🔎 creditline:"Gift of Herschel V. Jones" | Mia

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The Musician, Jean-Baptiste Le Prince — The Musician, 1768
Jean-Baptiste Le Prince

G317

268 folios, incorrectly numbered, in a fifteenth-century binding of stamped parchment, bronze bosses and leather fastenings — Antiphonary, 1439
Unknown , Germany (Nottuln), 15th century

Not on View

Study for 'Pointe des Charbonniers, Akaroa', Charles Meryon — Study for 'Pointe des Charbonniers, Akaroa', 19th century
Charles Meryon

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unique touched impression — Battersea Reach, 19th century
Francis Seymour Haden

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The Death of Virginia, Unknown Italian; Artist: ?Follower of Robetta (Cristofano di Michele Martini) — The Death of Virginia, 16th century
Unknown Italian; Artist: ?Follower of Robetta (Cristofano di Michele Martini)

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The Fish Seller, from the Marine Set, Ludolph Backhuysen — The Fish Seller, from the Marine Set, 17th century
Ludolph Backhuysen

G344

Raam Poortie, Reinier Nooms (Zeeman) — Raam Poortie, 17th century
Reinier Nooms (Zeeman)

G344

Goats, Adriaen van de Velde — Goats, 17th century
Adriaen van de Velde

G344

Two Sheep, Adriaen van de Velde — Two Sheep, 17th century
Adriaen van de Velde

G344

The Wheel Underneath the Hay Barn, Allart van Everdingen — The Wheel Underneath the Hay Barn, 17th century
Allart van Everdingen

G344

Village Fair with Charlatans, Constantijn van Renesse — Village Fair with Charlatans, 17th century
Constantijn van Renesse

G344

The Fiddler and the Hurdy-Gurdy Man, Adriaen van Ostade — The Fiddler and the Hurdy-Gurdy Man, 1660
Adriaen van Ostade

G344

The Ox-Cart View between Ancona and Sinigaglia, Jan Both — The Ox-Cart View between Ancona and Sinigaglia, 17th century
Jan Both

G344

Third View of the Ij from the Marine Set, Ludolph Backhuysen — Third View of the Ij from the Marine Set, 17th century
Ludolph Backhuysen

G344

Set of a series of horses — Villager Holding a Horse by the Bridle, 17th century
Dirk Stoop

G344

The Dance Under the Trellis, Adriaen van Ostade — The Dance Under the Trellis, 1652
Adriaen van Ostade

G344

Two Horses at the Watering Trough, Dirk Stoop — Two Horses at the Watering Trough, 17th century
Dirk Stoop

G344

The Boat Set Afloat, from the Marine Set, Ludolph Backhuysen — The Boat Set Afloat, from the Marine Set, 17th century
Ludolph Backhuysen

G344

St. Antonis Poort, 1636, Reinier Nooms (Zeeman) — St. Antonis Poort, 1636, 17th century
Reinier Nooms (Zeeman)

G344

Het Naerder veer, Reinier Nooms (Zeeman) — Het Naerder veer, 17th century
Reinier Nooms (Zeeman)

G344

The Fourth Spring at Spa, Allart van Everdingen — The Fourth Spring at Spa, 17th century
Allart van Everdingen

G344

Ewe and Lamb, Jan van der Meer II — Ewe and Lamb, 1683
Jan van der Meer II

G344

Cottage and Farm Buildings with a Man Sketching, Rembrandt van Rijn — Cottage and Farm Buildings with a Man Sketching, c. 1642-1645
Rembrandt van Rijn

G344

The Milvian Bridge over the Tiber, Jan Both — The Milvian Bridge over the Tiber, 17th century
Jan Both

G344

The Flute Player, Claes Pieterz Berchem — The Flute Player, 17th century
Claes Pieterz Berchem

G344

The Large Village Fair, Cornelis Dusart — The Large Village Fair, c. 1685
Cornelis Dusart

