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We Will Taste, or Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View

Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View
L border is scene of crucifixion of Christ; ULC is God the Father preaching to seven winged angels; middle L side is tower where top is a figure pointing towards LRC, where pregnant woman is standing reading the prophesy of Islam from a podium; on chair on opposite side of podium has basket of wool; angel holding a lily walks toward woman; two rays on her; appears as if standing inside architectural structure; R border is building; URC is cloud with man kneeling and one blessing by raising his R hand; eight Chinese characters by scene and figures

The Annunciation, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Artist: after JĂ©rĂ´me Nadal; Publisher: Giulio Aleni

Not on View
interior scene; bottom R shows Christ seated with five figures immediately surrounding him-three looking and two above his head are poking him, placing crown of thorns on his head; in foreground is a knife next to branches of thorns; to R two figures with shields dressed in military garments stand as if watching; on L is guard in same attire; guards throughout interior; through outside the doorways on L hand side is Christ walking head looking down, appears as if figures are holding his hands behind his back; Chinese symbols by each depiction of Christ and one symbol above doorway, third one in

The Mocking of Christ, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene with two windows; UL window is scene of Christ having walked away from tomb and two Chinese characters, UR is image of Christ preaching and one Chinese character; man in foreground with five people seated at each side, figures in discussion; three winged figures on each side

Caiaphas and the Council of Elders, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
LR side has image of the Virgin under a shelter holding Christ Child; line of figures weave throughout image; most figures bear gifts; mountainous background with western architecture; eight Chinese characters throughout image; star at URC

The Adoration of the Magi, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene; man seated at door holding crutches with two dogs possibly eating his leg; Christ also at door with five figures at each side; western style building through window; to L of doorway are men in balcony with musical instruments; at LC in foreground is table where food is being prepared and servants bring food to table at R; men and women in 17th century clothing around table at R; one-armed man at foreground holding a stick to chained monkey; four winged creatures at top R; three hold "V" shaped objects

Lazarus at the House of the Rich Man, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
well at R side; line of figures carrying food behind Christ who is pointing into well; woman also points into well; city in background has western influence; at center L is group of people with Christ at center, another group of people to bottom L; Mountain valley setting, well on platform; seven Chinese characters throughout image; woman in distance viewed through well frame carries water jugs, one on head, one in hand; sailboat at UR middle border

Christ at the Well, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
Christ seated at LLC with L hand extended; man sits facing Christ, pointing; various animals in foreground including rabbits, porcupine, fox, and moose; four seated female angels seated at middle R side make offering to Christ who is making sign with R hand; two winged figures/creatures?, a crane and deer at center to middle L side; western architecture in background; four small scenes at top show Christ inn various stages of the Cross; all figures have Chinese characters next to them; one scene at top depicts rays shinning on Christ kneeling, holding a dove; mountain-like setting

Christ in the Wilderness, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of last supper; Christ and eleven male figures seated around table; above table are six circles, each with an image and Chinese character inside; scenes inside circles: (top L to R) a: Christ's charge to Peter b: Christ healing the crippled c: sermon on the mount d: two groups with fire in between them e: turning water into wine f: healing a man; L border is outdoor scene with Christ floating above group of people leaving a building

The Risen Christ Appears to His Disciples, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of St. John the Baptist standing in front of tree, preaching to crowd; two women seated at LRC, one feeding baby; seated woman holding two children at LLC; medieval clothing; western architecture at top half of image with seven small groups of people, possibly in military formation; eight Chinese characters throughout image

Saint John the Baptist Preaching, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View

Rhea Sylvia (Romulus and Remus), c. 1530

Heinrich Aldegrever

Not on View
left portion

View of the City of Nuremberg from the West, 1552

Hanns Lautensack

Not on View
right portion

View of the City of Nuremberg from the West, 1552

Hanns Lautensack

Not on View

View of Nuremberg from the West (center section), 1552

Hanns Lautensack

Not on View

Christ Preaching, 1635

Jacques Callot

Not on View
Sixth knot from a set of six.

Knot with Seven Matching Meshes, 1505-1507

Albrecht DĂĽrer

Not on View
Fifth knot from a set of six.

Knot With Eight Mesh Rings and a White Oblong Shield, 16th century

Albrecht DĂĽrer

Not on View
Third knot from set of six.

Knot with White Disk, 1505-1507

Albrecht DĂĽrer

Not on View

Christ and the Pharisees, 1635

Jacques Callot

Not on View

The Conversion of St. Paul, 1635

Jacques Callot

Not on View

Christ and the Disciples on the Mountain, 1635

Jacques Callot

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View

Christ Among the Doctors, 1635

Jacques Callot

Not on View

Christ in the Temple, 1635

Jacques Callot

Not on View
Fourth knot from a set of six.

Knot with Seven Ring Forms, 1505-1507

Albrecht DĂĽrer

Not on View

Adoration of the Magi, 1753-1757

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
Second knot from set of six.

Knot with Oblong Shield, 1505-1507

Albrecht DĂĽrer

Not on View

Saint Jerome in a Cave, c. 1480-1538

Albrecht Altdorfer

Not on View

Christ and the Woman Taken in Adultery, 1635

Jacques Callot

Not on View

Tribute to Caesar, 1635

Jacques Callot

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View

The Entry into Jerusalem, 1635

Jacques Callot

Not on View

The Raising of Lazarus, 1635

Jacques Callot

Not on View

Nymphs and Satyrs Entwined in a Vine, c. 1520-1525

Sebald Beham

Not on View
First knot from a set of six.

