five white and black cranes: group of three standing at L, with the other two facing one another at R; low black rocks at LRC and behind far L crane — Cranes, late 19th-20th century
Kamisaka Sekka

Not on View

inverted pear-shape; slightly flared bottom; small crane and cloud designs — Maebyeong with flying cranes and clouds, 12th century
Unknown Korean

G206

Harry Callahan, Providence, Arnold H. Crane — Harry Callahan, Providence, 1969
Arnold H. Crane

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Robert Doisneau, Paris, Arnold H. Crane — Robert Doisneau, Paris, 1969
Arnold H. Crane

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Bernice Abbott, Maine, Arnold H. Crane — Bernice Abbott, Maine, 1968
Arnold H. Crane

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Paul Strand, France, Arnold H. Crane — Paul Strand, France, 1968
Arnold H. Crane

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Edward Steichen, Connecticut, Arnold H. Crane — Edward Steichen, Connecticut, 1969
Arnold H. Crane

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Edward Steichen, Connecticut, Arnold H. Crane — Edward Steichen, Connecticut, 1969
Arnold H. Crane

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Manuel Alvarez Bravo, Mexico, Arnold H. Crane — Manuel Alvarez Bravo, Mexico, 1947-1976
Arnold H. Crane

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W. Eugene Smith, New York, Arnold H. Crane — W. Eugene Smith, New York, 1971
Arnold H. Crane

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Bill Brandt, London, Arnold H. Crane — Bill Brandt, London, 1969
Arnold H. Crane

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Edward Steichen, Connecticut, Arnold H. Crane — Edward Steichen, Connecticut, 1969
Arnold H. Crane

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Robert Doisneau, Paris, Arnold H. Crane — Robert Doisneau, Paris, 1969
Arnold H. Crane

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Robert Doisneau, Paris, Arnold H. Crane — Robert Doisneau, Paris, 1969
Arnold H. Crane

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Brassaï, New York, Arnold H. Crane — Brassaï, New York, 1968
Arnold H. Crane

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Brassaï, Paris, Arnold H. Crane — Brassaï, Paris, 1968
Arnold H. Crane

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Man Ray, Paris, Arnold H. Crane — Man Ray, Paris, 20th century
Arnold H. Crane

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Man Ray, Paris, Arnold H. Crane — Man Ray, Paris, 1973
Arnold H. Crane

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Edward Steichen, Connecticut, Overlooking Shad Blow Tree, Arnold H. Crane — Edward Steichen, Connecticut, Overlooking Shad Blow Tree, 1969
Arnold H. Crane

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Harry Callahan, Providence, Arnold H. Crane — Harry Callahan, Providence, 1969
Arnold H. Crane

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Ansel Adams, Point Lobos, Arnold H. Crane — Ansel Adams, Point Lobos, 1969
Arnold H. Crane

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Paul Strand, France, Arnold H. Crane — Paul Strand, France, 1968
Arnold H. Crane

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Bill Brandt, London, Arnold H. Crane — Bill Brandt, London, 1969
Arnold H. Crane

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Man Ray, Paris, Arnold H. Crane — Man Ray, Paris, 20th century
Arnold H. Crane

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Aaron Siskind, Chicago, Arnold H. Crane — Aaron Siskind, Chicago, 1970
Arnold H. Crane

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Bill Brandt, London, Arnold H. Crane — Bill Brandt, London, 1969
Arnold H. Crane

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Edward Steichen, Connecticut, Arnold H. Crane — Edward Steichen, Connecticut, 1969
Arnold H. Crane

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Arthur Rothstein, New York, Arnold H. Crane — Arthur Rothstein, New York, 20th century
Arnold H. Crane

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Berenice Abbott, Maine, Arnold H. Crane — Berenice Abbott, Maine, 1970
Arnold H. Crane

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Harry Callahan, Providence, Arnold H. Crane — Harry Callahan, Providence, 1969
Arnold H. Crane

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Minor White, Boston, Arnold H. Crane — Minor White, Boston, 1970
Arnold H. Crane

