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Hands Holding a Crayon, 1865

Francis Seymour Haden

Not on View

Crayfish, 1830s

Yamada Hōgyoku

Not on View
low fired clay with conte crayon

%C2%A9 William Wyman

Temple #24, 1977

William Wyman

Not on View
slab base; three pairs of linear "arms" plus one straight arm at center, with candleholders at same height resting on a flat bar with arcs between candleholders

Copyright of the artist%2C artist%27s estate%2C or assignees

Candelabrum, c. 1947

Pipsan Saarinen Swanson; Designer: J. Robert F. Swanson; Manufacturer: Cray of Boston

Not on View
Perfect bound volume, letterpress, marks in a blue wax crayon, and text written with a black wax crayon on textured, coated paper covers; 96 pp.

Time Machine, vol. 1: History Lesson 1901, 2001

Louis Rastelli; Printer: L'Archive, Montréal; Publisher: L'Archive, Montréal

Not on View
cemetery double exposed in camera, sepia, silenium and blue tones drawn into with conte crayon

%C2%A9 Linda Rossi

Woodlawn I, 20th century

Linda Rossi

Not on View
Abstract contour of figure, designs, and text printed in blue offset lithography, with details in wax crayon; 1 pp.

Psychecolorogy 40, 1992

Unknown; Publisher: The Museum of Instant Images, Chaam, Netherlands

Not on View
Saddle stitched binding, xerographic image of figure wearing jeans, with text colored with pink wax crayon; 54 pp.

Tight Pants, no. 8, 2001

Madeleine; Publisher: Madeleine , Amherst, Mass.

Not on View
Cut and folded leaf, text and abstract, child-like illustrations done in wax crayon on wove paper; 8 pp.

Untitled, late 20th-early 21st century

Lower East Side Girls Club, New York; Artist: Leila

Not on View
Saddle stitched binding, black-and-white illustration of a butterfly on a yellow crayon-like ground; 20 pp.

DORIS #26, 2008

Cindy Crabb; Printer: 1984 Printing, Oakland, Calif.

Not on View
Saddle stitched binding, photocpied text and image with handcolored deatils in orange and gray wax crayon on elaminated, wove cover; 36 pp.

Brain Drips Komics: Stimulating n Motivating, late 20th-early 21st century

Deah Bart; Publisher: All Night Productions, New York

Not on View
Stab stitched binding, xerographic image of figure behind chain link fence with text printed on wove paper covers, with details in wax crayon; 16 pp.

Prone to Fall, no. 4, late 20th-early 21st century

Heather; Publisher: Heather , Berkeley

Not on View
Stab stitched binding, xerographc text and illustration of two women, colored by hand in wax crayon, on wove paper covers; 54 pp.

Women's Self-Defense: Stories & Strategies of Survival, 21st century

Merry Death , et al.; Author: Ariel Clemenzi , et al.; Publisher: Ariel Clemenzi , Chicago

Not on View
landscape; crayon-like image of a building (barn or house) at center of landscape with treesaround it; a river and/or road in foreground

Print, Date Unknown

Not on View
Handwoven warp faced plain weave silk cloth handprinted with bands of pastel leaves and flowers. Pattern resembles crayon drawing. Mauve, pink, aqua, tan. Columbine

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jack Larsen

Ukraine, 1989

Jack Larsen; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Handwoven warp faced plain weave silk cloth handprinted with bands of pastel leaves and flowers. Pattern resembles crayon drawing. Pink, orange, blue, green. Parfait

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jack Larsen

Ukraine, 1989

Jack Larsen; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Saddle stitched binding, illustration of a flower and two figures with hearts cut into their torso, on a red crayon-like ground; 28 pp.

DORIS #25, 2007-2008

Cindy Crabb; Printer: 1984 Printing, Oakland, Calif.

Not on View

Jean Messagier: Vingt années de gravure, 1966

Galerie Claude Bernard, Paris

Not on View
off-white sheet with single line-drawn image in bottom center; long, thin looped shape with curving parallel line attached, forming a simple, abstract hill, rendered in black crayon; lines are simple and thin, with top looping shape darkened with thicker black lines in center

%C2%A9 Jan Groth

Untitled, 1980

Jan Groth

Not on View
recto: figure in foreground on left side leans forward; figure on right side leans backward with arms out in front of her; verso: series of numbers and other illegible handwritten text in graphite and black crayon

Two Figures, 1919

Walter Gramatté

Not on View
cemetery double exposed in camera, sepia, silenium and blue tones drawn into with conte crayon; same as Woodlawn I retaken with additional shell image to simulate rays of light, sepia and silenium tones

%C2%A9 Linda Rossi

Woodlawn II, 20th century

Linda Rossi

Not on View
Saddle stitched binding, text and illustration of three figures springing from a character's head, with expressionist coloring with chalk or crayon outside of the lines of the figures, printed in color offset lithography on coated paper covers; 96 pp.

