showing 100 of 234 results matching creditline:"Gift of Elizabeth, Julie, and Catherine Andrus in memory of John and Marion Andrus". (load 134 more)

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four nude children in a landscape

Four Frolicking Putti, 1506

Marcantonio Raimondi

G344

male figure with his back to viewer wearing coat with slashed sleeves; PR hand holding large staff; sword scabbard visible at PR hip

Soldier with Halberd, Seen from the Back, after 1520

Jacob Binck; Artist: After Barthel Beham

Not on View
three angels sitting at a round table at L of image, looking at a male figure to the R of the table who appears to be grabbing a plate; bowl on ground in front of table; woman at R entering scene from arched door

Abraham Entertaining the Angels, From the Story of Abraham, Plate 2, c. 1543

Georg Pencz

Not on View
airborne cupid whipping a satyr who is tied to a tree

Cupid Whipping a Satyr, c. 1606-1652

Formerly attributed to Jusepe (Giuseppe) de Ribera

Not on View
column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides

Two Genii Sitting at the Base of a Column (section from The Forge of the Heart), 1529

Master I.B.

Not on View
profile of a priest illuminated by two candles; writing in a book, leaning on cloth covered desk; trees, and large, draping curtains in background

The Scribe, 1781

Jean-Pierre Norblin de la Gourdaine; Artist: after Rembrandt Harmensz. van Rijn

Not on View
small oval print; grove of trees with bare forest floor; thick foliage in background

Study of Woods, 1854

Jean Baptiste Louis Guy

Not on View
chaotic scene within a walled courtyard: a small group of nude figures at R, one holding a set of stone tablets; figure with staff kneeling over another figure; a beaked figure attempts to enter the doorway in the R wall under a string of papers; two demons peek over wall from outside

Christ's Descent into Hell, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
front 3/4 view of nude male figure with sash blowing around back; figure holds a spear vertically to the PL side of body; flower at PL foot; decorative foliate design bottom half

Sheath Design with Nude Man, c. 1533

Heinrich Aldegrever

Not on View
a group of mourners lowers Jesus's body onto a wide dais or coffin outside a cave

The Entombment of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
large covered drinking cup with knights in small cartouches around top; leaf design at center; oval medallions lining widest portion in lower half; inscription at top

Double Goblet with Oval Medallions, 1530

Sebald Beham

Not on View
male figure in hooded garment, seated in 3/4 profile against a stone at L, head bent over a large book resting on his knees

Seated Monk Reading, c. 1834

Carl Anton Heinrich MĂĽcke

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Adam and Eve at L standing under a fruit tree; robed figure at R with a beard holds up PL hand, addressing the couple

God Warns Adam and Eve, From the Story of Adam and Eve, Plate 2, 1540

Heinrich Aldegrever

Not on View
three faces at L, torso at far R: face at far L is of an old man in profile with hooked nose and bushy beard wearing a hat; center head is a profile of a man facing L with a mustache and cap; man at R faces out to R, with bushy beard, cap; far R is angel-like figure with a pug nose and wavy hair, shirtless

Three Heads of Men Wearing Turbans and a Figure of a Nude Winged Woman, From Recueil de divers griffonnements et preuves, Plate 14, c. 1646

Stefano della Bella

Not on View
two profiles of a woman, facing R; profile at L is a mostly simple outline with overlaid grid; bust on R is a more detailed and shadowed image

Eines Weibes Haupt, 1542

Sebald Beham

Not on View
female figure at L holding a large water pitcher, facing a male figure who is reaching for her opposite hand; camels and another man in background at L; wells by their feet; a town with a woman walking back from path at R

Design for Watch Case: Rebecca at the Well, c. 1610-1656

Michel Le Blon

Not on View
wide, calm river with a dark cluster of human figures and boat sails at R bank; dark object in water at LL; trees on R bank, low foliage on L bank

The Waveney, c. 1832-1834

Thomas Lound

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free standing stage-like structure with squared columns at corners; "Moliere" written over archway; large cup with flames on top; stains on base; surrounded by wreath with berries

Molière's Tomb (at Père Lachaise), from Eaux-fortes sur Paris, 1854

Charles Meryon

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wooden scaffolding surrounding large concrete pillar; a row of pillars vanishing in background; construction equipment, vehicles, and workers near base

%C2%A9 Estate Reynold H. Weidenaar

Viaduct Builders, 1950

Reynold H. Weidenaar

Not on View
Letter E: formed from floral decoration; putto wearing loincloth near opening of letter and holding stem in PL hand

