squiggly lines; rounded shape with rounded peak — Wax Quintuplet, 2008
Chloe Piene

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highly abstracted black, squiggly line drawing; two roundish forms, each with small dot, with concentration of lines at L — Wax Quintuplet, 2008
Chloe Piene

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open box-shaped form made of 4 L-shaped panels overlapping on base; dark abstracted iris design in black, gold metallic, silver, burgundy, purple, and blue glazes — Box that is not a Box, 2016
Nakamura Takuo

Not on View

highly abstracted squiggly line drawing, possibly of 3/4 portrait of woman and bust, with hand at LL — Wax Quintuplet, 2008
Chloe Piene

Not on View

long panoramic sheet of paper with five separate rectangular scenes depicting boxing-related imagery, rendered in black and white pigments; left-most scene depicts referee in black and white striped shirt blowing whistle with boxer on left; scene that is second from left depicts two boxers in a ring, partaking in a match; center scene is a male face, gazing to PR; scene second from right depicts a figure wearing a robe, back facing the viewer, with another figure looking on at robed figure; right scene has a close-up view with crowd cheering — Untitled (Rumble in the Jungle), 2009
David Rathman

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black-and-white drawing that is mostly darkened; horizontal streaky line in LRQ; series of dappled black lines against a gradated gray background in ULQ; small gray spots in top center — Double Feature, 2017
Tom LaDuke

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darkened sky scene; moon in center with trees ascending toward moon; patching dark veining surrounding sky around moon — Road Narrows, 2017
Tom LaDuke

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thick brown wavy lines extending down from vertical line, with some thinner wavy branches extending down — Roots from Acacia Tree, from "Echo #3", 2015-2019
Rafael Villares

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heavy and light brown wavy lines extending down from a central point at top — Grass Roots, from "Echo #3", 2015-2019
Rafael Villares

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bold and lighter branching wavy lines in brown, in a horizontal format — Lightning Bolt in South Africa, February 2007, from "Echo #3", 2015-2019
Rafael Villares

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some thick brown lines extending down from central top point; thinner slightly wavy lines extending down — Roots from Rosemary Plant, from "Echo #3", 2015-2019
Rafael Villares

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brown branching lines in the form of a human brain — Cerebral Arteries, from "Echo #3", 2015-2019
Rafael Villares

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bold and thin wavy lines in brown with some wide areas especially along right side of form — Mackenzie River Basin, from "Echo #3", 2015-2019
Rafael Villares

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treelike form with even branching in brown — Meningeal Arteries, from "Echo #3", 2015-2019
Rafael Villares

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some thick brushstrokes in brown ink with thinner tendrils — Roots from Helonio Plant, from "Echo #3", 2015-2019
Rafael Villares

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thick rather straight horizontal line in brown with thinner branching wavy lines extending from it — Veins from the Lower Leg, from "Echo #3", 2015-2019
Rafael Villares

Not on View

brown thick and thin branching lines in the form of a human heart — Arteries and Veins of the Heart, from "Echo #3", 2015-2019
Rafael Villares

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abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom — Industrial Park, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge — The Shelling of Dubrovnik 1999, August 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View

abstract image: layered, circular blobs in black, gray, orange, yellow and green; pigment appears to be running, as if ink has migrating outward; muted yellow section on bottom, with dripping textured layers of ink moving downward; fiery red splotch in LLQ; small, splashes of pigment along outer white margins — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (5/9), 2017
Joachim Schulz

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highly abstract image; gray and black charcoal background, scribbled and smeared; overlapping scribbled pockets of yellow, red, green, blue; paper inherently crumpled — Untitled (Abstract composition), c. 1955-58
Norman Kanter

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view of an underground London subway station with entrance gates at right and stairs leading upward at left; many people--elderly woman with shopping bag, man with wheeled suitcase, woman wearing hijab, woman with child; vending and signs at left — Terminus, 2012
Clive Head; Printer: Paupers Press, London; Publisher: Clive Head

