vertical ōban triptych — Shouting in a Thunderous Voice, May 1904
Hirose Yoshikuni; Publisher: Matsuki Heikichi

Not on View

vertical ōban hexaptych — The Qing Soldiers' Foolish Plan of Using Tigers as Bombs, 1895
Mishima Shōsō; Publisher: Fukuda Hatsujirō

Not on View

vertical ōban — Kindness of Engineer Captain Higuchi, September 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych; triptych forming a single image; single running figure, a soldier, cradling a brown box under PL arm, and a rifle in PR hand, extending it backwards, behind figure; house in ULQ on left sheet; large plume of smoke runs horizontally across all three sheets; stone wall in top center of left sheet, with ships faintly visible behind wall; cavalry and a single figure commanding on horseback, holding raised sword in PR hand, with waving flag in center of right sheet; band of text with Japanese characters in pale green flowered paper in URC of right sheet — Picture of Engineer Private First Class Onoguchi Tokuji Risking Certain Death Placing Explosives at the Fortress Gates to Destroy Them during the Second Army’s Attack of Jinzhou Fortress, February 1895?
Ogata Gekkō; Publisher: Sasaki Toyokichi

Not on View

vertical ōban — Hell is Booming, November 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Our Field Artillery Attacks the Camp at Jiuliancheng, November 1894
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — Picture of Defeated Soldiers Boarding Rowboats to Escape after Our Battleship Sank Two Enemy Battleships in the Harbor of Incheon, February 1904
Morita Kakō; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Naval Battle between Japan and Qing off the Coast of Pungdo in Korea, Picture of the Great Victory of Our Forces, August 1894
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych; large sinking ship with orange bottom, with orange explosion in sky; smaller ships in LRC; three pages attached together — Picture of Our Destroyers Hayatori and Asagiri Sinking an Enemy Warship at Port Arthur During a Great Snowstorm, February 1904
Harada Kōkyo; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych; triptych forming a single image; soldier running on the deck of a ship dressed in a black uniform; two small explosions in LRQ of image and in right center image; large plumes of white smoke throughout image; black smoke in top center of image, with brown bits of debris in top center of image and in center left image — God of War, Our Naval Commander Hirose Takeo, May 1904
Ōkura Kōtō

Not on View

center sheet of a triptych — Actor Seki Sanjūrō III, 1869, 8th lunar month
Toyohara Kunichika

Not on View

vertical ōban — Picture of Lieutenant Colonel Takeda Smoking under a Hail of Bullets, December 1894
Ōkura Kōtō; Artist: Sugihara Kōsei; Publisher: Hasegawa Sumi

Not on View

horizontal ōban; naval battle scene; rising waves with billowing smoke plumes in center right; single figure, holding a sword in raised PR hand, stands on the balcony of a ship in center right edge of image; burning ship with beam of light extending toward top left in ULQ; small white dots of snow/ ash scattered over scene; red sun (flag) in URC — Part Five, 1904
Ōkura Kōtō; Publisher: Hasegawa Sonokichi, Japanese, c. 1877-1905

Not on View

vertical ōban triptych — Our Forces Occupying in the Fierce Battle of Tianzhuangtai, Long Live the Great Victory of the Imperial Army of Great Japan, April 1895?
Kokunimasa; Publisher: Fukuda Kumajirō

Not on View

horizontal ōban — Distant View of the Kiga Onsen at Hakone, 19th century
Kobayashi Kiyochika

Not on View

vertical ōban — Navy Lieutenant Suzuki Torajūrō, May 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych; triptych forming a single image; soldiers in black uniforms climbing a rocky cliff on right; soldier in center, raising a sword in PR hand, with face peering out behind him; twisted tree on right; rising hazy mountains and forested cliffs on left; instription in Japanese characters in red pigment in left margin of left image — Picture of the Second Army Landing at Jinzhou, February 1895?
Unknown Japanese; Publisher: Sawa Kyūjirō; Carver: Kō

Not on View

vertical ōban triptych; triptych forming a single image; sailors rowing in a boat on right and center images; turbulent blue water, with three splashes on left; ship with black and white plumes of smoke on left — Naval Commander Hirose Takeo, April 1904?
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

vertical chūban — No. 7, Takenaka Hanbei Shigeharu, 1867, 1st lunar month
Utagawa Yoshiiku; Publisher: Hirookaya Kōsuke

Not on View

vertical ōban triptych — Fierce Battle of Asan, Picture of the Advance over Anseong Ford, September 1894
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — A Strong General of the East Displaying Fame Chastising a Qing Army General during a Night Battle, March 1895
Unknown; Publisher: Hasegawa Sonokichi, Japanese, c. 1877-1905

Not on View

vertical ōban triptych; two Western soldiers at center with grey clouds in front of a wall behind men; running Western soldiers at right; two dead Japanese figures with umbrella lying at LRC; green border; sheets attached together — Enemy Soldiers Fleeing after They Themselves Destroyed Magong Fortress, Great Victory for Our Forces, April 1895
Adachi Ginkō; Publisher: Hasegawa Sumi

Not on View

vertical ōban triptych — Illustration Number One, October 1894
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Physiognomy of a Retreating General, March 1904
Utagawa Kunisada III; Publisher: Maki Kinnosuke; Author: Nishimori Takeki

Not on View

vertical ōban — Army Major General Ōshima Yoshimasa, August 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych — Korea, Great Victory of Our Soldiers at the Surrender of Pyeongyang, October 1894?
Kokunimasa; Publisher: Fukuda Kumajirō; Carver: Matsumaki

Not on View

Cavalry officer sketching at the front, Unknown Japanese — Cavalry officer sketching at the front, c. 1894-1905
Unknown Japanese

Not on View

vertical ōban — Picture of Sergeant Kawasaki Stealing an Enemy's Boat at the Daedong River, January 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Navy Vice-Admiral Kabayama Sukenori, September 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban — A Big Headache for Li Hongzhang, September 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

unsigned — Ohashi Bridge at Night, c. 1920
Kobayashi Eijirō

Not on View

vertical ōban — Four comical faces, 1882
Kobayashi Kiyochika; Publisher: Hara Taneaki

Not on View

vertical ōban — Actor Onoe Kikugorô IV as the nurse Shigenoi, 1860, third intercalary month
Utagawa Kunisada; Publisher: Fujiokaya Keijirō

Not on View

vertical ōban triptych — Our Army Crossing Daedong River Attacking the Headquarters of the Qing Army, September 1894
Utagawa Toshimasa; Publisher: Shimizu Taigorō

Not on View

vertical ōban triptych — In a True Account by Telegram from the Russo-Japanese War, Engine and Carriages of the Train running over Frozen Lake Baikal, Russia, Sinks in the Water, Killing Scores of Officers and Soldiers Instantly. Russia’s Transport Capacity is Severely Damaged, March 1904
Kokunimasa; Publisher: Fukuda Hatsujirō

