showing 100 of 234 results matching creditline:"Gift of Elizabeth, Julie, and Catherine Andrus in memory of John and Marion Andrus". (load 134 more)

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man in background and woman in foreground walking toward the right edge of the picture plane; woman holding a walking stick; loose drawing of foliage in background in front of figures; matted and in frame with four other prints

Two Tramps, a Man and a Woman, c. 1634

Rembrandt Harmensz. van Rijn

Not on View

Hercules Fighting the Centaurs, From the Labors of Hercules, 1542

Sebald Beham

Not on View
male figure in workshop delicately tapping a sculpture with a mallet; sculpture features a standing woman cradling an infant on her PR, and embracing a standing nude toddler at her PL

The Goldsmith, 1655

Rembrandt Harmensz. van Rijn

Not on View
three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL

Death and the Three Nude Women, c. 1525-1527

Barthel Beham

Not on View
three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL

Death and the Three Nude Women, c. 1546-1550

Sebald Beham; Artist: After Barthel Beham

Not on View
woman kneeling at L before a ruler seated on throne at R; baby at woman's knee and king's foot; a female figure with other male figures in background; open archway at L overlooking masonry structures

Judgment of Solomon, From Stories of the Old Testament, c. 1531

Georg Pencz

Not on View
Christ standing to R of gnarled tree, facing a grotesque figure with beastly head, wings, webbed fingers, fish tail, and human legs; at ULC, small image of Christ on a plateau; at UR, small image of Christ standing atop a building, in both miniatures facing a similar looking beast

The Temptation of Christ, From the Life of Christ, Plate 11, c. 1534-1535

Georg Pencz

Not on View
floral and leaf decorative pattern with two Tritons at center, emerging from vines; one Triton faces out, the other with its back to viewer; two putti holding fronds flank L and R side

Ornamental Design with Tendrils, a Couple of Tritons, and Two Children, 1537

Heinrich Aldegrever

Not on View
nude female figure with cloth draped over PL leg; standing cherub with bow in hand at R; curtains in background

Venus after the Bath, 1525-1530

Albrecht Altdorfer

Not on View
front 3/4 view of nude male figure with sash blowing around back; figure holds a spear vertically to the PL side of body; flower at PL foot; decorative foliate design bottom half

Sheath Design with Nude Man, c. 1533

Heinrich Aldegrever

Not on View
two profiles of a woman, facing R; profile at L is a mostly simple outline with overlaid grid; bust on R is a more detailed and shadowed image

Eines Weibes Haupt, 1542

Sebald Beham

Not on View
profile of nude female figure seated on steps, submerging her feet in water; large bonnet on head, pensive expression; holds a tool in her hand

Bathing Woman, 1520-1530

Albrecht Altdorfer

Not on View
nude men engaged in hand-to-hand combat, many with shields, arrows, clubs, daggers, etc.; men standing to fight in rear with others crouching and on ground in front row

Battle of Eighteen Nude Men, c. 1528

Barthel Beham

Not on View
seated female nude, with legs tucked up, reaching PR arm up to stroke the neck of a large swan to her L; portion of a tree in background, and castle ULQ background

Leda and the Swan, 1548

Sebald Beham

Not on View
pack of dogs at R chases down a large hare while two men with guns actively observe; a fence and trees near center separates L and R scene; at L, pack of dogs chases down stag, while hunter with gun at LLC watches; scattered trees and shrubbery

Stag and Hare Hunt, c. 1530-1562

Virgil Solis

Not on View
armor stylized in the form of a nude torso at center; cherubs holding vine flank both sides, one facing out and the other in

Ornament with Cuirass and Two Genii, From Four Ornaments, Plate 4, 1544

Sebald Beham; Artist: After Barthel Beham

Not on View
muscular, bearded male figure wrapped in robe leaning on spiked club in PR hand; standing on the head of a writhing Satyr, and holding its ankle in his PL hand; inscription across top

Hercules and Nessus, c. 1525-1561

Jacob Binck

Not on View
three leafy brooch designs on sheet: L design features wide-leafed vines with a face emerging from center leaf; center design shows a vase emerging from intertwined leaves, with two swirls flanking the vase; R design features nude torso emerging from vines, with male heads emerging from leaves flanking center motif

Three Brooches Side by Side, 1536

Heinrich Aldegrever

Not on View
male figure standing in 3/4 pose, holding papers or cards in PL hand and a whip like object in PR hand; empty banderole behind man's upper torso; rocks and weeds at feet

Peasant in Slashed Clothes, 1587

Master MQD

Not on View
profile bust of a male figure facing R with tall hat, long white beard, and coat

Bust of an Old Man with a High Cap, c. 1628-1632

Jan Lievens

Not on View
rear 3/4 view of a male peasant facing R, looking up to sky; PR hand resting on sword strapped to belt, pitchfork in PL hand; banner over figure reads "Es ist kalt Weter" (It is cold).

