showing 100 of 234 results matching creditline:"Gift of Elizabeth, Julie, and Catherine Andrus in memory of John and Marion Andrus". (load 134 more)

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image of a crowded street scene with figure on a donkey in foreground and a cathedral in background; images sketched into margin; metal frame

I Made What I Would Call a Good Bargain, from Le Chevalier des Touches, 1878

FĂ©lix Buhot

Not on View
head and torso of a man with a moustache and receding hairline, holding a pen-like tool in his PL hand; many diagonal hatched lines; man wears jacket, tie and vest; loose style

Self-Portrait, April 19, 1923

Lovis Corinth

Not on View
faintly sketched image of three heads: at L: rear 3/4 view of a bearded figure with helmet; center: profile of a figure with curly hair, looking up as if in awe; R: angelic young figure with curly hair

Study of Three Heads, From Recueil de divers griffonnements et preuves, Plate 3, c. 1646

Stefano della Bella

Not on View
3/4 view of male figure with large eyes and short hair gazing toward viewer; man is seated next to a worktable in a darkened room, holding a copper plate; screen leaning on table, and a container of printmaking tools is nearby

Self-Portrait, Facing Right, c. 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View
profile of male figure facing R with high hat and rough beard; rat perched on his PR shoulder

Head of a Rat Catcher, 1630

Unknown; Artist: after Rembrandt Harmensz. van Rijn

Not on View
rondel: nude female figure R of center, clutching her robes to her body with one hand, and fending off two men with the other; at L, two bearded men grabbing at her body; a park with fountains and putti in background

Design for a Watch Case: Susanna and the Elders, c. 1670-1686

Attributed to Jacques Vauquer; Artist: After SĂ©bastien Bourdon

Not on View
mob of men carrying staffs, ropes, and swords addressing Jesus's body on the ground at lower center; man with sword stands over Jesus

Christ Taken, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
chaotic fight scene between centaurs and nude women; figures are fighting with arrows, ceramics, shields, daggers, etc.

Combat of Centaurs and Lapiths, and Hippodamia Abducted by a Centaur, From Combats and Triumphs, c. 1550-1572

Étienne Delaune

Not on View
dais or coffin outside of cave with small group of men seated around it; remnants of pudding and bread are on the table; two men at L with long spears full of fish and sausages, with a woman at far L holding a plate with a turkey; a cartouche of Jesus at top center with light beams, looking down at scene; two figures lying on ground in front of coffin

The Resurrection of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile and upper body of two men facing each other; L man has wide shoulders and wears a large plume on his hat, and a cape over PR arm; man at R has mustache, a furry hat with a feather, and a furry cloak

Busts of Two Men Wearing Turbans with Feathers, From Recueil de divers griffonnements et preuves, Plate 11, c. 1646

Stefano della Bella

Not on View
portion of a boat shown at L with man sitting on prow near lower center of image; buildings along opposite shore in middle ground with willow trees near L; another boat with silhouetted passengers near middle

Battersea from Chelsea, 1888-1889

Theodore Roussel

Not on View
female figure at R in tattered dress carrying a baby in a bundle; cup or pan hanging from her belt at L; shorter figure also in rags standing and facing the woman, leaning on cane; stone building in background

A Poor Woman Standing, Holding an Infant, From Caprices, Plate 7, c. 1642

Stefano della Bella

Not on View
three men relaxing in the shade at L: one is seated on a carved bench holding a staff; another is seated on the ground, and one is reclining on stomach, resting head in hand; ruins at R

Three Pilgrims Resting beside a Wall, From Caprices, Plate 6, c. 1642

Stefano della Bella

Not on View
Letter I: bowl with fountainlike foliage at center; standing putti at each side, one at L holding a melon, and the one at R holding a branch

Ornamental Initial I, early 16th century

Georg Lemberger

Not on View
view of a church built into a hill with long stone staircase and two short spires cropped by image frame; a house is also built into the hillside to the front and R of church

%C2%A9 Estate John Taylor Arms

Estaing (Aveyron), From French Church Series, 1947

John Taylor Arms

Not on View
haggard male figure collapsing into the arms of an older, bearded man; another man at L approaches with coat, while another to his R looks on; in background at L, a woman butchers an animal in a trough

Return of the Prodigal Son, From Story of the Prodigal Son, Plate 4, 1540

Sebald Beham

Not on View
profile of a young man seated at a desk facing R, reading a book in his hands; an open book is propped up on the R side of the desk along with an inkwell and quill

Young Man Reading, 1802

Michal Plonski

Not on View
Freely sketched trees on a gentle embankment at left; open space with distant mounds at right; two tiny figures near the trees.

