Image of a woman with dark hair piled on the top of her head looking toward the viewer's left; she is wearing a robe with a cream ground and slightly darker tan grape leaves and vines on it as well as a black sash; the front of her robe is open and she holds a mostly bald child to her breast; the child reaches up to her sternum with its PL arm; framed in dark wood — The Wife, 1802
Kitagawa Utamaro; Publisher: Yama-Mura

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river scene with two weeping willow trees; figures with fishing pole and basket in LLC, with nude bather with a fish; three figures fishing at left in middle ground; people with nets at right in middle ground; winding river — Catching Sweetfish in the Tama River under the Autumn Moon, c. 1844-47
Utagawa Hiroshige

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abstracted image of three colorful horses running from right to left against a brown ground with concentric circles in yellow at left — Untitled [Three Horses], 1969
Nakayama Tadashi

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five sailboats; bright sky with orange at horizon fading to yellow and darkening blue at top; thick tree branch in foreground curling to left; grey and white clouds — Arriving Ships, 1920s
Takahashi Shōtei; Publisher: Watanabe Shōzaburō

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black stone lantern-like form at left with blue post with grey top to right of lantern; path and stairs to a standing Buddha sculpture in URQ with a building beyond and second building to right; swirling sky in shades of blue with orbs of light in yellow, salmon, and white — Mount Osore, 1976
Sekino Jun'ichirō

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very large hanging red lantern with black characters on front, with a smaller brown lantern with gold characters in front of it; men in Western dress (overcoats and fedora hats) and women in kimonos on steps in foreground — Great lantern at Asakusa Kannondō, 1950s
Kasamatsu Shirō; Publisher: Watanabe Shōzaburō

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abstract image; mottled red and grey ground; painterly black triangle in LLQ with blue and red at center; embossed painterly white doughnut shape at top — “a small happiness”, 1967
Nakayama François (Masami)

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abstract image; two blue forms with mottled black on black ground; top form has lavender circle and black asterisk shape; bottom form has yellow teardrop shop and two linear black forms — Poem 68-12, 1968
Maki Haku

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red and white gateway; two women beneath a blue umbrella; falling rain — Kasuga Shrine, Nara, April 1933
Kawase Hasui; Publisher: Watanabe Shōzaburō

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two children under a turquoise umbrella walking among white and lavender irises in rain; smaller child a left wears pink kimono with black and white leaf pattern and yellow obi; larger child at left wears brown and white star patterned kimono and pink obi — Irises in the rain, 1950s
Kiyohara Hitoshi

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eight barefooted figures wearing identical garments (black and orange plaid skirts, pale pink star-patterned garments on upper body trimmed with tan fabric with orange flowers on shoulders, and headbands), with a fantastic animal-headed costume with tan and orange patterned fabric body and black hairy tail in ULC; figure at lower left holds a fan — Lion Dance by Ichi, Naokichi, Kayo, Ise, Riyo, Hide, Rika, and Yae, c. 1776-81
Isoda Koryūsai

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interior view with baby sleeping in a basket in LLC; hearth with a fire under a brazier, LRC; open short doorway and window with a view of pair of chickens in yard and peak of a roof; two hanging pheasants at right center; three strands of orange fruits or vegetables hanging in URC; black, red, and green — Untitled [House in Shirakawa], 1960s
Minagawa Taizō

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view of a garden through an open doorway with tree at center; grid of paper-covered sliding door at right; grey and black — Garden of a Zen Temple, 1964
Kasamatsu Shirō (self-published)

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long, slightly-arcing, brown bridge with supports in groups of five pillars; calm water; tree branches at top and URC — Seta Bridge, 1933
Yoshida Hiroshi (self-published)

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three tall bare trees in foreground; water in middle ground; salmon-colored building on opposite shore — Morning at Okayama Castle, 1955
Kawase Hasui; Publisher: Watanabe Shōzaburō

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people wearing predominately blue garments working in a field with yellow crops; brown steer at right center; blue mountain peak in background — Harvesting, 1953
Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Nagashima Michio

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predominately orange, yellow, and brown; abstracted horizontal rows of orange and yellow grasses; three figures in grey at rigth center; buildings at top with orange roofs — Ohara in Autumn, 1963
Kasamatsu Shirō (self-published)

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temple with white walls and brown timbers; building at center and smaller building surrounded by water at left; three tall trees in front of central building; salmon-colored clouds — Kikō Temple, Nara Prefecture, 1950
Kawase Hasui; Printer: Ono Gintarō

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abstracted landscape with grey form in foreground, LLC; blue forms at center/middle ground; pink-orange sky with pale grey-blue clouds at top — Haleakala Crater, c. 1953
Yoshida Tōshi

