roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles — Fortune, 1540
Master AS

Not on View

female figure at L holding a large water pitcher, facing a male figure who is reaching for her opposite hand; camels and another man in background at L; wells by their feet; a town with a woman walking back from path at R — Design for Watch Case: Rebecca at the Well, c. 1610-1656
Michel Le Blon

Not on View

red chalk drawing of a woman at center with her arms out stretched looking skyward; clouds at her feet; flanked by two putti — Assumption of the Virgin, 1759-1770
Jean-Robert Ango; Artist: After Domenichino Zampieri; Artist: Formerly attributed to Jean-Honoré Fragonard

Not on View

image of a crowd of people in front of a cathedral; those in foreground are facing the viewer — The Cathedral, 1886 (published 1896)
James Ensor

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wreath with Latin type; interspersed among leaves are circles containing the letters IHS or MA — Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640
Abraham Bosse; Artist: or François Collignon

Not on View

old woman seated in 3/4 view wearing a black fur shawl and black headdress with veil down the back; hands in her lap; facing to the L of the picture plane; matted and in frame with four other prints — Rembrandt's Mother, late 18th-early 19th century
Costantino Cumano; Designer: after Rembrandt Harmensz. van Rijn

Not on View

grouping of three ovals with three circles below, each showing a different biblical scene — Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)
Jacques Callot

Not on View

image of an old bearded man in a jacket with fur collar and cuffs and a black hat with his head turned slightly to his PL, holding spectacles and a drawing instrument, arm on sheets of paper — Joannes Lutma Aurifex, 1656
Jan Lutma the Younger

Not on View

kneeling monk seen from behind, fully hooded with head bowed holding a cross — The Praying Monk, 1826
Johann Friedrich Overbeck

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Grotesque Profile: Man in a High Cap, c. 1629

Rembrandt Harmensz. van Rijn

Not on View

man at center with his PR hand up and a lighter coloring around his head; a group of men gathered around him in an interior space; matted and in frame with four other prints — The Tribute Money, c. 1634
Rembrandt Harmensz. van Rijn

Not on View

row of buildings drawn in in linear perspective with an emphasis on the diagonal; square appears to float in UL corner — Street, 1915
Lyonel Feininger

Not on View

man reclining on a bed with a youth facing him in the foreground; woman and youth to the R under an arch — Isaac Blessing Esau, 1741
Count Anton-Maria Zanetti the Elder; Artist: after Raphael (Raffaello Sanzio or Santi)

Not on View

head and shoulders of an old woman wearing a large fabric headdress and a garment with a fur-lined collar; facing to the R of the picture plane — Bust of Woman in Heavy Headdress, 1631
Rembrandt Harmensz. van Rijn; Artist: Plate reworked by Johannes van Vliet

Not on View

two groupings of three ovals each; each oval showing a different biblical scene — Six Ovals from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)
Jacques Callot

Not on View

loose geometric drawing of a woman's head and shoulders, facing to the right of the picture plane — Head Study, Facing Right, 1915-1920
Ernst Ludwig Kirchner

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four nude children in a landscape — Cupid and Three Putti, 1506
Marcantonio Raimondi

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two groupings of two ovals with two circles below, each showing a different biblical scene — Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)
Jacques Callot

Not on View

man in background and woman in foreground walking toward the right edge of the picture plane; woman holding a walking stick; loose drawing of foliage in background in front of figures; matted and in frame with four other prints — Two Tramps, a Man and a Woman, c. 1634
Rembrandt Harmensz. van Rijn

Not on View

woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane — Lucretia, early 1640s
Guercino (Giovanni Francesco Barbieri)

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Hercules Fighting the Centaurs, From the Labors of Hercules, Sebald Beham — Hercules Fighting the Centaurs, From the Labors of Hercules, 1542
Sebald Beham

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loose line drawing of a man sitting in a rocking chair; rocking chair faces to the left of the picture plane — Man in a Rocking Chair, c. 1908
Marsden Hartley

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view of a church built into a hill with long stone staircase and two short spires cropped by image frame; a house is also built into the hillside to the front and R of church — Estaing (Aveyron), From French Church Series, 1947
John Taylor Arms

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Letter I: bowl with fountainlike foliage at center; standing putti at each side, one at L holding a melon, and the one at R holding a branch — Ornamental Initial I, early 16th century
Georg Lemberger

