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Portrait of Cardinal Pietro Maria Borghese

Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s

Pietro da Cortona (Pietro Berrettini)

G313

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

Not on View
The deity embracing Vajranairatma; two figures at center in embrace; back figure has many faces, arms and legs and is wearing a large headdress; front figure has her back to the viewer with her PL leg wrapped around other figure and her arms around his neck; flat, black metal base

Hevajra and Nairatmaya, 12-13th century

India or Bangladesh

G211

grain mill, low fired earthenware with green lead glaze

Milling Shed, 206 BCE - 220 CE

China

G215

hill censer, low fired earthenware with green lead glaze

Lian (Cosmetic Container), 1st century

China

G215

Portrait of a young woman sitting against a green background. She holds a small psalm book. The book is actually a girdle prayer book, whether it is a psalm book or something else remains to be determined. NW 03/10

Portrait of a Noblewoman, c. 1550

Unknown , English or Flemish

G342

covered jar, grey earthenware; painted cloud pattern in red, white and purple slip

Hu (Covered Storage Jar), 2nd century BCE

China

G204

group inclues ladle

Wine Cup, 1st century

China

G215

Genre.

Silver and Green, 1913

Hilda Fearon

G351

Central negative photographic image of a woman lying down in a fetal position with her arms wrapped around her head; collage of photographic images at bottom creating a worm with the head of a woman, seen from under her chin; black paper with cutouts in background; swirling, abstract imagery on rectangular section, LRC; five white cutout flowers with twisted paper stems below image of woman lying down

%C2%A9 1992 Kiki Smith%2F Universal Limited Art Editions

Worm, 1992

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

G369

woman's skirt length, cotton, indigo dye, African (Mali) XXc stored in box; stored w/ 85.125.1,5,11 narrow band handwoven, indigo dyed; Name: Kaai - beautiful

Woman's Skirt Length, 20th century

Dogon

G236

group includes wine cup

Ladle, 1st century

China

G215

Satyr and Nymph, 17th century

Ferdinando Tacca

G310

grain mill, low fired earthenware with green lead glaze

Grain Mill, 206 BCE - 220 CE

China

G215

%C2%A9 Joseph E. B. Elliott

Marion, South Dakota, 1981

Joseph E. B. Elliott

Not on View

%C2%A9 Ramon J. Muxter

Untitled, 1972

Ramon J. Muxter

Not on View

Christ Disrobed by the Soldiers, 16th century

Jan Sadeler I; Artist: After Marcus Gheeraerts

Not on View

The Crucifixion, 17th century

Jacques Callot

Not on View

L'Allée des Fontaines at Pratolino, 17th century

Stefano della Bella

Not on View

La Statue de Ferdinand I, 17th century

Stefano della Bella

Not on View
wood body with diamond design with studs; top and butt have relief designs; zigzag, scrolls and other designs on mechanism

Flintlock Pistol, one of a pair, c. 1830

Not on View
open at top and bottom; rope loop at top; 2 attached tassels on one side; cluster of 3 tassels and 1 separate tassel have detached

Powder Horn, c. 1830

Not on View
wood body with diamond design with studs; top and butt have relief designs; stars incised on mechanism

Flintlock Pistol, one of a pair, c. 1830

Not on View
tray is designed to resemble an aircraft carrier with a large landing strip sanded into its surface

%C2%A9 Alessi S. P. A. - Crusinallo - Italy

Teapot, from a Coffee and Tea Service, 1981-1983

Hans Hollein

Not on View
sugar bowl with cover; tray is designed to resemble an aircraft carrier with a large landing strip sanded into its surface

%C2%A9 Alessi S. P. A. - Crusinallo - Italy

Sugar bowl, from a Coffee and Tea Service, 1981-1983

Hans Hollein

Not on View

Un Petit Amour Ă  Mi-corps, 17th century

Stefano della Bella

Not on View

TĂȘte de Viellard Chauve et Barbu, 17th century

Stefano della Bella

Not on View
multicolored top portion with triangular woven design; purple waistband; multicolored band with gold thread and sequins in organic design, flanked with gold lame bands; purple, yellow, green and pink scalloped rows at cuffs, appliqued with gold metal bands