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Minor White, Boston, Arnold H. Crane — Minor White, Boston, 1970
Arnold H. Crane

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Paul Strand, Yvelines, Arnold H. Crane — Paul Strand, Yvelines, 1969
Arnold H. Crane

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Paul Strand, France, Arnold H. Crane — Paul Strand, France, 1968
Arnold H. Crane

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W.Eugene Smith, New York, Arnold H. Crane — W.Eugene Smith, New York, 20th century
Arnold H. Crane

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Bill Brandt, London, Arnold H. Crane — Bill Brandt, London, 1969
Arnold H. Crane

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man wearing a hat and coat, standing behind a boxy camera on a tripod, on top of rock formation — Ansel Adams at Point Lobos, 1970
Arnold H. Crane

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Walker Evans, Old Lyme, Arnold H. Crane — Walker Evans, Old Lyme, 1969
Arnold H. Crane

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Ansel Adams, Big Sur, Arnold H. Crane — Ansel Adams, Big Sur, 1969
Arnold H. Crane

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André Kertész, New York, Arnold H. Crane — André Kertész, New York, 1968
Arnold H. Crane

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Walker Evans, Between Chicago and New York, Arnold H. Crane — Walker Evans, Between Chicago and New York, 1970
Arnold H. Crane

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Walker Evans, Old Lyme, Arnold H. Crane — Walker Evans, Old Lyme, 1968
Arnold H. Crane

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Walker Evans, Old Lyme, Arnold H. Crane — Walker Evans, Old Lyme, 1969
Arnold H. Crane

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Imogen Cunningham, San Francisco, Arnold H. Crane — Imogen Cunningham, San Francisco, 1969
Arnold H. Crane

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Paul and Hazel Strand, Yvelines, Arnold H. Crane — Paul and Hazel Strand, Yvelines, 1968
Arnold H. Crane

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Walker Evans, Old Lyme, Arnold H. Crane — Walker Evans, Old Lyme, 1968
Arnold H. Crane

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close up of man with very dark penetrating eyes with dark-rimmed glasses on forehead. — Brassaï, Paris, 1969
Arnold H. Crane

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Walker Evans, Old Lyme, Arnold H. Crane — Walker Evans, Old Lyme, 1969
Arnold H. Crane

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From "Living Photographers" series — Bill Brandt, London, 1969
Arnold H. Crane

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Man Ray, Paris, Arnold H. Crane — Man Ray, Paris, 20th century
Arnold H. Crane

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Imogen Cunningham, San Francisco, Arnold H. Crane — Imogen Cunningham, San Francisco, 1969
Arnold H. Crane

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W. Eugene Smith, New York, Arnold H. Crane — W. Eugene Smith, New York, 20th century
Arnold H. Crane

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Man Ray, Paris, Arnold H. Crane — Man Ray, Paris, 20th century
Arnold H. Crane

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Tar Findings, Barbara Crane — Tar Findings, 1976
Barbara Crane

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Kakiemon style with winged beast, flying crane, insects, grasses, spays in indianische blumen within a Sulkowski Osier border — Kakiemon plate with beast, crane, insects, c. 1740
Germany

G319

Kakiemon style with winged beast, flying crane, insects, grasses, spays in indianische blumen within a Sulkowski Osier border — Kakiemon plate with beast, crane, insects, c. 1740
Germany

G319

Shanghai Antique, H.K. dealer — Pine and Crane, 1932
Wang Zhen

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tall pine tree with two cranes perched at top; orange-red sun at top; inscription on either side of trunk — Crane and Pine, January 1912
Tomioka Tessai

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white glaze with very subtle blue tinge; rounded body on wide ring foot; thin neck, slightly flaring outward; vertical ribs on body — Crane-necked vase with engraved chrysanthemum shape, 2012
Inoue Manji

G251

two white cranes standing in front of a clump of colorful foliage, including red leaves, white mums, and tall, brown reeds; crane chick at lower center — Family of Cranes, second half 19th century
Watanabe Shōka