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female figure with hat and scarf sitting, cradling an infant; male figure at LL watches; trees framing scene at L; mountain with castle in background — Rest on the Flight into Egypt, c. 1515-1519
Albrecht Altdorfer

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Freely sketched trees on a gentle embankment at left; open space with distant mounds at right; two tiny figures near the trees. — The Two Landscapes (Right), c. 1630
Claude Gellée (called Le Lorrain)

Not on View

head of elderly woman with large white headdress covering hair and ears; pensively looking downward; portion at L seems to be darker compared to grayish tone of other inking — The Artist's Mother: Head Only, Full Face, 1628
Rembrandt Harmensz. van Rijn

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bust of a male figure with narrowed eyes, with a smirk and a large nose, wearing a large hat; ruffles at collar — The Laughing Peasant, c. 1620-1665
Cornelis Bega

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Jesus on cross with halo and Inri sign over head; flanked by two others on crosses; crowd with daggers standing in front of Jesus — The Crucifixion, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth — Eve with the Serpent, 1526
Jacob Binck

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four figures in Renaissance-era clothing lowering a dead body into a grave; two women at R, one looks outward, and the other one prays; another man stands to the far R; crown of thorns LLC, and opening to cave in background — The Entombment, From the Engraved Passion, Plate 13, 1512
Albrecht Dürer

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two men in elegant robes standing by a heavily dressed and ornamented horse; a man at R offers a pillow holding a crown to one of the elegantly dressed men, who holds his hand over the crown; man at lower center bows before the man taking the crown; while other men holding swords and spears watch on — King of Bohemia, 1777
Jean-Pierre Norblin de la Gourdaine

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nude female figure sitting on ground with hands behind head, looking toward a baby lying on a cloth on the floor near her knee; nude male figure standing at L, looking outward, holding a bag in PL hand, and clutching a spilling coin purse to his chest; frog on shoulder — The Miser and the Miscarriage, c. 1528-1532
Barthel Beham

Not on View

two crisscrossed flutes or whistles forming X at center, overlapping vertical musical staff with treble clef; two stylized cherubs sitting on fluttering ends of a banner over the center flutes, each playing an instrument; at top, putto sits on a wreath and holds a burning torch — Les Mirlitons (Pour Madame Anna Judic), 1886
Félicien Rops

Not on View

decorative pattern: two winged nude female figures with animal-like lower bodies flanking a vertical stem at center; each holds a twisted frond that curls, and swirls into larger leaf pattern — Ornament with Two Winged Female Half-Length Figures, 1537
Master of the Horse Heads, Netherlandish

Not on View

pony at L with monkey on its back, holding a branch that a dog is pulling on; another monkey on a bent tree trunk at R holding a club above dog's head; bee in ULQ, small shrubs on ground — Horse with Two Monkeys and a Dog, From Scenes to Aesop's Fables, 1594
Nicolaes de Bruyn

Not on View

woman kneeling at L before a ruler seated on throne at R; baby at woman's knee and king's foot; a female figure with other male figures in background; open archway at L overlooking masonry structures — Judgment of Solomon, From Stories of the Old Testament, c. 1531
Georg Pencz

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Virgin and child in mandorla; floating angels aloft holding a crown suspended above Virgin's head; Virgin stands on a crescent — Virgin Crowned by Two Angels, From the Fall and Redemption of Mankind, Plate 40, c. 1513
Albrecht Altdorfer

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Standing Youth Drinking from a Cup, From Verscheyde Gedachten, Amsterdam, 1685-1730

Matthys Pool

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male figure wrapped in blankets, wearing a thorny crown stands with a man in noble clothing and guards on stone steps; man in noble clothing to his R addresses an energetic crowd; some in the crowd point toward the group on the steps, while some push others; three people at far R climbing a large stone bust — Ecce Homo, c. 1774-1789
Jean-Pierre Norblin de la Gourdaine