World War 3 Illustrated #23, 1996

Mac McGill , et al.; Author: Mumia Abu-Jamal , et al.; Editor: Sabrina Jones; Publisher: World War 3 llustrated, New York

Not on View

Old Man with Crayfish, late 19th century

Yasuhide

Not on View
white sheet of paper with black linear drawing; two thin lines begin at bottom center of sheet, and move upwards toward center, thickening at the top; left line has single line extending out from the side at the top, moving downwards to the left; right line has two lines extending off at the top, moving downwards on both right and left side

%C2%A9 Jan Groth

Untitled, 1978

Jan Groth

Not on View
abstract image; washy black lines that form an irregular pattern, with black section in CR; washy blue lines in ULQ and at L edge of image; pale blue-gray shading in crayon; notebook holes on L edge of sheet; spots of orange pigment in CL of image

Dayton, 1962

George Morrison

Not on View
recto: head and shoulder of man in a suit and tie turned slightly to the left; group of brown ink splotches above his head on the left side; verso: bottom center is a drawing of a head laying on its side in black crayon that has been crossed out multiple times in both vertical and and horizontal lines

Nicolas de Fridman-Ko, 1922

Walter Gramatté

Not on View
portrait of black man in sunglasses and slightly askew hat

%C2%A9 Richard Ellington Lewis

Self-portrait as Fassbinder, September 4, 2012

Richard Ellington Lewis

Not on View

Portrait of Gaspar de Crayer, 1822

John Taylor Wedgwood; Painter: After Anthony van Dyck

Not on View
3/4 length view of a standing woman wearing a large lozenge-shaped black hat, black cloak, and black dress with wide ruffled stand-up collar; lines of woman's garment drawn in V's

Portrait of a Woman, 1891

Norbert Goeneutte

Not on View
cat. 54; woman at L shoveling near well and barn; man at R raking; house at R in background; beige paper; light brown mat with simple light stained wood frame

Milcendeau's House at Bois Durand, 1915

Charles Milcendeau

Not on View
two women in interior wearing wide, full-length dresses; woman on left is playing guitar and woman on right holds sheet of music

%C2%A9 2014 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

The Concert, c. 1922-1923

Henri Matisse

Not on View

La Danse (Dance), 1893

Jules Chéret

Not on View
black ground; white V-shaped element on top half

%C2%A9 Jan Groth

Sign, 1979

Jan Groth; Weaver: Benedikte Groth

Not on View
S-shaped path in an abstracted landscape; greens; pinks in foreground, LLQ; rust-oranges in spots scattered throughout; pinkish-orange sky

Winding River, 1890

Edgar Degas

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

0 through 9, 1960

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

Three Birds, Frog and Cray Fish, late 17th-early 18th century

Unknown; Artist: after Claude Aubriet

Not on View

Ukraine, 1989

Jack Larsen; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View

%C2%A9 William Wyman

Wall plaque, 1977

William Wyman

Not on View
An African-American woman is seated at a bar with a purse slung over her shoulder. A glass contianing a drink over ice and a can of Pepsi-Cola are on the bar.

%C2%A9 Robert Guinan

Pepsi-Cola II, 1985

Robert Guinan

Not on View
both images mounted together in frame: upper image (a): triangular mask-like face with geometric details and squinting eyes, within eyelike, almond-shaped form; form has black background with scattered stars and arrows; 3 differently patterned bands across top and bottom edges; title at top; rendered in black and red lower image (b): diamond-shaped face with linear decorations above squinted eyes within center of larger flower-motif; center of flower is black with scattered stars and arrows; geometric and floral patterns in the petals; rendered in black and red; title across top

%C2%A9 Estate Henry Ray Clark

I am Four Eyes from the Planet Called the Red Tornado / I am Blind and I Can See your Future from my Planet Lovely, 20th century

Henry Ray Clark

Not on View
stallion and donkey, both on their rear legs, pushing each other; stallion at left, donkey at right; figure with pitchfork at left; sketchy tree and right; sketchy, with ink details