Not on View

vertical ōban triptych — Picture of the Use of Electricity during the Attack on Pyeongyang, October 1894?
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — Our Field Artillery Attacks the Camp at Jiuliancheng, November 1894
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

horizontal ōban — Title unknown [Fuji seen from the sea], 1903-1907
Ogata Gekkō; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Russo-Japanese War Assembly Kit: Picture of Our Destroyer in Brave Fight, May 1904
Unknown; Publisher: Maki Kinnosuke

Not on View

vertical ōban triptych — Great Victory of the Navy off Dagushan, October 1894
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban — Hell is Booming, November 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Actor Iwai Matsunosuke II, c. 1821
Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View

horizontal ōban — Summer Moon at Iwado, 1881
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — Disturbance in the Palace of the Dragon King, November 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Captain Asakawa, Second Class Cavalryman Kimura Genmatsu, January 1895
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban — Sergeant First-Class Yokoi ..., March 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Scenes 11 and 12, August 1882
Satō Sanjirō

Not on View

vertical ōban — Actor Nakamura Utaemon III as Ama, c. 1811, 3rd lunar month
Utagawa Toyokuni; Publisher: Uemura Yohei

Not on View

vertical ōban — Distant View of Mount Matsuchi from the Sumida River, 1884
Kobayashi Kiyochika; Publisher: Kobayashi Tetsujirō

Not on View

vertical ōban — Honorable Defeated General, October 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — One of the Officers of the Warship Akagi ..., March 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Picture of the Fall of Jinzhou Fortress' Yong'an Gate, Private First Class Onoguchi Tokuji, February 1895
Kobayashi Kiyochika; Publisher: Katada Chōjirō

Not on View

vertical ōban triptych — Picture of the Second Army's Attack on Lüshun Port, December 1894?
Kobayashi Ikuhide; Publisher: Matsunari Yasutarō

Not on View

vertical ōban — Burden of Fengtianfu, December 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Blocking Scheme, May 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Picture of the Naval Battle of Pungdo in Korea, August 1894
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych; triptych forming a single image; winter exterior scene; group of fighting soldiers, firing rifles in the distance in left image; firing cannon with a single soldier watching, partially obscured by two snow-covered trees in center image; band of text in Japanese characters in top margin in center image; group of soldiers, one on a horse, overlooking fighting scene in right image, with faintly seen army in background — Picture of Major General Ōshima’s Heroic Counterintelligence during the Fierce Battle in Snow and Ice at Haicheng of the Righteous Forces’ Campaign against Qing, March 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych — Picture of Negotiations between Japan, Qing, and Korea, July 1894
Tsunechika; Publisher: Inoue Mohei

Not on View

vertical ōban — Queer Large Conch, September 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Picture of the Second Army's Attack on Lüshun Port, December 1894
Kobayashi Kiyochika; Publisher: Yokoyama Enshō

Not on View

vertical ōban — Picture of Second Lieutenant Ōmori Skillfully Protecting the Regimental Banner at Seongyoli, September 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

The Great Fire at Ryōgoku Drawn from Hamachō, Kobayashi Kiyochika; Publisher: Fukuda Kumajirō — The Great Fire at Ryōgoku Drawn from Hamachō, 1881
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — 48, Tanaka Tsurukichi, February 1889
Inoue Yasuji; Publisher: Matsuki Heikichi

Not on View

horizontal chūban — Streetwalkers Taking a Break in Yoshida-machi, Honjo, January 1881
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

Not on View

vertical ōban triptych — Scouting Out Enemy Movements on the Ice near Yingkou, March 1895?
Nitta Seizō; Publisher: Takekawa Seikichi

Not on View

vertical ōban — 精神錯乱の図　拾一・道途に餓死する図　拾二, December 1888
Sasaki Toyoju

Not on View

vertical ōban triptych; triptych that connects to form a single image; battle scene; group of soldiers in combat in left and center images; soldier forcefully entering a doorway, grabbing a figure by the scalp in ULQ of left sheet; group of trees with billowing smoke in center; group of trees in the URQ of right image, with faint mountains and figures in ULQ of sheet — Fierce Battle in the Streets of Niuzhuang, March 1895?
Ogata Gekkō; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Picture of the Advance and Deployment at Weihaiwei, February 1895
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

horizontal ōban — Umewaka Shrine, 19th century
Kobayashi Kiyochika

Not on View

vertical ōban — Actors Ichikawa Danjûrô IV as Kagekiyo, Ichikawa Danjûrô V as Shibaraku and Ichikawa Danjûrô VI as Tokimune, 1862, 8th intercalary month
Utagawa Kunisada; Publisher: Hirookaya Kōsuke

Not on View

vertical ōban triptych — Picture of Defeated Soldiers Boarding Rowboats to Escape after Our Battleship Sank Two Enemy Battleships in the Harbor of Incheon, February 1904
Morita Kakō; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Tiger Banner in a Grove, December 1895
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — All Kinds of Rumors, March-May 1904?
Utagawa Kunisada III; Publisher: Maki Kinnosuke; Author: Nishimori Takeki

Not on View

Table of Contents, May 1896

Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — Attack on Port Arthur by the Imperial Fleet, April 1904
Yasuda Yukihiko; Publisher: Naraha Sannosuke

Not on View

vertical chūban — Actor Arashi Rikaku II as Sakura Tōgorō and an unidentified actor as Inaba no Kiemon, c. 1852, 3rd lunar month
Utagawa Hirosada

Not on View

Single sheet of a triptych; vertical ōban triptych — Picture of the Growing Carriage Traffic in Tokyo, 19th century
Utagawa Yoshitora

Not on View

vertical ōban — Infantrist Fujino Kunimatsu …, March 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Arai in Tōtōmi Province, Panoramic View of the Open Sea, 1872, 3rd lunar month
Utagawa Yoshimori; Publisher: Sawamuraya Seikichi

Not on View

vertical ōban triptych; triptych forming a single image; naval battle scene; submarine in center, with several sailors on deck; several explosions in the water surrounding the submarine; ships covered by plumes of white smoke on right and left; explosions in a black sky; square section with text in Japanese characters and English script in URC of left image — On February 8, during the Naval Battle at the Entrance of Port Arthur between the Two Japanese and Russian Fleets, Honor was Achieved when Our Torpedo Boats Sank Three Enemy Warships, February 1904
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

horizontal ōban — Sunrise at Yorozuyo (or Mansei) Bridge, 1880
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban triptych — Picture of Our Destroyers Hayatori and Asagiri Sinking an Enemy Warship at Port Arthur During a Great Snowstorm, February 1904
Harada Kōkyo; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Actor Iwai Kumesaburô II, c. 1821
Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View

vertical ōban — Excavating a Suffering Russian Bear, May 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Neckpulling, December 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych; triptych forming a single image; battle scene; tent on left image with fallen figures in front on ground; two figures in hand-to-hand combat in center; figure on right with raised sword; groups of soldiers surrounded by white plumes of smoke in background; mountain in top center in center image — Picture of the Fierce Battle at Taipingshan during the Sino-Japanese War, 1895, 02?
Toyohara Chikanobu; Publisher: Komori Sōjirō