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grey scrubby field in foreground with a two-wheeled flat cart at left; buildings at right in middle ground; blue mountain with snow at peak in background — Mount Iwamoto, 1976
Sekino Jun'ichirō

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tan two-level building in falling snow; figure in black with dark red umbrella and figure in green with yellow stripes with blue umbrella at left; water in froeground; snow on evergreen trees — Snow at the Silver Pavilion, 1951
Kawase Hasui; Publisher: Watanabe Shōzaburō

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Haniwa (2), 1960s

Saitō Kiyoshi

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hand with index finger pointing up in LRQ; various flowers against a black ground--salmon, white, blue, purple, with stemlike lines; yellow wedge form at top, URQ — “-- but fadeless in Heaven”, 1968
Nakayama François (Masami)

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village street with setting sun; buildings at each side of street; walking figures; power poles — Twilight at Imamiya Street, Chōshimachi, 1950s
Ishiwata Kōitsu; Publisher: Watanabe Shōzaburō

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tiger seen from front, with its head resting on its PR leg — New Year's Card: Tiger, 1987
Yoshida Tōshi (self-published)

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people on a dock in LRC; boats on water; silhouettes of buildings on opposite shore — Sumida River Afternoon, 1926
Yoshida Hiroshi (self-published)

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whole pomegranate at left; half of a pomegranate at right; fluted green surface; black ground — Pomegranates, 1970s
Itō Wako

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snow-covered village, trees, and bridge seen from a distance, with only green beneath snow; calm water with three boats in URQ; birds flying in sky; brilliant orange thin clouds; sun at horizon line center; dark blue sky at top; brown patterned border — Snow on New Year's Day at Susaki, 1831-1832
Utagawa Hiroshige

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view down onto a village in mountains with buildings with red roofs, LRQ; green trees; snow-covered mountain peaks in distance; blues in middle ground — Morning in Darjeeling, 1932
Yoshida Hiroshi (self-published)

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tower and village buildings in brown, white, and blue; building with flowers on balcony at center; falling rain; figure with yellow umbrella at left — Kanetsuki Hall Bell Tower, Okayama, 1947
Kawase Hasui; Publisher: Watanabe Shōzaburō

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blooming cherry blossoms in foreground at bottom; standing figure with a long oar on a boat in LRQ; two arching brown wood and grey stone bridges in middle ground; trees in distance — Spring Evening at the Kintai Bridge, 1947
Kawase Hasui; Publisher: Watanabe Shōzaburō

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rushing water; pinkish-brown rocks in foreground and at top — Nakabusa River, 1926
Yoshida Hiroshi (self-published)

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view through a window with a hanging lantern in URQ of a triangular brown and black house with a black cow in front; white mountain peaks in background — Shirakawa-mura, 1964
Minagawa Taizō

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red bridge over rushing water; grey stone wall at right; trees at right and left — Shin Bridge, Nikkō, Dec. 1953
Kawase Hasui

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abstract image; black rectangle with embossed circles and doughnut shapes, with one blue circle, on top of two red rectangles with black mottling on a black ground — Seat – 4, 1968
Maki Haku

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beach with water at right; boats in middle ground on sand, with several figures and buildings behind figures; cluster of trees behind buildings; rolling mountains in distance — Shirahama, 1937
Yoshida Hiroshi (self-published)

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slightly blurry image of trees and heavy foliage on opposite shore with calm water in foreground; branches with leaves at top — Pond (Inokashira), 1976
Okamoto Shōgo

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large tree with grey trunk and black silhouetted branches and leaves; woman and child with umbrellas at bottom center; grey misty sky; low horizon line — Rainy Season at Kinokunizaka, 1950s
Kasamatsu Shirō; Publisher: Watanabe Shōzaburō

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view of a village street at night, with pairs of figures walking; buildings with round lanterns; power pole in ULQ — Evening at Sōemon-chō, Osaka, April 1933
Kawase Hasui; Publisher: Watanabe Shōzaburō

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two brown houses on stilts; woman working on a loom and spinning wheel inside house of left; figure carrying a basket on their head, accompanied by a black and white cow, in LLQ, with three large plants; kayak in LLC; palm trees in background — Farming house, 1961
Isa Kunio

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Mt. Fuji with orange sky; row of buildings and power poles along a grey road extending back toward right; figure with a child on road; glowing orange sign on nearest power pole; orange glow in windows — Fuji from Yoshida, 1958
Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Ōkura Hanbei III

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sailboats on calm water, reflected in blue; pink and pale grey sky; grey-purple mountains — Morning of Abuto, 1930
Yoshida Hiroshi (self-published)

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standing woman in an interior wearing a long blue kimono with light blue and white bird designs; inset picture of table with people wearing blue, eating, and a large barrel on wheels with rice — Hour of the Snake, Fourth Hour of Day, c. 1822-26
Utagawa Kunisada; Publisher: Enomotoya Kichibei