Farshi Pajama, c. 1910

India

Not on View
irregular black forms including bars at left, part of triangle and square at right and circle flanked by ovoids left of center; some black splatters on ground around black shapes; touches of silvery blue at right edge, round lower part of right ovoid and between left ovoid and bar

%C2%A9 Estate Robert Motherwell %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Elegy Black Black, 1983

Robert Motherwell; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York; Printer: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
shapes in brown and black washes on off-white paper; black triangle in upper one-third, black squares at LL and LR corners and other abstracted shapes throughout; off-white mat; framed behind glass in dark brown wood frame

%C2%A9 John Walker %2F Bridgeman Copyright

Untitled, 1974

John Walker

Not on View
abstract image; central biomorphic and geometric form in blue, grey, white and yellow; football shaped element at center with basket-weave design; red and blue grid and guidelines throughout; small sketches in red and blue of three-dimensional forms in ULC and LLC

%C2%A9 John Newman

Untitled, 1988

John Newman

Not on View
shapes in brown and black washes on off-white paper; brown rectangle in upper one-third and white triangle in lower one-third with other abstracted shapes and marks throughout; off-white mat; framed behind glass in dark brown wood frame

%C2%A9 John Walker %2F Bridgeman Copyright

Untitled, 1974

John Walker

Not on View
abstract image in black and brown; round black elements filled with hexagonal shapes in black; some round elements have tail-like protrusions; brown circle with black outline at right center; black bar at left; smudges throughout background

%C2%A9 Terry Winters

Double Standard, 1984

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
green, roundish, organic shape created by thin, machine-drawn lines; 3-D effect created by lines overlapping; darker and lighter green areas; black, abstract, twisted lines that resemble letter characters drawn vertically along R side; red square stamp at LLQ

%C2%A9 Roman Verostko

Spring Memory, h18-gr, 2010

Roman Verostko

Not on View
technical drawings of three standing men seen in profile from PR, with various body proportions measured; text at top and bottom

%C2%A9 1966 Henry Dreyfuss

Three Basic Human Body Types--Profile, 1966

Henry Dreyfuss; Draftsman: Alvin R. Tilley

Not on View
portrait of the artist James Siena wearing a blue shirt, with a serious facial expression, made up of chevrons, rectangles, and diamonds filled with smaller organic shapes of various colors

%C2%A9 Chuck Close%2C courtesy PaceWildenstein%2C New York

James, 2004

Chuck Close; Publisher: Pace Editions, New York; Printer: Brand X Editions, New York

Not on View
shapes in brown and black washes on off-white paper; light brown rectangle at top, black shape with pointed lower tip at center and other abstracted shapes in lower one-half of sheet; off-white mat; framed behind glass in dark brown wood frame

%C2%A9 John Walker %2F Bridgeman Copyright

Untitled, 1974

John Walker

Not on View
Color offset lithographs bound in beige linen boards with gold-stamped lettering on cover and spine; issued with ivory paper dust jacket with gold-stamped lettering; artist's book

%C2%A9 Nicolas Africano

Ha Ha Ha Ha, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
grey and green; nearly calm water in front of a small architectural shrine with trees behind; mountains on far shore

Kiyozumi Garden in Moonlight, January 1938

Kawase Hasui; Publisher: Watanabe Shƍzaburƍ

Not on View
long banner in bright multicolors on white; three soldiers on horses at bottom; mountains at top; blue floral medallion and two blue horizontal stripes at top; paste resist

Festival banner of Sasaki Takatsuna and Kajiwara Kagesue racing across the Uji River, mid 20th century

Unknown Japanese

Not on View
two standing women at left; leftmost woman has her hands over her face; rightmost woman looks up at legs of crucified Christ on cross; women wear dark and light blue and salmon robes; seated writing figure in LRC

Mourners at the Foot of the Cross, 20th century

Artist Unknown , 20th century

Not on View
printed text page--front and back--with two columns on each side of page; three decorative initials (two smaller, one larger) with plants motifs and abstract designs on front--four (three smaller, one larger) with plant motifs on back

Leaf from "Biblia Latina" [Esaias, fo. CLXXVI], 1541-1543 (?)