Study for "Stallion and Jack Fighting", c. 1932-1943

John Steuart Curry

Not on View
mule at L and large stallion at R on their hind legs, butting together; clouds of dust under their feet; man with pitchfork at R; fence and tree at L

Stallion and Jack Fighting, 1943

John Steuart Curry; Publisher: Associated American Artists, New York

Not on View

I Refuse to Go in Again. I Am Sure There Are Crayfish DownThere, 19th century

Honoré Daumier

Not on View

Terrains Crayeux; Vue sur Poggi le Monache, Monte Oliveto Maggiore, 1906

Edgar Chahine; Publisher: Edmond Sagot

Not on View
abstract image; geometric forms and arcs roughly in in form of a reversed small letter h; silver arcing wedge in LLC; top half of a portion of a wooden dowel with a white line placed horizontally at center right; wedge with rusty tack heads above and to right of silver wedge; yellow wedge at center; grey pigments concentrated in LRC and URC, with some crayon shading in LRC; round stamps at top left of center and on tan fabric above and to left of center; white fabric in shape of a sideways squared-off letter P at center; metal engraved name plate at bottom center: "STEINBERG"; thick white border and thin yellow border; received with Plexi vitrine cover

%C2%A9 The Saul Steinberg Foundation %2F Artists Rights Society %28ARS%29%2C New York

Still Life Table, 1970

Saul Steinberg

Not on View
thick black drawings over light brown engraving of plants and flowers; hooded figure at bottom center

%C2%A9 G%C3%BCnter Brus and Arnulf Rainer

Hell Burns Cold (Die Hölle brennt kalt), 1984

Günter Brus; Artist: Arnulf Rainer

Not on View

The Famous American, Mariano Cebellos, 1825

Francisco José de Goya y Lucientes; Printer: Cyprien Gaulon

Not on View
Woodcut: Seven-color Ukiyo-e style in collaboration with Highpoint Exhibition and Studio Manager Joanne Price bleed printed on 10 x 10 inch Japanese mulberry paper. Block cutting under the supervision of, and printing by, Joanne Price. Printing order: (1) Medium yellow (2) Dark orange (3) Red (4) Dark red (5) Red (6) Very dark red (7) Black. Lithograph: Four-color lithograph in collaboration with Highpoint Master Printer Cole Rogers from three stones and one ball grained plate bleed printed on 10 x 10 inch white Rives BFK paper. The images were made with lithographic crayon on two stones, rubbing ink on another, and gum stop out on the plate. Printing order: (1) Light blue (2) Moss green (3) Dark blue (4) Black. Intaglio: One-color spit-bite aquatint bleed printed in black on 10 x 10 inch Pescia Grey paper in collaboration with Highpoint Senior Printer Zac Adams-Bliss. Plate-making and proofing to approval by Zac Adams-Bliss. Edition printed by Justin Israels.

Copyright %C2%A9 Kinji Akagawa%2C published by Highpoint Editions

Here and Now: Re-View, Re-Think, i≠i, 2010

Kinji Akagawa; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Sketchbook of Landscape Subjects, 1817-1819

School of Joseph Mallord William Turner R.A.

Not on View

Seated Figures: Artist & Model, 1940

Henry Moore

Not on View

Farm Setting, Three Tall Trees in the Foreground, c. 1907

Piet Mondrian

Not on View

A Great Day for Walking My Lizard, 1966

Paul Lamantia

Not on View

%C2%A9 Herb Jackson

P 143, 1971

Herb Jackson

Not on View

%C2%A9 John Newman

Annotated Sketch for 'Fold-Out', 1985

John Newman

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Study for 'September Morn', 1928

Adolf Dehn

Not on View
Study for an illustration to the poem 'Epitaphe pour n'importe qui' by Jean Richepin

The Foundling, c. 1910

Théophile Alexandre Steinlen

Not on View
Study for an illustration to the poem 'Cimetiere intime' by Jean Richepin

A Man, c. 1910

Théophile Alexandre Steinlen

Not on View
man and woman holding hands in center of sheet; man's head is on the woman's shoulder; profile of dog with head and neck pointing upward on the right side of the image; mountain peak behind couple

Homecoming, 1920

Walter Gramatté

Not on View
crowded, colorful scene with many disproportionate figures with very large heads in background; two cowboys at center--one at left wears black hat, shirt and chaps with blue jeans and is being thrown from a reddish-brown steer, with second cowboy in red shirt, orange chaps and blue jeans, riding steer at center; received framed in white frame; two sheets

