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house-shaped box decorated with fruit motif

%C2%A9 Tony Berlant

"Pacific" from the Tzedakah Box series, 1998

Tony Berlant

G362

Tall vase decorated with stylized leaves and buds on dark green matte glaze

Monumental vase, c. 1898

Attributed to George R. Prentiss Kendrick; Manufacturer: Grueby Faience Company

G378

Stretchers formed by reticulated squares

"Double Oval" table, c. 1910

Charles Limbert; Manufacturer: Charles P. Limbert Company

G378

Pair of elevator grilles, frieze, and overgrille, c. 1893-1894

Louis Henri Sullivan

G300

Figure

A Chief of the Multnomah Tribe, 1905

Hermon Atkins MacNeil

G301

replica of a feather quill pen, gold

Odd Fellows ceremonial quill pen, 1856

United States

G331

Figure, arrived with own plexi base

Standing Female Nude, 1908

Elie Nadelman

G367

copper vase, original patina

Weed holder, c. 1895-1900

Frank Lloyd Wright; Maker: James A. Miller & Brothers

G300

Portrait of a woman in black dress and white lace cap with grey wrap around her shoulders; PR elbow resting on Bible on table.

Portrait of Harriet Brown, c. 1845

Sheldon Peck

G304

molded and hand-hammered; of spherical form, worked in répeussé with four circular designs with crenelated edge, within elliptical and lozenge frame borders, raised on four spreading rectangular feet

Urn, c. 1903

Frank Lloyd Wright; Maker: James A. Miller & Brothers

G378

series of 4 textile constructions; fringe below; indigo with copper wire woven in

%C2%A9 Harriet Bart

Rivers of Silence: Knowing, Watching, Wailing, Wasting, 1978

Harriet Bart

G281

Portrait of a man from just above waist up; quarter turned to proper right; wearing a high white stock with gold stick pin and a dark green waistcoat with gold buttons

Portrait of Moses Kimball, c. 1808

William Jennys

G304

Flower-like central medallion surrounded by organic motifs; mounted to a plywood backing

Ornamental relief, 1891-1892

Louis Henri Sullivan

G300

Window with blue poppy motif with long straight stem; in a wood frame with hinges and handle attached; frame painted pale yellow on inside (handle side); hinges and latch are in D10.4 MS

Casement window, 1910

George Washington Maher

G300

seven dowels bound together at two points, red and gold

Odd Fellows ceremonial fasces, 1856

United States

G331

Bowing left with paw resting on ball

Lion, c. 1849-1858

Lyman Fenton & Co.

G331

Clear rectangular panes with a blue circle at one long side and eight small colored rectangles (blues, orange, green, yellow and swirled green and pink) at opposite long side

Window, one of a pair, 1922

George Grant Elmslie

G300

%C2%A9 Estate of Harry Bertoia %2F Artists Rights Society %28ARS%29%2C New York

Diamond armchair, c. 1952

Harry Bertoia; Manufacturer: Knoll, New York, New York

G378

Holiday Traditions, Connecticut Room

Tea table, c. 1750

United States

G331

Art-glass panel for a bay window, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Side chair, one of four, c. 1914

William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief

%C2%A9 Estate of Charles Biederman

Relief, New York, 1936, 1936

Charles Biederman

G377

a-g) seven upright blade elements; h) one chassis unit

%C2%A9 Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Sedge II, 1961

George Warren Rickey

G375

gold hour glass inside red case; eyelet at top for hanging

Odd Fellows ceremonial hourglass, 1856

United States

G331

Armchair, c. 1912-1913

William Gray Purcell; Designer: George Grant Elmslie

G300

large gold key

Odd Fellows ceremonial key, 1856

United States

G331

Planter, c. 1905

Tiffany Studios

G320

red septre with gold ram's horns at the final

Odd Fellows ceremonial sceptre, 1856

United States

G331

one complete wall of pine paneling consisting of four panels; first containing door; second panels; third chimney piece with fine moulding surrounding it with fluted pilasters over which are three small panels; fourth panels; dating from first half of 18th century; prov. from a house in Foxon just northeast of New Haven Conn.

Connecticut room, c. 1740

United States

G331

Stool, 1880-1890

Wenzel Friedrich

G301

mirror, lacquered, of Queen Anne style; rectangular chamfered frame has a high shaped crest and is gilded with sprays of foliage in yellow on a ground of dark green; old bevelled glass plate

Mirror frame, c. 1700-1710

United States

G331

table with untertwining vine support; base of three circular lily pad leaves; top is carved with floral motifs

Lotus table, c. 1903-1907

John S. Bradstreet; Manufacturer: John S. Bradstreet and Company

G320

box with knob feet painted red with blue, black and gold decoration; central decoration is three rings, with a crossed axe and staff; three rings and eye on either end

Odd Fellows ceremonial ark, 1856

United States

G331

black staff with hand finial painted gold with red heart in palm

Odd Fellows ceremonial staff with hand finial, 1856

United States

G331

black axe with gold painted blade edge

Odd Fellows ceremonial axe, 1856

United States

G331

chest, New England oak and pine panelled; of a type popularly known as 'Connecticut Chests' and believed to have originated in that locality; constructed of quartered oak, the hinged lid of pine; the front is divided into three arched panels carved with serrated ornament and framed by ebonized split balusters and round bosses; ends are similarly panelled; stands on extensions of the corner stiles