Ornamental Initial E, early 16th century

Georg Lemberger

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female figure in sheer, loose dress standing amid trees near center; in background at L is a portion of a castle or church with wall; a flock of birds flying towards a treetop at R

The Lady with the Rooks, 1829 (published 1904)

Edward Calvert

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Virgin and child in mandorla; floating angels aloft holding a crown suspended above Virgin's head; Virgin stands on a crescent

Virgin Crowned by Two Angels, From the Fall and Redemption of Mankind, Plate 40, c. 1513

Albrecht Altdorfer

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Jesus in loincloth tied to a pillar; a couple of men flog him with a cluster of brush and rope, while others look on; a man at LL gestures to a pile of cloth and ropes at bottom center

The Scourging of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

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Jesus wearing a crown of thorns, seated on steps of a large room in shadow; man behind Jesus holds a book onto Jesus's head with a long object; another man behind Jesus lowers a candlestick over his head; man in front of Jesus crouches, offering out a large cup, while other men in back talk

The Mocking of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

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illuminated figure in white at center, raising PR hand upward; in shadows at L, an arm extends out of a narrow, sunken area in the ground; crowd of onlookers watch in awe in background; large pillars and stone structure in background

Raising of Lazarus (Large Plate), c. 1774-1789

Jean-Pierre Norblin de la Gourdaine

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sketchlike scene of scattered people walking along a sidewalk; shaded trees at L; old buildings in background; fence LRQ

Bank Holiday, Corner of Beaufort Street, Chelsea, 1888-1889

Theodore Roussel

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profile of large, silhouetted windmill, with a smaller windmill just behind; small wooden buildings down to L; sketchy, field like landscape in foreground; flock of birds ULQ; very dark image

Windmills, Montmartre, 1846

Charles-Émile Jacque

Not on View
mob of men carrying staffs, ropes, and swords addressing Jesus's body on the ground at lower center; man with sword stands over Jesus

Christ Taken, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
Letter Y: putto straddling arabesque design forming two grotesque heads that face each other

Ornamental Initial Y, early 16th century

Georg Lemberger

Not on View
woman kneeling at L before a ruler seated on throne at R; baby at woman's knee and king's foot; a female figure with other male figures in background; open archway at L overlooking masonry structures

Judgment of Solomon, From Stories of the Old Testament, c. 1531

Georg Pencz

Not on View
Jesus on cross with halo and Inri sign over head; flanked by two others on crosses; crowd with daggers standing in front of Jesus

The Crucifixion, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile of male figure facing R with high hat and rough beard; rat perched on his PR shoulder

Head of a Rat Catcher, 1630

Unknown; Artist: after Rembrandt Harmensz. van Rijn

Not on View
man in priestly clothing on stairs in middle ground addresses a small group of figures in foreground, including Jesus, who is held between several men at LL; three figures on R with staffs; one of the figures at R is pointing down to a collection of objects including a skull, a candle, and a helmet at lower center

Christ before Pilate, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
Mary on a throne holding baby Jesus who is standing on her PR leg; angel on either side of throne; Mary's PL hand rests on a book on knee; printed on sheet that is rounded at the top

Virgin Enthroned, early 16th century

Unknown

Not on View
head of bearded man facing out toward R; curly hair and beard; long beard; crosshatched shading in background

Prophet's Head, Facing Right, 1804

Wilhelm Reuter

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male figure swooning against a tree, looking dramatically to his L at a grotesque, decaying figure with skull-like face, and long greasy hair who pulls at his arm; hour glass at figure's feet

Death and the Foot Soldier, c. 1525-1530

Jacob Binck

Not on View
woman in a dark dress and large hat sitting slightly forward on park bench; holding a large paper or newspaper on lap; foliage to L and rear of bench

Le Rendezvous, 1898-1902

Henry Somm (François Clément Sommier)

Not on View
pony at L with monkey on its back, holding a branch that a dog is pulling on; another monkey on a bent tree trunk at R holding a club above dog's head; bee in ULQ, small shrubs on ground

Horse with Two Monkeys and a Dog, From Scenes to Aesop's Fables, 1594

Nicolaes de Bruyn

Not on View
image, circumscribed by an oval, of a bridge with two figures at R talking; smaller figure crossing bridge on L side; hills, stone building in background

A Stone Bridge, From Variae Campestrium Fantasiae, Plate 5, c. 1620-1655

Herman Van Swanevelt

Not on View
three men relaxing in the shade at L: one is seated on a carved bench holding a staff; another is seated on the ground, and one is reclining on stomach, resting head in hand; ruins at R