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dais or coffin outside of cave with small group of men seated around it; remnants of pudding and bread are on the table; two men at L with long spears full of fish and sausages, with a woman at far L holding a plate with a turkey; a cartouche of Jesus at top center with light beams, looking down at scene; two figures lying on ground in front of coffin — The Resurrection of Christ, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

three men entering the gate of a crude picket fence, carrying staffs with crosses; one man points towards Jesus who is on his knees with his hands raised in front of a cave at URC; cartouche in clouds shows a dead Christ with crucifix — Christ on the Mount of Olives, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

bust of a male figure, leaning slightly forward, with a large nose and heavily shaded brow; tall, furry hat; light shading on shoulder — Head of an Old Man in High Fur Cap: Bust, c. 1629
Rembrandt Harmensz. van Rijn

Not on View

three angels sitting at a round table at L of image, looking at a male figure to the R of the table who appears to be grabbing a plate; bowl on ground in front of table; woman at R entering scene from arched door — Abraham Entertaining the Angels, From the Story of Abraham, Plate 2, c. 1543
Georg Pencz

Not on View

tree at L; woman at center with back to viewer, reaching toward a lower branch with the PR hand; seated figure at R — Young Girl and Death, From Quarante Cliché-Glaces, 1854
Jean-Baptiste-Camille Corot

Not on View

Busts of Two Men Wearing Turbans with Feathers, From Recueil de divers griffonnements et preuves, Plate 11, c. 1646

Stefano della Bella

Not on View

male figure leaning on long staff against a tree; large herd of pigs behind him — Prodigal Son with the Swine, From Story of the Prodigal Son, Plate 3, 1540
Sebald Beham

Not on View

tiny figure holding a net at L in front of rows of waves; very high horizon line — Waves, 1892
D. Y. Cameron

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Mary on a throne holding baby Jesus who is standing on her PR leg; angel on either side of throne; Mary's PL hand rests on a book on knee; printed on sheet that is rounded at the top — Virgin Enthroned, early 16th century
Not on View

male figure with wreath on head, leaning against the inside of a large, upturned barrel, with an open book on the ground next to him; extending PL arm to crowd at R; noble figure R of C with elegant clothing, extending PR hand; guard holding a sword behind his own neck next to barrel; Gothic archway with open iron gate in background — Alexander and Diogenes, c. 1774-1789
Jean-Pierre Norblin de la Gourdaine

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nude woman at center, collapsed between two male figures; older man at L, with beard, reaches over woman, with his hand near PR breast; male at R appears to be struggling to support the woman; the figures are between trees on a raised stone platform — Susanna and the Elders, 1776
Jean-Pierre Norblin de la Gourdaine

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male figure riding a horse toward L, holding reins out to the PL — A Horseman, early to mid-17th century
Pieter van Laer

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nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff — Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569
Étienne Delaune; Artist: After Luca Penni

Not on View

Adam and Eve at L standing under a fruit tree; robed figure at R with a beard holds up PL hand, addressing the couple — God Warns Adam and Eve, From the Story of Adam and Eve, Plate 2, 1540
Heinrich Aldegrever

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nude figures fighting with spears, clubs, and shields at L and C; two men dragging female figure to boat at R — The Abduction of Helen, c. 1546-1550
Sebald Beham; Artist: After Barthel Beham

Not on View

winged figure in rear 3/4 view with windblown garment holding a large ewer in PL hand, and another object in PR hand to PR shoulder; large ball by feet; stone blocks at R — Temperance, From Cognition and the Seven Virtues, Plate 8, 1539
Sebald Beham

Not on View

farming scenes: at R, man stands near the center of a small field with a seed bag strapped around shoulder, spreading seeds; another man at LRC chops at one of the many trees along R edge; at L, a man plows a field with three horses, while a figure with a whip sits on the rear horse; a ram surrounded by clouds at center separates the two scenes — Month of March with Aries, From Twelve Months with Signs of the Zodiac, 1559
Monogrammist FB (Franz Brun)

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Letter D: putto standing inside of a D formed from a tall vessel and leaves — Ornamental Initial D, early 16th century
Georg Lemberger

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nude men engaged in hand-to-hand combat, many with shields, arrows, clubs, daggers, etc.; men standing to fight in rear with others crouching and on ground in front row — Battle of Eighteen Nude Men, c. 1528
Barthel Beham

Not on View

seated female nude, with legs tucked up, reaching PR arm up to stroke the neck of a large swan to her L; portion of a tree in background, and castle ULQ background — Leda and the Swan, 1548
Sebald Beham