G344

La Caffarelle, Jan Ossenbeck — La Caffarelle, 17th century
Jan Ossenbeck

G344

The Vision of St. Bernard, Dirk Jacobsz. Vellert — The Vision of St. Bernard, 1524
Dirk Jacobsz. Vellert

Not on View

Christ on the Cross with Two Saints, Master AG — Christ on the Cross with Two Saints, 15th century
Master AG

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We Will Taste, or Young Girl with a Pitcher, Auguste Louis Lepère — We Will Taste, or Young Girl with a Pitcher, 1890
Auguste Louis Lepère

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Young Girl with a Pitcher, Auguste Louis Lepère — Young Girl with a Pitcher, 1890
Auguste Louis Lepère

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Eve, Johann Ladenspelder — Eve, 16th century
Johann Ladenspelder

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First edition; one sheet from a set of eight woodcuts — Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)
Albrecht Dürer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

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Bound album, p.4 — Kalmyk Soldiers at Rest, 1772
Jean-Baptiste Le Prince

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Bound album, p.9 — The Nurse, 1768
Jean-Baptiste Le Prince

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Bound album, p.3 — The Page Boy, 1769
Jean-Baptiste Le Prince

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Bound album, p.11 — The Russian Dance, 1769
Jean-Baptiste Le Prince

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Bound album, p.17 — The Peasant, 1768
Jean-Baptiste Le Prince

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Bound album, p.1 — The Travelers, 1769
Jean-Baptiste Le Prince

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Bound album, p.6 — The Geniuses, c. 1770
Jean-Baptiste Le Prince

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Bound album, p.2 — The Gazette, 1771
Jean-Baptiste Le Prince

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Bound album, p.53 — Head of a Young Woman in a Headdress, Leaning Left, 1768
Jean-Baptiste Le Prince

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Bound album, p.17 — The Magician, 1768
Jean-Baptiste Le Prince

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Bound album, p.17 — The Housewife, 1768
Jean-Baptiste Le Prince

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Bound album, p.52 — A Suite of Headdresses, 1768
Jean-Baptiste Le Prince

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Bound album, p.53 — The Wagon Driver and the Milkmaid, 1768
Jean-Baptiste Le Prince

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Bound album, p.5 — The New Poetry, c. 1770
Jean-Baptiste Le Prince

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Bound album, p.9 — The Story Tellers, 1768
Jean-Baptiste Le Prince

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Bound album, p.7 — Polish Janissary Officer, 1771
Jean-Baptiste Le Prince

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Bound album, p.10 — View of the Surroundings of Nerva, 1773
Jean-Baptiste Le Prince

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Bound album, p.2 — The Harbor, 1769
Jean-Baptiste Le Prince

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Bound album, p.53 — Head of a Bearded Man, Leaning Back, 1768
Jean-Baptiste Le Prince

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Bound album, p.2 — The Art of Pleasing, 1771
Jean-Baptiste Le Prince

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Bound album, p.13 — The River Boat, 1773
Jean-Baptiste Le Prince

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Bound album, p.2 — The Cart, 1769
Jean-Baptiste Le Prince

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Bound album, p.52 — Head of Turk without a Moustache, 1768
Jean-Baptiste Le Prince

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Bound album, p.8 — The Cradle, 1769
Jean-Baptiste Le Prince

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Salome Receiving the Head of Saint John, Hendrik Goudt; Artist: after Adam Elsheimer — Salome Receiving the Head of Saint John, c. 1607-1609
Hendrik Goudt; Artist: after Adam Elsheimer

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St. Philip, Lucas Huygensz van Leyden — St. Philip, 1510
Lucas Huygensz van Leyden

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Christ on the Cross with Mary and Saint John, Unknown German, 15th century — Christ on the Cross with Mary and Saint John, c. 1460
Unknown German, 15th century

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1st edition, Latin text — The Assumption of the Virgin, 1510 (1511)
Albrecht Dürer

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The Man of Sorrows, Unknown German, 15th century — The Man of Sorrows, c. 1480-1490
Unknown German, 15th century

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1st edition, Latin text — Christ Taking Leave of His Mother, 1507 (1511)
Albrecht Dürer