France

Not on View
round image of a portrait of a little boy with light brown hair, wearing a black cap and a tan jacket with red stripes, brown spots and black cuffs, holding a piece of paper, against a blue ground; square border with brick-like patterning around portrait; text below portrait: "CHARLES 2nd SON of CHARLES BRANDON / DUKE OF SUFFOLK. ob.1551."; text in lower margin: "IN HIS MAJESTY'S COLLECTION. / Published as the Act directs March 26, 1798, by I. Chamerlaine. Brompton. Middlesex."

Charles 2nd Son of Charles Brandon, Duke of Suffolk, 1798

Francesco Bartolozzi; Artist: After Hans Holbein the Younger

Not on View
black ground with white line drawing style image of heads and torsos of a woman at left holding a child in her arms, kissing the child on the mouth

Madonna and Child for Statuette, 1923

Eric Gill

Not on View
two facing manuscript pages with blue borders with scrolling gilt floral designs and gilt cartouches with red flowers; left image of a woman seated on a throne beneath a canopy, accompanied by women and girls, with a pair of staircases at bottom flanking a fountain and additional women; right image of similar interior with man seated on throne accompanied by men and boys, with two men next to stairs at left and three women next to stairs at right; text on back

Two court scenes, one with a woman presiding the other with a man [Nur Jahan and Jahagir?], 19th century (?)

Artist Unknown , Provincial Moghul [possibly Murshidabad]

Not on View
cartoonish anthopomorphized toad; standing, with bow legs, with PL arm outstretched and foreshortened, smiling; wearing jacket and vest, knickers and shoes

Toad (Toad of Toad Hall?), 19th-20th century

Artist Unknown , 19th or 20th century

Not on View
bare breasted crouching woman at left, holding her PR breast to the mouth of a bearded man seated in front of her, with shackled ankles; woman has her PL arm around shoulder of man; man leans against column; text on column and at bottom: "CZINMON" at bottom, "ICH LEB VON DER BRVST MEINER DOCHTER" at right

Cimon and Pero, 1544

Sebald Beham; Artist: After Barthel Beham

Not on View
large bouquet of flowers in a cylindrical vase; hatched background

%C2%A9 Estate Bernard Sanders

Floral Still Life, c. 1960s

Bernard Sanders

Not on View
printed text page--front and back--with two columns on each side of page; large decorative initial with scroll motif in ULC

Leaf from Biblia Germanica Quatuordecima [Book of Ruth] (Augsburg: Silvan Otmar, 1518), 1518

Germany

Not on View
painter seated on a small platform suspended by a cable, high above city with skyscrapers in distance

%C2%A9 Estate Samuel L. Margolies

Babylon, 1949

Samuel L. Margolies; Publisher: Miniature Print Society

Not on View
farm scene with pair of chickens in foreground on a path; hayfield in middle ground; barn, silo, house and two other small sheds in background; haystack with ladder at left

Copyright of the artist%2C artist%27s estate%2C or assignees

The Hayrick, c. 1939

Arnold Blanch

Not on View
Image of three pink tulips on a back ground; image is printed on the top half of the sheet

%C2%A9 Miklos Pogany

Three Doveman Tulips from Tropides Islands, 1981

Miklos Pogany

Not on View
a seated mother in profile holding a kneeling child in her lap; child is raising their hands to the mother's neck and the mother's head is bowed toward the child; small, abstracted tower in the background along R edge, behind child

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

War, Hated by Mothers (Woman and Child), 1927 (published 1948)

Georges Rouault

Not on View
black-and-white crosshatch drawing of a figure in profile

%C2%A9 Estate of Charles Biederman

Head, 1932

Charles Biederman

Not on View
a woman standing on the back of a white horse, which is standing on a tight rope; woman has one foot on the horse's saddle and the other on the horse's neck; dark background with the impression of a crowd across the center