Not on View

Jesus kneeling at center under crucifix; man at L crouching and leaning against the crucifix, while another at UR leans on the top of it; others in background watching, some with raised staffs — Christ Carrying the Cross, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

chaotic scene within a walled courtyard: a small group of nude figures at R, one holding a set of stone tablets; figure with staff kneeling over another figure; a beaked figure attempts to enter the doorway in the R wall under a string of papers; two demons peek over wall from outside — Christ's Descent into Hell, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

Seated Monk Reading, c. 1834

Carl Anton Heinrich Mücke

Not on View

seated woman resting head on elbow propped up on a block, idly drawing on a round pedestal with compass in PR hand; large swan behind her, goat LLC — Melancholic Temperament, From the Four Temperaments, Plate 4, c. 1530-1562
Virgil Solis

Not on View

male figure in workshop delicately tapping a sculpture with a mallet; sculpture features a standing woman cradling an infant on her PR, and embracing a standing nude toddler at her PL — The Goldsmith, 1655
Rembrandt Harmensz. van Rijn

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three vertical ornamental studies, one rectangular, and two more triangular; sinuous vines with thick leaves emerge vertically from ornate ewers at the bottom, each with a slightly different variation — Ornament with Vase; Two Designs for Sheaths, c. 1505-1536, printed 17th century
Daniel Hopfer

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double-headed frog near center below tree; fierce looking bird on L branch of tree, and angry looking rodent on R branch; fierce and frightened looking animals including wolf, dogs, and a deer — Two-Headed Frog with Other Animals, From Scenes to Aesop's Fables, 1594
Nicolaes de Bruyn

Not on View

nude Eve holding a piece of fruit near PL shoulder; looking toward a snake in ULC; grazing stag in back — Eve, c. 1520-1561
Heinrich Aldegrever

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two men fighting with an epée (or fencing sword) and a dagger in each hand; man at L leans away from the epée near his neck at PL side; man at R is leaning forward, deflecting the sword with his dagger in PL hand — Duel with Sword and Dagger, From Les Caprices, 1617
Jacques Callot

Not on View

nude Adam in contrapposto stance next to tree, holding a fruit still attached to the tree; a lion rests behind Adam on the ground — Adam, c. 1520-1561
Heinrich Aldegrever

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3/4 view of male figure with large eyes and short hair gazing toward viewer; man is seated next to a worktable in a darkened room, holding a copper plate; screen leaning on table, and a container of printmaking tools is nearby — Self-Portrait, Facing Right, c. 1774-1789
Jean-Pierre Norblin de la Gourdaine

Not on View

Adam seated at L below tree; Eve at R reaching up to receive a piece of fruit from a snake in a tree; with her opposite hand, Eve is handing another fruit to Adam; animals resting in background behind Eve — The Fall of Mankind, From the Power of Death, Plate 2, 1541
Heinrich Aldegrever

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free standing stage-like structure with squared columns at corners; "Moliere" written over archway; large cup with flames on top; stains on base; surrounded by wreath with berries — Molière's Tomb (at Père Lachaise), from Eaux-fortes sur Paris, 1854
Charles Meryon

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rear 3/4 view of a male peasant facing R, looking up to sky; PR hand resting on sword strapped to belt, pitchfork in PL hand; banner over figure reads "Es ist kalt Weter" (It is cold). — Weather Peasant: Es ist kalt weter, 1542
Sebald Beham

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wooden scaffolding surrounding large concrete pillar; a row of pillars vanishing in background; construction equipment, vehicles, and workers near base — Viaduct Builders, 1950
Reynold H. Weidenaar

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reclining nude woman lying on side with her back to viewer, looking toward ground; a boy stands behind the woman, resting his hand on her head, looking toward similar point on the ground; another nude figure crawls on all fours at L; foliage and castle in background — Penance of St. John Chrysostom, c. 1541-1545
Sebald Beham; Artist: After Agostino d' Musi

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Letter E: formed from floral decoration; putto wearing loincloth near opening of letter and holding stem in PL hand — Ornamental Initial E, early 16th century
Georg Lemberger

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white tent at R with light shining toward a shadow of the Sphinx, from the front; small group gathered around embers of a campfire at center; animal in shadows at LRC — The Desolation of Egypt, 1857
William Holman Hunt

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© The Estate of Augustus John %2F Bridgeman Copyright

