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Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570-75

El Greco (Domenikos Theotokopoulos)

G341

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G306

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Baboon and Young, 1951

Pablo Picasso

G376

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

Holy Family, 1613

Luis Tristán

G341

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Portrait of Juan de Pareja, the Assistant to Velázquez, 1960

Salvador Dali; Depicted: Juan de Pareja

G376

Romanesque relief-carved stone Calvary group showing Christ on the cross between standing figures of the Virgin Mary on the left and St. John the Evangelist on the right; Christ appears with a perizonium around his waist, his legs buckling to the left and his head raised but with heavy eyelids; Mary's hair is covered by a simple veil which encloses her left elbow and is held in her right hand, looking down, with her left hand raised to her face; Mary's mantle clings to her legs in a series of "damp fold" drapery swirls, and ruffles over her pointed shoes; John holds a book in the crook of his left arm, and with his right hand (fingers now missing) gestures up towards the body of Christ; John's bare feet protrude from under a long garment with a crinkled neckline; just visible above the surviving section of the patibulum of the cross are two small, rounded shapes that most likely formed the tips of a wing, presumably of an angel; five metal pins at top of lower portion for secure installation of heads of John and Mary and torso and head of Christ

Crucifixion, c. 1180

Spain

G340

Lion; standing on its four paws, the tail arched over the back; surface decorated with very fine granulation and tiny ringlets of twisted wire; gold

Statuette of a lion, 11th-12th century

Unknown

G243

modified telephone; lobster receiver

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Aphrodisiac Telephone, 1938

Salvador Dali

G376

Woman in a white gown seated next to the sea. Picasso's Classical period.

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman by the Sea, 1922

Pablo Picasso

G371

%C2%A9 2014 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman in an Armchair, 1927

Pablo Picasso

G376

Penitent Magdelene, c. 1650–65

Bartolomé Esteban Murillo

G341

Head of a woman.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Head of a Woman, 1938

Joan Miró

G376

Still Life. Cubist.

Still Life, 1917

Juan Gris

G367

UL corner is the Duque's Coat of Arms. This is also found on the set of Chinese Export china made for him (85.42.4.1-158), without the papal decoration.

Portrait of the Duque de Agrada, c. 1805

Unknown Spanish, late 17th - early 18th century

G209

standing infant with PL arm upraised; striding forward with PR leg; wearing gold, red and black garment tied with sash, and gold and red shoulder cloth; long dark hair; standing on five winged putto heads

Christ Child, one of a pair, c. 1640

Attributed to Felipe de Ribas

G341

standing infant with arms out, PL arm slightly upraised; thick, short hair; standing on rocky element; wearing brown and gilt garment trimmed in dark brown fur; gilt shoulder cloth

John the Baptist as a Child, one of a pair, c. 1640

Attributed to Felipe de Ribas

G341

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head

Virgin of the Milk (Virgen de la leche), c. 1500

Circle of Gil de Siloe

G340

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

view under an archway into an open-air arena; group of matadors wearing colorful outfits and black hats; three horses at right, with one man at far right in saddle; at center left, man in red adjusts shoe of matador in lavender and gold with another matador smoking a cigar; man in shadow at left; received unframed

Before the Bullfight, c. 1900

Joaquin Sorolla y Bastida

G355

Seated Harlequin, c. 1920

Juan Gris

G367

image of a young man with a halo and bobbed blonde hair wearing a red tunic and blue leggings riding a white horse; man also wears an oversized red cloak with a grey lining which he extends to cover the shoulders of a man in white loincloth with brown hair and beard and worn white headscarf, walking behind horse; young man extends sword back toward walking man

Saint Martin and the Beggar, c. 1375-85

Jaume Serra; Artist: Pere Serra

G343

man with short black hair, dressed in white cowl, holding a soft-covered book in his PL hand and a brush or quill in his PR hand, seated in an armchair; man tilts his head to PL, where black text extends between man's head and a small angel in URC; received in gilt and painted frame

The Venerable Miguel Gerónimo Carmelo, 1628-1630

Francisco de Zurbarán

G341

central panel: seated Madonna with blonde wavy hair, wearing two strands of pearls, dark green dress with gold trim, and white cape; blonde baby Jesus wearing white garment with text around neckline, being held by Madonna; pink and green checkerboard floor; shield in LLC with trees and X's in green right panel: top half with image in grey and white of seated man holding a book with a small lamb on top of it; bottom half with image in grey and white of kneeling woman wearing crown, with hands held in prayer, with a spoked wheel behind her left panel: top half with image in grey and white of seated elderly man with beard, holding an open book in his PL hand and resting a large X-shaped cross on floor and on PR shoulder; bottom half with image in grey and white of man in outdoors kneeling on one knee, with hands in prayer; man accompanied by two dogs; stag in URC each portrait and center panel have gilt frame with foliate arched panel above it; black "frame"; exterior is reddish brown with multicolored spots--faux leather effect

Triptych of the Virgin and Child with Saints Andrew, John, Catherine, and Eustace, c. 1470-1480

Fernando Gallego

G342

standing black figure with short curly black hair, wearing a gold robe and gold shoes; man has arms outstretched, holding open book in PL hand

Saint Benedict of Palermo, c. 1734

Attributed to José Montes de Oca

G341

Still life. Cubist.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Spanish Playing Cards, 1920

Joan Miró

Not on View
Hispano-Moresque Deep Basin with coat-of-arms of Aragon and Sicily.

