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The Planisphere of [Tycho] Brahe, plate 6 from Harmonia Macrocosmica, 1660

Andreas Cellarius; Publisher: Johannes Janssonius

Not on View

The Planisphere of Aratus, plate 8 from Harmonia Macrocosmica, 1647

Andreas Cellarius

Not on View
Plate 25

Vedute sul Monte Quirinale del Palazzo dell' Eccellentissima Casa Barberini, Architettura del Cavr. Bernino, 1749 (?)

Giovanni Battista Piranesi

Not on View

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1968

Arthur Luiz Piza

Not on View
Plate 10

Vedute della Facciata di dietro della Basilica di S. Maria Maggiore, 1749 (?)

Giovanni Battista Piranesi

Not on View
Plate 21

Vedute del Castello dell' Acqua Paola sul Monte Aureo, 1759

Giovanni Battista Piranesi

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Vasi antichi di marmo..., 1768

Giovanni Battista Piranesi

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Vaso antico di marmo..., 18th century

Giovanni Battista Piranesi

Not on View
Plate 52

Colonna Antonina (Column of Marcus Aurelius), 1758

Giovanni Battista Piranesi

Not on View

View of the Chateau of Versailles from the Orangery, 1716

Pierre Menant

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The Artificial or Oblique Armillary Sphere, 1740

Nicolas de Fer (after); Engraver: P. Starckmann

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Frontispiece: Vedute di Roma, 18th century

Giovanni Battista Piranesi

Not on View
Plate 66

Veduta delle due Chiese, l'una detta della Madonna di Loreto l'altra del Nome di Maria presso la Colonna Trajana, 1762

Giovanni Battista Piranesi

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Frontispiece for Volume II of Vasi, Candelebri, Cippi, Sarcofagi, 1778

Giovanni Battista Piranesi

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Veduta degli Uffizi, o sia Curia Fiorentina presa dalla Loggia presso Arno, 1735

Giuseppe Vasi; Artist: After Guiseppe Zocchi

Not on View

Reliquiae Mausolei Augusti, 18th century

Giovanni Battista Piranesi

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Clowns, 1958

Espinoza

Not on View

%C2%A9 Angelica Caporaso

The Dance, 1968

Angélica Caporaso

Not on View
Six-panel half-height screen (chu-byobu) depicting a group of elegantly dressed women enjoying a maple leaf viewing party. Gold clouds in gold leaf cover the upper 1/5 of the top of the composition, while the lower portion is dominated by a white curtain that creates the space of the party. In the right two panels, a group of male figures, one on horseback, has arrived and seems to be communicating with some of the female figures who emerge from behind the curtain.

Maple Viewing Party, first half 18th century

Miyagawa Chƍshun

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Fish, 1960

Espinoza

Not on View

Country Landscape, c. 1777

Vervik

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Ice Skaters, 1777

Vervik

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Sketches of Mother and Child, 19th century

François-Claudius Compte-Calix

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Sketches of a Soldier, 19th century

François-Claudius Compte-Calix

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abstract

%C2%A9 Kawano Kaoru

Untitled (Girl with Birds), 1950s

Kawano Kaoru

Not on View

%C2%A9 Kawano Kaoru

Untitled (Girl and a Yellow Bird), 1958

Kawano Kaoru

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Sketch of Two Women, 19th century

François-Claudius Compte-Calix

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Sketch of a Woman, 19th century

François-Claudius Compte-Calix

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Plate 53

Obelisco Egizio, 1759

Giovanni Battista Piranesi

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Page from Table of Contents, Phytographia Curiosa, Vol. II, 1713

Abraham Munting

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Carpe et mouette, 1950

Johnny Friedlander

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Cafe Scene, 1876

Jean-Louis Forain

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Duo Nocturne, 1967

Francesco Stringa

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Chinese Barges of the Embassy, 1796

William Byrne

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Het Margareta-Klooster, en Peterscapel, 18th century

Netherlands

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Veteres Duces Lotharingiae, 18th century

Italy

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Duces Mediolani, 18th century

Italy

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Noisette franche, 1807-1835

after Antoine Poiteau

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Music Sheet: The Thirsty Toper, 1739

George Bickham Jr.

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Iridis Demonstratio, 18th century

Johann Georg Pintz

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Plate XXXII, from Les metamorphoses du jour, 1854

after Jean Ignace Isidore GĂ©rard Grandville

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Plate XXXII, from Les metamorphoses du jour, 1854

after Jean Ignace Isidore GĂ©rard Grandville

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Composition, 20th-21st century

Hansjörg Gisiger

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Prunier domestique, 18th century

after Pancrace Bessa

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Paris, LingĂȘre ambulante, 1824

George-Jacques Gatine

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Italian Alphabet: R, 1797

Gaetano Giarre

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Italian Alphabet: E, 1797

Gaetano Giarre

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Le porteur des pressans se la chasse, from Trophées de chasse, 1741(after Christophe Huet), 18th century

Jean-Baptiste Guelard

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Moor Guide, 1813-1814

Daniel Havell; Artist: Robert Havell, Jr.