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brown branching and zigzagging lines primarily in a diagonal from UR to LL — Amazon River Basin, from "Echo #3", 2015-2019
Rafael Villares

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heavy brown zigzagging line extending diagonally from ULC to LRC with thinner branches extending from it — Lightning Bolt in California, 2009, from "Echo #3", 2015-2019
Rafael Villares

Not on View

zigzagging bold and lighter wavy branching lines in a horizontal format — Yangtze River Basin, from "Echo #3", 2015-2019
Rafael Villares

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abstract image; white vertical grass-like elements; diagonal black lines in ULQ; organic light and dark forms — Nachtbild (44), 1991
Floris Neusüss

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heavy brown zigzagging lines at center with lighter and thinner branches extending from it — Lightning Bolt in Arlington, USA, May 2005, from "Echo #3", 2015-2019
Rafael Villares

Not on View

brown zigzagging lines with branches in mainly horizontal format — Cauto River Basin, from "Echo #3", 2015-2019
Rafael Villares

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wide area of bold and lighter wavy lines extending down from top, in brown — Lightning Bolt in Rio de Janeiro, Brazil, 2001, from "Echo #3", 2015-2019
Rafael Villares

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abstract painting with dark salmon ground with two rectangles, green on the L and red on the R; blue and red splatter up R edge — Candor, 1962
Hans Hofmann

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multicolored robe on blue-green ground; green brushstrokes in bottom margin; grey texture in top margin — The Robe in France, 1985
Jim Dine; Publisher: Pace Editions, New York

Not on View

Surrealist style; six abstracted head-like forms in various colors with large cutout eyes; six tan spheres in foreground; three rock-like elements connected by black lines; two red forms connected with string-like lines in "eye sockets" of grey head; two other balls--red and blue — Les Corps des Esprits, 1974
Marcel Jean

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abstract pattern of linear shapes in pinks, white, maroon, blues and green; green diagonal at right — Return to E, 1988
Guy Goodwin

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matchbox-style cardboard box made from a Cheer detergent box with printing primarily in blues and yellow; pink string holds side of cover closed and holds ends of box closed; box contains various ephemera--including matchbook covers, small bits of newspaper with images, portions of cardboard and paper consumer product packaging--and mainly figurative drawings--some on rough paper, some on bits of packaging/cardboard — Untitled (Cheer), after 1930
James Castle

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small foot; vessel flares outward to wide, nearly flat shoulder; small mouth; light brownish tint; blue rings and swirls at mouth; brown and blue swirls on one side; grid, bars and other textured areas — Vessel, 1984
Dick Huss

Not on View

%C2%A9Estate of Roy Lichtenstein

Peace through Chemistry II, 1970

Roy Lichtenstein; Publisher: Gemini G.E.L., Los Angeles

Not on View

drawing on small rectangle of paper with tilted purple square at center featuring an abstracted portrait; the text “free!” in white set within a red oblong shape overlaps the purple square at TL; small green rectangle floats over BRQ of purple square; abstracted face in ULC and to right center of purple square; two green “peaks” at URC; variety of shapes and lines make up rest of composition in green, yellow, red, blue, purple, and black pigments; there is a ½” strip at R edge of paper that is white save four distinct, vertically-oriented green rectangles; frame backing has “James Castle, jca 0674.20, CA 26219” written in black ink at TLC; printed label with artist name, title, medium, and dimensions affixed to backing along with “Knoedler & Company” label, framers label, a red ticket marked “sold,” and a side from an old ice cream box marked, “Home Dairies vanilla ice cream” — Untitled (Free!), after 1960
James Castle

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black and white photograph of crowd of walking people in foreground and palm trees in background; black wood frame with plexi — People of Keny Walking for Polio Vaccinations, Rumbek District, Southern Sudan, 2001 (printed 2009)
Sebastião Salgado

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image of back of a person's head with overlapping cornrows on top, giving way to natural, curly black hair, accented with brown and orange; arch of thin black lines over top of head, with orange and brown color around head as well — Crown, 2002
Emma Amos; Publisher: Emma Amos