Disparate puntual, Una Reina del circo (Punctual Folly or The Queen of the Circus), from the series Los Disparates (The Follies) or Los Proverbios, c. 1820

Francisco José de Goya y Lucientes

Not on View
two figures in scarecorw-like costume standing in front of a small huddled crowd; a boy in the front of the crowd turns his backend to the scarecrow figures and laughs with his hand by his mouth

Disparate: Que Guerrero, c. 1820

Francisco José de Goya y Lucientes

Not on View
four prints mounted together a ("Sculptors #64"): man at right with hammer and chisel, working on a large bust on a tall stool; man at center with a large sheet of material, one end resting on ground; two figures at left--one standing at an easel; some Classical sculptures at center and right b ("Engravers #65"): man at right, seen from back, seated at a large table; seated man at left, with a standing man looking over his shoulder, working at a slanted drawing board; dog in LLQ c ("Printers #66"): man at left turning a very large four-part wheel on a printing press; man at other end of press at center; man wearing top hat at center right; two other men working at a table at right d ("Print Dealer #67"): two men looking at rack of prints at right in front of shop, with man in doorway at center; gesturing man at right with dog

Four plates from "Suite d'ouvriers des différents classes", c. 1814

Jean Duplessis-Bertaux

Not on View
cartoonish figures standing with Niagara Falls behind them; from left: man in a suit and hat, looking at a camera; heavyset woman wearing a hat with flowers pointing at waterfall with her PL hand and holding the shoulder of a boy with an ice cream cone with her PR hand; couple holding hands--man wearing suit and hat and woman with large nose wearing short-sleeved dress and hat

Copyright of the artist%2C artist%27s estate%2C or assignees

Tourists at Niagara Falls, c. 1932

Russell T. Limbach

Not on View
nude striding figure holding a sheaf of wheat in front of body beneath PL arm, with a scythe in PR hand; sheaves of wheat at left, uncut wheat at right

%C2%A9 Plattsburgh State Art Museum%2C Rockwell Kent Gallery and Collection

Harvester, 1921

Rockwell Kent

Not on View
dark clocktower with three shadowy sculptural figures standing beneath clock face

Une cloche battait dans la tour [A bell was striking in the tower], illustration to Edmond Picard, Le Juré, 1887

Odilon Redon; Printer: Becquet, Paris

Not on View
two women wearing coats and hats and two men--one holding his hat behind him--seen from back, looking at a painting of a nude with a "SOLD" sign in the ULC; bald man at right with his hands behind his back

Copyright of the artist%2C artist%27s estate%2C or assignees

The Prize Winner, c. 1929

Russell T. Limbach

Not on View
round image of a portrait of a little boy with light brown hair, wearing a black cap with a white feather and a black short-sleeved jacket over a shirt with green sleeves and a white collar; boy has his PL arm resting on table; blue ground; square border with brick-like patterning around portrait; text below portrait: "HENRY ELDEST SON of CHARLES BRANDON / DUKE OF SUFFOLK. ob.1551."; text in lower margin: "IN HIS MAJESTY'S COLLECTION. / Published as the Act directs March 26, 1798, by I. Chamerlaine. Brompton. Middlesex."

Henry Eldest Son of Charles Brandon, Duke of Suffolk, 1798

Francesco Bartolozzi; Artist: After Hans Holbein the Younger

Not on View
foreshortened lying down infant with a hourglass, URC; three skulls in various positions in a row, with a fourth skull above the leftmost two; other bones between skulls

Four Skulls and a Child ("Mors Omnia Aequat"), 1614

Lucas Kilian; Artist: After Barthel Beham

Not on View
tiny man falling off of a large two-step platform, with his hat falling off his head

%C2%A9 Gerald Purdy

Falling Man I, c. 1985

Gerald Purdy

Not on View
abstract image; vertical band of dappled orange and red color in center, flanked by vertical bands of cooler layered tones of green, blue and pink pigments on right and left sides

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Fire, 1972

Sam Gilliam; Printer: Impressions Workshop, Boston; Publisher: Impressions Workshop, Boston