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pink blooming bushes at left and right; three very tall, large trees left of center; brown building at center middle ground with figures — Azalia Garden, 1938
Yoshida Hiroshi (self-published)

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abstracted landscape with fences in foreground and at horizon line in URQ; wooden structure in LLQ; green wedge (water?) at left at horizon line; shades of tan — Sand Hill, 1960s
Fukui Ryōnosuke

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mountain landscape with large purple and white snow-covered peak; green valley with trees and building at left in foreground — Wetterhorn, 1925
Yoshida Hiroshi (self-published)

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standing man holding a yellow box with a white cloth in his PL hand; man wears outer kimono with round designs with pale tan flowers and background of green wavy lines and leaf motifs; green and orange under-kimonos; PL arm outstretched, PR hand in fist at chest — The actor Matsumoto Kōshirō V as Morozumi, in reality Hakamadare Yasusuke, c. 11th lunar month 1808
Utagawa Toyokuni

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view across a pond in a garden, with rocks at left with tuft of foliage; trees, flowering shrubs in pink and white, and buildings on opposite bank — Garden, 1954
Yoshida Fujio (self-published)

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seated tiger looking over its PL shoulder; pine tree with black and white bird in ULQ — Tiger, 1973
Han Jin Hae

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grey and black; abstracted view of tall, straight tree trunks with wavy lines of smoke in middle ground — Bon Fire, 1959
Kasamatsu Shirō (self-published)

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woman with three hair ornaments, wearing garment with grey and white dotted sleeves, red sleeve linings with white swirls, and purple and white collar with star designs, holding up a piece of paper, rolled at the ends, in both hands — Woman Reading a Letter, c. 1802-03
Kitagawa Utamaro

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six hanging lanterns with various openwork designs in a dark temple; deer outdoors in LLQ; red walls on exterior visible through windows at top — Kasuga Shrine, 1964
Kasamatsu Shirō (self-published)

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grey and white kitten in ULQ; loops of grey yarn, LRC; grey ground — Kitten and Knitting Wool, 1950s-60s
Aoyama Masaharu

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irregular white rectangle with embossing; black ground; yellow circle with embossing in ULQ — Emanation – 6, 1960s
Maki Haku

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tan geometricized buildings, ramp, and crane; black openwork tower at left; grey in foreground; three flying birds in URQ; mounted to second sheet of paper — Factory, 1966
Ono Tadashige

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Ozeki Kazushichirō, 1873

Utagawa Yoshitsuya; Publisher: Kimura Sadagorō

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standing man wearing a grey kimono and a light brown obi; with a green basket on his PL hip and a yellow object in his PR hand — The actor Matsumoto Kōshirō V as Nihon Daemon, 3rd lunar month 1811
Utagawa Toyokuni; Publisher: Suzuki Ihei

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view of shoreline with boats on brown shore; four boats in foreground on water, LLQ; lines of boats in middle ground in distance at left center; snow-covered mountain peak in background — Peaceful Rishiri, 1938
Yoshida Hiroshi (self-published)

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slate grey and brown building in the snow, with a figure with an orange umbrella in LLQ — Snow in Hiunkaku, Nishihonganji Temple, Kyoto, 1953
Asano Takeji; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Ōkura Hanbei III

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abstract image; two red organic forms with mottled black on a black ground; top form has an orange crescent; bottom form has an orange teardrop and black linear and curving marks — Poem 68-21, 1968
Maki Haku

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elaborate gateway in white, grey, blue, and gold, flanked by red, blue, and khaki green structures; row of grey lanterns in foreground; snow — Snow at Yomei Gate, Nikko, 1952
Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Nagashima Michio

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two gateways with arcing roofs in brown and slate grey, on top of tan brick walls; two figures in white beneath largest gateway — West Gate, Suwon, Korea, 1940
Kawase Hasui; Publisher: Watanabe Shōzaburō

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people outside and on raised platform in front of a brown and white temple gate, extending back at the left, with a small herd of deer in LRQ; stalls and trees at left — Daibutsu Temple Gate, 1940
Yoshida Hiroshi (self-published)

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abstracted landscape with dark blue mountain at left; smaller maroon mountain at center; two-toned grey rocky peak at right, with blue peak at far right; sky is two shades of salmon; blue mountains in distance; grey foreground — Untitled [Mountains], 1970s
Yoshida Tōshi (self-published)

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white castle with brown roofs in distance; trees in foreground and middle ground — Himeji Castle, Morning, 1926
Yoshida Hiroshi (self-published)

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two organic red forms with mottled black on black ground; each form has an orange teardrop shape and black curving and linear forms — Poem 68-14, 1968
Maki Haku

Not on View

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