Profile of Bella, 1906

Augustus John

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This is a reverse copy of the FIRST STATE of 2015.93.141, when the misspelling in the inscription is uncorrected. — Tobias and the Angel, after c. 1543
Not on View

3/4 bust of male figure with long hair, glasses, and a long goatee; image area is circular — Head of a Man, after 1848
Charles-Émile Jacque

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nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff — Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569
Étienne Delaune; Artist: After Luca Penni

Not on View

large covered drinking cup with knights in small cartouches around top; leaf design at center; oval medallions lining widest portion in lower half; inscription at top — Double Goblet with Oval Medallions, 1530
Sebald Beham

Not on View

postage-stamp sized image: standing male figure in breeches and white shirt standing with back to viewer, holding a stick and with a basket on his back; angled toward rear; shadow of another figure LRQ, possibly seated — Ragman, 1843
Charles-Émile Jacque

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bust of long-haired man with large, gaping mouth; wears tall, crooked hat with ties hanging to shoulders, and thick overcoat with rolled collar — Grotesque Head of a Man in a Tall Bonnet, late 18th to early 19th century
Attributed to Jean-Pierre Norblin de la Gourdaine

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group of men having a discussion behind an easel at center; to the R, a man addresses a seated woman holding a fan, while another woman looks down at the table next to her; a few other people, paintings, and art supplies in background — A Painter's Studio, c. 1715-1773
Hubert François Bourguignon Gravelot

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Jesus bound at R within a small mob of men raising weapons; a man in priestly clothing at L faces the group, elevating a bushy object in his PR hand; smaller man at LL holding a large basket — Christ before Caiaphas, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

head of bearded man facing out toward R; curly hair and beard; long beard; crosshatched shading in background — Prophet's Head, Facing Right, 1804
Wilhelm Reuter

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nude male figure at center fighting snakes off of his arms and legs; toddler with a snake on his leg grabs at the man's PL leg, while a young boy to the man's PR struggles with a snake on his own leg; stone archway and pillars in background — Laocoön, 1538
Hans Brosamer

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scowling hunchback figure with hooked nose, and large brimmed hat facing L; posed with pointy, short epee in each hand — Duelist with Two Daggers, From Varie Figure Gobbi, c. 1622
Jacques Callot

Not on View

3/4 view of an old woman looking down to R; white bonnet covering head, down shoulders, to white collar — Head of an Old Woman, 1802
Michal Plonski

Not on View

The Scribe, 1781

Jean-Pierre Norblin de la Gourdaine; Artist: after Rembrandt Harmensz. van Rijn

Not on View

Bacchus riding in low chariot pulled by centaurs and led by Satyrs playing instruments; an attendant to R of chariot holds a large bowl overflowing with grapevines, a soldier pushes the chariot from behind; a figure at rear wears blowing cape — Triumph of Bacchus, c. 1539
Georg Pencz

Not on View

three men relaxing in the shade at L: one is seated on a carved bench holding a staff; another is seated on the ground, and one is reclining on stomach, resting head in hand; ruins at R — Three Pilgrims Resting beside a Wall, From Caprices, Plate 6, c. 1642
Stefano della Bella

Not on View

male figure leaning on a desk with his PL fist, watching another male figure, seated on a bench in front of the desk, writing; lightly sketched background — The Sergeant Reporter, 1862
Ernest Meissonier

Not on View

armor stylized in the form of a nude torso at center; cherubs holding vine flank both sides, one facing out and the other in — Ornament with Cuirass and Two Genii, From Four Ornaments, Plate 4, 1544
Sebald Beham; Artist: After Barthel Beham

Not on View

mob of men carrying staffs, ropes, and swords addressing Jesus's body on the ground at lower center; man with sword stands over Jesus — Christ Taken, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

sketchlike scene of scattered people walking along a sidewalk; shaded trees at L; old buildings in background; fence LRQ — Bank Holiday, Corner of Beaufort Street, Chelsea, 1888-1889
Theodore Roussel

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front 3/4 view of nude male figure with sash blowing around back; figure holds a spear vertically to the PL side of body; flower at PL foot; decorative foliate design bottom half — Sheath Design with Nude Man, c. 1533
Heinrich Aldegrever

Not on View

male figure standing on stern of boat with PR arm outstretched in front, and a cluster of fish on a stringer in PL hand — Fisherman Standing in a Boat, c. 1630-1640
Stefano della Bella

Not on View

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