Not on View
abstract image in cool-toned pigments, with natural paper fibers woven throughout, creating a linear veining pattern; mauve vertical section on right, green washy center and indigo washy pigment, all with a drippy, blue over wash; paper has an organic, uneven fringed effect around the edges

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Nile, 1972

Sam Gilliam; Printer: Impressions Workshop, Boston; Publisher: Impressions Workshop, Boston

Not on View
standing woman in gypsy-style dress

%C2%A9 Estate James VanDerZee

Untitled, 20th century

James Van Der Zee

Not on View
bride with bouquet

%C2%A9 Estate James VanDerZee

Untitled, 1938

James Van Der Zee

Not on View
small base flaring outward and inward to short neck with wide mouth; orange body decorated with repeating geometric wavelike pattern at and below shoulder in brown and red, with textured details

%C2%A9 Elva Nampeyo

Vessel, 20th century

Elva Nampeyo

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; upside-down negative image of woman's head in profile from PR in URC; sketchy woman's face in ULC; line drawing of face covered with lines

%C2%A9 1991 Kiki Smith

Banshee Pearls (2), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; image of a child standing by iron fence at center; sketchy image of face and hands, with stars between them; image of a child, LRC; images of mouths and small jewelry objects (?) at top on black bar

%C2%A9 1991 Kiki Smith

Banshee Pearls (1), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; repeated images of same face in larger sizes in predominately grey and smaller sizes in predominately white; white drips scattered throughout

%C2%A9 1991 Kiki Smith

Banshee Pearls (3), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two images of the top of a woman's head in profile--image at left in negative; flowerlike and knot shapes; dripping black pigment line at top of image; central organic circular image

%C2%A9 1991 Kiki Smith

Banshee Pearls (4), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; three images of faces in grey; hairlike elements at bottom; received framed upside down

%C2%A9 1991 Kiki Smith

Banshee Pearls (5), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two distorted faces joined at noses in LLC; face in negative, LRC; woman's smiling face with negative image of screaming face in ULC; vertical row of faces right of center; featherlike imagery at left

%C2%A9 1991 Kiki Smith

Banshee Pearls (6), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; vertical row of dark faces with light faces behind in negative; featherlike imagery

%C2%A9 1991 Kiki Smith

Banshee Pearls (7), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two images of woman's face at right and ten other shadowy smaller face images at left; repeating vein-like patterns in background

%C2%A9 1991 Kiki Smith

Banshee Pearls (8), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; pair of distorted faces joined at noses, center right; two other distorted, elongated faces above and below; two silver knot shapes at left

%C2%A9 1991 Kiki Smith

Banshee Pearls (9), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; ten spiraling faces; flower imagery; hairlike elements scattered throughout

%C2%A9 1991 Kiki Smith

Banshee Pearls (10), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; two grey faces and one black face in negative; face of woman with large teeth left of center; hair imagery in lower corners; ink splotches overall; ink drips in LLC

%C2%A9 1991 Kiki Smith

Banshee Pearls (11), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
from a suite of 12 lithographs--.3-5,.8,.10,.11 and .1,.2,.6,.7,.9,.12 each framed together in two frames; upside down skull with eyes at center; shadowy images of faces; black negative image of mask/face, LLC

%C2%A9 1991 Kiki Smith

Banshee Pearls (12), 1991

Kiki Smith; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
diptych, framed together; abstract images of painterly, zigzag and swirling lines in red, green, dark blue and black; b has concentration of wide blue marks at top center

%C2%A9 Estate of Joan Mitchell

Sunflowers II, 1992

Joan Mitchell; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York; Printer: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
abstract image with grey ground with splatters and spots of white, black, brown, dark blue and light blue, with small areas of yellow, green and orange, particularly at top center

%C2%A9 Pat Steir

Wind and Water, 1996

Pat Steir; Printer: Crown Point Press, San Francisco; Publisher: Crown Point Press, San Francisco

Not on View
small vessel with pointed shoulder; small mouth; red with black geometric and repeated feather design at shoulder; scalloped line under shoulder