Weather Peasant: Es ist kalt weter, 1542

Sebald Beham

Not on View
rear 3/4 view of a male peasant facing L, hands held behind back, standing behind a rough wooden fence; banner behind figure reads: "Das schadet et nit" (That's of no concern).

Weather Peasant: Das schadet nit, 1542

Sebald Beham

Not on View
pony at L with monkey on its back, holding a branch that a dog is pulling on; another monkey on a bent tree trunk at R holding a club above dog's head; bee in ULQ, small shrubs on ground

Horse with Two Monkeys and a Dog, From Scenes to Aesop's Fables, 1594

Nicolaes de Bruyn

Not on View
double-headed frog near center below tree; fierce looking bird on L branch of tree, and angry looking rodent on R branch; fierce and frightened looking animals including wolf, dogs, and a deer

Two-Headed Frog with Other Animals, From Scenes to Aesop's Fables, 1594

Nicolaes de Bruyn

Not on View
bust of a male figure, leaning slightly forward, with a large nose and heavily shaded brow; tall, furry hat; light shading on shoulder

Head of an Old Man in High Fur Cap: Bust, c. 1629

Rembrandt Harmensz. van Rijn

Not on View
Adam seated at L below tree; Eve at R reaching up to receive a piece of fruit from a snake in a tree; with her opposite hand, Eve is handing another fruit to Adam; animals resting in background behind Eve

The Fall of Mankind, From the Power of Death, Plate 2, 1541

Heinrich Aldegrever

Not on View
female figure with hat and scarf sitting, cradling an infant; male figure at LL watches; trees framing scene at L; mountain with castle in background

Rest on the Flight into Egypt, c. 1515-1519

Albrecht Altdorfer

Not on View
Adam and Eve at L standing under a fruit tree; robed figure at R with a beard holds up PL hand, addressing the couple

God Warns Adam and Eve, From the Story of Adam and Eve, Plate 2, 1540

Heinrich Aldegrever

Not on View
woman riding on a billowing cloud, facing forward, resting PR hand on open book of music; horse behind her; peacock at LRC; woman is holding a large instrument in PL hand

Sanguine Temperament, From the Four Temperaments, Plate 1, c. 1530-1562

Virgil Solis

Not on View
seated woman in profile, holding torch out in PR hand, and a heart with an arrow pointing toward a lion in her PL hand; she gazes into the face of a large black bird standing behind her

Choleric Temperament, From the Four Temperaments, Plate 2, c. 1530-1562

Virgil Solis

Not on View
woman seated on cloud or roots, with large bird on PL shoulder; woman holds mirror in PL hand and a spike with horseshoes in PR

Phlegmatic Temperament, From the Four Temperaments, Plate 3, c. 1530-1562

Virgil Solis

Not on View
seated woman resting head on elbow propped up on a block, idly drawing on a round pedestal with compass in PR hand; large swan behind her, goat LLC

Melancholic Temperament, From the Four Temperaments, Plate 4, c. 1530-1562

Virgil Solis

Not on View
nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff

Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569

Étienne Delaune; Artist: After Luca Penni

Not on View
image, circumscribed by an oval, of a bridge with two figures at R talking; smaller figure crossing bridge on L side; hills, stone building in background

A Stone Bridge, From Variae Campestrium Fantasiae, Plate 5, c. 1620-1655

Herman Van Swanevelt

Not on View
male figure swooning against a tree, looking dramatically to his L at a grotesque, decaying figure with skull-like face, and long greasy hair who pulls at his arm; hour glass at figure's feet

Death and the Foot Soldier, c. 1525-1530

Jacob Binck

Not on View
male figure swooning against a tree, looking dramatically to his R at a grotesque, decaying figure with skull-like face and long hair who pulls at his arm; hourglass at figure's feet

Death and the Foot Soldier, 1532

Attributed to Master ER; Artist: After Jacob Binck

Not on View
woman in 3/4 pose in heavy dress and bonnet looking to L, holding a rake in PL hand; a basket of root vegetables on ground at PR; butter churn, large jar, and fruit basket in background; banderole over the top weaving through rake with German inscription

