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Two glazed doors separated by a central panel decorated with a stylized floral motif in marquetry of various colored woods inlaid with mother-of-pearl and abalone shell, the brass door handles with circular enamelled plaques; original finish intact; fitted with green velvet interior; arrived with key

Display cabinet, c. 1898

E. A. (Ernest Archibald) Taylor

G378

Portrait of Sir Patrick Inglis, Baronet of Sunnyside, c. 1790-93

Sir Henry Raeburn

G306

low rush woven seat; very tall back with two tapering side pieces and two wide vertical slats, all connected to ovoid piece at top with crescent cut-out; thick back support between back legs

High-back side chair, 1898

Charles Rennie Mackintosh

G378

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

Protocol-Sentences, from Universal Electronic Vacuum portfolio, 1967

Sir Eduardo Paolozzi

Not on View
dark green overall with two large bands depicting grass blades

Curtain panel, c. 1900-1910

Alexander Morton; Producer: Alexander Morton & Co.

Not on View

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

The Silken World of Michelangelo, from Moonstrips Empire News, 1967

Sir Eduardo Paolozzi; Publisher: Editions Alecto

Not on View
Portfolio of 100 color screenprints and loose text pages on colored papers. Introduction by Christopher Finch.

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

Title Page for Moonstripes Empire News Volume I, 1967

Sir Eduardo Paolozzi; Publisher: Editions Alecto, London; Printer: Kelpra Studio, Ltd., London

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Maggie, 1914

James McBey

Not on View

The Reverend Robert Young, c. 1845

David Octavius Hill; Photographer: Robert Adamson

Not on View
paisley shawl, silk and wool, cream colored center with border in reds, blues and greens, fringed.

Shawl, 19th century

Scotland

Not on View
paisley shawl; embroidered on fine wool in shades of blue with red, green, and yellow; plain center

Shawl, 19th century

Scotland

Not on View
Paisley Shawl

Shawl, mid 19th century

Scotland

Not on View

East and West, 20th century

James Craig Annan

Not on View

A Gitana - Granada, 20th century

James Craig Annan

Not on View

The River Schiavoni, Venice, 20th century

James Craig Annan

Not on View

Muckrach Castle, Scotland, c. 1900-1910

D. Y. Cameron

Not on View

Ex Libris, 20th century

James Craig Annan

Not on View

Prof. John Young of Glasgow University, 20th century

James Craig Annan

Not on View

The River Schiavoni, Venice, 20th century

James Craig Annan

Not on View

Janet Burnet, 1893

James Craig Annan

Not on View

Bridge of St. Martin - Toledo, 20th century

James Craig Annan

Not on View

Prof. John Young of Glasgow University, 20th century

James Craig Annan

Not on View

A Square - Ronda, 20th century

James Craig Annan; Publisher: Alfred Stieglitz

Not on View
two men stand in a field with steer and a wooden plough

Lombardy Ploughing Team, 19th century

James Craig Annan

Not on View
men hiking in mountains; dark composition

The Dark Mountains, 20th century

James Craig Annan

Not on View

Stirling Castle, 20th century

James Craig Annan

Not on View

On a Dutch Shore, 20th century

James Craig Annan

Not on View

A Gateway - Segovia, 20th century

James Craig Annan

Not on View

The Dark Mountains, 20th century

James Craig Annan

Not on View

Group on a Hill - Granada, 20th century

James Craig Annan

Not on View

Ploughing Team, 20th century

James Craig Annan

Not on View

The White House, 20th century

James Craig Annan

Not on View

Frau Mathasius, 20th century

James Craig Annan

Not on View

A Blind Musician - Granada, 20th century

James Craig Annan

Not on View
two priests walking on dirt road; both wear white robes and black hats; one wears glasses, the other walks with cane