Rodeo Scene, 1976

Mimi Gross

G353

%C2%A9 Gary Bower

Black Vase with Javelin Thrower, 1985

Gary Bower

Not on View

%C2%A9 Estate Reginald Sanders

A Smooth One, 1993

Reginald Sanders

Not on View

Hudson at Sunset, 19th century

Joseph Pennell

Not on View

Chieftain, 1919-1948

Myer Abel

Not on View

Common Labor, 6 a.m., 1934

Myer Abel

Not on View

Winter, 1934

Myer Abel

Not on View

Self Portrait, 20th century

Wanda Gág

Not on View

Portrait of Anna Blocken, 1649

Aelbert Cuyp

G312

The White Slave, December 1913

George Bellows

Not on View
diptych (a-left image; b- right image)

%C2%A9 1977 Steven Sorman

First Building Project According to What Plan, 1977

Steven Sorman

Not on View

Working Sketch for 'Large Masterpiece', 1985

Joseph Nechvatal

Not on View
Still Life. Cubist.

Still Life, 1917

Juan Gris

G367

Study for a Figure, 19th-20th century

Aristide Maillol

Not on View

Une grande mere, 19th century

Henry Gros

Not on View
Marks, color notes in French at top of drawing

Madonna and Child, 19th century

Charles-Marie Dulac

Not on View

Amazons Resting, 20th century

Albert Weisgerber

Not on View

Portrait of a Gentleman, 1846

John Linnell

Not on View

Figure Study, 19th-20th century

Odilon Redon

Not on View

Madame X at the Grand Prix, c. 1899-1904

Ramon Casas

Not on View

Three Profiles, 20th century

Sandor Kubinyi

Not on View
shallow, wide-flaring bowl with pointed bottom; undecorated interior; exterior decorated with incised curvilinear repeat pattern in red, yellow and white

Bowl, c. 1980-1988

Tshuosh (Sawos)

Not on View

Portrait of Pennell, 20th century

Frank Walter Taylor

Not on View

At Armenonville (The Follower), 1896

Henri de Toulouse-Lautrec

Not on View
2 large figures at left: figure in ULC seated, figure in LLC standing; soldier in front of cannon, LRC

Studies of Statues, Soldier, c. 1916-1918

Maximilien Luce

Not on View
bird figure at center; another bird-headed figure, ULC; mounted to another sheet

Seated Birdman Figure, c. 1916-1918

Maximilien Luce

Not on View

%C2%A9 1980 Steven Sorman

What's This, What's That, 1980

Steven Sorman

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Nuns Painting Cows, 20th century

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Rabbits and Farmers, 1930

Adolf Dehn

Not on View

%C2%A9 Markus L%C3%BCpertz

Knochen, 1979-1980

Markus Lüpertz

Not on View

Common Labor, 6 p.m., 1934

Myer Abel

Not on View

%C2%A9 Donald F. Montileaux

Untitled, 1990

Donald F. Montileaux

Not on View
landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground

The Church at Chailly, 1868-1869

Jean-François Millet

Not on View
six cigarette butts arranged on a green landscape; patches of blue color in sky and red-orange color in the landscape and sky

%C2%A9 Claes Oldenburg

Study for Colossal Monument: Fagends (in Hyde Park), 1966

Claes Oldenburg

Not on View
Small stone cottage at right, foliage to left

%C2%A9 2003 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Peasant's Cottage and Water Carrier, 1921

Jean Frélaut

Not on View
Leaf from a sketchbook?

A Path in the Woods, 17th century

attributed to Frans Orizzonte (Frans von Bloemen); Artist: attributed to Jan Frans von Bloemen

Not on View

Portrait of Reverend T. D. Haslewood, 1814

George Henry Harlow

Not on View
The ink may be black watercolor.

Copyright of the artist%2C artist%27s estate%2C or assignees

Head of Sinclair Lewis, 1923

Boardman Robinson

Not on View

Portrait of Pennell at Work, 20th century

Frank Walter Taylor

Not on View

%C2%A9 Estate Earl Potvin

Cannibal Christians Out on the Spree, 1947

Earl Potvin

Not on View
Study for the sculpture "Action at a Distance" (1986).

%C2%A9 John Newman

Untitled (Study for the sculpture "Action at a Distance"), 1986

John Newman

Not on View
standing figure in helmet and long coat with arms crossed; sketchy forms at left; mounted on a blue sheet

Soldier Surveying Battlefield, c. 1916-1918

Maximilien Luce

Not on View

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