Knot with Heart-Formed Shield, 1505-1507

Albrecht DĂĽrer

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View
unique impression without line block

Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View
First edition; one sheet from a set of eight woodcuts

Large Triumphal Carriage of Maximilian I, probably finished c. 1518 (published 1522)

Albrecht DĂĽrer; Woodcutter: Hieronymous Andreae; Author: Willibald Pirckheimer

Not on View

Landscape with a Church, 1553

Hanns Lautensack

Not on View

A Triton Ridden by a Child, 16th century

Master of the Sforza Book of Hours

Not on View

Piercing of St. Gotthard, 19th century

Auguste Louis Lepère

Not on View

Stone with the "Rights of Man" on the Beach (Finistère), 19th century

Auguste Louis Lepère; Artist: after F. de Haenen

Not on View

Le Voyageur en Repos dans la Foret, 17th century

Anthonie Waterloo

Not on View

L'Entree dans la Foret, 17th century

Anthonie Waterloo

Not on View

Nymphs and Satyrs Entwined in a Vine, 1520-1525

Sebald Beham

Not on View

Le Paysan avec la Pelle, 17th century

Anthonie Waterloo

Not on View

Les Deux Hommes dans le Creux, 17th century

Anthonie Waterloo

Not on View

Salvator Mundi, 1488

Unknown Dutch; Publisher: Girard Leeu

Not on View

Algeria: Exploring South Oran, 1881

Auguste Louis Lepère; Artist: after Louis Dunki

Not on View

Les Parties de Bois nouvellament coupèes, 17th century

Anthonie Waterloo

Not on View

L'Homme et la Femme traversant le Ruisseau, 17th century

Anthonie Waterloo

Not on View

We Will Taste, or Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View

We Will Taste, or Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View

Taken from Sfax: Death of l'Aspiran-LĂ©once, 19th century

Auguste Louis Lepère

Not on View

Tunisia Expedition, 19th century

Auguste Louis Lepère

Not on View

Madagascar, 1885

Auguste Louis Lepère

Not on View

Yorktown from the Sea, Provisional Military Camp, 19th century

Auguste Louis Lepère

Not on View

Royal Wedding Celebration, Stockholm, 19th century

Auguste Louis Lepère; Artist: after Auguste Géradin

Not on View

Hannibal and Scipio, 1538

Heinrich Aldegrever

Not on View

We Will Taste, or Young Girl with a Pitcher, 1890

Auguste Louis Lepère

Not on View

Birds in Nature, 1880

Auguste Louis Lepère; Artist: after Paul-Ponce-Antoine Robert

Not on View

Communiantes, 19th century

Tomas Frantisek (Franz) Simon

Not on View

Holy Family on River Bank, 18th century

Domenico Tiepolo

Not on View

Mountainous Landscape around Tonkin, 1884-1885

Auguste Louis Lepère

Not on View

Two Young Actors, 19th century

Auguste Louis Lepère; Artist: after Léon Augustin Lhermitte

Not on View

Soldier Lighting Pipe, 19th century

Auguste Louis Lepère

Not on View

Fishing, 1876

Auguste Louis Lepère; Artist: after Armande Charnay

Not on View

Bridge and Castle, 19th century

Auguste Louis Lepère

Not on View

The Swallow, Birds in Nature, 19th century

Auguste Louis Lepère; Artist: after Paul-Ponce-Antoine Robert

Not on View

Procession with Banner on a Bridge, 19th century

Auguste Louis Lepère

Not on View

Arab Romance, after 1876

Auguste Louis Lepère; Artist: after Gaston Casimir Saint-Pierre

Not on View

Bernadete Soubiron, Woman with Rosary, 1876

Auguste Louis Lepère; Artist: after Gerardin

Not on View

Preacher, 19th century

Auguste Louis Lepère

Not on View

Geography Conference, Venice Exposition, 1881

Auguste Louis Lepère; Artist: after Jacques Stella ?

Not on View

Algiers, 19th century

Auguste Louis Lepère

Not on View

Birds in Nature, 19th century

Auguste Louis Lepère; Artist: after Paul-Ponce-Antoine Robert

Not on View

Scene from American History, 19th century

Auguste Louis Lepère

Not on View

Ecole Polytechnique Students on Place Saint-Michel, June 24, 1881, 19th century

Auguste Louis Lepère

Not on View

The King of Yvetot, 19th century

Auguste Louis Lepère; Artist: after Ruckebusch

Not on View

Cliffs with Sheep, Romainville, 1881

Auguste Louis Lepère; Artist: after Louis Matifas

Not on View

Canada, Quebec Ruins after Fire, 1881

Auguste Louis Lepère

Not on View

Celebration with Fireworks, 19th century

Auguste Louis Lepère

Not on View

October: Shepherd, 19th century

Auguste Louis Lepère; Artist: after Ryckiebresch

Not on View

Edge of the Forest, 19th century

Auguste Louis Lepère; Artist: after Henri Rapin

Not on View

Statue of Mariette Bey, Boulogue-sur-mer, 19th century

Auguste Louis Lepère

Not on View

Pierre-Fol Valley, 1882

Auguste Louis Lepère; Artist: after Gaston Charles Vuillier

Not on View

Bull Fight at Nimes, 19th century

Auguste Louis Lepère

Not on View

Imperial Wedding Party in Vienna, 1881

Auguste Louis Lepère

Not on View

Arrival or Presentation by the River, 19th century

Auguste Louis Lepère

Not on View

Electrical Display, 19th century

Auguste Louis Lepère

Not on View

Shepherdess, 19th century

Auguste Louis Lepère

Not on View

Warrior, 19th century

Auguste Louis Lepère; Artist: after Alphonse Marie Adolphe de Neuville

Not on View

Troubadours, 19th century

Auguste Louis Lepère

Not on View

Port of Obock and Surroundings, 1886

Auguste Louis Lepère

Not on View

The Emblems of Paris, 19th century

Auguste Louis Lepère; Artist: after Léon Augustin Lhermitte

Not on View

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