man in background and woman in foreground walking toward the right edge of the picture plane; woman holding a walking stick; loose drawing of foliage in background in front of figures; matted and in frame with four other prints — Two Tramps, a Man and a Woman, c. 1634
Rembrandt Harmensz. van Rijn

Not on View

Hercules Fighting the Centaurs, From the Labors of Hercules, Sebald Beham — Hercules Fighting the Centaurs, From the Labors of Hercules, 1542
Sebald Beham

Not on View

male figure in workshop delicately tapping a sculpture with a mallet; sculpture features a standing woman cradling an infant on her PR, and embracing a standing nude toddler at her PL — The Goldsmith, 1655
Rembrandt Harmensz. van Rijn

Not on View

three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL — Death and the Three Nude Women, c. 1525-1527
Barthel Beham

Not on View

three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL — Death and the Three Nude Women, c. 1546-1550
Sebald Beham; Artist: After Barthel Beham

Not on View

woman kneeling at L before a ruler seated on throne at R; baby at woman's knee and king's foot; a female figure with other male figures in background; open archway at L overlooking masonry structures — Judgment of Solomon, From Stories of the Old Testament, c. 1531
Georg Pencz

Not on View

Christ standing to R of gnarled tree, facing a grotesque figure with beastly head, wings, webbed fingers, fish tail, and human legs; at ULC, small image of Christ on a plateau; at UR, small image of Christ standing atop a building, in both miniatures facing a similar looking beast — The Temptation of Christ, From the Life of Christ, Plate 11, c. 1534-1535
Georg Pencz

Not on View

floral and leaf decorative pattern with two Tritons at center, emerging from vines; one Triton faces out, the other with its back to viewer; two putti holding fronds flank L and R side — Ornamental Design with Tendrils, a Couple of Tritons, and Two Children, 1537
Heinrich Aldegrever

Not on View

nude female figure with cloth draped over PL leg; standing cherub with bow in hand at R; curtains in background — Venus after the Bath, 1525-1530
Albrecht Altdorfer

Not on View

front 3/4 view of nude male figure with sash blowing around back; figure holds a spear vertically to the PL side of body; flower at PL foot; decorative foliate design bottom half — Sheath Design with Nude Man, c. 1533
Heinrich Aldegrever

Not on View

Eines Weibes Haupt, 1542

Sebald Beham

Not on View

Bathing Woman, 1520-1530

Albrecht Altdorfer

Not on View

nude men engaged in hand-to-hand combat, many with shields, arrows, clubs, daggers, etc.; men standing to fight in rear with others crouching and on ground in front row — Battle of Eighteen Nude Men, c. 1528
Barthel Beham

Not on View

seated female nude, with legs tucked up, reaching PR arm up to stroke the neck of a large swan to her L; portion of a tree in background, and castle ULQ background — Leda and the Swan, 1548
Sebald Beham

Not on View

pack of dogs at R chases down a large hare while two men with guns actively observe; a fence and trees near center separates L and R scene; at L, pack of dogs chases down stag, while hunter with gun at LLC watches; scattered trees and shrubbery — Stag and Hare Hunt, c. 1530-1562
Virgil Solis

Not on View

armor stylized in the form of a nude torso at center; cherubs holding vine flank both sides, one facing out and the other in — Ornament with Cuirass and Two Genii, From Four Ornaments, Plate 4, 1544
Sebald Beham; Artist: After Barthel Beham

Not on View

muscular, bearded male figure wrapped in robe leaning on spiked club in PR hand; standing on the head of a writhing Satyr, and holding its ankle in his PL hand; inscription across top — Hercules and Nessus, c. 1525-1561
Jacob Binck

Not on View

three leafy brooch designs on sheet: L design features wide-leafed vines with a face emerging from center leaf; center design shows a vase emerging from intertwined leaves, with two swirls flanking the vase; R design features nude torso emerging from vines, with male heads emerging from leaves flanking center motif — Three Brooches Side by Side, 1536
Heinrich Aldegrever

Not on View

male figure standing in 3/4 pose, holding papers or cards in PL hand and a whip like object in PR hand; empty banderole behind man's upper torso; rocks and weeds at feet — Peasant in Slashed Clothes, 1587
Master MQD

