showing 100 of 108 results matching creditline:"Bequest of John R. Van Derlip in memory of Ethel Morrison Van Derlip". (load 8 more)

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Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Portrait

Portrait of Charlotte of France, c. 1522

Jean Clouet the Younger

G342

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair.

Portrait of Dorothy Beridge, nèe Gladwin, 1777

Joseph Wright of Derby

G306

Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style.

Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501

Master of the Legend of Saint Lucy

G342

Panel, small, of faded red satin made from two pieces, the upper acting as valance. Both embroidered in satin stitch and couched laid work in colored silks, and in both pieces the embroidery is unfinished. Both pieces edged with much worn blue and black brocade surmounted with narrow blue and white braid and gold and blue gimp. Lining and heading of pale yellow China silk, pieced. Probably used on small altar or shrine

Table Frontal, 19th century

China

G218

Hanging, large, yellow satin, with woven bands of flowers and symbols in red, green, blue, and white. Vertical seam down center. Green border with all-over brocaded design of pink, tan and red flowers and blue stems and leaves. Light brown cotton lining.

Hanging, 18th century

China

G210

Cassone, walnut, Italian XVIc

Cassone (chest), 16th century

Italy

G330

Private festivities, merry company

Garden Party, c. 1868

Adolphe Monticelli

Not on View
School of Troyes, 'Education of the Virgin', sculpture (polychromed stone), French XV c. cat. card dims H. 32-3/4" St. Anne holding a book from which the Virgin reads. Virgin represented as a little girl wearing cap and costume of the period.

The Education of the Virgin, 15th century

School of Troyes

Not on View
Holiday Traditions, Tudor Room. Woven fabric

Towel, 17th century

Italy

Not on View
Roof tile, green glaze; cross between lion, dragon and Foo Dog. Black eyes. Entire piece otherwise grass green. Glaze worn through in spots on tile proper and animal’s right side. Said to have come from one of the Palaces of the Forbidden City, Peking.

Roof tile, 18th-19th century

China

Not on View
Towel scarf, loosely woven natural linen, four flower sprays embroidered at ends in pink, rust, raspberry, yellow and tan silks and gold threads. Narrow border in yellow silk and gold thread. Overcast ends. Two large yellow stains.

Towel, 17th-18th century

Greek Islands

Not on View
Panel of mustard yellow cut and uncut velvet brocade of armorial and rampant lion design, edged with gold braid and bordered with plain mustard yellow velvet.

Panel, 17th century

Spain

Not on View

Bookplate design for John R. and Ethel Morrison Van Derlip, 1899-1900

Maxfield Parrish

Not on View
Altar front, blue silk figured ground, black satin border. Five applied embroidered medallions. Center medallion edged with gold braid, of bird and flower design, worked on gauze in encroaching satin stitch in yellows, greens, blues, reds and white. Pale blue ground. Medallions two and four worked in French knots, predominating colors deep blue and rose. Medallions one and five cut out human and flower figures worked on gauze in encroaching satin stitch except for hands and faces which are couching on laid work. Predominating color, rose. Lined with faded rose linen.

Altar frontal, 19th century

China

Not on View
Long strip of tan linen embroidered in geometrical repeat designs with red silk in short flat stitch. Ends edged with narrow yellow and re braided braid, and sides with flat yellow, red and black braid sewn on by machine. Lined with coarse tan linen.

Panel, 17th-18th century

Greek Islands

Not on View
Towel scarf, tan linen, loosely woven with heavy linen lozenges and dots down length of panels, and four floral sprays in yellow-green silk and metal threads embroidered at each end. Plain linen fringe below grapevine border in same threads as on sprays.

Towel scarf, 17th century

Armenia

Not on View
Square of pink taffeta with four thin horizontal bands of flower sprays and twisted garland in yellow, white, green, purple and pink. Silver threads. Edge lace of yellow flat and metal-wrapped threads.

Panel, 18th century

France

Not on View
Skirt, brick red silk in two sections, each divided into panels the lower parts of which are woven in gold, yellow, green, blue and white with dragons, clouds, birds etc., panels outlined with narrow bands of black satin. Lining of white damask, broad cotton waistband. Three large stains.

