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Country Landscape, c. 1777

Vervik

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Ice Skaters, 1777

Vervik

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Six-panel half-height screen (chu-byobu) depicting a group of elegantly dressed women enjoying a maple leaf viewing party. Gold clouds in gold leaf cover the upper 1/5 of the top of the composition, while the lower portion is dominated by a white curtain that creates the space of the party. In the right two panels, a group of male figures, one on horseback, has arrived and seems to be communicating with some of the female figures who emerge from behind the curtain.

Maple Viewing Party, first half 18th century

Miyagawa Chƍshun

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The Planisphere of Aratus, plate 8 from Harmonia Macrocosmica, 1647

Andreas Cellarius

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Vaso antico di marmo..., 18th century

Giovanni Battista Piranesi

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Copyright of the artist%2C artist%27s estate%2C or assignees

Fish, 1960

Espinoza

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Sketches of a Soldier, 19th century

François-Claudius Compte-Calix

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Vasi antichi di marmo..., 1768

Giovanni Battista Piranesi

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Veduta degli Uffizi, o sia Curia Fiorentina presa dalla Loggia presso Arno, 1735

Giuseppe Vasi; Artist: After Guiseppe Zocchi

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Frontispiece: Vedute di Roma, 18th century

Giovanni Battista Piranesi

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Plate 53

Obelisco Egizio, 1759

Giovanni Battista Piranesi

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Plate 21

Vedute del Castello dell' Acqua Paola sul Monte Aureo, 1759

Giovanni Battista Piranesi

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Reliquiae Mausolei Augusti, 18th century

Giovanni Battista Piranesi

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The Planisphere of [Tycho] Brahe, plate 6 from Harmonia Macrocosmica, 1660

Andreas Cellarius; Publisher: Johannes Janssonius

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Plate 25

Vedute sul Monte Quirinale del Palazzo dell' Eccellentissima Casa Barberini, Architettura del Cavr. Bernino, 1749 (?)

Giovanni Battista Piranesi

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Plate 66

Veduta delle due Chiese, l'una detta della Madonna di Loreto l'altra del Nome di Maria presso la Colonna Trajana, 1762

Giovanni Battista Piranesi

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%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1968

Arthur Luiz Piza

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View of the Chateau of Versailles from the Orangery, 1716

Pierre Menant

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%C2%A9 Angelica Caporaso

The Dance, 1968

Angélica Caporaso

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The Artificial or Oblique Armillary Sphere, 1740

Nicolas de Fer (after); Engraver: P. Starckmann

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Frontispiece for Volume II of Vasi, Candelebri, Cippi, Sarcofagi, 1778

Giovanni Battista Piranesi

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Plate 52

Colonna Antonina (Column of Marcus Aurelius), 1758

Giovanni Battista Piranesi

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Plate 10

Vedute della Facciata di dietro della Basilica di S. Maria Maggiore, 1749 (?)

Giovanni Battista Piranesi

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Clowns, 1958

Espinoza

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Sketch of a Woman, 19th century

François-Claudius Compte-Calix

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%C2%A9 Kawano Kaoru

Untitled (Girl and a Yellow Bird), 1958

Kawano Kaoru

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Sketch of Two Women, 19th century

François-Claudius Compte-Calix

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abstract

%C2%A9 Kawano Kaoru

Untitled (Girl with Birds), 1950s

Kawano Kaoru

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Sketches of Mother and Child, 19th century

François-Claudius Compte-Calix

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Classical Scene, c. 1800

Angelo Testa; Artist: after Antonio Canova

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Vue de la ville de L'Isle du costĂ© du PrieurĂ© de Fives, et l'armĂ©e du Roi devant la place, en l'annĂ©e 1667/Urbis Insularum, excrcitusq. regii urbem obsidentis ex agro Fibiense prospectus, anno 1667/ ConquĂȘtes et batailles de Louis XIV, c. 1685

Robert Bonnart; Etcher: Adriaen Frans Boudewijns; Etcher: Jan van Huchtenburg; Artist: after Adam Frans van der Meulen

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Lustplaats van den Heer Carolus Boeurs Balliuw van biede de Katwyken en't Zand, 18th century

Netherlands

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Interference, 20th-21st century

Suzanne Runacher

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Le LiĂȘvre pris au gite, 1829

after Jean Ignace Isidore GĂ©rard Grandville

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Cafetiere noire, 20th century

Pierre-Christian Ganne

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Cafe Scene, 1876

Jean-Louis Forain

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Boutonnier Passementier, 1751-1772

Benoit Louis Prevost

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Duces Mediolani, 18th century

Italy

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The Cranberry Girl, 1813-1814

Robert Havell, Jr.; Artist: Daniel Havell

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Vue de la Porte et Place Bourgogne sur le Port de la Ville de Bordeaux, 1755

Pierre-Philippe Choffard; Artist: after Nicholas de Bassemon

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Les cerfs, 1952

Zao Wou-Ki (ZhĂ o WĂș JĂ­); Printer: Edmond Desjobert, Paris; Publisher: La Guilde internationale de la Gravure, Geneva, Switzerland

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Dipsacus Spinosus Americanus, plate 673 from Phytographia Curiosa, 1713

Abraham Munting

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Courses de Chantilly, 19th century

RĂ©gnier, Bettanier, & Morlon (Lithographers); Artist: after Notterman

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Misfortune at Tulip Hall, 1821

after Thomas Rowlandson

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Alighting on the World, 1795

Peltro William Tomkins

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Lit Ă  la Chinoise, 1780

Nicolas Dupin

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Lunaria Chymistarum, Lunaria Botrytis Major Ramosa, plates 726 and 728 from Phytographia Curiosa, 1713

Abraham Munting

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Ben More, 19th century

Scotland (?)