Not on View

Bust of an Old Man with a High Cap, c. 1628-1632

Jan Lievens

Not on View

rear 3/4 view of a male peasant facing R, looking up to sky; PR hand resting on sword strapped to belt, pitchfork in PL hand; banner over figure reads "Es ist kalt Weter" (It is cold). — Weather Peasant: Es ist kalt weter, 1542
Sebald Beham

Not on View

rear 3/4 view of a male peasant facing L, hands held behind back, standing behind a rough wooden fence; banner behind figure reads: "Das schadet et nit" (That's of no concern). — Weather Peasant: Das schadet nit, 1542
Sebald Beham

Not on View

pony at L with monkey on its back, holding a branch that a dog is pulling on; another monkey on a bent tree trunk at R holding a club above dog's head; bee in ULQ, small shrubs on ground — Horse with Two Monkeys and a Dog, From Scenes to Aesop's Fables, 1594
Nicolaes de Bruyn

Not on View

double-headed frog near center below tree; fierce looking bird on L branch of tree, and angry looking rodent on R branch; fierce and frightened looking animals including wolf, dogs, and a deer — Two-Headed Frog with Other Animals, From Scenes to Aesop's Fables, 1594
Nicolaes de Bruyn

Not on View

bust of a male figure, leaning slightly forward, with a large nose and heavily shaded brow; tall, furry hat; light shading on shoulder — Head of an Old Man in High Fur Cap: Bust, c. 1629
Rembrandt Harmensz. van Rijn

Not on View

Adam seated at L below tree; Eve at R reaching up to receive a piece of fruit from a snake in a tree; with her opposite hand, Eve is handing another fruit to Adam; animals resting in background behind Eve — The Fall of Mankind, From the Power of Death, Plate 2, 1541
Heinrich Aldegrever

Not on View

female figure with hat and scarf sitting, cradling an infant; male figure at LL watches; trees framing scene at L; mountain with castle in background — Rest on the Flight into Egypt, c. 1515-1519
Albrecht Altdorfer

Not on View

Adam and Eve at L standing under a fruit tree; robed figure at R with a beard holds up PL hand, addressing the couple — God Warns Adam and Eve, From the Story of Adam and Eve, Plate 2, 1540
Heinrich Aldegrever

Not on View

woman riding on a billowing cloud, facing forward, resting PR hand on open book of music; horse behind her; peacock at LRC; woman is holding a large instrument in PL hand — Sanguine Temperament, From the Four Temperaments, Plate 1, c. 1530-1562
Virgil Solis

Not on View

Choleric Temperament, From the Four Temperaments, Plate 2, c. 1530-1562

Virgil Solis

Not on View

woman seated on cloud or roots, with large bird on PL shoulder; woman holds mirror in PL hand and a spike with horseshoes in PR — Phlegmatic Temperament, From the Four Temperaments, Plate 3, c. 1530-1562
Virgil Solis

Not on View

seated woman resting head on elbow propped up on a block, idly drawing on a round pedestal with compass in PR hand; large swan behind her, goat LLC — Melancholic Temperament, From the Four Temperaments, Plate 4, c. 1530-1562
Virgil Solis

Not on View

nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff — Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569
Étienne Delaune; Artist: After Luca Penni

Not on View

image, circumscribed by an oval, of a bridge with two figures at R talking; smaller figure crossing bridge on L side; hills, stone building in background — A Stone Bridge, From Variae Campestrium Fantasiae, Plate 5, c. 1620-1655
Herman Van Swanevelt

Not on View

male figure swooning against a tree, looking dramatically to his L at a grotesque, decaying figure with skull-like face, and long greasy hair who pulls at his arm; hour glass at figure's feet — Death and the Foot Soldier, c. 1525-1530
Jacob Binck

Not on View

male figure swooning against a tree, looking dramatically to his R at a grotesque, decaying figure with skull-like face and long hair who pulls at his arm; hourglass at figure's feet — Death and the Foot Soldier, 1532
Attributed to Master ER; Artist: After Jacob Binck

Not on View

woman in 3/4 pose in heavy dress and bonnet looking to L, holding a rake in PL hand; a basket of root vegetables on ground at PR; butter churn, large jar, and fruit basket in background; banderole over the top weaving through rake with German inscription — Market Peasant: Zum wein wolt wir laufen, c. 1542
Sebald Beham