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Prunier domestique, 18th century

after Pancrace Bessa

Not on View

London Bridge, 1799

Thomas Malton Jr.

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The Custom House, 1799

Thomas Malton Jr.

Not on View

L'Amour désarmé par la Sagesse, 19th century

Guerin

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L'Amour recoit ses Armes, 19th century

Guerin

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La Belle Innocente, 19th century

Guerin

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VĂ©nus et Apollon, 19th century

Guerin

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Untitled, 1959

Zao Wou-Ki (ZhĂ o WĂș JĂ­); Printer: Edmond Desjobert, Paris; Publisher: L'Oeuvre Gravee, Zurich

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La Rue, 1956

Massimo Campigli

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Busto di Geta, (after Agostino Tofanelli), 18th century

Pietro Fontana

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Astrantia Alpina, plate 377 from Phytographia Curiosa, 1713

Abraham Munting

Not on View

L'Architecture, 1737-1738

Charles-Nicolas Cochin, pĂšre; Artist: After Jacques de Lajoue II

Not on View

Gobelins, 1751-1772

Robert BĂ©nard

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Wharfs, 1812

Thomas Clay

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Towers, 1812

Thomas Clay

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Kilns, 1812

Thomas Clay

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Weeps for the Loss of His Bow and Arrow, 1795

Peltro William Tomkins

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Les Forces mouvantes, 1737-1738

Nicolas Henri Tardieu

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Ascends the Hill with Hope, 1795

Peltro William Tomkins

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Offering up the Hearts, 1795

Peltro William Tomkins

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Pont de conflants, 1961

Claude Bogratchew

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Dreams There is a World, 1795

Peltro William Tomkins

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Turns Away in Despair, 1795

Peltro William Tomkins

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Uniting the Hearts, 1795

Peltro William Tomkins

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Romantic Scene, 1790

Peltro William Tomkins

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Entrée du convoi de Napoléon à Paris, 1841

Louise-Philippe-Alphonse Bichebois; Artist: after Victor Adam

Not on View

Vue et Perspective du ChĂąteau de Versailles et d'une partie de la Ville et de la Paroisse du cĂŽte de l'Etang, c. 1720

Pierre Menant

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Title Page for Atlas historique et géographique, 1762

A. Le Canu; Publisher: De Mornas

Not on View

Page from Table of Contents, Phytographia Curiosa, Vol. II, 1713

Abraham Munting

Not on View

Palais du Cardinael, Mont-Alto Ă  Naples, 17th century

Pieter Mortier

Not on View

Male and Female Partridge, 1761-1766

Peter Mazell

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Jardin du Vise Roy Ă  Naples, 17th century

Pieter Mortier

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Vue de la Ville de Bordeaux et de ses Promenades du cÎté de Chateau Trompette, 1755

Pierre-Philippe Choffard; Artist: after Nicholas de Bassemon

Not on View

Parte sinistra del Portico che adorna il Cortile nel Museo Rio-Clementino, 19th century

Vincenzo Feoli; Artist: after Francesco Miccinelli

Not on View

Regiment de Gardes Francaises, 1845-1853

Gustave David; Artist: after Alfred de Marbot

Not on View

Veduta in prospettiva della Stanza rotunda ove e situata la Biga nel Museo Rio-Clementino, 19th century

Vincenzo Feoli

Not on View

Dipsacus Spinosus Americanus, plate 673 from Phytographia Curiosa, 1713

Abraham Munting

Not on View

Composition VI, 20th-21st century

Marcel Fiorini

Not on View

Busto di Nerone, (after Bernardino Nocchi), 18th century

Pietro Fontana

Not on View

Escrime..., 1751-1772

Robert BĂ©nard

Not on View

La Soupe aux choux se fait dans la marnite, 19th century

France

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Lunaria Chymistarum, Lunaria Botrytis Major Ramosa, plates 726 and 728 from Phytographia Curiosa, 1713

Abraham Munting

Not on View

Rhabarbarum Rotundifolium Verum, 1713

Abraham Munting

Not on View

Dr. Syntax Presenting a Floral Offering, 1821

after Thomas Rowlandson

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Arc Corinthien d'un Théùtre antique, à Vienne, 18th-19th century

Jean-Baptiste RĂ©ville

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Interference, 20th-21st century

Suzanne Runacher

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Untitled, 20th century

Eva-Renée Nele

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Magnetical Experiments, 18th century

J. Pass

Not on View

Samuel Anointing David King of Israel, 1774-1777

Richard Earlom; Artist: after Claude Gellée (called Le Lorrain)

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The Marriage Festival of Isaac and Rebeckah, 1774-1777

Richard Earlom; Artist: after Claude Gellée (called Le Lorrain)

Not on View

Herse and Aglaurus, 1774-1777

Richard Earlom; Artist: after Claude Gellée (called Le Lorrain)

Not on View

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