Whitefriar Monks, 1894

James Craig Annan

Not on View
Franciscan monk walks alongside a brick building toward a canal

A Franciscan, Venice, 20th century

James Craig Annan

Not on View

On a Dutch Shore, 20th century

James Craig Annan

Not on View

A Carpenter's Shop - Toledo, 20th century

James Craig Annan

Not on View

Frau Mathasius, 20th century

James Craig Annan

Not on View

Harlech Castle, 20th century

James Craig Annan

Not on View

The Etching Printer - William Strang, Esq., A.R.A., 20th century

James Craig Annan

Not on View

Bolney Backwater, 20th century

James Craig Annan

Not on View

Portrait of Mrs. C, 20th century

James Craig Annan

Not on View

A Franciscan, Venice, 20th century

James Craig Annan

Not on View

Old Church - Burgos, 20th century

James Craig Annan

Not on View

Head of a Woman and Study of Hands, 1837

Sir David Wilkie

Not on View

Ben Venue and the Trossachs, c. 1880

John Blair

Not on View

Man Sketching, 20th century

James Craig Annan

Not on View
bag, piece of Paisley shawl, cream and yellow silk background with floral design in several colors, chiefly blue and rose; rose silk lining

Bag, 18th century

Scotland

Not on View
bag, made from pieces of two shawls, the side shown in picture has a design of leaves and flowers in red, blue, green and beige on a cream silk background; the other side is all wool, much coarser, with an all over pattern, mainly red; borders from two other shawls; red wool lining

Bag, 19th century

Scotland

Not on View

Tappit hen, 18th century

Scotland

Not on View
Portrait.

Portrait of Mrs. C. J. Martin, 1919

Harrington Mann

Not on View
Portrait of a man, John Baillie

Portrait of John Baillie (1772-1833), 1817

Sir Henry Raeburn

Not on View

The Hamilton Children, 1835

Sir David Wilkie

Not on View

The London Boardmen, c. 1877

John Thomson

Not on View
dark landscape with flock of sheep in center and silhouette of trees in background

Pastoral--Moonlight, 20th century

Edward Steichen; Photographer: previously attributed to James Craig Annan

Not on View
brown; bellows shape; gold medallion (heraldic shield) with woman's head; gold plaque below; coin slot in front; hanging loop on top

"Dinna Waste Your Wind, John" still bank, 1901

Scotland

Not on View
wood bank in cylindrical form; flat bottom; slightly curved top; transfer picture in black of Clacton-on-Sea, Essex, shoreline; coin slit in top

"Clacton-on-Sea, Essex (money box)" still bank, 19th century

Scotland

Not on View
wood rectangular bank; flat front and back; slightly curved-out sides; 2 small knobs on top; black transfer print of Mount Orgueil, Jersey, on top; coin slot on front; top slides

"Mount Orgueil, Jersey (money box)" still bank, c. 1895

Scotland

Not on View
wood mantle clock shape, with paper print of Alnwich Castle below the clock face; clock face is set at 10:34; coin slot at the top; lever at the back to remove coins

"Alnwick Castle (mantle clock)" still bank, late 19th-early 20th century

Scotland

Not on View
wooden mantle clock shape; clock face in blue and tan, set at 10:34; in black below clock face is a view of Holyrood Palace; coin slot at top; wood lever at back to remove coins

"Holyrood Palace (mantle clock)" still bank, late 19th-early 20th century

Scotland

Not on View
bellows shape; brown; gold medallion with head, crown, flora and fauna on front; gold plaque with label below; coin slot on front; top with removable hanger

"Jane's Wee Bellows" still bank, 1896

Scotland

Not on View
Description Heavy line linen Jacquard Damask, artichoke-crown design, 14 inch pattern repeat Heavy line linen Jacquard Damask, Blue artichoke-crown design, 14 inch pattern repeat (tile with bronze)

%C2%A9 Jack Lenor Larsen%2C Inc.

Brazilian Baroque, 1959-1964

Donald Brothers Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

Horizon of Expectations, from Universal Electronic Vacuum portfolio, 1967

Sir Eduardo Paolozzi

Not on View
man wearing coat and vest, with PL hand on back of neck and PR arm extended, palm out; PR leg raised

%C2%A9 Steven Campbell

Gesturing Hiker, 1983

Steven Campbell

Not on View
construction site in a large reinforced pit with workers throughout; busy street scene at top of image with cars and people in city

%C2%A9 Estate Muirhead Bone %2F Artists Rights Society %28ARS%29%2C New York %2F DACS%2C United Kingdom

Manhattan Excavation, 1923-1928

Muirhead Bone

Not on View
blue and tan ceramic shpere on a pedestal. There are two bands of raides dots around the center and one around the top; large coin slot on one side;

"Scottish Money Bank" still bank, c. 1780

Scotland

Not on View
worsted. Jacquard upholstery. Ribbed weave. 1" geo. Squares form straight & diag. Designs.rust, blue, moss green. 12" sq. pattern repeat. Opaline

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Labyrinth, 1981

Larsen Design Studio, New York; Mill: British Replin; Producer: Jack Lenor Larsen, Inc.