Not on View

male figure in heavy dress standing with large staff in PL hand, dagger at PR waist; large jars and a bag of root vegetables at feet; banner over the top in German — Market Peasant: Deten wir verkaufen, c. 1542
Sebald Beham

Not on View

round table at center with Christ gesticulating at R; three men around table listening; a man at L stands, holding a teapot; woman on floor at Christ's feet — Christ at the Table of Simon the Pharisee, c. 1541-1545
Sebald Beham

Not on View

three angels sitting at a round table at L of image, looking at a male figure to the R of the table who appears to be grabbing a plate; bowl on ground in front of table; woman at R entering scene from arched door — Abraham Entertaining the Angels, From the Story of Abraham, Plate 2, c. 1543
Georg Pencz

Not on View

reclining nude woman lying on side with her back to viewer, looking toward ground; a boy stands behind the woman, resting his hand on her head, looking toward similar point on the ground; another nude figure crawls on all fours at L; foliage and castle in background — Penance of St. John Chrysostom, c. 1541-1545
Sebald Beham; Artist: After Agostino d' Musi

Not on View

woman in plain dress with jacket standing in 3/4 pose with her head turned from the viewer toward the PR; gesturing with PR arm out, L hand in pocket; head almost entirely covered with a white scarf; jars at her feet — Country Woman with Two Jugs, 1524
Barthel Beham

Not on View

decorative pattern: two winged nude female figures with animal-like lower bodies flanking a vertical stem at center; each holds a twisted frond that curls, and swirls into larger leaf pattern — Ornament with Two Winged Female Half-Length Figures, 1537
Master of the Horse Heads, Netherlandish

Not on View

six men in peasant clothing fighting with clubs, swords, daggers, and spears; woven fence with grapevines in background — Peasants' Brawl, From Peasant Festival or The Twelve Months, Plate 9, 1547
Sebald Beham

Not on View

nude female figure sitting on ground with hands behind head, looking toward a baby lying on a cloth on the floor near her knee; nude male figure standing at L, looking outward, holding a bag in PL hand, and clutching a spilling coin purse to his chest; frog on shoulder — The Miser and the Miscarriage, c. 1528-1532
Barthel Beham

Not on View

head of elderly woman with large white headdress covering hair and ears; pensively looking downward; portion at L seems to be darker compared to grayish tone of other inking — The Artist's Mother: Head Only, Full Face, 1628
Rembrandt Harmensz. van Rijn

Not on View

couple walking, holding hands; male at L wears a badge and rests PL hand on a crutch, swinging his wooden peg leg forward; woman at R walking with a crutch with footless R leg forward — The Lame Dancers, from La danse des estropiés, Plate 10, 1538
Cornelis Massijs

Not on View

bust of a male figure with narrowed eyes, smirk, and large nose, wearing a large hat; ruffles at collar — The Laughing Peasant, c. 1620-1665
Cornelis Bega

Not on View

Corinthian column with heavy leaf ornamentation and scrolling motif at top; cluster of grapes in column's upper center; inscriptions on sides — Corinthian Column, 1543
Sebald Beham

Not on View

Head of a Laughing Peasant, mid 17th century

Cornelis Bega

Not on View

nude male figure at center fighting snakes off of his arms and legs; toddler with a snake on his leg grabs at the man's PL leg, while a young boy to the man's PR struggles with a snake on his own leg; stone archway and pillars in background — Laocoön, 1538
Hans Brosamer

Not on View

Row of Three Heads in Profile to Left, From Varie Figurae et Probae (Antwerp), 1645

Wenceslaus Hollar; Artist: After Leonardo da Vinci

Not on View

roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles — Fortune, 1540
Master AS

Not on View

female figure at L holding a large water pitcher, facing a male figure who is reaching for her opposite hand; camels and another man in background at L; wells by their feet; a town with a woman walking back from path at R — Design for Watch Case: Rebecca at the Well, c. 1610-1656
Michel Le Blon

Not on View

three vertical ornamental studies, one rectangular, and two more triangular; sinuous vines with thick leaves emerge vertically from ornate ewers at the bottom, each with a slightly different variation — Ornament with Vase; Two Designs for Sheaths, c. 1505-1536, printed 17th century
Daniel Hopfer