Market Peasant: Zum wein wolt wir laufen, c. 1542

Sebald Beham

Not on View
male figure in heavy dress standing with large staff in PL hand, dagger at PR waist; large jars and a bag of root vegetables at feet; banner over the top in German

Market Peasant: Deten wir verkaufen, c. 1542

Sebald Beham

Not on View
round table at center with Christ gesticulating at R; three men around table listening; a man at L stands, holding a teapot; woman on floor at Christ's feet

Christ at the Table of Simon the Pharisee, c. 1541-1545

Sebald Beham

Not on View
three angels sitting at a round table at L of image, looking at a male figure to the R of the table who appears to be grabbing a plate; bowl on ground in front of table; woman at R entering scene from arched door

Abraham Entertaining the Angels, From the Story of Abraham, Plate 2, c. 1543

Georg Pencz

Not on View
reclining nude woman lying on side with her back to viewer, looking toward ground; a boy stands behind the woman, resting his hand on her head, looking toward similar point on the ground; another nude figure crawls on all fours at L; foliage and castle in background

Penance of St. John Chrysostom, c. 1541-1545

Sebald Beham; Artist: After Agostino d' Musi

Not on View
woman in plain dress with jacket standing in 3/4 pose with her head turned from the viewer toward the PR; gesturing with PR arm out, L hand in pocket; head almost entirely covered with a white scarf; jars at her feet

Country Woman with Two Jugs, 1524

Barthel Beham

Not on View
decorative pattern: two winged nude female figures with animal-like lower bodies flanking a vertical stem at center; each holds a twisted frond that curls, and swirls into larger leaf pattern

Ornament with Two Winged Female Half-Length Figures, 1537

Master of the Horse Heads, Netherlandish

Not on View
six men in peasant clothing fighting with clubs, swords, daggers, and spears; woven fence with grapevines in background

Peasants' Brawl, From Peasant Festival or The Twelve Months, Plate 9, 1547

Sebald Beham

Not on View
nude female figure sitting on ground with hands behind head, looking toward a baby lying on a cloth on the floor near her knee; nude male figure standing at L, looking outward, holding a bag in PL hand, and clutching a spilling coin purse to his chest; frog on shoulder

The Miser and the Miscarriage, c. 1528-1532

Barthel Beham

Not on View
head of elderly woman with large white headdress covering hair and ears; pensively looking downward; portion at L seems to be darker compared to grayish tone of other inking

The Artist's Mother: Head Only, Full Face, 1628

Rembrandt Harmensz. van Rijn

Not on View
couple walking, holding hands; male at L wears a badge and rests PL hand on a crutch, swinging his wooden peg leg forward; woman at R walking with a crutch with footless R leg forward

The Lame Dancers, from La danse des estropiés, Plate 10, 1538

Cornelis Massijs

Not on View
bust of a male figure with narrowed eyes, smirk, and large nose, wearing a large hat; ruffles at collar

The Laughing Peasant, c. 1620-1665

Cornelis Bega

Not on View
Corinthian column with heavy leaf ornamentation and scrolling motif at top; cluster of grapes in column's upper center; inscriptions on sides

Corinthian Column, 1543

Sebald Beham

Not on View
profile of male figure with large nose, wide, open smile, looking to L; sketchy hat and neck

Head of a Laughing Peasant, mid 17th century

Cornelis Bega

Not on View
nude male figure at center fighting snakes off of his arms and legs; toddler with a snake on his leg grabs at the man's PL leg, while a young boy to the man's PR struggles with a snake on his own leg; stone archway and pillars in background

Laocoön, 1538

Hans Brosamer

Not on View
profile of three men all facing L: man at far L is the youngest, with light curly hair; center man is bald with sagging, wrinkled face and beak nose; man at R is oldest, with bushy white beard and hair; wears white hat

Row of Three Heads in Profile to Left, From Varie Figurae et Probae (Antwerp), 1645

Wenceslaus Hollar; Artist: After Leonardo da Vinci

Not on View
roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles

Fortune, 1540

Master AS

Not on View
female figure at L holding a large water pitcher, facing a male figure who is reaching for her opposite hand; camels and another man in background at L; wells by their feet; a town with a woman walking back from path at R

Design for Watch Case: Rebecca at the Well, c. 1610-1656

Michel Le Blon

Not on View
three vertical ornamental studies, one rectangular, and two more triangular; sinuous vines with thick leaves emerge vertically from ornate ewers at the bottom, each with a slightly different variation

Ornament with Vase; Two Designs for Sheaths, c. 1505-1536, printed 17th century

Daniel Hopfer

Not on View
winged figure in rear 3/4 view with windblown garment holding a large ewer in PL hand, and another object in PR hand to PR shoulder; large ball by feet; stone blocks at R