The Two Landscapes (Right), c. 1630

Claude Gellée (called Le Lorrain)

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figure in white emerging from rectangular hole in ground, raising PL arm up; figure in white on raised platform with arm raised, the other gesturing toward figure on ground; small crowd of people gathered around standing figure in white; ruins in background

Raising of Lazarus (Small Plate), 1784

Jean-Pierre Norblin de la Gourdaine

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nude figures fighting with spears, clubs, and shields at L and C; two men dragging female figure to boat at R

The Abduction of Helen, c. 1546-1550

Sebald Beham; Artist: After Barthel Beham

Not on View
farming scenes: at R, man stands near the center of a small field with a seed bag strapped around shoulder, spreading seeds; another man at LRC chops at one of the many trees along R edge; at L, a man plows a field with three horses, while a figure with a whip sits on the rear horse; a ram surrounded by clouds at center separates the two scenes

Month of March with Aries, From Twelve Months with Signs of the Zodiac, 1559

Monogrammist FB (Franz Brun)

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Letter W: leaves with diagonal stems and flowers forming W shape; putto at L holding onto stem; putto at R holds something to mouth with PL hand

Ornamental Initial W, early 16th century

Georg Lemberger

Not on View
bust of long-haired man with large, gaping mouth; wears tall, crooked hat with ties hanging to shoulders, and thick overcoat with rolled collar

Grotesque Head of a Man in a Tall Bonnet, late 18th to early 19th century

Attributed to Jean-Pierre Norblin de la Gourdaine

Not on View
male figure leaning on long staff against a tree; large herd of pigs behind him

Prodigal Son with the Swine, From Story of the Prodigal Son, Plate 3, 1540

Sebald Beham

Not on View
illuminated figure in white at center, raising PR hand upward; in shadows at L, an arm extends out of a narrow, sunken area in the ground; crowd of onlookers watch in awe in background; large pillars and stone structure in background

Raising of Lazarus (Large Plate), c. 1774-1789

Jean-Pierre Norblin de la Gourdaine

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nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff

Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569

Étienne Delaune; Artist: After Luca Penni

Not on View
tree at L; woman at center with back to viewer, reaching toward a lower branch with the PR hand; seated figure at R

Young Girl and Death, From Quarante Cliché-Glaces, 1854

Jean-Baptiste-Camille Corot

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three elegantly dressed men standing close together; man at L faces the other two, holding a drum; center figure, with large plumed hat, carries a flag on a pole over PR shoulder; figure at far R, whose face is obscured by flag, holds a flute

Drummer, Standard-Bearer, and Piper, 1525

Barthel Beham

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nude couple at a bed at center, one figure seated and the other standing; richly decorated, dark room; basket of fruit or yarn on the floor, sickle at L; at R, dark scene with sheep and crucifixes in URC; whole image is framed by arched beams

Chamber Idyll, 1831

Edward Calvert

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three men entering the gate of a crude picket fence, carrying staffs with crosses; one man points towards Jesus who is on his knees with his hands raised in front of a cave at URC; cartouche in clouds shows a dead Christ with crucifix

Christ on the Mount of Olives, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile of large, silhouetted windmill, with a smaller windmill just behind; small wooden buildings down to L; sketchy, field like landscape in foreground; flock of birds ULQ; very dark image

Windmills, Montmartre, 1846

Charles-Émile Jacque

Not on View
outline image of female figure, low to the ground, bending to cradle the head of a standing child

Bather with a Child, From Little Bathers, Plate 9, 1893

FĂ©lix Vallotton

Not on View
postage-stamp sized image: standing male figure in breeches and white shirt standing with back to viewer, holding a stick and with a basket on his back; angled toward rear; shadow of another figure LRQ, possibly seated

Ragman, 1843

Charles-Émile Jacque

Not on View
head of bearded man facing out toward R; curly hair and beard; long beard; crosshatched shading in background

Prophet's Head, Facing Right, 1804

Wilhelm Reuter

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3/4 view of an old woman looking down to R; white bonnet covering head, down shoulders, to white collar

Head of an Old Woman, 1802

Michal Plonski

Not on View
Jesus on balcony with two other men in upper center; small crowd in foreground; man R of center in priestly clothing holding out his arms; man at L holds a crucifix

Ecce Homo, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
male figure with wreath on head, leaning against the inside of a large, upturned barrel, with an open book on the ground next to him; extending PL arm to crowd at R; noble figure R of C with elegant clothing, extending PR hand; guard holding a sword behind his own neck next to barrel; Gothic archway with open iron gate in background