Not on View

winged figure in rear 3/4 view with windblown garment holding a large ewer in PL hand, and another object in PR hand to PR shoulder; large ball by feet; stone blocks at R — Temperance, From Cognition and the Seven Virtues, Plate 8, 1539
Sebald Beham

Not on View

large covered drinking cup with knights in small cartouches around top; leaf design at center; oval medallions lining widest portion in lower half; inscription at top — Double Goblet with Oval Medallions, 1530
Sebald Beham

Not on View

bearded man sitting on a seat with windblown cape holding a baby upside down by its leg in PL hand, and a sickle in PR hand, two dragons appear to be pulling him; clouds divide that scene from a farming scene below: man at L plows field near a barn and man at R slaughters a boar — Saturn, From the Seven Planets, Plate 1, c. 1532-1562
Virgil Solis

Not on View

two profiles of a man's face facing R; L is an outline of theface and features with an overlaid grid; face at R is fully detailed and shaded — Eines Mannes Haupt, 1542
Sebald Beham

Not on View

young man kneeling at a riverbank, grasping a large fish; the man is looking behind him to an angel in the R side of image, who is pointing in an instructive manner and holding a purse; dog at far R, city in background at L — Tobias Catches the Fish, From the Story of Tobit, Plate 5, c. 1543
Georg Pencz

Not on View

oval-shaped print: portrait of a seated man in cap with PL elbow resting on table; holding pipe in mouth with PL hand, and a bowl or pouch to the pipe with opposite hand; paraphernalia on table — The Smoker, c. 1640
Adriaen van Ostade

Not on View

abstract watercolor in bright hues; red/purple UR; green/red UL; blue/purple LL; brown/yellow LR — Composition, 1958
Ernst Wilhelm Nay

Not on View

standing couple with toddler: man at L is holding the child, picnic basket by his feet; woman standing in front of man with small smile, clasping hands at waist, looking at toddler — Greeting, 1892
Käthe Kollwitz

Not on View

Hercules Fighting the Trojans, From the Labors of Hercules, Sebald Beham — Hercules Fighting the Trojans, From the Labors of Hercules, 1545
Sebald Beham

Not on View

head and shoulders of an old woman wearing a large fabric headdress and a garment with a fur-lined collar; facing to the R of the picture plane — Bust of Woman in Heavy Headdress, 1631
Rembrandt Harmensz. van Rijn; Artist: Plate reworked by Johannes van Vliet

Not on View

loose geometric drawing of a woman's head and shoulders, facing to the right of the picture plane — Head Study, Facing Right, 1915-1920
Ernst Ludwig Kirchner

Not on View

kneeling monk seen from behind, fully hooded with head bowed holding a cross — The Praying Monk, 1826
Johann Friedrich Overbeck

Not on View

two groupings of two ovals with two circles below, each showing a different biblical scene — Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)
Jacques Callot

Not on View

image of a crowd of people in front of a cathedral; those in foreground are facing the viewer — The Cathedral, 1886 (published 1896)
James Ensor

Not on View

man reclining on a bed with a youth facing him in the foreground; woman and youth to the R under an arch — Isaac Blessing Esau, 1741
Count Anton-Maria Zanetti the Elder; Artist: after Raphael (Raffaello Sanzio or Santi)

Not on View

man at center with his PR hand up and a lighter coloring around his head; a group of men gathered around him in an interior space; matted and in frame with four other prints — The Tribute Money, c. 1634
Rembrandt Harmensz. van Rijn

Not on View

two groupings of three ovals each; each oval showing a different biblical scene — Six Ovals from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)
Jacques Callot

Not on View

four nude children in a landscape — Cupid and Three Putti, 1506
Marcantonio Raimondi

Not on View

woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane — Lucretia, early 1640s
Guercino (Giovanni Francesco Barbieri)

Not on View

Grotesque Profile: Man in a High Cap, c. 1629

Rembrandt Harmensz. van Rijn

Not on View

grouping of three ovals with three circles below, each showing a different biblical scene — Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)
Jacques Callot

Not on View

old woman seated in 3/4 view wearing a black fur shawl and black headdress with veil down the back; hands in her lap; facing to the L of the picture plane; matted and in frame with four other prints — Rembrandt's Mother, late 18th-early 19th century
Costantino Cumano; Designer: after Rembrandt Harmensz. van Rijn