Not on View

vertical ōban — Long Legs of Progress, February 1895
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

right sheet of a triptych; vertical ōban — Actor Ichikawa Danjūrō VIII as Aku Genta Yoshihira, c. 1847, 11th lunar month
Utagawa Kunisada; Publisher: Miyakozawa

Not on View

vertical ōban — No. 11, Okano Gin'emon Kanehide, 1847
Utagawa Kuniyoshi; Publisher: Ebiya Rinnosuke

Not on View

vertical ōban — Actors Bandô Hikozaemon I as Nisemukai Yatôji, Bandô Hikozaemon II as Zegen Zenji and Bandô Zenji III as Hannin Tsukiji, 1863, 10th lunar month
Utagawa Kunisada; Publisher: Hirookaya Kōsuke

Not on View

vertical ōban triptych; trains on two tracks with an open air train station with figures in Western and Eastern dress; predominately red, black and blue; sheets affixed together — Picture of Steam Locomotive and Waiting Area at Tokyo Shiodome Station, 1873, second lunar month
Utagawa Hiroshige III; Publisher: Iseya Kisaburō

Not on View

vertical ōban triptych; triptych forming a single image; image of celebration after a battle on a stone walled fortress; two large ships on left, with tiny boats pulling into shore rowing into shore; two soldiers in black uniforms standing on a wall with arms raised in a celebratory manner; round tower on left with more celebrating soldiers standing at top of tower; dead figures on right in colorful clothing — Picture of the Occupation of Lüshun Port, January 1895
Taguchi Beisaku; Publisher: Inoue Kichijirō

Not on View

horizontal ōban — View of the Ariakerō at Imado, July 1879
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

Frontispiece Illustration (kuchi-e) for Volume 1 of the Novel Asahizakura by Murai Gensai, Suzuki Kason; Publisher: Shun'yōdō — Frontispiece Illustration (kuchi-e) for Volume 1 of the Novel Asahizakura by Murai Gensai, 1895
Suzuki Kason; Publisher: Shun'yōdō

Not on View

vertical ōban triptych; triptych forming a single image; single figure of a soldier running on the deck of a ship, surrounded by explosions; black sky with crashing waves and large plumes of white smoke; faint smoky image of the rail of the ship in the left image — God of War, Our Naval Commander Hirose Takeo, May 1904
Ōkura Kōtō; Publisher: Kimura Toyokichi

Not on View

Two women admiring a potted plant, Kitagawa Utamaro; Publisher: Izumiya Ichibei — Two women admiring a potted plant, c. 1802
Kitagawa Utamaro; Publisher: Izumiya Ichibei

Not on View

Complete Map of the Earth with All Countries, Mountains and Seas, and Remote Areas, Yamazaki Yoshinari; Publisher: Takaya — Complete Map of the Earth with All Countries, Mountains and Seas, and Remote Areas, 1850
Yamazaki Yoshinari; Publisher: Takaya

Not on View

vertical ōban triptych — Picture of Negotiations with the Peace Envoy Li Hongzhang, March 1895?
Kobayashi Kiyochika; Publisher: Fukuda Hatsujirō

Not on View

vertical ōban triptych — Picture of the Attack on Jinzhou Fortress, December 1894?
Adachi Ginkō; Publisher: Tsujioka Bunsuke

Not on View

vertical ōban — Mice in a Bag, April 1895
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Picture of the Hard Fight of Our Torpedo Boats in the Great Naval Battle Outside the Harbor of Port Arthur, February 1904
Gyokuhō; Publisher: Yamamoto Masujirō

Not on View

vertical ōban triptych — Imperial inspection of the signal fires, 1897
Toyohara Chikanobu; Publisher: Fukuda Hatsujirō

Not on View

horizontal chūban — No. 16, 1875
Utagawa Yoshitaki; Publisher: Fujii Jishûsha

Not on View

vertical ōban — Kanagawa in Musashi Province, Distant View of Yokohama, 1872, 10th lunar month
Utagawa Yoshimori; Publisher: Sawamuraya Seikichi

Not on View

black and white cat wearing a red collar cornering a rat trapped inside a paper lantern, green ground — Cat Catching a Rat, 1920s
Kobayashi Kiyochika; Publisher: Daikokuya Heikichi

Not on View

vertical chūban — Actor Mimasu Daigorō IV as Kō no Moronao, c. 1849, 9th lunar month
Utagawa Hirosada

Not on View

horizontal ōban — Rain and Moonlight at Gohonmatsu, 1880
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban triptych — Colonel Kumamoto Masaji, Regimental Commander of the Imperial Guard Artillery, May 1904?
Kobayashi Kiyochika; Publisher: Akiyama Buemon

Not on View

horizontal yotsugirihan — Crescent Moon over Hyapponkui, 1881-1889
Inoue Yasuji; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — First Lieutenant Mitani, January 1895
Kobayashi Kiyochika; Artist: Inoue Kichijirō

Not on View

vertical ōban — Gunner Private First Class Sawagashira Unosuke …, January 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Picture of Our Warships Attacking Weihaiwei, August 1894
Watanabe Nobukazu; Publisher: Tsunajima Kamekichi

Not on View

vertical ōban triptych; triptych forming a single image; battle scene with charging soldiers; three soldiers on horseback on right and center images; plumes of smoke; soldiers in black uniforms on right, with waving flag with red circle in center surrounded by stripes; blue sky in ULQ of image — Picture of Our Forces' Great Victory in Demolishing Asan, August 1894?
Migita Toshihide; Publisher: Sasaki Toyokichi

Not on View

shikishiban — Courtier cap and sword, 19th century
Totoya Hokkei

Not on View

vertical ōban — First Division First Class Engineer Onoguchi Tokuji, May 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban — Surrender Prologue in a Qing Kyōgen Play, March 1895
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — General Ōyama…, August 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Chess Game of Land and Sea Wars, June 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych; triptych forming a single image; man in center, on knees with a bleeding wound on head; soldier in a black military uniform looking down at wounded figure on right; third figure on left, wearing a hand, robe, face obscured and a handbag and sheathed sword strapped to figure; low stone wall on left; blue sky with hazy smoke rising in background; roof of buildings faintly on left behind left figure — Picture of a Prisoner Giving up Military Secrets Prompted by Major Saitō’s Kindness and Affection, December 1894
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych; triptych forming a single image; scene on the deck of a ship; standing figure on right, with PR leg raised and sword in PR hand; figure on left, falling off the edge of the ship into the water; slain figures in sailor uniforms on right, lying unconscious on deck of ship; exploding ship in the water in left image; black sky; plumes of white smoke rising behind the deck of the ship — On the 10th of March Amid Close Battle Between Our and Enemy Destroyers, a First Class Seaman of Our Sazanami Leapt Aboard an Enemy Ship, and Bearing Down on the Ship’s Captain, Gave a Thunderous Shout, and Brandishing his Sword, Cut Him Down and Kicked Him from the Deck into the Sea, March 1904?
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

uchiwa-e — Keyblock impression for "Famous Places in Tokyo, Picture of Cherry Blossoms at Shiodome", 1880s
Utagawa Kunisada III; Publisher: Matsumura Jinbei