Alexander and Diogenes, c. 1774-1789

Jean-Pierre Norblin de la Gourdaine

Not on View
two crisscrossed flutes or whistles forming X at center, overlapping vertical musical staff with treble clef; two stylized cherubs sitting on fluttering ends of a banner over the center flutes, each playing an instrument; at top, putto sits on a wreath and holds a burning torch

Les Mirlitons (Pour Madame Anna Judic), 1886

FĂ©licien Rops

Not on View
two men fighting with an epée (or fencing sword) and a dagger in each hand; man at L leans away from the epée near his neck at PL side; man at R is leaning forward, deflecting the sword with his dagger in PL hand

Duel with Sword and Dagger, From Les Caprices, 1617

Jacques Callot

Not on View
male figure with his back to viewer wearing coat with slashed sleeves; PR hand holding large staff; sword scabbard visible at PR hip

Soldier with Halberd, Seen from the Back, after 1520

Jacob Binck; Artist: After Barthel Beham

Not on View
woman sitting on bench holding a snake in PR hand very closely to her face, as if talking to it; elbow from arm with snake extends outside of image plane

Snake Merchant, from Fontainebleau Forest, c. 1889

Auguste Louis Lepère

Not on View
Jesus at LL beseeching a small mob of men at R who carry nails, large staffs, and a candle; man behind Jesus holds a sword; cliffs, a fence, and gate in background

Christ Confronting His Detractors, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
three faces at L, torso at far R: face at far L is of an old man in profile with hooked nose and bushy beard wearing a hat; center head is a profile of a man facing L with a mustache and cap; man at R faces out to R, with bushy beard, cap; far R is angel-like figure with a pug nose and wavy hair, shirtless

Three Heads of Men Wearing Turbans and a Figure of a Nude Winged Woman, From Recueil de divers griffonnements et preuves, Plate 14, c. 1646

Stefano della Bella

Not on View
male figure wrapped in robes at center, holding staff with cross at top and image of lamb within oval; figure points an inscription with his PL hand on the unrolling, wind-blown scroll in his PR hand; stylized trees and boulders in background

St. John the Baptist, after 15th century

Unknown , Italian

Not on View
bust of a male figure with narrowed eyes, with a smirk and a large nose, wearing a large hat; ruffles at collar

The Laughing Peasant, c. 1620-1665

Cornelis Bega

Not on View
female figure in sheer, loose dress standing amid trees near center; in background at L is a portion of a castle or church with wall; a flock of birds flying towards a treetop at R

The Lady with the Rooks, 1829 (published 1904)

Edward Calvert

Not on View
scowling hunchback figure with hooked nose, and large brimmed hat facing L; posed with pointy, short epee in each hand

Duelist with Two Daggers, From Varie Figure Gobbi, c. 1622

Jacques Callot

Not on View
free standing stage-like structure with squared columns at corners; "Moliere" written over archway; large cup with flames on top; stains on base; surrounded by wreath with berries

Molière's Tomb (at Père Lachaise), from Eaux-fortes sur Paris, 1854

Charles Meryon

Not on View
Jesus wearing a crown of thorns, seated on steps of a large room in shadow; man behind Jesus holds a book onto Jesus's head with a long object; another man behind Jesus lowers a candlestick over his head; man in front of Jesus crouches, offering out a large cup, while other men in back talk

The Mocking of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
child at R standing proudly, holding a glass in his PL hand; two boys seated on floor at LL, looking towards standing boy; dog near LRC; interior of a dark room

Interior with Three Boys and a Dog, 1813

Sir David Wilkie

Not on View
rear 3/4 view of female figure standing on a ball; small scarf blowing from her back down towards her knee; figure leans on a staff, holds a thistle-like plant in PR hand

The Little Fortune, c. 1495

Albrecht DĂĽrer

Not on View
male figure leaning on a desk with his PL fist, watching another male figure, seated on a bench in front of the desk, writing; lightly sketched background

The Sergeant Reporter, 1862

Ernest Meissonier

Not on View
stylized leaning tree with swirling texture on trunk; thick, brambly branches obscure much of the trunk; small leaves

Branches, c. 1880

Rodolphe Bresdin

Not on View
profile of very muscular nude man who is seated supporting his elbow on his knee, and his chin on his hand

Ugolino, 1860

Jean-Baptiste Carpeaux

Not on View
small oval print; grove of trees with bare forest floor; thick foliage in background

Study of Woods, 1854

Jean Baptiste Louis Guy

Not on View
white tent at R with light shining toward a shadow of the Sphinx, from the front; small group gathered around embers of a campfire at center; animal in shadows at LRC