Not on View
black and white landscape with water in LLQ; tall trees at center and to the R; cloudy sky; mounted on board; in plastic slip cover

A Mid Summer Night, c. 1923

John M. Whitehead

Not on View
black and white view of house at L behind two tall trees; water in foreground; trees along horizon in distance; cloudy sky; mount loose (unattached); in plastic slip cover

The Darkness Deepens, c. 1924

John M. Whitehead

Not on View
black and white image of stone house to R of center; low sun at center; water at L; bridge over creek; soft effect; mounted to thick paper; in plastic slip cover

A Wee Cot Hoose, c. 1922

John M. Whitehead

Not on View
dark black and white image of windmill on horizon; clouds in upper two-thirds of image; unmounted; in plastic slip cover

The Haunted Mill, c. 1920

John M. Whitehead

Not on View
landscape; farm fields; buildings foreground left; trees; hills in distance

Valley of the Tay, 1931

D. Y. Cameron

Not on View
seated man wearing a hat, short jacket, vest, and bandana, looking down toward lower left corner; sepia toned

Redding the Line, Willie Liston, Newhaven, Scotland, 1845, c. 1890

David Octavius Hill; Photographer: Robert Anderson

Not on View
Repp weave Vert. Stripe of varying widths, some with chevrons. Vert. Rpt. 5"; horiz. Rpt. 12". Shades of red & blue Aubergine

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Turkoman, 1978

Larsen Design Studio, New York; Mill: British Replin; Producer: Jack Lenor Larsen, Inc.

Not on View
tiny figure holding a net at L in front of rows of waves; very high horizon line

Waves, 1892

D. Y. Cameron

Not on View
child at R standing proudly, holding a glass in his PL hand; two boys seated on floor at LL, looking towards standing boy; dog near LRC; interior of a dark room

Interior with Three Boys and a Dog, 1813

Sir David Wilkie

Not on View

The Steps, 1892

D. Y. Cameron

Not on View

Thames Wharf, 1890

D. Y. Cameron

Not on View
#2

Waterloo Place, 1899

D. Y. Cameron

Not on View

Cour, Rue Ampère, Rouen, 1897

D. Y. Cameron

Not on View

St. Laumer, Blois, 1903

D. Y. Cameron

Not on View

Title Page for North Italian Set, 1895

D. Y. Cameron

Not on View

Doorway in Verona Cathedral, No. I, 1894

D. Y. Cameron

Not on View

The Dolphins, 1892

D. Y. Cameron

Not on View
#7

Waterloo Bridge No. 2, 1899

D. Y. Cameron

Not on View

A Rembrandt Farm, 1892

D. Y. Cameron

Not on View
#3

The Tower, 1899

D. Y. Cameron

Not on View

Siena, 1900

D. Y. Cameron

Not on View

Rosslyn, 1899

D. Y. Cameron

Not on View

The Crucifix, 1898

D. Y. Cameron

Not on View

Chinon, 1902

D. Y. Cameron

Not on View
#11

Two Bridges, 1896

D. Y. Cameron

Not on View

Speyside, 1888-1892

D. Y. Cameron

Not on View

Ayr, 1889

D. Y. Cameron

Not on View

St. George's, Hanover Square, 1899

D. Y. Cameron

Not on View

Tintoret's House, 1894

D. Y. Cameron

Not on View

The Gargoyles, Sterling Castle, 1898

D. Y. Cameron

Not on View

Loches, 1902

D. Y. Cameron

Not on View

Joannis Darius, 1900

D. Y. Cameron

Not on View

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