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Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

Not on View
Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570-75

El Greco (Domenikos Theotokopoulos)

G341

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Baboon and Young, 1951

Pablo Picasso

G376

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

Head of a woman.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Head of a Woman, 1938

Joan MirĂł

G376

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

modified telephone; lobster receiver

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Aphrodisiac Telephone, 1938

Salvador Dali

G376

Woman in a white gown seated next to the sea. Picasso's Classical period.

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman by the Sea, 1922

Pablo Picasso

Not on View

%C2%A9 2014 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman in an Armchair, 1927

Pablo Picasso

G376

Still life. Cubist.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Spanish Playing Cards, 1920

Joan MirĂł

G367

Holy Family, 1613

Luis TristĂĄn

G341

Penitent Magdelene, c. 1650–65

Bartolomé Esteban Murillo

G311

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head

Virgin of the Milk (Virgen de la leche), c. 1500

Circle of Gil de Siloe

G340

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Portrait of Juan de Pareja, the Assistant to VelĂĄzquez, 1960

Salvador Dali; Depicted: Juan de Pareja

G376

standing infant with arms out, PL arm slightly upraised; thick, short hair; standing on rocky element; wearing brown and gilt garment trimmed in dark brown fur; gilt shoulder cloth

John the Baptist as a Child, one of a pair, c. 1640

Attributed to Felipe de Ribas

G341

standing infant with PL arm upraised; striding forward with PR leg; wearing gold, red and black garment tied with sash, and gold and red shoulder cloth; long dark hair; standing on five winged putto heads

Christ Child, one of a pair, c. 1640

Attributed to Felipe de Ribas

G341

UL corner is the Duque's Coat of Arms. This is also found on the set of Chinese Export china made for him (85.42.4.1-158), without the papal decoration.

Portrait of the Duque de Agrada, c. 1805

Unknown Spanish, late 17th - early 18th century

G209

Still Life. Cubist.

Still Life, 1917

Juan Gris

G367

Seated Harlequin, c. 1920

Juan Gris

G367

Romanesque relief-carved stone Calvary group showing Christ on the cross between standing figures of the Virgin Mary on the left and St. John the Evangelist on the right; Christ appears with a perizonium around his waist, his legs buckling to the left and his head raised but with heavy eyelids; Mary's hair is covered by a simple veil which encloses her left elbow and is held in her right hand, looking down, with her left hand raised to her face; Mary's mantle clings to her legs in a series of "damp fold" drapery swirls, and ruffles over her pointed shoes; John holds a book in the crook of his left arm, and with his right hand (fingers now missing) gestures up towards the body of Christ; John's bare feet protrude from under a long garment with a crinkled neckline; just visible above the surviving section of the patibulum of the cross are two small, rounded shapes that most likely formed the tips of a wing, presumably of an angel; five metal pins at top of lower portion for secure installation of heads of John and Mary and torso and head of Christ

Crucifixion, c. 1180

Spain

G340

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

AprĂšs la Pique, 1959

Pablo Picasso

Not on View

Panel, 17th century

Spain

Not on View
Brocade: ground of deep salmon ribbed silk, with large serpentine vine design in silver and salmon

Panel, 18th century

Spain

Not on View
Dalmatic of red velvet with orphreys embroidered in gold thread and colored silks in a design of vases and floral arabesques. The medallion appliqued to the front represents the Virgin with the Baptist as a man. The side seams are finished with finely fringed braid in alternate red and yellow sections.

Dalmatic, 16th century

Spain

Not on View
Bizarre brocade work in ivory satin with green and red floral decoration; silk, gold, and silver threads

Panel, c. 1703

Spain

Not on View
Bilbao Mirrors, pair, marble mosaic veneer, delicate shade of pink; gilded bead and reed molding next to glass. In the open work crest, wire scrolls, leaves and flowers surround oblong insert of veneer. The engaged columns in paneled inserts are surmounted by flower basket finials with characteristic leaf pendants below.

Bilbao mirror, one of a pair, c. 1790

Spain

Not on View
Altar Frontal, depicting Saints Peter, John the Evangelist and Matthew, crimson velvet embroidered in gold metal threads with the saints depicted in polychrome silks on a silver metal enbroidered field.

Altar Frontal, c. 1550

Spain

Not on View
red velvet panel

Panel, 17th century

Spain

Not on View
red and gold woven metallic band

Trim, 19th century

Spain

Not on View
silver metallic woven braid, crenalated design

Trim, 19th century

Spain

Not on View
white thread and silver metallic woven band

Trim, 19th century

Spain

Not on View
stored inside 86.13.7

Ewer, from a ewer and basin set, late 18th century

Spain

Not on View
gold metallic fringe

Trim, 19th century

Spain

Not on View
gold metallic serpentine loop band

Trim, 19th century

Spain

Not on View
silver metallic openwork lace in oak leaf design

Trim, 19th century

Spain

Not on View
silver metallic fringe

Trim, 19th century

Spain

Not on View
Round doily of knitting.

Doily, 20th century

Spain

Not on View
Barber's bowl, ceramic-earthenware, Spanish, XVIIIc cracked down the middle of piece; cat. card dims diam of top at widest 14-3/8"

Barber's bowl, early 18th century

Spain

Not on View
Rectangle of ivory satin brocaded with figures of courtiers and ladies, rampant dogs and stags, couchant lions under palm trees, and large peacock, the latter with velvet necks and "eyes," separated from each other by stylized Renaissance fountains. The whole lined with apricot satin and edged with silk fringe of yellow, gold, ivory and turquoise. Last 8" cut away, leaving lining and fringe intact.