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seven cranes, including one baby, with black and white feathers and red heads; pine saplings behind cluster of birds at R and in LLC — Cranes [left of a pair of Cranes and Tortoises], c. 1780
Komai Genki

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A Gathering of Cranes, Kano School — A Gathering of Cranes, early 18th century
Kano School

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simplified prancing deer with bowed had in front of red-headed crane; small bat flying above; text in LRC — Deer, Crane and Bat, 19th century
Suzuki Kiitsu

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Right scroll of a triptych. Crane with outsretched neck calling out toward left, framed by pine boughs at right. — Crane and Pine, from a triptych of Jurōjin and Cranes, 18th-19th century
Spurious signature and seal of Kano Tsunenobu

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Left scroll of a triptych. Crane at right, looking right, framed by bamboo at left. Forged signature and seal of Kano Tsunenobu. — Crane and Bamboo, from a triptych of Jurōjin and Cranes, 18th-19th century
Spurious signature and seal of Kano Tsunenobu

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amusement bank; insert coin (25 cents) to operate crane claw for a chance to pick up a prize and drop it down a delivery chute; red base and top; clear body with mirror at back; black accents at foot, waist and top; 4 AA batteries required; 2 controllers at lower right side operate crane — "Crane Bank" mechanical bank, 20th century
China

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crane standing on one leg with neck turned and head tucked behind back, standing among grass blades, tree branches hanging from above coming from left side — Crane with Autumn Grass, late 19th century
Yang Gihun

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A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble — Scholar, Crane, and Banana Tree, 1630
Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

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figure with short black hair and blue skin at center, wearing red striped loincloth, anklets, bracelets and armlets, and necklaces, holding open the bead of a white crane with its tongue sticking out and blood dripping from its beak; another standing figure wearing maroon striped loincloth and holding a red staff at left center; fanciful trees in LLC and at top; three figures with two oxen and a calf at top; red border; white Ararbic inscription at top center — Krishna Kills the Crane Demon, Illustration from a Bhagavata Purana Series, c. 1720
Master of the Court of Mankot (possibly "Meju")

G211

Crane, Pine, and Sun, Utagawa Hiroshige — Crane, Pine, and Sun, c. 1851
Utagawa Hiroshige

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Crane, c. 1904

John S. Bradstreet

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Crane, c. 1904

John S. Bradstreet

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Crane, c. 1904

John S. Bradstreet

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narrow, graceful bronze vase; long, narrow neck, subtle foot — Crane-neck flower vase, mid 20th century
Hata Zōroku IV

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Crane and Autumn Flowers, Utagawa Hiroshige — Crane and Autumn Flowers, 1853, 3rd month
Utagawa Hiroshige

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black silhouettes of vertical and horizontal building cranes on left half of picture plane; black silhouette of (gas?) pipes at right; blue sky with white clouds — Crane Silhouette (Minneapolis), 20th century
Kenji Nakahashi

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(Flying Crane, Rising Sun), After Yashima Gakutei — (Flying Crane, Rising Sun), around 1900
After Yashima Gakutei

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Crane Design for Sword-Guard, first half 19th century

Yamamoto Baiitsu

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unsigned — Raptor Capturing a Crane in Flight, mid 18th century
Attributed to Torii Kiyomasu ll

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family of cranes; rocks at R with white and red roses; bamboo fronds and rocks along bottom; large bamboo trees at L with peony blossoms; gold foil background — Cranes with Bamboo [left of a pair of Cranes with Pine and Bamboo], 18th-19th century
Kano School

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two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs — Family of Cranes [left of a pair], c. 1787
Nagasawa Rosetsu

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one of a pair of raku ware tea bowls; red raku bowl with incised crane design, filled with white slip; two flying cranes and one standing crane — Tea bowl with cranes, late 18th - early 19th century
Raku Ryōnyū

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crane standing on tortoise with fringed tail; crane's neck bent down, holding frond of lotus in its mouth; stem extends upward with two flat leaves, a small bud, and open blossom with spike for candle — Candlestand of a crane on a long-tailed tortoise, 18th century
Unknown Japanese