%C2%A9 Geraldine Sandia

Vessel, 20th century

Geraldine Sandia

Not on View
small hollow turtle; matte black and shiny black ; incised eyes, nostrils and mouth; domed shell with petal-like design

%C2%A9 Joe Naranjo%2C Eunice Naranjo

Turtle, May 6, 1988

Joe Naranjo; Artist: Eunice Naranjo

Not on View
small foot; wide mouth on short, wide neck; orange body decorated with 2 geometric bird forms in brown

%C2%A9 Patricia Honie

Vessel, 20th century

Patricia Honie

Not on View
white ground; 2 pairs of alternating geometric designs in dark and chocolate brown; vessel has small foot, flaring outward to short shoulder and wide mouth

%C2%A9 Joy Navasie

Vessel, 20th century

Joy Navasie

Not on View
rounded body; flat foot; band of incised lines forming triangles; red body, cream interior, cream and gold triangle band

%C2%A9 Rosita Cata

Vessel, 20th century

Rosita Cata

Not on View
vessel with 2 necks; handle between mouths; tan body decorated with stepped design and 2 corn stalks on each side in red, brown and cream

Copyright of the artist%2C artist%27s estate%2C or assignees

Vessel, 20th century

Bertha Gachupin

Not on View
central image of an empty house, with some walls cut away--two floors on bottom and two separate floors above with roof; variously-colored repeated images of chairs, tables, pots, ballerina, dancing figure with elk headdress, people in oversized clown costumes, a child in a cage, sword swallower; shadowy silhouettes of same images overall on background

%C2%A9 Jane Hammond

Full House, 1992-93

Jane Hammond; Publisher: Universal Limited Art Editions (ULAE)

Not on View
white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame

%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY

West Wind, 1997

Helen Frankenthaler; Printer: Brand X Editions, New York; Publisher: The Paris Review, New York

Not on View
slightly abstracted image of five nuns wearing cornettes, white collars and dark dresses, in a circle, with nun at center back holding a white butterfly on her PR index finger; mottled red ground

%C2%A9 Helen Blair-Crosbie

Sisters of Charity, 1965

Attribued to Helen Blair-Crosbie

Not on View
black lettering on white paper [FRIENDS OF THE ARTIST/ A SUITE OF SEVEN ETCHINGS AND/ LITHOGRAPHS BY BARBARA SWAN] at top center [IMPRESSIONS WORKSHOP BOSTON 1970] at bottom center

%C2%A9 Estate of Barbara Swan

Title Page, 1970

Barbara Swan

Not on View
Title, table of contents, a brief description of the printing process and a poem by Emily Dickenson; signed and numbered at bottom center

%C2%A9 Estate of Barbara Swan

Colophon, 1970

Barbara Swan

Not on View
line drawing of man seated with his legs crossed at the knee and his hands folded in his lap; he faces to the viewer's left

%C2%A9 Estate of Barbara Swan

Sigmund Abeles, 1970

Barbara Swan

Not on View
image of a man with dark frame glasses in repose; his arms are crossed over his chest and his legs are crossed at the knee and ankle

%C2%A9 Estate of Barbara Swan

Bernard Chaet, 1970

Barbara Swan

Not on View
image of a man's face in stark contrast; left side of his face is heavily shadowed and the right side is brightly lit

%C2%A9 Estate of Barbara Swan

Michael Mazur, 1970

Barbara Swan

Not on View
colored image of a man wearing a purple vest and holding a pipe and a light bulb; man is leaning back against pink and black striped and flowered wallpaper

%C2%A9 Estate of Barbara Swan

Arthur Polonsky, 1970

Barbara Swan

Not on View
a seated man with his hands folded between his legs; a disc hovers above his head

%C2%A9 Estate of Barbara Swan

Harold Tovish, 1970

Barbara Swan

Not on View
a man in black and white looking toward the viewer's right with his PL arm over the back of a chair; red sketches of nude figures packed together form the background

%C2%A9 Estate of Barbara Swan

Elbert Weinberg, 1970

Barbara Swan

Not on View

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