Woman's skirt, 19th century

China

Not on View
Coronation of the Virgin. Virgin, brown dress, blue cape, yellow hair. God the Father, lighter blue dress, brown jeweled cope. God the Son, deep purplish cope and brownish skirt. Yellow footstool. Jeweled gold canopy with blue lining and green curtain. Blue sky, yellow walls, green tiled floor.

Coronation of the Virgin, 16th century

Nardon Penicaud

Not on View
Long strip of linen embroidered in rather coarse brick stitch with six tree-shaped medallions outlined in green and yellow, enclosing and surrounded by floral motifs, in blue, tan, brown and deep red - the latter the predominating color. Soiled tan linen lining, pieced once. Thick silk fringe at one end.

Panel, 17th century

Albania

Not on View
square of red brocade; design of pine branches and fan and lozenge shape motifs in gold

Brocade panel, 19th-20th century

Unknown Japanese

Not on View
Panel, small, velvet, rose ground, original design in green. Green grosgrain lining, stained. Velvet much worn and faded and cracked along center fold. A few breaks darned. Unlike most Chinese velvets of this period, the pile is the same length in both pattern and field.

Panel, 18th century

China

Not on View
Portion of camel's saddle bag or cover, red and cream. Broad and narrow bands of finely knotted short pile with geometric designs alternate with plain woven bands of purplish red. At bottom 8-1/4' band of short pile, cream ground with geometric designs in red, black and brown. Short cream fringe. Worn down center and top edge. Four tears or holes mended, two unmended holes.

Portion of camel's bag, early 19th century

Kazakhstan

Not on View
Sari, red foulard ground covered with small white tied and dyed circles. Wide red and gold border sewed on at sides, and deep border sewed on at one end. This border carries geometrical designs and formalized trees in green, blue, cream, peach and red, all on a gold ground. Border at one end only. Both ends unfinished. One end of red foulard lined with thin red cotton printed with herringbone design in yellow.

Sari, 19th century

India

Not on View
Skirt, gold color silk with all-over pattern in 2 sections, each divided into panels, the lower parts of which are embroidered with floral design in 2 shades of blue. The two main panels are solidly embroidered with flowers and butterflies, mainly in the same blues but with yellow, tan, white, green, brown and purple added. Two main panels and bottom of skirt bordered with floral designs solidly embroidered in blues on black satin. Main panels lined with light blue silk. Rest of skirt unlined. Broad white cotton waistband.

Woman's skirt, 19th century

China

Not on View
yellow leather with purple cotton tassels; roughly made; probably for a woman

Boots, 20th century

Morocco (?)

Not on View
Nativity: Virgin and Saint Joseph in browns and blues; lightened with gold. Angels: left, blue dress, green wings; right, tan robe, blue wings. Architectural details, yellow, sky blue, mountain and tree green. Sheep white; shepherds tan, blue, brown; ground green.

Nativity, 16th century

Nardon Penicaud

Not on View
Virgin with gold hair, gold-brown dress, blue overdress. Angels with gold hair, garment colors reversed. Architectural background gold with blue columns and blue and green decorations; green book and floor tiles.

The Anunciation, 16th century

Nardon Penicaud

Not on View
Panel of faded rose velvet with border of green velvet and symbolic ornament on gold damask weave. This type of panel used as chair covers by the Chinese, part hanging over the chair back, then down back, on seat, and hanging below seat. Lined with dirty faded rose linen. Velvet.

Runner, 19th century

China

Not on View
Kussaba, or square shawl, the pieces separately made and sewn together. Black center star, the 8 long point of which are outlined in turquoise, which color reappears as outline to the lower parts of black motifs in each corner. Red and yellow predominating colors of the field. Three borders, each woven separately and sewn together; inside a white stem volutes (sic) its way between vases on a yellow ground with red, green, and black veinings. Center, black ground, bold butha and leaf designs in red, green and blue, embroidered in flowers. Outside, small fringed squares of red, green, blue and yellow with Cufic-like motifs in white, black, and yellow outline stitch.