Temperance, From Cognition and the Seven Virtues, Plate 8, 1539

Sebald Beham

Not on View
large covered drinking cup with knights in small cartouches around top; leaf design at center; oval medallions lining widest portion in lower half; inscription at top

Double Goblet with Oval Medallions, 1530

Sebald Beham

Not on View
bearded man sitting on a seat with windblown cape holding a baby upside down by its leg in PL hand, and a sickle in PR hand, two dragons appear to be pulling him; clouds divide that scene from a farming scene below: man at L plows field near a barn and man at R slaughters a boar

Saturn, From the Seven Planets, Plate 1, c. 1532-1562

Virgil Solis

Not on View
two profiles of a man's face facing R; L is an outline of theface and features with an overlaid grid; face at R is fully detailed and shaded

Eines Mannes Haupt, 1542

Sebald Beham

Not on View
young man kneeling at a riverbank, grasping a large fish; the man is looking behind him to an angel in the R side of image, who is pointing in an instructive manner and holding a purse; dog at far R, city in background at L

Tobias Catches the Fish, From the Story of Tobit, Plate 5, c. 1543

Georg Pencz

Not on View
oval-shaped print: portrait of a seated man in cap with PL elbow resting on table; holding pipe in mouth with PL hand, and a bowl or pouch to the pipe with opposite hand; paraphernalia on table

The Smoker, c. 1640

Adriaen van Ostade

Not on View
abstract watercolor in bright hues; red/purple UR; green/red UL; blue/purple LL; brown/yellow LR

%C2%A9 Ernst Wilhelm Nay

Composition, 1958

Ernst Wilhelm Nay

Not on View
standing couple with toddler: man at L is holding the child, picnic basket by his feet; woman standing in front of man with small smile, clasping hands at waist, looking at toddler

Greeting, 1892

Käthe Kollwitz

Not on View

Hercules Fighting the Trojans, From the Labors of Hercules, 1545

Sebald Beham

Not on View
head and shoulders of an old woman wearing a large fabric headdress and a garment with a fur-lined collar; facing to the R of the picture plane

Bust of Woman in Heavy Headdress, 1631

Rembrandt Harmensz. van Rijn; Artist: Plate reworked by Johannes van Vliet

Not on View
loose geometric drawing of a woman's head and shoulders, facing to the right of the picture plane

Head Study, Facing Right, 1915-1920

Ernst Ludwig Kirchner

Not on View
kneeling monk seen from behind, fully hooded with head bowed holding a cross

The Praying Monk, 1826

Johann Friedrich Overbeck

Not on View
two groupings of two ovals with two circles below, each showing a different biblical scene

Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
image of a crowd of people in front of a cathedral; those in foreground are facing the viewer

James Ensor%2C The Cathedral 1886. %C2%A9 Artists Rights Society %28ARS%29 New York %2F SABAM%2C Brussels

The Cathedral, 1886 (published 1896)

James Ensor

Not on View
man reclining on a bed with a youth facing him in the foreground; woman and youth to the R under an arch

Isaac Blessing Esau, 1741

Count Anton-Maria Zanetti the Elder; Artist: after Raphael (Raffaello Sanzio or Santi)

Not on View
man at center with his PR hand up and a lighter coloring around his head; a group of men gathered around him in an interior space; matted and in frame with four other prints

The Tribute Money, c. 1634

Rembrandt Harmensz. van Rijn

Not on View
two groupings of three ovals each; each oval showing a different biblical scene

Six Ovals from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
four nude children in a landscape

Cupid and Three Putti, 1506

Marcantonio Raimondi

Not on View
woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane

Lucretia, early 1640s

Guercino (Giovanni Francesco Barbieri)

Not on View
man's head and neck in profile wearing a hat that wraps at the bottom and has a fuzzy irregular shape at top; matted and in frame with four other prints

Grotesque Profile: Man in a High Cap, c. 1629

Rembrandt Harmensz. van Rijn

Not on View
grouping of three ovals with three circles below, each showing a different biblical scene

Ovals and Rondels from the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, 1631 (published c. 1635-40)

Jacques Callot

Not on View
old woman seated in 3/4 view wearing a black fur shawl and black headdress with veil down the back; hands in her lap; facing to the L of the picture plane; matted and in frame with four other prints

Rembrandt's Mother, late 18th-early 19th century

Costantino Cumano; Designer: after Rembrandt Harmensz. van Rijn

Not on View
man standing along L side holding wrists of a man lying on his back with a horse biting his ankle