The Desolation of Egypt, 1857

William Holman Hunt

Not on View
a group of mourners lowers Jesus's body onto a wide dais or coffin outside a cave

The Entombment of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
small group of men at R carry weapons and one man raises a burning candle over Christ, who walks toward R, with back turned away from viewer; man crawling at LL; two men serve a man seated on a throne in back; crucifix stands at R edge

Pilate Washing His Hands, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
Letter Y: putto straddling arabesque design forming two grotesque heads that face each other

Ornamental Initial Y, early 16th century

Georg Lemberger

Not on View
man in priestly clothing on stairs in middle ground addresses a small group of figures in foreground, including Jesus, who is held between several men at LL; three figures on R with staffs; one of the figures at R is pointing down to a collection of objects including a skull, a candle, and a helmet at lower center

Christ before Pilate, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
profile of a priest illuminated by two candles; writing in a book, leaning on cloth covered desk; trees, and large, draping curtains in background

The Scribe, 1781

Jean-Pierre Norblin de la Gourdaine; Artist: after Rembrandt Harmensz. van Rijn

Not on View
tiny figure holding a net at L in front of rows of waves; very high horizon line

Waves, 1892

D. Y. Cameron

Not on View
A-frame cottage at R next to winding river at center; high bank to L of river with a tree; heavy foliage behind cottage

Colinet: Unhappy Hour, 1821

William Blake

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grove of trees with thin leaves; two small figures R of C; dark, heavily shaded image

%C2%A9 Estate Thomas Willoughby Nason

Autumn, 1937

Thomas W. Nason

Not on View
large stone building with small windows on a cliff at L; sailboat in loch near cliff; high, rugged hills behind low plains at R

Arthur's Seat from Lochend, 1770-1782

John Clerk of Eldin

Not on View
split cascading waterfall at center framed by blackened cliffs on either side

A Mountain Torrent, 1770-1782

Attributed to John Clerk of Eldin

Not on View
three canning jars and two decanters arranged on a ledge in front of a partial landscape with tall, thin trees

%C2%A9 David Finkbeiner

Through the Looking Glass, from Eldindean Press XVII by XVII, 1985

David Finkbeiner

Not on View
lighthouse at center, battered by the waves of a violent sea; ship on each side of lighthouse, swaying in waves

Eddystone Lighthouse, 1770-1782

John Clerk of Eldin

Not on View
image of an empty wine glass standing on small, heavily shaded plate with scalloped edge

The Wine Glass, 1859

James Abbot McNeill Whistler

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3/4 view of an old man with a long, bushy beard and slouchy hat cradling a book in his PR arm

Bearded Man Holding a Book, 1772

Benigno Bossi

Not on View
top image: nude female reclining on PL side; dark shadowy figure at L bottom image: woman sitting on chair near a store at L; two men seated across from her in slight shadow at L; bucket at her foot; wooden pillar behind woman

Reclining Woman and Woman Selling Fried Food, 1843-1844

Charles-Émile Jacque

Not on View
profile bust of man with large, open smile, long pointed nose, dark slouching hat; facing R

Bust of a Laughing Peasant, 1636-1652

Adriaen van Ostade

Not on View
field of long grasses bending in the wind; short wood fence cutting across the center of image; trees at L; cluster of high brushes at R; line of trees behind a flat field in background; billowing white clouds in sky

%C2%A9 Estate Thomas Willoughby Nason

Nova Scotia Landscape, 1927

Thomas W. Nason

Not on View
two white horses grazing in front of a fence; thick grove of trees behind at L; two smaller trees at R with higher, thin vegetation

Two Horses in a Wood, 1845

Charles-Émile Jacque

Not on View
man seated in profile at a table, resting his head on his hand at R; man at L leaning over bench across from table talking to seated man, holding a pitcher; other figures at R

Drinkers at a Table with Embracing Couples, after 1843

Unknown; Artist: After Charles-Émile Jacque (?)

Not on View
largely naked men on horses fighting with spears and clubs; horses rearing slightly over a fallen horse and a fallen man; other men in background with shields

Hercules Fighting the Trojans, From the Labors of Hercules, 1545

Sebald Beham

Not on View
two billboards side by side, one featuring a trumpet player and another a caboose; building at R with tall façade and porch; truck parked at LL

%C2%A9 Reynold H. Weidenaar

Division Avenue, 1968

Reynold H. Weidenaar

Not on View
stately white building near center of image; small figure with staff near gate around estate; trees at L and R of image; heavy foliage around fence and estate

Blair Adam, 1770-1782

John Clerk of Eldin

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image of a figure bound in chains, bent over with hands clasped together; ankles bound in heavy shackles; head with shaggy beard and hair turned to the L