Not on View

vertical ōban triptych; soldier in green uniform with a wrapped head wound on right, on ground; soldier in black jacket stands behind wounded soldier, PL hand on wounded soldier's shoulder; sword on ground in center; trees in center; crouching soldier in green uniform holding a rifle on left — Infantry Second Lieutenant Ueda Kan, 1904
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

vertical ōban triptych — Hard Fight of Lieutenant Commander Sakamoto, Captain of the Imperial Warship Akagi, October 1894
Mizuno Toshikata; Publisher: Akiyama Buemon

Not on View

vertical ōban triptych; triptych forming a single image; naval battle scene; large ships on left and center image; explosions on right and center images in sky area; black sky with heavy rainfall; bright spotlights shining in URC of image and moves across center and left sheets; smaller ships seen in the distance in center right image — For the Fourth Time Our Brave Destroyers Raid Enemy Warships Outside the Harbor of Port Arthur, March 1904
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

vertical ōban triptych — Illustration Number Three, November 1894
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych; triptych forming a single image; battle scene; body of water with crashing waves on left, with ships in the distance; raised, waving flag in center image, yellow, with red dragon and red sun (?) depicted on flag; soldiers shooting rifles in center image; plumes of white and gray smoke at top of center image; marching soldiers carrying rifles on right, with one soldier riding in a horse-drawn cart — Picture of Fleeing Qing Soldiers at Asan, August 1894
Taguchi Beisaku; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — Picture of Seven Brave Men of the Navy Suicide Landing Mission Make an Advance Approach Near Weihaiwei, March 1895
Mizuno Toshikata; Publisher: Akiyama Buemon

Not on View

vertical ōban triptych — Picture of Our Death-Defying Fleet Blocking the Entrance to the Harbor of Port Arthur by Bravely Destroying their Scrapped Vessels that Look Like Battleships under a Shower of Bullets, April 1904
Harada Kōkyo; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Picture of a Torpedo Boat Firing a Torpedo, 1895
Nobuchika; Publisher: Takekawa Seikichi

Not on View

vertical ōban triptych; triptych forming a single image; group of soldiers rowing a boat in turbulent water; large black rock in top center; beam of light shining on boat from ULC, from a ship in the distance; plumes of white smoke and tiny explosions on left image; dark gray clouds in ULC; inscriptions in Japanese characters, contained in a square with decorative swirling elements in cream and light blue in LLC — First Blockade of the Entrance to the Harbor of Port Arthur on the Night of February 24, 1904, April 1904
Ōkura Kōtō; Publisher: Kimura Toyokichi

Not on View

vertical ōban triptych — Picture of Our Scouts Reconnoiter the Enemy Camp near Yalu River, October 1894?
Kobayashi Kiyochika; Publisher: Hirata Raku

Not on View

vertical ōban — No. 21, Oribe Yahei Kanamaru, 1847
Utagawa Kuniyoshi; Publisher: Ebiya Rinnosuke

Not on View

horizontal chūban — Kusunoki Masashige's Minatogawa Shrine in Settsu Province, 1870s
Utagawa Hiroshige III; Publisher: Tsunajima Kamekichi

Not on View

vertical ōban triptych; triptych forming a single image; group of soldiers in green uniforms, crouching in a grassy field; several soldiers have guns raised, pointing them to the right at a group dressed in black, red and green uniforms; scattered plumes of white smoke at horizon line; rising mountain in background; fallen soldier in a green uniform on right — On March 28, Cavalries on Both Sides Clashed at Dingzhou and Faced One Another on Foot, at the End of the Battle the Bravery of Our Soldiers Greatly Prevailed and Enemy Troops Panicked, April 1904?
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

shikishiban — Mother with child, 1800s
Katsushika Hokusai

Not on View

vertical ōban — Harada Jūkichi, January 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Picture of the Great Victory of Our Forces at the Fierce Battle of Pyeongyang, October 1894
Kobayashi Kiyochika; Publisher: Ayabe Hanjirō

Not on View

vertical ōban — Navy Lieutenant Commander Uchida, April or August 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Japanese Warship, Sinking Qing Ship, August 1894
Toyohara Chikanobu; Publisher: Maki Kinnosuke

Not on View

vertical ōban triptych — Actor Ichikawa Danjūrō IX as Banzui-in Chōbei in the Suzugamori Act, July 1895
Toyohara Kunichika; Publisher: Fukuda Kumajirō

Not on View

Bird's feathers, Shibata Zeshin — Bird's feathers, 19th century
Shibata Zeshin

Not on View

vertical ōban triptych — Picture of Our Forces Occupying and Landing at Rongcheng Bay, January 1895
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Onoguchi Tokuji, Picture of Destroying the Gates of Jinzhou Fortress by Placing Guncotton, January 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

horizontal ōban; battle scene; several figures charging up a mountain; large rock formation lined with trees in center; walled structure surrounded by plumes of smoke located to the right of the rock; wall continues behind rock in center left; faint view of the roof of a house behind left wall; group of soldiers charging and firing cannons in LRC; roof in flames in top center — Rear Attack, 1894
Ōkura Kōtō; Publisher: Takekawa Risaburō

Not on View

horizontal ōban, upright triptych — Picture of the Eighth Attack on Port Arthur, April 1904
Hanpo; Publisher: Sawa Kyūjirō

Not on View

vertical ōban — Picture of Second Lieutenant Takenouchi Tearing apart the Reconnaissance Map at the Time of Death, January 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Picture of the Surrender of Jinzhou Fortress, December 1894?
Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View

vertical hosoban — Actor Matsumoto Kōshirō as Soga Jūrō Sukenari, 18th century
Katsukawa Shunshō

Not on View

vertical ōban — Moon Seen Beyond Shinagawa, 1884
Kobayashi Kiyochika; Publisher: Kobayashi Tetsujirō

Not on View

vertical ōban — Engineer Sergeant First Class Miyake Heikichi, August 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

Left sheet of a triptych; vertical ōban — Foreign ships attacking Japan, 1860s
Kuniyuki; Publisher: Daikokuya Kinnosuke