Chest, c. 1680-1700

United States

G331

hand axe with red painted handle, black axe blade and gold finial

Odd Fellows ceremonial axe, 1856

United States

G331

Armchair, c. 1912

George Washington Maher

G300

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

wood; red, white, black, gray, beige, and yellow lacquered Masonite; steel

%C2%A9 Eames Office

ESU (Eames Storage Unit) buffet, c. 1950

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

coffee pot, has a matching tray, pattern of thistles and thistle leaves

Coffeepot, 1891

Gorham Manufacturing Company

G350

figures

%C2%A9 Harry Jackson Trust

Stampede, 1958-59

Harry Jackson

G301

Art-glass panel for a bay window, one of six, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

red bow without string; remnants of red fabric tied to one end

Odd Fellows ceremonial bow, 1856

United States

G331

Toby Jug, ceramics-pottery

Toby jug, c. 1849-1858

Lyman Fenton & Co.

G331

'Bible' bottle, rich brown mottling

Flask, c. 1849-1858

Attributed to Lyman Fenton & Co.

G331

red staff with gold snake wrapped around several times

Odd Fellows ceremonial snake staff, 1856

United States

G331

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

Half-length portrait of a woman.

Portrait of Mary Croswell, 1763

attributed to Joseph Badger

G331

Card table, c. 1904

John S. Bradstreet

G320

Portrait. Peter Auriol Drummond, colonel in the Yorkshire militia is holding the hand of his bride, Mary Bridget Milnes, wearing the flowing robes and high powdered headdress popular in the 18th century. George William Drummond the sixth son of Robert Hay Drummond is seated at the left, and they are all looking at a portrait of their father Robert Hay Drummond, Archbishop of York, painted by Sir Joshua Reynolds in 1764.

Portrait of the Drummond Family, Peter Auriol Drummond (1754-1799), Mary Bridget Milnes Drummond (1755-1835), and George William Drummond (1761-1807), c. 1776

Benjamin West

G306

Bradstreet, wall sconce for Prindle House, cypress wood, Favrile glass, American XXc cat. card dims H24-1/2' x W8',

Wall sconce with salamander and floral motif, c. 1904

John S. Bradstreet

G320

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

Brook in the Mountains, 1945

George Ault

G302

Valance, c. 1904

John S. Bradstreet

G320

spandrel, tympanum and decorative panels from the Scoville Building, Chicago

Lunette, 1884-1885

Louis Henri Sullivan; Maker: Northwestern Terra Cotta Works (a.k.a. Norweta)

G300

lidded tureen with bulbous body with melon reeding which is repeated on the cover; band of cast and chased flowers and leaf motifs at rim of tureen and base of foot; leaf motifs chased and in repoussé at base; lid has flowers and leaf design in repoussé within melon reeding; cast finial of basket of fruit; scroll handles with cast and chased leafage

Tureen, c. 1830

William Gale; Silversmith: Joseph Moseley working in partnership, New York City, 1828-1833

G350

Landscape. Marine.

Quiet Seascape, 1883

William Trost Richards

G323

Portrait. Posthumous mourning portrait of an unknown child.

Portrait of a Boy, 1856

attributed to James B. Read

G304

Portrait of a man, half-length, seated, three quarters right in an armchair of yellowish wood, upholstered in red, at a table covered with a red cloth on which are two upright brown leather books - and two lying down - all with red labels. His right hand rests on another similar book; a volume of Seneca, which rests on his lap. A narrow black enameled ring encircles his second finger. His blue eyes are directed to the spectator and his white hair is brushed forward over his forehead and above his ears. He wears a high collared black coat, a white standing collar, and white neckcloth. The background is plain and of grayish-brown tones.

Portrait of Judge Daniel Cony of Maine, c. 1815

Gilbert Stuart

G324

from the Isaac Perry House, Pearl River, NY

Kas (wardrobe), c. 1740

Roelof D. Demarest

G331

Genre.

A Fishing Party Off Long Island, 1860

Junius Brutus Stearns

G305

Landscape

The Merced River in Yosemite, 1868

Albert Bierstadt

G323

Chair with Spanish feet, wood with rush seat,(maple or beech?) Purchase 1914 The Dunwoody Fund; repurchased 1929 by Mrs. C.C. Bovey and given for the Josephine Koon Room

Side chair, one of a pair, c. 1710-1720

United States

G331

Chair with Spanish feet, wood with rush seat,(maple or beech?) Purchase 1914 The Dunwoody Fund; repurchased 1929 by Mrs. C.C. Bovey and given for the Josephine Koon Room

Side chair, one of a pair, 1730

United States

G331

Portrait. Interior.