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abstract image; black ground; wide red curving lines bordered in multicolored lines; lacy elements around curves; forms filled with white chalk-like coloring; multicolored lines over curving forms; top and bottom borders are yellow and red; left and right borders are mottled multicolors — Pergusa Three, 1983
Frank Stella; Printer: Tyler Graphics, Ltd., Mount Kisco, New York; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

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large drawing with numerous layers of lines and scribbles overlapping until forming a dark, textured mass that occupies the majority of the center and down into LRQ; squared off section in LLQ — Untitled 978 W, 1997-98
Il Lee

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colored etching; woman in center, PL arm raised throwing yellow flower petals into a well in a sparsely wooded area; large tree next to well, trunk curves upwards toward left; man looking out behind large tree watching woman at well; boarder of white flowers edges LLC, reaching upwards to top left corner and along the bottom toward LRC; pink hearts scattered along top and sides of image — Vignette (Wishing Well), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

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black and white etching of a portrait of a man; gazing toward PR; wearing a dense gray robe with black and white pointed lines; black background — Untitled (Handsome Young Man), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

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portrait of a woman in a white dress; facing PR with her eyes looking straight ahead; hair pulled back in high pony tail; white background with black flecks — Untitled (Young Woman), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

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black-and-white 3/4 length portrait of a woman with long dreadlocks or braids, with shorter braids/dreadlocks on the top of her head, with her eyes closed and hands raised with palms facing out; woman wears a headband, beaded necklace with two large gems and two small skulls, and a dark long-sleeved shirt — See-Line Woman (The General), 2019
Renée Stout

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abstract black-and-white mixed media drawing; horizontal lines throughout; dense, black center; diagonal line from UL to LR — The Third Entity #10, 2016
Jack Whitten

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repeating layered squares in nine rows; four rows of squares at top include text from birth certificates--printed and hand written--against a dark ground, with painterly blue, red and yellow stripes over the top; five rows of squares at bottom are hand written names and numbers with similarly colored painterly stripes over the top; squares form a basketweave pattern — DNA Etching I, 2015
McArthur Binion; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

%C2%A9 Martin Puryear

Black Cart, 2008

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

abstract image; two large symmetrical arcs with a vertical white line between them; ovoid space beneath arc on left has horizontal pattern like paving stones of irregular shapes; space beneath arc on right is mottled black and grey; line drawings in brown in ULC and LRQ of right angles with arcs and two symmetrical arcs in URC — Lean To, 2012
Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

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abstract image in greys, black and white; roughly cornucopia-shaped form with white oval at bottom; lines extending up from center of oval to rounded knob in ULC; mottled grey ground — Phrygian (Cap in the Air), 2012
Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

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layers of black paper of different sizes shot through with bullet holes, with staples sticking out of edges, in a black shadow box; shipped with removable Plexi cover--meant to be displayed without cover — Smoke 1, 2015
Mitchell Squire

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triptych: R image: female figure in white silhouette facing R, with hair in kerchief, bare chested, puffy apron or skirt; C image depicts silhouetted female upper torso and head, being pulled by three smaller silhouetted figures with rope at L, and pushed by two smaller silhouetted figures at R; L image masculine figure in white silhouette wearing ponytail wig, high-necked jacket, holding a burning candle in outstretched hand — Resurrection Story with Patrons, 2017
Kara Walker; Printer: Burnet Editions, New York; Publisher: Sikkema Jenkins & Co., New York

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%C2%A9 Estate of Charles White

Jessica, 1970

Charles White; Printer: Joseph Mugnani, American, born Italy, 1912–1992 and Hugo Mugnani, American, 1916-2001, Los Angeles

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matte black patina; relief carving with pairs of guns and saws, feathers, roundel with open book and flames; rectangular — Songbird, 2009
Aaron Spangler