Not on View

vertical ōban triptych; triptych forming a single image; battle scene taking place on the deck of a ship; group of soldiers in black naval uniforms, firing a cannon; plumes of white smoke on right image; orange explosion in ULQ of center image; white, rectangular banner with text, both in English and in Japanese characters in URQ of right image; male officer, giving command, raising PR hand on left image — Picture of the Hard Fight of Commander Yamanaka, Chief Gunner of Our Warship Fuji, in the Naval Battle at the Entrance of Port Arthur, February 1904?
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

horizontal ōban — Title unknown [Fuji seen from a temple balcony], 1903-1907
Ogata Gekkō; Publisher: Matsuki Heikichi

Not on View

Picture of Our Elite Forces Occupying the Taiwanese Pescadores Islands, Kobayashi Kiyochika; Publisher: Matsuki Heikichi — Picture of Our Elite Forces Occupying the Taiwanese Pescadores Islands, April 1895?
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

horizontal chūban — Picture of the American Ambassador Perry Having an Audience with Lord Iesada, 1875
Kobayashi Toshimitsu; Publisher: Yorozuya Magobei

Not on View

vertical ōban triptych — Picture near Niuzhuang Fortress, March 1895?
Nobuchika; Publisher: Takekawa Seikichi

Not on View

vertical ōban — A French man enjoys the Gankirō Brothel, 1861
Utagawa Yoshitora; Publisher: Enshūya Hikobei

Not on View

horizontal ōban — Picture of Barge-haulers at Night in Koume, Tokyo, August 1876
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban — 30, Oda Nobunaga, December 1885
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban, upright triptych — Picture of Climbing Pyeongyang's Hyeonmu Gate, Army Infantrist Private First Class Harada Jūkichi, October 1894
Unknown; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — Lieutenant General Yamaji …, January 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Cavalry First Class Private Koishi Tsuneaki and Sasaki Tsunetarō, September 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban — Cavalryman Higashibata Rinpei ..., February 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Flying Human Balloon, May 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Picture of Major General Tatsumi Comfortably Sleeping with the Powerful Enemy before His Eyes, 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — The Pig's Confusion, December 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Frail Warriors, April 1904
Utagawa Kunisada III; Publisher: Maki Kinnosuke; Author: Nishimori Takeki

Not on View

vertical ōban — Strange Chinese Soldiers, September 1894
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban hexaptych — Picture of the Great Victory of the Navy of Great Japan at the Great Fierce Battle off Dagushan in the Naval Battle between Japan and Qing, October 1894
Kokunimasa; Publisher: Fukuda Kumajirō

Not on View

vertical ōban triptych — Entrance to the Harbor of Port Arthur, Picture of the Hard Struggle of the Battleship Hatsuse, March 1904
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

Ishiwara Bridge at Ōkawabata, Kobayashi Kiyochika; Publisher: Fukuda Kumajirō — Ishiwara Bridge at Ōkawabata, 1880
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban triptych — Hurrah for the Great Victory of the Imperial Navy of Great Japan, April 1904
Ikeda Terukata; Publisher: Fukuda Hatsujirō

Not on View

vertical ōban triptych; triptych forming a single image; colorful landscape with large tree in center image; orange and yellow leaves on tree; lake with pale blue water on right image, with single figure, a soldier, wearing a blue coat, stands at edge of water; reflection of soldier in water; another soldier with same blue coat and uniform stands with two horses on left, on a grassy hill; faint, shadowed trees in background — Picture of First Army Scouts Reconnoitering at Motianling, December 1894
Taguchi Beisaku; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych; portraits of four soldiers wearing black jackets; three small figures in LLC; red ground; sheets affixed together — Actors Ichikawa Kodanji as Seppu Shinsuke, Ichikawa Sadanji as Kishino Toshiaki, Ichikawa Danjūrō IX as Saijō Takamori, Onoe Kikugorō as Kurata Shinpachirō, Nakamura Chūtarō as Shōtarō, Onoe Kikunosuke as Magoichi, and Ichikawa Kōsaku as Tokumaru in the play Okige no kumo harau asa gochi, March 1878
Toyohara Kunichika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — Number One, August 1894
Hayashi Motoharu; Publisher: Kubota Hirazō

Not on View

vertical ōban — Lieutenant Itō, March 1895
Ōkura Kōtō; Artist: Sasai Kōsō; Publisher: Hasegawa Sumi

Not on View

One sheet of a triptych; vertical ōban — Assembly sheet for the model of a ritual palanquin (omikoshi), 1880s
Utagawa Yoshikazu

Not on View

vertical ōban triptych; triptych forming a single image; two figures on horseback on right side of image; gray stone wall behind figures; left figure gazes toward PR, toward a hazy horizon in blue pigment, with faint view of a house, trees and mountains on left; maroon sun behind mountains on left; pink and yellow gradated sky; inscriptions in Japanese characters in top center margin and along left margin — Picture of Bizarre-Looking Manchurian Cavalrymen Departing to the Front in Distant View of the Japanese Camp near Caohekou, February 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban — Two Mechanics of the Warship Matsushima …, August 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Part Two, Picture of the Night Attack Outside the Entrance of Port Arthur, February 1904
Watanabe Nobukazu; Publisher: Maki Kinnosuke

Not on View

vertical ōban — Great Military Surrender, March 1895
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — A Torpedo Hitting a Russian Warship, February 1904
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Picture of the Saikyōmaru's Hard Fight off Haiyang Island, October 1894
Kobayashi Kiyochika; Publisher: Ayabe Hanjirō

Not on View

vertical ōban triptych — Amidst Thunderclaps and Torrential Rain, Brave Soldiers from the Fourth Military Engineer Regiment Risking Certain Death in Setting off Guncotton to Destroy the Gate of Jinzhou Fortress, September 1904
Gessan (Getsuzō); Publisher: Matsuki Heikichi

Not on View

vertical ōban — Actor Ichikawa Danjûrô VII, c. 1821
Utagawa Kunisada; Publisher: Yamaguchiya Tōbei

Not on View

vertical ōban pentaptych — Picture of Our Fleet Bombarding Dalian Bay, November 1894?
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Naval Commander Hirose Takeo, April 1904
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Portrait of Daruma on a Hanging Scroll, 1848, 8th lunar month
Utagawa Kuniyoshi; Publisher: Ibaya Senzaburō

Not on View

vertical ōban — The Medicine Peddler (Uiro): Actor Ichikawa Danjūrō IX as Toraya Tōkichi, December 1895
Hasegawa Kanpei XIV (Tadakiyo); Publisher: Hasegawa Sumi

Not on View

vertical ōban triptych — Our Forces Battling Fiercly at Weihaiwei in the Sino-Japanese War, February 1895?
Nakazawa Toshiaki; Publisher: Fukuda Kumajirō

Not on View

vertical ōban hexaptych; chaotic naval battle scene rendered across six sheets to form a single image; black sky and blue, turbulent waters; scattered beams of lights in sky and on water; billowing plumes of white smoke, some with explosions throughout; scattered white specks of ash across image — Picture of the Great Naval Battle Outside the Harbor of Port Arthur, March 1904
Ōkura Kōtō; Publisher: Kimura Toyokichi