Hercules Feeding Diomedes to His Mares, 1855

Eugène Delacroix

Not on View
image of an old bearded man in a jacket with fur collar and cuffs and a black hat with his head turned slightly to his PL, holding spectacles and a drawing instrument, arm on sheets of paper

Joannes Lutma Aurifex, 1656

Jan Lutma the Younger

Not on View
wreath with Latin type; interspersed among leaves are circles containing the letters IHS or MA

Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640

Abraham Bosse; Artist: or François Collignon

Not on View
red chalk drawing of a woman at center with her arms out stretched looking skyward; clouds at her feet; flanked by two putti

Assumption of the Virgin, 1759-1770

Jean-Robert Ango; Artist: After Domenichino Zampieri; Artist: Formerly attributed to Jean-Honoré Fragonard

Not on View
nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth

Eve with the Serpent, 1526

Jacob Binck

Not on View
3/4 bust of male figure with long hair, glasses, and a long goatee; image area is circular

Head of a Man, after 1848

Charles-Émile Jacque

Not on View
Letter D: putto standing inside of a D formed from a tall vessel and leaves

Ornamental Initial D, early 16th century

Georg Lemberger

Not on View
nude Eve holding a piece of fruit near PL shoulder; looking toward a snake in ULC; grazing stag in back

Eve, c. 1520-1561

Heinrich Aldegrever

Not on View
column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides

Two Genii Sitting at the Base of a Column (section from The Forge of the Heart), 1529

Master I.B.

Not on View
two men in elegant robes standing by a heavily dressed and ornamented horse; a man at R offers a pillow holding a crown to one of the elegantly dressed men, who holds his hand over the crown; man at lower center bows before the man taking the crown; while other men holding swords and spears watch on

King of Bohemia, 1777

Jean-Pierre Norblin de la Gourdaine

Not on View
male figure in hooded garment, seated in 3/4 profile against a stone at L, head bent over a large book resting on his knees

Seated Monk Reading, c. 1834

Carl Anton Heinrich MĂĽcke

Not on View
Letter E: formed from floral decoration; putto wearing loincloth near opening of letter and holding stem in PL hand

Ornamental Initial E, early 16th century

Georg Lemberger

Not on View
Jesus in loincloth tied to a pillar; a couple of men flog him with a cluster of brush and rope, while others look on; a man at LL gestures to a pile of cloth and ropes at bottom center

The Scourging of Christ, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
3/4 profile of woman with slightly open mouth, gazing to LR; high-necked dress; full, curly hair near forehead

%C2%A9 The Estate of Augustus John %2F Bridgeman Copyright

Profile of Bella, 1906

Augustus John

Not on View
Jesus on cross with halo and Inri sign over head; flanked by two others on crosses; crowd with daggers standing in front of Jesus

The Crucifixion, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
large sketchy tree at R, bending slightly to L; fallen log across bottom of image; sketchy grasses; possible outline of a figure at L

The Two Landscapes (Left), c. 1630

Claude Gellée (called Le Lorrain)

Not on View
Jesus bound with ropes at L, held by two men facing other men at R who are arguing. man seated on elevated throne at far R is talking to two men, one of whom is gesturing toward Jesus; women watch in arched window in background

Christ again before Caiaphas, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
airborne cupid whipping a satyr who is tied to a tree

Cupid Whipping a Satyr, c. 1606-1652

Formerly attributed to Jusepe (Giuseppe) de Ribera

Not on View
This is a reverse copy of the FIRST STATE of 2015.93.141, when the misspelling in the inscription is uncorrected.

Tobias and the Angel, after c. 1543

Unknown; Artist: After Georg Pencz

Not on View
nude woman at center, collapsed between two male figures; older man at L, with beard, reaches over woman, with his hand near PR breast; male at R appears to be struggling to support the woman; the figures are between trees on a raised stone platform

Susanna and the Elders, 1776

Jean-Pierre Norblin de la Gourdaine

Not on View
interior scene with Christ bound with ropes at LL; man on throne in back at R addressing Christ and his captors; one of the men next to Christ holds up a book

Christ before Annas, From the Satirical Passion, 1642-1654

Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View
child reclining near a cannon dangling a long, thin object in PL hand and gazing upward; baby at L crawls over cannon balls near cannon

Two Naked Children Near a Gun, c. 1612-1655

Cornelis Schut

Not on View
nude Adam in contrapposto stance next to tree, holding a fruit still attached to the tree; a lion rests behind Adam on the ground

Adam, c. 1520-1561

Heinrich Aldegrever

Not on View

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