Not on View

man standing along L side holding wrists of a man lying on his back with a horse biting his ankle — Hercules Feeding Diomedes to His Mares, 1855
Eugène Delacroix

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image of an old bearded man in a jacket with fur collar and cuffs and a black hat with his head turned slightly to his PL, holding spectacles and a drawing instrument, arm on sheets of paper — Joannes Lutma Aurifex, 1656
Jan Lutma the Younger

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wreath with Latin type; interspersed among leaves are circles containing the letters IHS or MA — Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640
Abraham Bosse; Artist: or François Collignon

Not on View

red chalk drawing of a woman at center with her arms out stretched looking skyward; clouds at her feet; flanked by two putti — Assumption of the Virgin, 1759-1770
Jean-Robert Ango; Artist: After Domenichino Zampieri; Artist: Formerly attributed to Jean-Honoré Fragonard

Not on View

nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth — Eve with the Serpent, 1526
Jacob Binck

Not on View

3/4 bust of male figure with long hair, glasses, and a long goatee; image area is circular — Head of a Man, after 1848
Charles-Émile Jacque

Not on View

Letter D: putto standing inside of a D formed from a tall vessel and leaves — Ornamental Initial D, early 16th century
Georg Lemberger

Not on View

nude Eve holding a piece of fruit near PL shoulder; looking toward a snake in ULC; grazing stag in back — Eve, c. 1520-1561
Heinrich Aldegrever

Not on View

column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides — Two Genii Sitting at the Base of a Column (section from The Forge of the Heart), 1529
Master I.B.

Not on View

two men in elegant robes standing by a heavily dressed and ornamented horse; a man at R offers a pillow holding a crown to one of the elegantly dressed men, who holds his hand over the crown; man at lower center bows before the man taking the crown; while other men holding swords and spears watch on — King of Bohemia, 1777
Jean-Pierre Norblin de la Gourdaine

Not on View

Seated Monk Reading, c. 1834

Carl Anton Heinrich Mücke

Not on View

Letter E: formed from floral decoration; putto wearing loincloth near opening of letter and holding stem in PL hand — Ornamental Initial E, early 16th century
Georg Lemberger

Not on View

Jesus in loincloth tied to a pillar; a couple of men flog him with a cluster of brush and rope, while others look on; a man at LL gestures to a pile of cloth and ropes at bottom center — The Scourging of Christ, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

%C2%A9 The Estate of Augustus John %2F Bridgeman Copyright

Profile of Bella, 1906

Augustus John

Not on View

Jesus on cross with halo and Inri sign over head; flanked by two others on crosses; crowd with daggers standing in front of Jesus — The Crucifixion, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

large sketchy tree at R, bending slightly to L; fallen log across bottom of image; sketchy grasses; possible outline of a figure at L — The Two Landscapes (Left), c. 1630
Claude Gellée (called Le Lorrain)

Not on View

Jesus bound with ropes at L, held by two men facing other men at R who are arguing. man seated on elevated throne at far R is talking to two men, one of whom is gesturing toward Jesus; women watch in arched window in background — Christ again before Caiaphas, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

airborne cupid whipping a satyr who is tied to a tree — Cupid Whipping a Satyr, c. 1606-1652
Formerly attributed to Jusepe (Giuseppe) de Ribera

Not on View

This is a reverse copy of the FIRST STATE of 2015.93.141, when the misspelling in the inscription is uncorrected. — Tobias and the Angel, after c. 1543
Unknown; Artist: After Georg Pencz

Not on View

nude woman at center, collapsed between two male figures; older man at L, with beard, reaches over woman, with his hand near PR breast; male at R appears to be struggling to support the woman; the figures are between trees on a raised stone platform — Susanna and the Elders, 1776
Jean-Pierre Norblin de la Gourdaine

Not on View

interior scene with Christ bound with ropes at LL; man on throne in back at R addressing Christ and his captors; one of the men next to Christ holds up a book — Christ before Annas, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

child reclining near a cannon dangling a long, thin object in PL hand and gazing upward; baby at L crawls over cannon balls near cannon — Two Naked Children Near a Gun, c. 1612-1655
Cornelis Schut

Not on View

nude Adam in contrapposto stance next to tree, holding a fruit still attached to the tree; a lion rests behind Adam on the ground — Adam, c. 1520-1561
Heinrich Aldegrever

Not on View

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