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six panel screen, left group; large, swirling waves crashing against jagged rock formations in foreground; crane at UL swoops away from crest of wave; crane near top center swooping downard towards waves; crane standing at R on rock watching waves, swelling sea in background — Cranes and Waves [left of a pair], 1760s
Soga Shōhaku

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family of cranes under the boughs of a pine tree against gold background; rocks and bamboo leaves along bottom; peony blossoms at R — Cranes with Pine [right of a pair of Cranes with Pine and Bamboo], 18th-19th century
Kano School

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white bottle with round body, long, graceful neck; blue design of two flying cranes, stylized clouds, and wisps of bamboo — Bottle with flying cranes and clouds, 19th century
Unknown Korean

Not on View

six panel screen, right screen; adult crane at L stands with wings spread facing two baby cranes who look up with beaks open and wings spread; a third baby crane pecks at the ground at center; two cranes, one black, one white peck at the ground at center; at right, two more cranes stand among an area of foliage; hints of landscape/seascape in background — Cranes and Waves [right of a pair], 1760s
Soga Shōhaku

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Loose folded leaves of newsprint, with a mostly yellow and red illustration, with green and blue-gray details, of a woman stepping out of the driver's side of a car, while a passenger seated shotgun reads a newspaper, with the title in negative space alng the bottom; 32 pp. — Smoke Signal, No. 7, December 2010
Jordan Crane , et al.; Publisher: Desert Island, New York

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two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel — Family of Cranes [right of a pair], c. 1787
Nagasawa Rosetsu

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hairpin with dark tortoise shell center, and lighter yellow on each side; crane on both sides with stylized pine boughs that resemble fans — Hairpin with pines and cranes, late 19th century
Unknown Japanese

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tan with brown decoration of lion with snakes in 3 corners and leaves and berries in URC; "SECOND CHILDHOOD", printed below lion — "Second Childhood" tile, c. 1870
Possibly after Walter Crane; Maker: Minton and Company

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Saddle stitched volume, photomechanical image of street intersection printed in ochre offset lithography on wove paper covers; 72 pp. — Cometbus, No. 55: Pen Pals, 2013
Jordan Crane; Author: Aaron Cometbus; Publisher: Aaron Cometbus

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two white cranes with black tail feathers, grey necks and red "caps" standing at the edge of a small stream; pine tree at L — Two Cranes and a Pine Tree, 18th century
Maruyama Ōkyo

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crane standing, facing L, head up and beak slightly open; crane is standing on one leg with the other slightly bent; pine boughs at R — Crane with Pine [left of a triptych of White-Robed Kannon and Cranes], 1664
Attributed to Kano Tan'yū

Not on View

unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned — Cranes under Pine Trees, 16th century
Unknown Japanese

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rectangular fragment of multicolored fabric with crane and floral design; design consists of pink cranes with red and yellow feathers flying amidst pink and green trees, large pink flowers and smaller white flowers on a background of blue, red, yellow, and maroon clouds — Fragment decorated with clouds and cranes, mid 19th century
Unknown Ryukyuan

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Flock of white and grey cranes against gold ground standing and preening — Flock of Cranes [right of a pair], second half 18th century
Ishida Yūtei

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flock of white and grey cranes, some with red at eyes and forehead, against a gold background; cranes stand, preen, and walk — Flock of Cranes [left of a pair], second half 18th century
Ishida Yūtei

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inro with four sections, depicting three cranes flying together to UR; stylized lines on opposite side, reminiscent of clouds or waves; presently connected with purple cord, orange ojime, and black lacquered netsuke — Medicine case with cranes and waves, 1810s-1820s
Hara Yōyūsai; Designer: Sakai Hōitsu

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crane standing on one leg with body facing R, and head bent back over wing to L; two stalks of bamboo at L — Crane with Bamboo [right of a triptych of White-Robed Kannon and Cranes], 17th century
Attributed to Kano Tan'yū

Not on View

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