Deep basin, after 1450

Spain

G243

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Text page from Sueño y Mentira de Franco (The Dream and Lie of Franco), 1937

Pablo Picasso; Author: Poem by Pablo Picasso

Not on View

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L'Aigle et la femme dans la nuit (Eagle and Woman at Night), 1938

Joan Miró; Printer: Atelier Lacouriere; Publisher: Pierre Loeb, Paris and Pierre Matisse, New York

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Minotaure aveugle guidé par une fillette, III, 1934

Pablo Picasso

Not on View

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Dream and Lie of Franco, Plate 2, January 8 and 9, June 7, 1937

Pablo Picasso; Printer: Atelier Roger Lacourière, Paris, France (etchings)

Not on View
Frontispiece

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Le Dedans & Le Dehors, 1966

Joan Miró; Publisher: Guy Lévis Mano, Paris

Not on View
Blue-green paper album cover with printed paper title

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Cover from Sueño y Mentira de Franco (Dream and Lie of Franco), January 8 and 9, June 7, 1937

Pablo Picasso; Author: Pablo Picasso; Publisher: Pablo Picasso

Not on View

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Daphnis and Chloé, November 1933

Joan Miró; Printer: Printed at Atelier Lacouriere; Publisher: Tériade, Paris, France

Not on View

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Montroig 3, 1974

Joan Miró; Publisher: Edicions Polígrafa, Barcelona

Not on View

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Poem for Diane Bouchard, 1947

Joan Miró

Not on View

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Dream and Lie of Franco, Plate 1, January 8, 1937

Pablo Picasso; Printer: Atelier Roger Lacourière, Paris, France (etchings)

Not on View

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Portrait of Ambrose Vollard, II, 1937 (printed and published 1939)

Pablo Picasso

Not on View
Bilbao Mirrors, pair, marble mosaic veneer, delicate shade of pink; gilded bead and reed molding next to glass. In the open work crest, wire scrolls, leaves and flowers surround oblong insert of veneer. The engaged columns in paneled inserts are surmounted by flower basket finials with characteristic leaf pendants below.

Bilbao mirror, one of a pair, c. 1790

Spain

Not on View

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Faun Uncovering a Woman, 1936

Pablo Picasso

Not on View

The Famous American, Mariano Cebellos, 1825

Francisco José de Goya y Lucientes; Printer: Cyprien Gaulon

Not on View
contemporary binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Franco Goya y Lucientes, Pintor, 1797-1798

Francisco José de Goya y Lucientes

Not on View

Giardino del Palazzo Vendramin, 19th-20th century

Martin Rico (Martin Rico y Ortega)

Not on View
Altar Frontal, depicting Saints Peter, John the Evangelist and Matthew, crimson velvet embroidered in gold metal threads with the saints depicted in polychrome silks on a silver metal enbroidered field.

Altar Frontal, c. 1550

Spain

Not on View
Brocade: ground of deep salmon ribbed silk, with large serpentine vine design in silver and salmon

Panel, 18th century

Spain

Not on View

Panel, 17th century

Spain

Not on View
Veil of silk blonde lace; made in strips and united by stitch called point de raccroc or "fine joining" consisiting of fresh stitch formed by needle between two pieces to be united; silk reseau, worked with broad flat strand.

Mantilla or veil, 19th century

Spain

Not on View

Scene from Don Quixote, 19th century

Daniel Urrabieta Vierge

Not on View

Indolence, 20th century

Miguel Mackinlay

Not on View
Panel of mustard yellow cut and uncut velvet brocade of armorial and rampant lion design, edged with gold braid and bordered with plain mustard yellow velvet.

Panel, 17th century

Spain

Not on View
Round doily of knitting.

Doily, 20th century

Spain

Not on View
Rectangle of ivory satin brocaded with figures of courtiers and ladies, rampant dogs and stags, couchant lions under palm trees, and large peacock, the latter with velvet necks and "eyes," separated from each other by stylized Renaissance fountains. The whole lined with apricot satin and edged with silk fringe of yellow, gold, ivory and turquoise. Last 8" cut away, leaving lining and fringe intact.