Not on View

vertical ōban triptych; triptych forming a single image; battle scene; figure on horseback, wearing a black uniform, PR arm raised with a sword in hand on left; billowing smoke, with battling figures and a large, waving flag in ULQ of left sheet; figure in center, wearing a maroon top with ornate green square design on the back, falls off horse in center; various figures in colorful clothing fighting tow soldiers in black uniforms on right sheet; fallen figure, lying under the feet of horses in bottom center of sheet — At Fenghuangcheng, Picture of Generals and Their Men Engaged in a Hard Struggle, November 1894
Ogata Gekkō; Publisher: Matsuno Yonejirō

Not on View

vertical ōban triptych — Bivouac after the Landing at Rongcheng Bay, February 1895?
Shinohara Kiyooki; Publisher: Matsunaga Sakujirō

Not on View

vertical ōban — Picture of Minister Ōtori Entering the Palace with Daewongun, February 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Actors Arashi Kichiroku as Komeya-tedai Rokubei and Ichikawa Kuzô III as Hanjimono no Kihei, 1863, 9th lunar month
Utagawa Kunisada; Publisher: Hiranoya Shinzō

Not on View

vertical ōban triptych — Picture of General Nozu's Advance at Liaoyang in Clear Weather after Snow, January 1895?
Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View

vertical ōban — Scenes 5 and 6, August 1882
Satō Sanjirō

Not on View

vertical ōban triptych; busy port scene with small boats and open warehouses and other buildings; predomincatley black, blue and red; sheet affixed together — Picture of Kaigan-dori in Yokohama, 1870, 10th lunar month
Utagawa Hiroshige III; Publisher: Iseya Kisaburō

Not on View

vertical ōban triptych; triptych forming a single image; blustery, snowy landscape scene; figure on horseback, wearing snow gear in center; standing figure in right image; house in top left image, slightly obscured by wind and snow — Picture of Our Officer Single-Handedly Scouting Out Enemy Territory Braving the Heavy Snow, January 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych — Great Naval Battle at Port Arthur, March 1904
Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View

vertical ōban triptych; underwater battle with divers fighting at left and two figures in underwater scuba apparatuses fighting at center, with fallen fighter left of central pair; figure holding light underwater at right; boats on water surface with red light; sheets affixed together — Extra Issue of September 20th, Great Naval Battle off the Yalu River, October 1894
Kobayashi Toshimitsu; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — Infantryman Fujita Ukichi …, June 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Navy and Army of Great Japan, Picture of the Landing in Korea, July 1894
Unknown; Publisher: Katada Chōjirō

Not on View

vertical ōban triptych — Naval Attack on Vladivostok Harbor, April 1904
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — View of the Attack on the Ground Battery at Weihaiwei, February 1895
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — Surrender of Troops from the Mandzhur, March 1904
Utagawa Kunisada III; Publisher: Maki Kinnosuke; Author: Nishimori Takeki

Not on View

vertical ōban — Cavalry Sergeant Kawasaki Iseo, February 1895
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — Picture of the Great Fierce Battle of Niuzhuang in Snow, February 1895
Kobayashi Kiyochika; Publisher: Katada Chōjirō

Not on View

horizontal ōban; naval battle scene; two figures stand on the balcony of a ship, right figure holds a sword in raised PR hand; plumes of smoke in LRQ, center right, and in URC at the top of the ship; flag/ red sun in URC; ship on the water in center right; burning ship surrounded by flames and smoke in ULQ; rising waves with scattered white dots of snow or ash throughout — Part Five, 1904
Ōkura Kōtō; Publisher: Hasegawa Sonokichi, Japanese, c. 1877-1905

Not on View

vertical ōban triptych; naval battle scene; large ship with billowing black smoke coming out of stack on right; row boat in the water, filled with sailors; several struggling bodies in the water in the bottom center and LLQ; billowing white smoke and overturned boats in center left; burning ship in ULC; band of text in top center in Japanese characters — Picture of the Great Japanese Victory at a Navy Battle, 1894
Ogata Gekkō; Publisher: Takekawa Risaburō

Not on View

vertical ōban — Picture of Army General Nozu Commanding the Attack on Haicheng, May 1896
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban — Captain Kani Ichita, January 1895
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych — In the Liaoyang Campaign Enemy General Kuropatkin’s Strategy Failed and His Whole Army Lost Badly; He Gathered His Courage and Took the Vanguard in a Bloody Battle, December 1904
Gessan (Getsuzō); Publisher: Matsuki Heikichi

Not on View

horizontal ōban — Torpedo Fireworks at Nakasu on the Sumida River, 1881
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

vertical ōban — Shirakami Genjirō …, 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Scenes 7 and 8, August 1882
Satō Sanjirō

Not on View

vertical ōban — Cavalryman Kimura Genmatsu …, March 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Big Catch of Weihaiwei, April 1895
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

horizontal chūban — Mimasaka: Actor Ichikawa Ebizō V as Kesatarō, c. 1862
Utagawa Kunikazu

Not on View

vertical ōban — The Geisha Kayo of Kyoto, Ikkaku of Osaka, and Kokichi of Tokyo, February 1877
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban triptych — Both Japan and Qing Forces Pursuing Asan, Picture of the Great Fierce Battle of Seonghwan, September 1894
Tomita Akika; Publisher: Sekiguchi Masajirō

Not on View

vertical ōban triptych; soldiers in snow wearing black coats with hoods; soldier at center on horse, which wears a tan, black and red blanket; standing soldiers with swords; sheets mounted on board — Picture of Landing and Advancing toward Weihaiwei, February 1895?
Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View

vertical ōban triptych — The Imperial Fleet Sinking Enemy Warships at Weihaiwei, February 1895
Nawa Ei'nen; Publisher: Akiyama Buemon

Not on View

vertical ōban — Actor Ichikawa Hakuen II (Ichikawa Danjūrō VII) as Saeda Masaemon, c. 1830, 1st lunar month
Hokushū; Publisher: Honya Seishichi

Not on View

vertical ōban triptych; triptych forming a single image; large green canon in center image, with single soldier in a black uniform in center right, raising sword toward cowering figure in colorful clothing; fallen figure below a walled structure in right image, with faint burning ships at top; large plumes of white smoke on left image, with soldiers in black uniforms attacking at center left; large bomb (?) in URQ of left image; falling figure in red scarf and blue shirt in center right of left image — Picture of the Fall of Lüshun Port, December 1894?
Ogata Gekkō; Publisher: Tamura Tamekichi

Not on View

vertical ōban triptych — Picture of the Brave Fight of Hayatori and Asagiri during the Second Raid of Port Arthur, 1904
Itō Seisai; Publisher: Komori Sōjirō; Carver: Aidayo Toku