Portrait of John Scott Bradstreet, c. 1890

Douglas Volk; Depicted: John S. Bradstreet

G319

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

Humidor, c. 1915

Joseph Heinrichs; Maker: Marcus & Company

G379

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

tray, goes with matching coffee pot, pattern of thistles and thistle leaves

Tray, 1891

Gorham Manufacturing Company

G350

red-stamped card binding with gilt decorations and page edges; color and gilt lithograph in front

The Odd-Fellows Minstrel, 1848

Paschal Donaldson; Lithographer: B. Hecht; Engraver: Barclay; Stereotyper: Redfield & Savage; Publisher: Nafs & Cornish

G331

Tall, straight back with wide panel at top; thin octagonal spindles on back with octagonal legs; green leather seat

Chair, from a dining set, 1904

Frank Lloyd Wright; Manufacturer: Matthews Brothers Furniture Company

G300

Equestrian Figure

Bronco Buster, 19th century

Frederic Remington

G301

streamlined, stylistic car model without wheels; windows and central line differentiated; painted a uniform dark turquoise shade

Presentation car model, c. 1933

Attributed to John Tjaarda; Maker: The Briggs Company

G379

box with hinged lid; green and white swirled glass with copper openwork leaf and stem overlays on top and sides; ball feet

Jewel box, c. 1905

Tiffany Studios

G320

crown form with backed openwork floral designs, 5 rows of bells and applied flowers; bird and flowerlike stems at top

Torah crown, late 19th-early 20th century

United States

G362

armchair witrh rush seat and painted black; five slats in back between turned uprights surmounted by ball shaped finials; paint removed by H. H.Soulen, 1928-29

Bannister-back armchair, c. 1730-1740

United States

G331

Providence parlour, c. 1760-1770

United States

G335

tall flower on each side panel; shoulder consists of four arches

Urn, 1912

George Washington Maher

G300

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover

Dining chair, 1910

George Grant Elmslie

G300

lamp with rectangular, multi-colored leaded glass shade below a square wooden base, three raised bands on neck of base; has one long light-bulb

Light fixture, 1914

William Gray Purcell; Designer: George Grant Elmslie; Maker: Mosaic Art Shops (E.L. Sharretts)

G300

silver tube decorated with Hebrew; lid has openwork crown

Megillah (scroll of Esther) case, c. 1965

Ludwig Yehuda Wolpert

G362

buttress vessel form shape #416; for 'Teco' ware line

Monumental vase, c. 1905-1910

William Day Gates; Manufacturer: American Terra Cotta and Ceramic Company

G378

%C2%A9 Eames Office

Leg splint, 1943-1945

Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949

G378

squared arms and back; the letter 'B' appears on the top of each side near the back; upholstered with grey and blue striped fabric

Armchair, 1912

William Gray Purcell; Designer: George Grant Elmslie

G300

edition 10 of 11, series II; recreation of the original (lost) object of 1921; old style iron with single row of 14 tacks afixed to bottom center, painted in black Iron

%C2%A9 Man Ray Trust %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Gift, 1921 (replicated in a 1970 edition of 11)

Man Ray (Emmanuel Rudnitsky); Publisher: Emmanuel Galleria II Fauno, Turin

G376

1/4 in. to 1 foot scale model ot the Purcell-Cutts House in two toned wood encased in a plexi vitrine on a wood plinth

%C2%A9 David Swanson%2C Construct Studios

Architectural model, 1997

Construct Studios; Architect: William Gray Purcell; Architect: George Grant Elmslie

G300

two-handled silver bowl; drinking; shallow, with six vertical flutes forming shallow lobes with chased palm-leaf decoration; flat bottomed; two twisted wire 'S' scroll handles

Two-handled bowl, c. 1690

Jacob Boelen

G350

chair, child's with reed seat; three slat back; front of arms considerably worn from having been pushed on floor

Child's chair, late 18th century

United States

G331

salver, square, on four legs; moulded rim and indented corners; center engraved with mantled shield surmounted by plumed helmet; within rim a band of engraved shellas and rosettes

Salver, c. 1740-1750

Jacob Hurd

G350

sugar bowl and cover; coat-of-arms on bowl, lion on side of cover

Covered sugar bowl, c. 1730-1740

Jacob Hurd

G350

"Chrysanthemum" candelabrum, one of a pair, 1891-1902

Tiffany & Co.; Designer: Charles T. Grosjean

G350

Abstraction.

Copyright of the artist%2C artist%27s estate%2C or assignees

Badlands, 1962

Urban Stanley Couch

G303

Still life of several fish caught in a suspended net.

%C2%A9 Maurice Freedman Estate

Caught in the Net I, 1949

Maurice Freedman

G378

Holiday Traditions, Connecticut Room

Bannister-back side chair, c. 1720

United States

G331

Abstract Expressionist.

Copyright of the artist%2C artist%27s estate%2C or assignees

Flaring, 1958

Cameron Booth

G303

tankard with tapering cylindrical body, domed lid with cast spiral finial, scrolled thimb piece, plain handle with cast tip in form of mask; a band of plain molding surrounds the body just below mid-point, and the molded base is reeded at top; an unidentified coat-of-arms is engraved on the front, opposite the handle

Tankard, c. 1770

Samuel Minott

G350

Portrait.

Copyright of the artist%2C artist%27s estate%2C or assignees

Self Portrait, 1942

Elof Wedin

G303

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