Tan bárbara la seguridad como el delito, 1778-1818 (published 1867)

Francisco José de Goya y Lucientes

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castle L of C in background, with two men on white horses nearby; wavelike motif in foreground at bottom with a mermaid emerging at R; two cherubs wrestle near sun and ships at URC; flame like motif with armor helmets at ULC with griffin

"The Devil in Love," by Cazotte, Second Vignette, 1878

FĂ©lix Buhot

Not on View
large stone castle or fort surrounded by thick foliage, on a point overlooking a body of water; sailboat at L near trees; another ship at R; low mountains in background

Dunstaffnage, 1770-1782

John Clerk of Eldin

Not on View
stylized sunflowers; crescent in sky at L; tree forms at R

%C2%A9 Estate Karl Schrag

Sunflowers and Moon, from Eldindean Press XVII by XVII, 1985

Karl Schrag

Not on View
sketch of a battle scene; man sitting at center with his body twisted away from the viewer, leaning on ground over bayonet; reaching into bag on belt with PR hand; man carrying a wounded soldier at L, near a barefoot soldier who is carrying a flag; outlines of a running man at R; scribbles on back

Battle Sketch (Civil War), 1861-1865

Unknown

Not on View
lighter rendition: Christ seated on R side of round table with bread and wine; three men conversing with Christ at the same table; a man enters the scene at far L carrying a pitcher; woman at bottom embraces Christ’s ankle

Christ at the Table of Simon the Pharisee, c. 1541-1545

Sebald Beham

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two stylized women standing near a column or street lamp; woman at L is in mid-stride holding a clutch purse at PR hand; woman at R facing woman at L with PR hand adjusting hair

%C2%A9 Estate Reginald Marsh %2F Artists Rights Society %28ARS%29%2C New York

Two Girls, c. 1944

Reginald Marsh

Not on View
head and shoulders of an old woman wearing a large fabric headdress and a garment with a fur-lined collar; facing to the R of the picture plane

Bust of Woman in Heavy Headdress, 1631

Rembrandt Harmensz. van Rijn; Artist: Plate reworked by Johannes van Vliet

Not on View
loose geometric drawing of a woman's head and shoulders, facing to the right of the picture plane

Head Study, Facing Right, 1915-1920

Ernst Ludwig Kirchner

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kneeling monk seen from behind, fully hooded with head bowed holding a cross

The Praying Monk, 1826

Johann Friedrich Overbeck

Not on View
two groupings of two ovals with two circles below, each showing a different biblical scene

Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
image of a crowd of people in front of a cathedral; those in foreground are facing the viewer

James Ensor%2C The Cathedral 1886. %C2%A9 Artists Rights Society %28ARS%29 New York %2F SABAM%2C Brussels

The Cathedral, 1886 (published 1896)

James Ensor

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man reclining on a bed with a youth facing him in the foreground; woman and youth to the R under an arch

Isaac Blessing Esau, 1741

Count Anton-Maria Zanetti the Elder; Artist: after Raphael (Raffaello Sanzio or Santi)

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man at center with his PR hand up and a lighter coloring around his head; a group of men gathered around him in an interior space; matted and in frame with four other prints

The Tribute Money, c. 1634

Rembrandt Harmensz. van Rijn

Not on View
two groupings of three ovals each; each oval showing a different biblical scene

Six Ovals from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
four nude children in a landscape

Cupid and Three Putti, 1506

Marcantonio Raimondi

Not on View
woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane

Lucretia, early 1640s

Guercino (Giovanni Francesco Barbieri)

Not on View
man's head and neck in profile wearing a hat that wraps at the bottom and has a fuzzy irregular shape at top; matted and in frame with four other prints

Grotesque Profile: Man in a High Cap, c. 1629

Rembrandt Harmensz. van Rijn

Not on View
grouping of three ovals with three circles below, each showing a different biblical scene

Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
old woman seated in 3/4 view wearing a black fur shawl and black headdress with veil down the back; hands in her lap; facing to the L of the picture plane; matted and in frame with four other prints

Rembrandt's Mother, late 18th-early 19th century

Costantino Cumano; Designer: after Rembrandt Harmensz. van Rijn

Not on View
man standing along L side holding wrists of a man lying on his back with a horse biting his ankle

Hercules Feeding Diomedes to His Mares, 1855

Eugène Delacroix

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image of an old bearded man in a jacket with fur collar and cuffs and a black hat with his head turned slightly to his PL, holding spectacles and a drawing instrument, arm on sheets of paper

Joannes Lutma Aurifex, 1656

Jan Lutma the Younger

Not on View

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