Kussaba, 19th century

India

Not on View
Piece of dark blue and red striped material. Broad red stripes ornamented with geometric figures of the type found on Caucasian rugs. Narrower stripes, alternating red and blue, and carrying geometric bands in yellow intervals, and flanked by thin lines of yellow, red and blue. Worn and discolored spots at one end. Vertical tear, mended.

Piece of material, 18th century

Not on View
Brocade, two pieces, tan silk, yarn embroidered. Piece A introduces mustard and blue into every other floral motif; in B the corresponding design is green and tan. In both pieced the center flower is rose and red. These pieces formerly used to upholster furniture of love-seat size. Modern machine made.

Panel, 19th century

England

Not on View
Tapestry panel, showing a hunting party feasting at a table under a tree, from which a canopy is suspended, and is attended by dogs, servants and musical entertainers. Mille fleur foreground, with landscapes in right and left background. Flowers, trees, and landscapes entirely in tans and greens. Two of the figures in red, the rest wear tans, blues, browns and a little very pale brick. The general color impression of panel, however, is green and brown.

Country Wedding, first half of the 17th century

France (northern), Flanders or Holland

Not on View
Barber's bowl, ceramic-earthenware, Spanish, XVIIIc cracked down the middle of piece; cat. card dims diam of top at widest 14-3/8"

Barber's bowl, early 18th century

Spain

Not on View
Large scarf or head shawl; ground woven with diamond-shaped designs in gold, forming diaper pattern. Deep border of small geometrical designs headed by formalized leaf and flower designs in gold. Meagre red fringe. Eight darns in cerise silk.

Large scarf, 19th century

India

Not on View
cat. card dims 32-3/4 x width of seat 21 x depth of seat 18-7/8"

Cock fighting chair, 18th century

England

Not on View
Hanging of red satin with green satin valance. Embroidered with naturalistic floral sprays in coarse satin stitch. Phoenix done in rainbow colors, the body in laid work couched in rust, blue and white. Rose silk lining. Two green silk loops for hanging.

Curtain, 19th century

China

Not on View
Strip of peach self-patterned silk, partially embroidered with gold thread (couched in red silk) in solid floral design. Probably intended for use on a dress or coat.

Sleeve band, 19th century

China

Not on View
Dalmatic of tan velvet with pomegranate pattern on tan satin ground. Edged with gold gimp and decorated with bands of linen embroidered with Lucca-type designs in red, green and white and the alternation names IHESUS and MARIA in blue. Mrs. Reed Says Bands of Cologne - brocade are XIV c., Velvet probably XV c. Pica made up.

Dalmatic, 16th century

Germany

Not on View
Portable shrine black lacquer case with two doors; gold pomegranate and leaves on each door; brass mountings. Inside gold. Under canopy wooden figure of Kwannon with gold and black robes stands on lotus base with pierced metal mandola behind her. On right hand door, inside, figure of Du-do (Japanese version of Siva, the destroyer), black body, green skirt, red flames. Left-hand door, Ji-so, a Bodhisattva (Kshitigarbha in Sanskrit) protector of children, travelers and pregnant women.

Miniature shrine (zushi), 19th century

Unknown Japanese

Not on View
Religion: NT. Trinity with Saint John the Baptist and Saint Sebastian. Nothing on verso (balsa panel)

The Holy Trinity with Saint John the Baptist and Saint Sebastian, early 16th century

In the manner of Timoteo Viti

Not on View

Chest (cassone), 15th century

France

Not on View
Square panel of pashmina (wool from Tibetan goat), dark red ground, scarcely visible, covered with all-over embroidery in chain stitch representing animals, trees and human beings. The outer border consists of multiple scenes, each framed by an Indo Islamicate arch. These scenes gesture at painting traditions of the time, and depict interior and exterior court, hunting, leisure, parade, and battle scenes. Central circular motif emanates from roundel containing untranslated Persian inscription. Red predominating color except for center and corners where pale blues, greens and yellow predominate. Corners and central circle have elaborate use of gold threads. Lined with mauve sateen. Tears on border.