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The Falconer and a Noble Lady, Israhel van Meckenem — The Falconer and a Noble Lady, c. 1495-1503
Israhel van Meckenem

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1st edition, Latin text — The Death of the Virgin, 1510 (1511)
Albrecht Dürer

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The Third Foolish Virgin, Martin Schongauer — The Third Foolish Virgin, c. 1480-1488
Martin Schongauer

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Design for Tankard With a Landscape, Paul Flindt the Younger — Design for Tankard With a Landscape, c. 1594
Paul Flindt the Younger

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St. Sebald, Sebald Beham — St. Sebald, 1521
Sebald Beham

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Christ Carrying the Cross, Master WH; Artist: Reworked by Master AG; Artist: After Martin Schongauer — Christ Carrying the Cross, c. 1480–90
Master WH; Artist: Reworked by Master AG; Artist: After Martin Schongauer

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Allegory of Mother Earth, Robetta (Cristofano di Michele Martini) — Allegory of Mother Earth, 15th century
Robetta (Cristofano di Michele Martini)

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St. Simon, Lucas Huygensz van Leyden — St. Simon, 16th century
Lucas Huygensz van Leyden

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St. James Major, Lucas Huygensz van Leyden — St. James Major, 1510
Lucas Huygensz van Leyden

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St. Andrew, Lucas Huygensz van Leyden — St. Andrew, 1510
Lucas Huygensz van Leyden

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L border is scene of crucifixion of Christ; ULC is God the Father preaching to seven winged angels; middle L side is tower where top is a figure pointing towards LRC, where pregnant woman is standing reading the prophesy of Islam from a podium; on chair on opposite side of podium has basket of wool; angel holding a lily walks toward woman; two rays on her; appears as if standing inside architectural structure; R border is building; URC is cloud with man kneeling and one blessing by raising his R hand; eight Chinese characters by scene and figures — The Annunciation, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Artist: after Jérôme Nadal; Publisher: Giulio Aleni

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interior scene; bottom R shows Christ seated with five figures immediately surrounding him-three looking and two above his head are poking him, placing crown of thorns on his head; in foreground is a knife next to branches of thorns; to R two figures with shields dressed in military garments stand as if watching; on L is guard in same attire; guards throughout interior; through outside the doorways on L hand side is Christ walking head looking down, appears as if figures are holding his hands behind his back; Chinese symbols by each depiction of Christ and one symbol above doorway, third one in — The Mocking of Christ, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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interior scene with two windows; UL window is scene of Christ having walked away from tomb and two Chinese characters, UR is image of Christ preaching and one Chinese character; man in foreground with five people seated at each side, figures in discussion; three winged figures on each side — Caiaphas and the Council of Elders, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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LR side has image of the Virgin under a shelter holding Christ Child; line of figures weave throughout image; most figures bear gifts; mountainous background with western architecture; eight Chinese characters throughout image; star at URC — The Adoration of the Magi, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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interior scene; man seated at door holding crutches with two dogs possibly eating his leg; Christ also at door with five figures at each side; western style building through window; to L of doorway are men in balcony with musical instruments; at LC in foreground is table where food is being prepared and servants bring food to table at R; men and women in 17th century clothing around table at R; one-armed man at foreground holding a stick to chained monkey; four winged creatures at top R; three hold "V" shaped objects — Lazarus at the House of the Rich Man, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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well at R side; line of figures carrying food behind Christ who is pointing into well; woman also points into well; city in background has western influence; at center L is group of people with Christ at center, another group of people to bottom L; Mountain valley setting, well on platform; seven Chinese characters throughout image; woman in distance viewed through well frame carries water jugs, one on head, one in hand; sailboat at UR middle border — Christ at the Well, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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Christ seated at LLC with L hand extended; man sits facing Christ, pointing; various animals in foreground including rabbits, porcupine, fox, and moose; four seated female angels seated at middle R side make offering to Christ who is making sign with R hand; two winged figures/creatures?, a crane and deer at center to middle L side; western architecture in background; four small scenes at top show Christ inn various stages of the Cross; all figures have Chinese characters next to them; one scene at top depicts rays shinning on Christ kneeling, holding a dove; mountain-like setting — Christ in the Wilderness, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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scene of last supper; Christ and eleven male figures seated around table; above table are six circles, each with an image and Chinese character inside; scenes inside circles: (top L to R) a: Christ's charge to Peter b: Christ healing the crippled c: sermon on the mount d: two groups with fire in between them e: turning water into wine f: healing a man; L border is outdoor scene with Christ floating above group of people leaving a building — The Risen Christ Appears to His Disciples, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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scene of St. John the Baptist standing in front of tree, preaching to crowd; two women seated at LRC, one feeding baby; seated woman holding two children at LLC; medieval clothing; western architecture at top half of image with seven small groups of people, possibly in military formation; eight Chinese characters throughout image — Saint John the Baptist Preaching, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637
Unknown Chinese; Publisher: Giulio Aleni