Panel, 17th century

Spain

Not on View
Panel of mustard yellow cut and uncut velvet brocade of armorial and rampant lion design, edged with gold braid and bordered with plain mustard yellow velvet.

Panel, 17th century

Spain

Not on View
Veil of silk blonde lace; made in strips and united by stitch called point de raccroc or "fine joining" consisiting of fresh stitch formed by needle between two pieces to be united; silk reseau, worked with broad flat strand.

Mantilla or veil, 19th century

Spain

Not on View
Frontispiece

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Dedans & Le Dehors, 1966

Joan MirĂł; Publisher: Guy LĂ©vis Mano, Paris

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Poem for Diane Bouchard, 1947

Joan MirĂł

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Minotaure aveugle guidé par une fillette, III, 1934

Pablo Picasso

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Montroig 3, 1974

Joan MirĂł; Publisher: Edicions PolĂ­grafa, Barcelona

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Women, 1948

Joan Miró; Publisher: Maeght Éditeur, Paris

Not on View

Scene from Don Quixote, 19th century

Daniel Urrabieta Vierge

Not on View

Madame X at the Grand Prix, c. 1899-1904

Ramon Casas

Not on View

Indolence, 20th century

Miguel Mackinlay

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Cow from Histoire Naturelle (Natural History), 1942

Pablo Picasso; Author: Georges Louis Leclerc, Comte de Buffon; Publisher: Martin Fabiani, Paris

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Donkey, from Histoire Naturelle (Natural History), 1942

Pablo Picasso; Author: Georges Louis Leclerc, Comte de Buffon; Publisher: Martin Fabiani, Paris

Not on View

%C2%A9 Estate Jos%C3%A9 Ortiz-Echag%C3%BCe

Pescadores Vascos, 1931

JosĂ© Ortiz-EchagĂŒe

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Portrait of Ambrose Vollard, II, 1937 (printed and published 1939)

Pablo Picasso

Not on View
inscribed female figures; earthenware and white pigments

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Vase, 1950

Pablo Picasso; Maker: Madoura Pottery, Vallauris, France

Not on View

A Young Woman in a Blue Dress, 1866

Mariano José Maria Fortuny y Marsal

Not on View
image of a figure bound in chains, bent over with hands clasped together; ankles bound in heavy shackles; head with shaggy beard and hair turned to the L

Tan bĂĄrbara la seguridad como el delito, 1778-1818 (published 1867)

Francisco José de Goya y Lucientes

Not on View
bullfighter pulling on bull's PR horn and tail; two men standing at right

El Mismo vuelca un Toro en la Plaza de Madrid, plate 16 from Tauromaquia, 1816

Francisco José de Goya y Lucientes

Not on View
group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center

At the Bullfight, c. 1825-1845

Leonardo Alenza y Nieto

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Angelic Vision of a Bearded Man (Saint Jerome?), 17th century

Attributed to Alonso Cano

Not on View
group of grotesque or cartoonish abstract, overlapping figures on a green field with a blue sky; bird-like figure in ULQ in flight; bright colors of blue, green, yellow, reds and black

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Chez le Roi de Pologne, plate III from "Ubu Roi", 1966

Joan MirĂł; Publisher: TĂ©riade, Paris, France

Not on View
abstract image; painterly yellow circle with black torso-like form with arms and delicate hands extending downward

%C2%A9 Marcos Bontempo

Untitled, 2012

Marcos Bontempo

Not on View
abstract image; two horizontal painterly yellow forms, one above and one below a horizontal black ovoid shape with linear "spikes"

%C2%A9 Marcos Bontempo

Untitled, 2012

Marcos Bontempo

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Untitled, plate 7 from 'Joan Miró' by Jacques Prévert and Georges Ribemont-Dessaignes, 1956

Joan MirĂł; Publisher: Maeght, Paris

Not on View
image of bottle with collage element of wine bottle label printed in red, black and gold; black scribbled lines on ground

%C2%A9 Manolo Valdes

Botello de vino, 1994

Manolo Valdes; Publisher: Marlborough Graphics, New York

Not on View
Peter seated at center with shackles on his wrists and ankles broken, with arms held open, PR arm raised and PL arm down with hand near his PL thigh; Peter has curly hair and beard; angel at right touches Peter on shoulder and holds PL arm toward open doorway at right with view of buildings; two sleeping soldiers in foreground--figure on left holds his head in his PL hand, figure on right wears helmet and leans on his shield

Liberation of Saint Peter, 16th-17th century

Patricio Cajes

Not on View
Plate 10

%C2%A9 Juan Genov%C3%A9s %2F Artists Rights Society %28ARS%29%2C New York

Silencio, Silencio, 1970

Juan Genoves

Not on View
Plate 50

Unhappy Mother, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 29

He deserved it, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 14

It's a Hard Step, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 49

A Woman's Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 11

Neither Do These, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 23

The Same Elsewhere, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 28

Rabble, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 22

Even Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 17

They Do Not Agree, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 35

One Can't Tell Why, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 26

One Can't Look, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 31

That's Tough!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 18

Bury Them and Keep Quiet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 6

It Serves You Right, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 16

They Make Use of Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 9

They Don't Like It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Cover for Los Desastres de la Guerra, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 10

Nor (Do-these) Either, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 13

Bitter to be Present, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 37

This is Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 8

It Always Happens, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 19

There isn't Time Now, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 47

This Is How It Happened, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 69

Nothing, The Event Will Tell, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 77

May The Cord Break, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 43

This Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 66

Strange Devotion!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 20

Get Them Well and On to the Next, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 25

These Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 40

Algun Partido Saca (He Gets Something Out Of It), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 27

Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 21

It Will Be The Same, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

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