Three Pilgrims Resting beside a Wall, From Caprices, Plate 6, c. 1642

Stefano della Bella

Not on View
postage-stamp sized image: standing male figure in breeches and white shirt standing with back to viewer, holding a stick and with a basket on his back; angled toward rear; shadow of another figure LRQ, possibly seated

Ragman, 1843

Charles-Émile Jacque

Not on View
bust of a male figure, leaning slightly forward, with a large nose and heavily shaded brow; tall, furry hat; light shading on shoulder

Head of an Old Man in High Fur Cap: Bust, c. 1629

Rembrandt Harmensz. van Rijn

Not on View
bust of a male figure with narrowed eyes, smirk, and large nose, wearing a large hat; ruffles at collar

The Laughing Peasant, c. 1620-1665

Cornelis Bega

Not on View
group of people gathered around a fruit cart, illuminated by one lamp; buildings and a few other people in shadows in background; dog in LLC

A London Fruit Stall by Night, From Good Entertainment A New Book of Figure Studies, c. 1746-1760

Paul Sandby

Not on View
3/4 view of an old woman looking down to R; white bonnet covering head, down shoulders, to white collar

Head of an Old Woman, 1802

Michal Plonski

Not on View
nude woman at center, collapsed between two male figures; older man at L, with beard, reaches over woman, with his hand near PR breast; male at R appears to be struggling to support the woman; the figures are between trees on a raised stone platform

Susanna and the Elders, 1776

Jean-Pierre Norblin de la Gourdaine

Not on View
Bacchus riding in low chariot pulled by centaurs and led by Satyrs playing instruments; an attendant to R of chariot holds a large bowl overflowing with grapevines, a soldier pushes the chariot from behind; a figure at rear wears blowing cape

Triumph of Bacchus, c. 1539

Georg Pencz

Not on View
bust of long-haired man with large, gaping mouth; wears tall, crooked hat with ties hanging to shoulders, and thick overcoat with rolled collar

Grotesque Head of a Man in a Tall Bonnet, late 18th to early 19th century

Attributed to Jean-Pierre Norblin de la Gourdaine

Not on View
Adam seated at L below tree; Eve at R reaching up to receive a piece of fruit from a snake in a tree; with her opposite hand, Eve is handing another fruit to Adam; animals resting in background behind Eve

The Fall of Mankind, From the Power of Death, Plate 2, 1541

Heinrich Aldegrever

Not on View
scowling hunchback figure with hooked nose, and large brimmed hat facing L; posed with pointy, short epee in each hand

Duelist with Two Daggers, From Varie Figure Gobbi, c. 1622

Jacques Callot

Not on View
dog on ground, head turned toward its rear quarters, front legs splayed; legs of man at L, and legs of horse at R

Dog Sleeping on Pavers at a Man's Feet, c. 1830

Antoine Jean Duclaux

Not on View
grove of trees with thin leaves; two small figures R of C; dark, heavily shaded image

%C2%A9 Estate Thomas Willoughby Nason

Autumn, 1937

Thomas W. Nason

Not on View
two billboards side by side, one featuring a trumpet player and another a caboose; building at R with tall façade and porch; truck parked at LL

%C2%A9 Reynold H. Weidenaar

Division Avenue, 1968

Reynold H. Weidenaar

Not on View
stately white building near center of image; small figure with staff near gate around estate; trees at L and R of image; heavy foliage around fence and estate

Blair Adam, 1770-1782

John Clerk of Eldin

Not on View
field of long grasses bending in the wind; short wood fence cutting across the center of image; trees at L; cluster of high brushes at R; line of trees behind a flat field in background; billowing white clouds in sky

%C2%A9 Estate Thomas Willoughby Nason

Nova Scotia Landscape, 1927

Thomas W. Nason

Not on View
image of a figure bound in chains, bent over with hands clasped together; ankles bound in heavy shackles; head with shaggy beard and hair turned to the L

Tan bárbara la seguridad como el delito, 1778-1818 (published 1867)

Francisco José de Goya y Lucientes

Not on View
lighter rendition: Christ seated on R side of round table with bread and wine; three men conversing with Christ at the same table; a man enters the scene at far L carrying a pitcher; woman at bottom embraces Christ’s ankle

Christ at the Table of Simon the Pharisee, c. 1541-1545

Sebald Beham

Not on View
large stone building with small windows on a cliff at L; sailboat in loch near cliff; high, rugged hills behind low plains at R