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The Virgin and Child Beside a Palm Tree, Marcantonio Raimondi; Artist: After a drawing by Raphael (Raffaello Sanzio) — The Virgin and Child Beside a Palm Tree, 16th century
Marcantonio Raimondi; Artist: After a drawing by Raphael (Raffaello Sanzio)

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six roundels arranged in two rows, each depicting saints and fantastic creatures — Six Circles: Agnes Dei, St. Veronica, St. Luke, St. John, St. Mathew, St. Mark, 15th century
Israhel van Meckenem

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1st edition, Latin text. — Presentation of the Virgin in the Temple, 1504-1505 (1511)
Albrecht Dürer

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David Beheading Goliath, Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio) — David Beheading Goliath, c. 1520-25
Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio)

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Rhea Sylvia (Romulus and Remus), Heinrich Aldegrever — Rhea Sylvia (Romulus and Remus), c. 1530
Heinrich Aldegrever

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Judith and Holofernes, Michael Wolgemut — Judith and Holofernes, 1493
Michael Wolgemut

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Allegorical Figure, Albrecht Altdorfer — Allegorical Figure, c. 1515-1518
Albrecht Altdorfer

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St. Cecilia with Sts. Paul, John, Augustine, and Magdalene, Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio) — St. Cecilia with Sts. Paul, John, Augustine, and Magdalene, 1515-1516
Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio)

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Judith with the Head of Holofernes, After Andrea Mantegna; Engraver: Unknown Italian, late 15th-early 16th century; Artist: Formerly attributed to Zoan Andrea; Artist: Formerly considered copy after Giovanni Antonio da Brescia — Judith with the Head of Holofernes, c. 1479-1500
After Andrea Mantegna; Engraver: Unknown Italian, late 15th-early 16th century; Artist: Formerly attributed to Zoan Andrea; Artist: Formerly considered copy after Giovanni Antonio da Brescia

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The Birth of Memnon, Follower of Giulio Romano — The Birth of Memnon, 1560 (?)
Follower of Giulio Romano

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Mars, Venus, and Cupid, Lucas Huygensz van Leyden — Mars, Venus, and Cupid, 1530
Lucas Huygensz van Leyden

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Two Cupids Leading Children in a Dance, Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio) — Two Cupids Leading Children in a Dance, c. 1517-1520
Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio)

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Jael Killing Sisera, Lucas Huygensz van Leyden — Jael Killing Sisera, 1516-1519
Lucas Huygensz van Leyden

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Samson and Delilah, Hans Burgkmair — Samson and Delilah, c. 1519
Hans Burgkmair

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The Standard Bearer of Unterwalden, Urs Graf — The Standard Bearer of Unterwalden, 1521
Urs Graf

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Emperor Maximilian I, Lucas Huygensz van Leyden — Emperor Maximilian I, 1520
Lucas Huygensz van Leyden

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Satyr’s Family, Benedetto Montagna — Satyr’s Family, c. 1520
Benedetto Montagna

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left portion — View of the City of Nuremberg from the West, 1552
Hanns Lautensack

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