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Vue de la Colonne (Place VendĂŽme), 1833

Adolphe Delastré

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Plate IX, from Les metamorphoses du jour, 1854

after Jean Ignace Isidore GĂ©rard Grandville

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Plate XXXII, from Les metamorphoses du jour, 1854

after Jean Ignace Isidore GĂ©rard Grandville

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La Belle Innocente, 19th century

Guerin

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Prunier domestique, 18th century

after Pancrace Bessa

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Veteres Duces Lotharingiae, 18th century

Italy

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The Custom House, 1799

Thomas Malton Jr.

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De Herberg Rozendael, 18th century

Netherlands

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Flower and Insects, 18th century

Netherlands (?)

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Fall, 20th century

Georges Lambert

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View of the Lake Pao-Yng..., 1796

William Ellis; Artist: Elizabeth Ellis

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Plate XLVI, from Les metamorphoses du jour, 1854

after Jean Ignace Isidore GĂ©rard Grandville

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Autobus à Impériale, 20th-21st century

Claude Bogratchew

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Offering up the Hearts, 1795

Peltro William Tomkins

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Composition, 20th-21st century

Hansjörg Gisiger

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Soldiers, 19th century

Abraham Zeelander; Artist: after Bartlomeus Johannes Van Hove

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Neo-classical Vignette, 18th century

France

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Parte sinistra del Portico che adorna il Cortile nel Museo Rio-Clementino, 19th century

Vincenzo Feoli; Artist: after Francesco Miccinelli

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Escrime..., 1751-1772

Robert BĂ©nard

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Demie Baignoire (No 28) (after Juste-Francois Boucher), 18th century

Nicolas Dupin; Artist: after François Boucher

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Ascends the Hill with Hope, 1795

Peltro William Tomkins

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Custom House, 1808

Augustus Welby Northmore Pugin; Artist: Thomas Rowlandson

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Page from Table of Contents, Phytographia Curiosa, Vol. II, 1713

Abraham Munting

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Coat of Arms: William Cavendish, 19th century

England

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London Bridge, 1799

Thomas Malton Jr.

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The Marriage Festival of Isaac and Rebeckah, 1774-1777

Richard Earlom; Artist: after Claude Gellée (called Le Lorrain)

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Conseil de Cucurbitus ler., from Les Fleurs animées, 1847

after Jean Ignace Isidore GĂ©rard Grandville

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Guanabanus Folio Ficulneo, plate 129 from Phytographia Curiosa, 1713

Abraham Munting

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Debris d'un ancien Temple de Rome, 1756

after Charpentier

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Myrtus Perforata Fructu Albo, plate 142 from Phytographia Curiosa, 1713

Abraham Munting

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Male and Female Partridge, 1761-1766

Peter Mazell

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Regiment de Gardes Francaises, 1845-1853

Gustave David; Artist: after Alfred de Marbot

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Les Free-Massons, 18th century

England

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Horses and Sleigh, 18th century

France

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A La Mode, 1828

William Heath

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Turns Away in Despair, 1795

Peltro William Tomkins

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Garde Nationale de Paris, Plate 1 from 'Galerie Militaire' (1856-1862), 1856-1862

Gustave David; Artist: after Alfred de Marbot

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Trajano, 18th century

Francesco Cecchini

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Classical Urns, 1819

England

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Palais du Cardinael, Mont-Alto Ă  Naples, 17th century

Pieter Mortier

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Music Sheet: The Submissive Admirer, 18th century

George Bickham Jr.

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The Witch, 20th century

Riko Debenjak

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Presentez la baionnette, plate IX from Ordonnance du roi le l'exercise de l'infanterie du 1er janvier 1766, 18th century

after Hubert François Bourguignon Gravelot

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Carpe et mouette, 1950

Johnny Friedlander

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Triumphant, 1795

Peltro William Tomkins

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Classical Vignette, 18th century

Ferdinando Strina

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Les Forces mouvantes, 1737-1738

Nicolas Henri Tardieu

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Venice, 20th century

Eliano Fantuzzi

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Plate XXXVIII, from Les metamorphoses du jour, 1854

after Jean Ignace Isidore GĂ©rard Grandville

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Plate 2 from Livre de differens TrophĂȘes(after Rene Jacques Charpentier), 1736

Gabriel Huguier, le pĂȘre

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Uniting the Hearts, 1795

Peltro William Tomkins

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Mistakes His Mark, 1795

Peltro William Tomkins

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