Arthur's Seat from Lochend, 1770-1782

John Clerk of Eldin

Not on View
stylized sunflowers; crescent in sky at L; tree forms at R

%C2%A9 Estate Karl Schrag

Sunflowers and Moon, from Eldindean Press XVII by XVII, 1985

Karl Schrag

Not on View
top image: nude female reclining on PL side; dark shadowy figure at L bottom image: woman sitting on chair near a store at L; two men seated across from her in slight shadow at L; bucket at her foot; wooden pillar behind woman

Reclining Woman and Woman Selling Fried Food, 1843-1844

Charles-Émile Jacque

Not on View
two white horses grazing in front of a fence; thick grove of trees behind at L; two smaller trees at R with higher, thin vegetation

Two Horses in a Wood, 1845

Charles-Émile Jacque

Not on View
3/4 view of an old man with a long, bushy beard and slouchy hat cradling a book in his PR arm

Bearded Man Holding a Book, 1772

Benigno Bossi

Not on View

Hercules Fighting the Centaurs, From the Labors of Hercules, 1542

Sebald Beham

Not on View
woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane

Lucretia, early 1640s

Guercino (Giovanni Francesco Barbieri)

Not on View
two men fighting with an epée (or fencing sword) and a dagger in each hand; man at L leans away from the epée near his neck at PL side; man at R is leaning forward, deflecting the sword with his dagger in PL hand

Duel with Sword and Dagger, From Les Caprices, 1617

Jacques Callot

Not on View
tiny figure holding a net at L in front of rows of waves; very high horizon line

Waves, 1892

D. Y. Cameron

Not on View
armor stylized in the form of a nude torso at center; cherubs holding vine flank both sides, one facing out and the other in

Ornament with Cuirass and Two Genii, From Four Ornaments, Plate 4, 1544

Sebald Beham; Artist: After Barthel Beham

Not on View
rondel: nude female figure R of center, clutching her robes to her body with one hand, and fending off two men with the other; at L, two bearded men grabbing at her body; a park with fountains and putti in background

Design for a Watch Case: Susanna and the Elders, c. 1670-1686

Attributed to Jacques Vauquer; Artist: After SĂ©bastien Bourdon

Not on View
woman seated on cloud or roots, with large bird on PL shoulder; woman holds mirror in PL hand and a spike with horseshoes in PR

Phlegmatic Temperament, From the Four Temperaments, Plate 3, c. 1530-1562

Virgil Solis

Not on View
3/4 view of male figure with large eyes and short hair gazing toward viewer; man is seated next to a worktable in a darkened room, holding a copper plate; screen leaning on table, and a container of printmaking tools is nearby

Self-Portrait, Facing Right, c. 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View
Jesus kneeling at center under crucifix; man at L crouching and leaning against the crucifix, while another at UR leans on the top of it; others in background watching, some with raised staffs

Christ Carrying the Cross, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
two men in elegant robes standing by a heavily dressed and ornamented horse; a man at R offers a pillow holding a crown to one of the elegantly dressed men, who holds his hand over the crown; man at lower center bows before the man taking the crown; while other men holding swords and spears watch on

King of Bohemia, 1777

Jean-Pierre Norblin de la Gourdaine

Not on View
profile of nude female figure seated on steps, submerging her feet in water; large bonnet on head, pensive expression; holds a tool in her hand

Bathing Woman, 1520-1530

Albrecht Altdorfer

Not on View
oval-shaped print: portrait of a seated man in cap with PL elbow resting on table; holding pipe in mouth with PL hand, and a bowl or pouch to the pipe with opposite hand; paraphernalia on table

The Smoker, c. 1640

Adriaen van Ostade

Not on View
muscular, bearded male figure wrapped in robe leaning on spiked club in PR hand; standing on the head of a writhing Satyr, and holding its ankle in his PL hand; inscription across top

Hercules and Nessus, c. 1525-1561

Jacob Binck

Not on View
roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles

Fortune, 1540

Master AS

Not on View
rear 3/4 view of a male peasant facing L, hands held behind back, standing behind a rough wooden fence; banner behind figure reads: "Das schadet et nit" (That's of no concern).