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abstract image in orange, yellow, white and blue pigments; orange background with three blue circular shapes on left, center and right; long, thin white shapes placed diagonally and intersecting at center; trapezoidal yellow shapes behind blue circles; yellow rectangle on right — Untitled, 1971
Herbert Ferber

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abstract drawing with grey ground and black geometric forms and curvilinear lines; black, distressed wood frame with a silver inset — Untitled (Cap d'Antibes), 1953
George Morrison

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abstract painting; black and gray curving lines; red, yellow, blue rectangles stacked like steps near C; yellow, red, blue splatters; silver frame — Untitled, 1988
Louisa Chase

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organic and inorganic forms in bright multicolors; primarily vertical format; accordion pleated, curling forms on base--primarily red with blue, green and yellow; several brightly-colored lotus seed pods; two folding fans--one primarily blue, the other primarily tan, both with multicolored flecks; blue gourd shape with flecks of color near top; some hand tools at top — Tarot, 1984
Nancy Graves

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four applied rectangles on top half of sheet--three on top, with one beneath; rectangles from left to right: green square with white flower at top and white lines at bottom, white rectangle with reddish-purple stylized torso and head of figure with open mouth with white horizontal line on chest, purplish-red rectangle with thin circular white scratch-outs; irregular rectangle of soiled white cloth with blue stripes and pattern in ULC beneath green rectangle; some black ink vertical scratchy lines beneath rectangles; black ink splatters, ULC; brown and reddish brown vertical and horizontal waxy marks around rectangles; ground paper is white with pale grey — Untitled, 1981
Hannelore Baron

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grey-peach wash on bottom of ground, with touches of peach and yellow at bottom center; six applied rectangles of various sizes and orientations at center, including vertical strips of cloth (maroon and blue stripes beneath dirty cream-colored cloth) at center top; grey abstract splotchy imagery at left on largest rectangle (standing figure?); thin lines in sketchy letter-like configurations at bottom center, on applied rectangle in ULQ in reddish-black and on soiled blue and white striped fabric at left center; rectangle of red with white scratches circular design at center bottom — Untitled, 1981
Hannelore Baron

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hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; triangular shaped element at top center — Untitled, 2014
Rosana Castrillo Diaz

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hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; shaded ground space at right — Untitled, 2014
Rosana Castrillo Diaz

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abstracted female figure clutching white object patterned with ribbon, swirl motif, obscuring most of body; skeletal fingers in dark blue visible through the white motif; face has shadowy, indistinct features; overall pallet of purples and white; purple background with blue swaths along lower edge, orange lines; white frame — Urkindifuratira (You Turned Your Back on Me), 2017
Portia Zvavahera

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standing woman with long red hair, wearing orange helmet and breastplate and white skirt, holding a white flag on a red pole with her PL hand and blowing into an orange horn held in her PR hand; red sunrise behind her; ground made of various pieces of torn and cut cardboard, including corrugated cardboard and other types of packaging; piece disassembles into two vertical sections which affix together with Velcro — National Union of Women's Suffrage Societies (Illustration by Caroline Watts, Poster for March and Mass Meeting, London, England, 1908), 2017
Andrea Bowers

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abstract painting; a dark palette with green and blue undertones; red, white, yellow and grey splatters throughout — July Night, 1994-1995
Pat Steir

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interior kitchen scene; seated figure in red shorts and a white t shirt, cigarette in PR hand, while PL hand holds a pink cup resting on a table; standing figure in a suit holding a stack of money in both hands; stove and sink on center left — The Smoker's Dilemma, 1990
Hugh Steers

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black gessoed paper with visible brushstrokes and semiglossy finish; three large silver-black layered rectangles; one large complete rectangle on right side, with upper left rectangle implied to be layered underneath by intersecting at downwards angle; third rectangle angled upward underneath other rectangles at lower left; long narrow hole between where right rectangle touches upper left rectangle; hole has irregular edges with partially exposed lower layers of gesso; some brown gesso or paper layers exposed at top of hole; rectangles have darkened shadow-like effect around edges — #24, 2018
David Goldes

Not on View

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