Embroidered Tablecover, 19th century

India

Not on View
Portrait.

Portrait of John R. Van Derlip, 1929

Ellen Gertrude Emmet Rand

Not on View
Virgin's garments red and blue gold-flecked. Angel's garments green and brown, gold-flecked. Wings, green, red, turquoise, gold; curtains, gold-flecked peacock blue. Blue sky with gold radiations. Blue sky with gold radiations. Blue and gold tiled floor and prie-dieu. Plaque, enamel on copper, French, XVIc cat. card dims 9-1/2 x 7-3/8"

The Annunciation, late 16th century-early 17th century

Susanne de Court

Not on View
Head shawl, fine white cotton, thickly embroidered with poplar (?) leaves in red silk in long satin stitch, the stems in green chain stitch. Narrow border around entire shawl of the same, flanked by yellow couched black silk floss. Wide cotton border at each end divided into compartments carrying formalized red and green trees. Three vertical seams.

Woman's wedding veil (Abochhini), 19th century

Pakistan

Not on View
coat, of the general type known as 'Binisch'; white silk ground with broad vertical stripes of purple, thin stripes of red and bands of golden flowers; heavy gold braid ornamentation around neck, down front to waist, and over shoulders; lined with white cotton and edged inside with broad band of rose satin

Coat, 19th century

Morocco

Not on View

Frame, 16th century

Italy

Not on View

Panel, 17th-18th century

Italy

Not on View

Panel, 17th century

Italy

Not on View

Scarf, 19th century

France

Not on View

Vest, 19th century

Turkey

Not on View

Panel, 18th century

Not on View

Fragment, 18th century

France

Not on View

Doily, 19th century

France

Not on View

Coat-of-arms, Date Unknown

Not on View

Panel, 16th century

Italy

Not on View

Cassone, 16th century

Italy

Not on View

Panel, 19th century

China

Not on View

The Virgin of the Annunciation, 1380-1435

Italy

Not on View

Scarf, 19th century

Belgium

Not on View

Skirt, 19th century

China

Not on View

Doily, 19th century

France

Not on View

Fragment, 16th century

Italy

Not on View

Fragments, 16th century

Italy

Not on View

Panel, 16th century

Italy

Not on View

Platter, 16th century

Italy

Not on View

Panel, 17th century

Italy

Not on View

Pair of cuffs, 17th century

Italy

Not on View

Panel, 17th-18th century

Italy

Not on View

Panel, 17th century

Italy

Not on View

Fragment, 16th century

Italy

Not on View

Bishop's cope, 18th century

Italy

Not on View

Bookstand, 17th century

France

Not on View

Stool, 16th century

Italy

Not on View

Panel, 16th century

Italy

Not on View

Sash, 19th century

Turkey

Not on View

Coat-of-arms, 17th century

Italy

Not on View

Panel, 16th century

Italy

Not on View

Chasuble front, 20th century

Italy

Not on View

Dragon robe, 1796-1820

China

Not on View

Sash (obi), 19th century

Unknown Japanese

Not on View

Bowl, 1603-1868

Unknown Japanese

Not on View

Side chair, Date Unknown

Netherlands

Not on View

Priest's robe, 1822-1851

China

Not on View

Dragon robe, 1821-1850

China

Not on View

Presentation in the Temple, 16th century

Susanne de Court

Not on View

Half of a skirt, 1796-1820

China

Not on View

Armchair, 16th century

Italy

Not on View

Panel, 20th century

France (?)

Not on View

Towel fragment, 18th century

Greek Islands

Not on View

Panel, 17th century

Italy

Not on View

Banner, 19th century

China

Not on View

Platter, 16th century

Italy

Not on View

Panel, 17th century

Italy

Not on View

Banner, 19th century

China

Not on View

Fragment, 16th century

Italy

Not on View

Scarf, 18th-19th century

Italy

Not on View

Panel, 16th century

Italy

Not on View

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