Panel, 17th century

Spain

Not on View
red velvet panel

Panel, 17th century

Spain

Not on View
Barber's bowl, ceramic-earthenware, Spanish, XVIIIc cracked down the middle of piece; cat. card dims diam of top at widest 14-3/8"

Barber's bowl, early 18th century

Spain

Not on View
Bizarre brocade work in ivory satin with green and red floral decoration; silk, gold, and silver threads

Panel, c. 1703

Spain

Not on View
Illustrated book, unbound with 31 plates, housed in green paper over boards chemise, and green paper over boards slipcase; artist and author name on spine of chemise

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Histoire naturelle: Eaux-fortes originales pour les textes de Buffon (Natural History: Original Etchings for Buffon's Text), 1936 (published 1942)

Pablo Picasso; Author: Georges Louis Leclerc, Comte de Buffon; Printer: Atelier Roger Lacourière, Paris, France , (prints); Printer: Fequet et Baudier, Paris, France , (text); Publisher: Martin Fabiani, Paris

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Corps Perdu (Lost Body), 1950

Pablo Picasso; Author: Poems by Aimé Césaire; Publisher: Éditions Fragrance , Paris; Printer: Pierre Bouchet, Paris, France (text and typography); Printer: Atelier Roger Lacourière, Paris, France (prints)

Not on View
125 Lithographs in red of varying sizes, two on cover and 123 for the text; binding: loose in Arches wove wrappers with 2 lithographs on the front and back cover and spine; beige paper-covered protective boards with title panel pasted to the spine; slip case: beige paper-covered slip case

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Le Chant des Morts (The Song of the Dead), September 30, 1948

Pablo Picasso; Author: Poems by Pierre Reverdy; Publisher: Tériade, Paris, France; Printer: Draeger Frères, Paris, France , (text and type); Lithographer: Printed by Mourlot Freres, Paris (lithography)

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Horse, from Histoire Naturelle (Natural History), 1942

Pablo Picasso; Author: Georges Louis Leclerc, Comte de Buffon; Publisher: Martin Fabiani, Paris

Not on View
12 etchings by Picasso and 67 wood engravings after drawings by Picasso

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Le chef d'oeuvre Inconnu (The Unknown Masterpiece), 1931

Pablo Picasso; Author: Honoré de Balzac; Publisher: Ambroise Vollard; Woodcutter: Wood engraving by Georges Aubert, Paris, France; Printer: Louis Fort, Paris, France (etchings); Printer: Georges Aubert, Paris, France (wood engravings); Printer: Aimé Jourde, Paris, France , (text and typography)

Not on View

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L'Arbre des voyageurs (The Traveler's Tree), 1930

Joan Miró; Author: Tristan Tzara; Publisher: Éditions de la Montagne, Paris; Book Binder: Georges Leroux

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Cow from Histoire Naturelle (Natural History), 1942

Pablo Picasso; Author: Georges Louis Leclerc, Comte de Buffon; Publisher: Martin Fabiani, Paris

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Donkey, from Histoire Naturelle (Natural History), 1942

Pablo Picasso; Author: Georges Louis Leclerc, Comte de Buffon; Publisher: Martin Fabiani, Paris

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Women, 1948

Joan Miró; Publisher: Maeght Éditeur, Paris

Not on View
Bible. New Testament. The Flight into Egypt. Mary, Joseph and the Christ Child. The Miraculous Field of Wheat. Matthew 2:13.

The Flight into Egypt, 1669

José Moreno

Not on View
inscribed female figures; earthenware and white pigments

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Vase, 1950

Pablo Picasso; Maker: Madoura Pottery, Vallauris, France

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Venus and Cupid, 1949

Pablo Picasso

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Femme torero. Dernier baiser?, June 12, 1934

Pablo Picasso; Publisher: Atelier Roger Lacourière, Paris, France; Printer: Atelier Roger Lacourière, Paris, France

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Les Trois Amies (The Three Friends), 1927

Pablo Picasso

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

La Grande corrida, avec femme torero, September 8,1934

Pablo Picasso; Publisher: Atelier Roger Lacourière, Paris, France; Printer: Atelier Roger Lacourière, Paris, France

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Studio, 1948

Pablo Picasso

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Figure with Striped Blouse, 1949

Pablo Picasso

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

La filiacion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si sabrá mas el discipulo?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Por que fue sensible, 1797-1798

Francisco José de Goya y Lucientes

Not on View
Plate 10

%C2%A9 Juan Genov%C3%A9s %2F Artists Rights Society %28ARS%29%2C New York

Silencio, Silencio, 1970

Juan Genoves

Not on View

Garrotted Man, 1810-1813

Francisco José de Goya y Lucientes

Not on View
Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 7

What Courage, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 26

One Can't Look, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 8

It Always Happens, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 16

They Make Use of Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 50

Unhappy Mother, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 9

They Don't Like It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 39

¡Grande hazaña! ¡Con muertos! (A Heroic Feat! With Dead Men!), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 13

Bitter to be Present, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 12

This is What You Were Born For, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 10

Nor (Do-these) Either, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 24

They Can Still Be Of Use, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 40

Algun Partido Saca (He Gets Something Out Of It), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 19

There isn't Time Now, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 57

The Healthy and The Sick, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Cover for Los Desastres de la Guerra, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 27

Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 25

These Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
From "L' Homme se Balancant."; accessioned 1916

L' Homme Garottè, 18th century

Francisco José de Goya y Lucientes

Not on View
Plate 30

Estragos de la guerra (Ravages of war), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 49

A Woman's Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 17

They Do Not Agree, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

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