Not on View

vertical ōban triptych; triptych forming a single image; battle scene; large view of a soldier in a black uniform, holding a waving flag in right and center sheets; soldier rests foot on a fallen figure, with a purple and green flag on ground beneath figure; storming soldiers on left, intercepting with other figures in colorful uniforms, partially obscured by plumes of white smoke; gray stone wall on right image — Colonel Satō, Dashing Forward in a Campaign during the Fierce Battle at Niuzhuang Fortress Using the Regimental Banner as a Cane, June 1895
Ogata Gekkō; Publisher: Sekiguchi Masajirō

Not on View

vertical ōban — Weak Non-Samurai Russian Soldiers, May 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical chūban — Actor Ichikawa Yonezō as the Ghost of Oiwa, 1865
Enjaku

Not on View

vertical ōban triptych — True Account by Telegram from the Russo-Japanese War, Mounted Bandits Damage the Manchurian Railway, February 1904
Kokunimasa; Publisher: Fukuda Hatsujirō

Not on View

vertical ōban — Scenes 3 and 4, August 1882
Satō Sanjirō

Not on View

vertical ōban — Surrender of Discounted Russian Tobacco, March 1904
Utagawa Kunisada III; Author: Nishimori Takeki; Publisher: Maki Kinnosuke

Not on View

vertical ōban triptych — Asan in Korea, Picture of Chasing Qing Soldiers, August 1894
Unknown; Publisher: Tsutsumi Kichibei

Not on View

horizontal ōban — Ryōgoku in Snow, 1877
Kobayashi Kiyochika

Not on View

vertical ōban — Scenes 1 and 2, August 1882
Satō Sanjirō

Not on View

horizontal ōban — Mt. Fuji from Tago-no-ura, 19th century
Kobayashi Kiyochika

Not on View

vertical ōban triptych; triptych forming a single image; group of solders wearing white coats with black sashes and red and black hats, on left of image; red and white striped flag waves, with two commanding solders in black coats raise swords in air; large plume of smoke in center; soldiers attacking a group of figures on right, who are barefooted and wear simple smocks in green, red, brown and yellow pigments; faint view of figures in URQ, holding raised flag and are slightly obscured by smoke — Imperial Guards Crushing the Enemy Army in a Hard Fight at Keelung on the Island of Taiwan, June 1895?
Migita Toshihide; Publisher: Matsuno Yonejirō

Not on View

vertical ōban triptych — Naval Battle between Japan and Qing off the Coast of Pungdo in Korea, Picture of the Great Victory of Our Forces, August 1894
Kobayashi Kiyochika; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Lieutenant General Nozu, January 1895?
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych; triptych forming a single image; naval battle scene; large ship on right, with billowing black steam coming out of the center pipe stack; several colorful flags hanging at the tip, front, side and back of the ship; white smoke behind ship; two ships seen at a distance on center image in center left; three splashes of water in center left in center image and two in center of left sheet; ship with explosions and billowing black smoke on left sheet — On February 9th Our Fleet Instantly Sank Two Russian Warships, the Varyag and Korietz, at the Harbor of Incheon, February 1904
Migita Toshihide; Publisher: Akiyama Buemon

Not on View

vertical ōban triptych — Great Fierce Battle at Yalu River for the Occupation of Jiuliancheng, October 1894?
Unknown

Not on View

vertical ōban triptych — Picture of the Attack at the Site of the Hundred Foot Cliff, 1895, 02?
Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View

vertical ōban — Americans, 1861, 2nd lunar month
Utagawa Yoshiiku; Publisher: Maruya Tetsujirō

Not on View

attached together — Desperate Fight of Captain Asakawa at Tuchengzi, January 1895
Kobayashi Kiyochika; Publisher: Matsunaga Sakujirō; Carver: Cha

Not on View

vertical ōban triptych — Dream of Military Truce at a Camp during the Campaign against Qing, April 1895
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban — Army Captain Matsuzaki Naoomi, August 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban — Serious Illness of a Russian Warship, March 1904
Utagawa Kunisada III; Publisher: Maki Kinnosuke; Author: Nishimori Takeki

Not on View

vertical ōban triptych — Our Soldiers, Occupying the Huangjinshan Artillery Base at Lüshun Port, December 1894?
Ozaki Toshitane

Not on View

vertical ōban — 饑て犬の食を奪ふ図　九・強盗追剝を為す図　拾, December 1888
Sasaki Toyoju

Not on View

vertical ōban triptych — Near Nuizhuang, Scouts on a Snowy Night, December 1894
Kobayashi Kiyochika; Publisher: Matsunaga Sakujirō

Not on View

vertical ōban — Picture of Colonel Satō Dressed in a Korean Uniform Crossing the Yalu River, April 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban — Flower Designs, Table of Content, 1896
Kobayashi Kiyochika; Publisher: Takekawa Seikichi

Not on View

vertical ōban triptych; triptych forming a single image; violent battle scene; two large black cannons firing in center sheet; cannons surrounded by large plume of white smoke; two burning ships on a body of water on left sheet; soldiers in black uniforms storming a stone wall in left sheet, attacking soldiers in colorful uniforms; banner of text in Japanese characters across center image in top center; raid continues on right image, with soldiers in black uniforms running up a sloped incline, with a single house in URQ on right sheet — Picture of the Taking of the Battery at Lüshun Port, December 1894?
Ogata Gekkō; Publisher: Takekawa Risaburō

Not on View

vertical ōban — His Imperial Highness Prince Kan'in Kotohito, March 1895
Taguchi Beisaku; Publisher: Mizuno Asajirō

Not on View

vertical ōban triptych — Captain Higuchi, April 1895
Mizuno Toshikata; Publisher: Sekiguchi Masajirō

Not on View

vertical ōban — Scenes 9 and 10, August 1882
Satō Sanjirō

Not on View

vertical ōban (4 uncut koban) — Famous Places of Modernization in Tokyo, four sheets, December 1874
Utagawa Hiroshige III; Publisher: Tsutaya Kichizō

Not on View

vertical ōban triptych — Naval Commander Hirose’s Great Distinguished Service, June 1904
Hirose Yoshikuni; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Flying Lost Plan, April 1904
Kobayashi Kiyochika; Author: Nishimori Takeki; Publisher: Matsuki Heikichi

Not on View

vertical ōban — Captain Matsuzaki, Picture of Him Bravely Fighting at Anseong Ford, 1895
Ogata Gekkō; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban triptych — Picture of Our Forces Landing on Taiwan in the Dead of Night, February 1895?
Kobayashi Kiyochika; Publisher: Fukuda Hatsujirō

Not on View

vertical ōban triptych — Battle at Jinzhou Fortress on the Road to Lüshun, November 1894
Kobayashi Kiyochika; Publisher: Yokoyama Ryōhachi

Not on View

vertical ōban (4 uncut koban) — Famous Places of Modernization in Tokyo, four sheets, December 1874
Utagawa Hiroshige III; Publisher: Tsutaya Kichizō