Weather Peasant: Das schadet nit, 1542

Sebald Beham

Not on View
child reclining near a cannon dangling a long, thin object in PL hand and gazing upward; baby at L crawls over cannon balls near cannon

Two Naked Children Near a Gun, c. 1612-1655

Cornelis Schut

Not on View
three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL

Death and the Three Nude Women, c. 1546-1550

Sebald Beham; Artist: After Barthel Beham

Not on View
group of men having a discussion behind an easel at center; to the R, a man addresses a seated woman holding a fan, while another woman looks down at the table next to her; a few other people, paintings, and art supplies in background

A Painter's Studio, c. 1715-1773

Hubert François Bourguignon Gravelot

Not on View
profile of a young man seated at a desk facing R, reading a book in his hands; an open book is propped up on the R side of the desk along with an inkwell and quill

Young Man Reading, 1802

Michal Plonski

Not on View
female figure with hat and scarf sitting, cradling an infant; male figure at LL watches; trees framing scene at L; mountain with castle in background

Rest on the Flight into Egypt, c. 1515-1519

Albrecht Altdorfer

Not on View
four figures in Renaissance-era clothing lowering a dead body into a grave; two women at R, one looks outward, and the other one prays; another man stands to the far R; crown of thorns LLC, and opening to cave in background

The Entombment, From the Engraved Passion, Plate 13, 1512

Albrecht DĂĽrer

Not on View
profile bust of a male figure facing R with tall hat, long white beard, and coat

Bust of an Old Man with a High Cap, c. 1628-1632

Jan Lievens

Not on View
male figure in heavy dress standing with large staff in PL hand, dagger at PR waist; large jars and a bag of root vegetables at feet; banner over the top in German

Market Peasant: Deten wir verkaufen, c. 1542

Sebald Beham

Not on View
profile of very muscular nude man who is seated supporting his elbow on his knee, and his chin on his hand

Ugolino, 1860

Jean-Baptiste Carpeaux

Not on View
3/4 bust of male figure with long hair, glasses, and a long goatee; image area is circular

Head of a Man, after 1848

Charles-Émile Jacque

Not on View
winged figure in rear 3/4 view with windblown garment holding a large ewer in PL hand, and another object in PR hand to PR shoulder; large ball by feet; stone blocks at R

Temperance, From Cognition and the Seven Virtues, Plate 8, 1539

Sebald Beham

Not on View
Jesus on balcony with two other men in upper center; small crowd in foreground; man R of center in priestly clothing holding out his arms; man at L holds a crucifix

Ecce Homo, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
faintly sketched image of three heads: at L: rear 3/4 view of a bearded figure with helmet; center: profile of a figure with curly hair, looking up as if in awe; R: angelic young figure with curly hair

Study of Three Heads, From Recueil de divers griffonnements et preuves, Plate 3, c. 1646

Stefano della Bella

Not on View
nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth

Eve with the Serpent, 1526

Jacob Binck

Not on View
three men entering the gate of a crude picket fence, carrying staffs with crosses; one man points towards Jesus who is on his knees with his hands raised in front of a cave at URC; cartouche in clouds shows a dead Christ with crucifix

Christ on the Mount of Olives, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff

Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569

Étienne Delaune; Artist: After Luca Penni

Not on View
floral and leaf decorative pattern with two Tritons at center, emerging from vines; one Triton faces out, the other with its back to viewer; two putti holding fronds flank L and R side

Ornamental Design with Tendrils, a Couple of Tritons, and Two Children, 1537

Heinrich Aldegrever

Not on View
white tent at R with light shining toward a shadow of the Sphinx, from the front; small group gathered around embers of a campfire at center; animal in shadows at LRC

The Desolation of Egypt, 1857

William Holman Hunt

Not on View
small group of men at R carry weapons and one man raises a burning candle over Christ, who walks toward R, with back turned away from viewer; man crawling at LL; two men serve a man seated on a throne in back; crucifix stands at R edge

Pilate Washing His Hands, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
nude men engaged in hand-to-hand combat, many with shields, arrows, clubs, daggers, etc.; men standing to fight in rear with others crouching and on ground in front row

Battle of Eighteen Nude Men, c. 1528

Barthel Beham

Not on View
reverse copy: roundel: seated female figure inside a cathedral interior at R; standing angel at woman's L side; floral leaf border; backward inscription at bottom center

The Annunciation, after 1610

Unknown; Artist: After Michel Le Blon

Not on View
pack of dogs at R chases down a large hare while two men with guns actively observe; a fence and trees near center separates L and R scene; at L, pack of dogs chases down stag, while hunter with gun at LLC watches; scattered trees and shrubbery

Stag and Hare Hunt, c. 1530-1562

Virgil Solis

Not on View
three vertical ornamental studies, one rectangular, and two more triangular; sinuous vines with thick leaves emerge vertically from ornate ewers at the bottom, each with a slightly different variation

Ornament with Vase; Two Designs for Sheaths, c. 1505-1536, printed 17th century

Daniel Hopfer

Not on View

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