Not on View

vertical ōban triptych — Picture of the Naval Attack on Weihaiwei, September 1894?
Nobuyasu; Publisher: Morita Hikojirō

Not on View

vertical ōban — Lieutenant-Colonel Tomioka, Commander of the Eleventh Infantry Regiment, February 1895
Kobayashi Kiyochika; Artist: Inoue Kichijirō

Not on View

vertical chūban diptych — Actors Jitsukawa Enjaku as Soga Juro and Ichikawa Sadanji as Goro Tokimune, 19th century
Utagawa Yoshitaki

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vertical ōban triptych — Our Second Army, Picture of the Great War near Niuzhuang, March 1895?
Watanabe Nobukazu; Publisher: Tsunajima Kamekichi

Not on View

vertical ōban — Sailor Third Class Nishikawa Hatsutarō of the Warship Katsuragi, May 1895
Kobayashi Kiyochika; Publisher: Inoue Kichijirō

Not on View

vertical ōban triptych; triptych forming a single image; three male figures in black suits sit in a row on chairs with purple fringe in left sheet; single figure sits in the center of the image, across from and facing the three seated figures; center figure is wearing a sash and ornately decorated jacket, and sits at a table with a green tablecloth; two seated figures in black suites, writing; red vase with white and yellow flowers in URQ of right sheet; label/ white sticker with text that reads "Negotiations between the Japanese and Russian representative" located in top center of center sheet — Picture of the Audience at the Negotiations between Japan and Russia, February 1904
Ōkura Kōtō; Publisher: Kimura Toyokichi

Not on View

evening scene; standing shadowed figures along B edge of image; lanterns hang above figures; two figures in a tree obscured in shadow; fireworks in sky in background — Fireworks at Ike-no-hata, 1881
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

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night scene, with body of water in foreground, and a house with illuminated windows on L; two shadowed figures in windows; dark trees obscure house; tiny dots of light over water — Koromo River below Tennō-ji Temple, 1880
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

night scene; two shadowed figures pulling a third figure in a carriage in BC in front of a body of water; moon in TC — Distant View of Ichinohashi Bridge from the Sumida Embankment, 1880
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

scene with water in bottom quadrants, with wooden fence posts in foreground; bridge running horizontally through center; pink and blue sky with small clouds dotted throughout, and a squiggly yellow streak across sky; houses on R; small boat with a figure fishing in it in LLQ — Senbongui and Ryōgoku Bridge, 1880
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

locomotive on a bridge; body of water in background; red steam coming out of locomotive; gray dappled sky — View of Ushimachi in Takanawa by Hazy Moonlight, 1879
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

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darkened scene; carriage on L, with standing figure in C, with small dog on ground to the R of figure; standing figures with umbrellas on the R; willow tree in ULQ — Rainy Night at Yanagiwara, 1881
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

evening scene of a street with shadowed standing figures; lamp posts on L — Summer Night at Asakusa Kuramae, 1881
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

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three tall ships in a body of water; cannons firing; small rowboat with shadowed figures in BC; night sky — Moonlit Sea at Kawasaki, 1877
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

horizontal ōban — A Night at Sumida River, 19th century
Kobayashi Kiyochika; Publisher: Fukuda Kumajirō

Not on View

horizontal chūban; accordion style book; front and back cover has thin, muted orange lines forming a woven pattern; colorful interior images that depict domestic scenes, as well as exterior farming, harvesting, and fishing scenes; image on both sides of accordion, fifteen images on each side — Album of 30 prints from the series "Collection of Pictures of Products from Greater Japan", 1877
Utagawa Hiroshige III; Publisher: Yorozuya Magobei

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horizontal chūban; accordion style book; cream-colored front and back cover with circular designs in floral-like shapes, surrounded by dotted patterns in green, yellow, maroon and lavender pigments; cover has a faint, linear woodgrain pattern; front cover has vertical band with alternating brown speckled bands of pigment, and Japanese characters in center; interior pages depict brightly colored, whimsical images with animated figures — Album of 12 prints from the series "Pastime Society", 1895
Kobayashi Kiyochika; Publisher: Fukuda Hatsujirō

Not on View

accordion-style book; gray cover with faint linear pattern in a wood grain design; dotted, circular floral shapes in maroon, green and yellow pigments; vertical band in center with inscription in Japanese characters on front cover; ten images on one side of accordion sheets; colorful, expressive images depicted in interior — Album of 12 prints from the series "Attempts at Humor; Complete Pictures", December 1895
Kobayashi Kiyochika; Publisher: Fukuda Hatsujirō

Not on View

horizontal chūban; small book with brown silk over; cream-colored vertical band with Japanese characters in center; small, brown specks on pastedown and free end paper; colored images on inner pages depicting meeting and battle scenes; blank accordion pages on back side — Album of 12 pictures from "Sino-Japanese War, Great Japanese Victory Sugoroku", December 1894
Ogata Gekkō; Publisher: Takegawa Risaburō

Not on View

horizontal chūban; woven, simple light brown cover; vertical band of paper with inscriptions in Japanese characters on cover; accordion-style book with images on front, with blank sheets on back side; expressively rendered figures that tell the story of a woman eating an excessive amount of food and the repercussions following — Album of 12 prints from the series "Pictures of the Presentation of the Grand Potato", 1890s
Kobayashi Kiyochika

Not on View

book with bound edges on right side; light blue cover with threaded spine; yellow, vertical band on left with Japanese characters; inner pages alternate images of birds, text in Japanese characters, forest scenes, fish, turtles and shells — Illustrated Reference Book of Photographs of All the Universe, Vol. 2 (complete), 1864
Utagawa Sadahide; Author: Ohara Chikudō; Carver: Nakamura Shuntai; Publisher: Gunhōdō

Not on View

book with accordion pages; cover has linear image of a bird with outstretched wings; brown and light blue patches of pigment, with floral shapes rendered in thin lines throughout; scattered silver flower petals overlap cover; red, vertical band with inscription in Japanese characters on left edge; strip of tape with red and green holly berry leaves across top edge of front cover; colorful images on inner pages of book; back cover is mostly blue with silver lines overlapping, forming a wave-like pattern; diagonal strip of brown with silver flower pets in ULQ of back cover; same bird with outstretched wings in bottom center of back cover — Grand Picture Scroll of the Meiji, Taishō, and Shōwa Periods, 1931
Unknown Japanese

Not on View

book with binding on the right side; colorful cover with image of a single figure with sword raised in PR hand; explosion on right; vertical red band with inscription in Japanese characters in ULC; inner cover page depicts a battle scene with shadows of fighting figures behind exploding burning buildings; colorful inner pages that depict battle scenes; inscriptions in Japanese characters on back cover — Collection of Pictures of Battles in Various Places, 1868
Utagawa Yoshitora; Publisher: Yoshidaya Bunzaburō

Not on View

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