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Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt Harmensz. van Rijn

G311

Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

Not on View
Geometric motifs with red yellow black and blue

Composition with Blue, Red, Yellow, and Black, 1922

Piet Mondrian

G377

Genre. Interior of a bedroom with a lady dressed in bright golden yellow silk, a small dog in her lap, seated at a dressing table with toilet articles on it. A maid pinning a bow into her long wavy blonde hair is standing behind her. In the background a canopied bed with gray draperies.

Lady at Her Toilet, c. 1650-1660

Unknown Dutch, 17th century

G310

Dutch still life with fruit, foliage, and insects.

Still Life with Fruits, Foliage and Insects, c. 1669

Abraham Mignon

G311

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary.

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34

Peter Paul Rubens

G313

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10)

The Betrayal of Christ, c. 1618–1620

Anthony van Dyck

G313

Courtly procession on a tree-lined road, moated castle in left distance. Large coulisse tree in left foreground, open hillside before woods beyond at right. Man in center foreground standing on his head. The work depicts Margaretha van Mechelen riding out with Prince Maurits near Abspoel House in the vicinity of Oegstgeest.

Courtly Procession before Abstpoel Castle, 1619

Esaias van de Velde I

G312

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background.

The Asparagus Vendor, 1675–80

Pieter de Hooch

G309

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea.

Fishing Vessels Offshore in a Heavy Sea, 1684

Ludolph Backhuysen

G309

Dutch and English battle at sea

The Four Days’ Battle, 1666

Abraham Storck

G309

Portrait of a woman. Dutch golden age. A lady about thirty-four years of age with her fair hair in curls, stands full length at her toilet table, almost facing the spectator. She has a book in one hand and holds up her skirt with the other. She wears a light blue satin dress embroidered with gold lace. On the table, which is covered with a Turkey carpet, are a mirror, a silver box, and a candlestick. A spaniel frisks at her feet.

Portrait of Lucia Wijbrants, 1667

Gabriël Metsu

G309

natural oak with brass fittings

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F PICTORIGHT%2C The Netherlands

Zig-Zag chair, 1939 (designed 1934)

Gerrit Rietveld; Maker: Gerard A. van de Groenekan

G379

antique silver sword; linear decoration on handle; iridescent blue/purple stain at base of shaft with carved decoration. Arms and Armor-Edged Weapon

Smallsword, 1815

Netherlands

G340

Interior of a barn. Dutch genre.

Interior of a Barn, 1644

Egbert van der Poel

G312

The Denial of St. Peter, c. 1623

Gerrit van Honthorst

G313

seventeenth-century Dutch landscape

River Landscape with the Pellecussen Gate near Utrecht, 1648

Jan van Goyen

G311

Landscape with castle and watermill

Castle and Watermill by a River, c. 1670

Jacob van Ruisdael

G311

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right.

Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30

Abraham Bloemaert

G312

Landscape with figures.

Wooded Hillside with a Vista, c. 1645

Jan Both

G311

One of a pair; see 73.11.1; near view, has conversation group;

View of a Town House Garden in The Hague, 1775

Paulus Constantijn la Fargue

G314

Dancing, drinking and amorous peasants in LRC; bathers in water at right; village buildings in distance

Merry and Rowdy Peasants at an Inn, 1653

Philips Wouwermans

G311

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple.

River Landscape with a Ferry, 1656

Salomon van Ruysdael

G311

Portrait of Anna Blocken, 1649

Aelbert Cuyp

G312

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund

Wooded Landscape with Watermill, c. 1665

Meindert Hobbema

G310

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left.

Landscape with Men Playing 'Mail Ă  la Chicane', 1624

Paul Bril

G312

Life of the Virgin Mary ; The Presentation of the Christ Child in the Temple

The Presentation in the Temple, c. 1490–1500

Jacob Jansz.

G342

Madonna and Child. No signature or markings.

Virgin and Child in a Landscape, c. 1492–98

possibly Master of the Madonna Grog; Artist: possibly Aert van den Bossche; Artist: formerly Master of the Embroidered Foliage

G342

one of a pair

Portrait of Lucas van Voorst, 1628

Paulus Moreelse

G312

Dutch Golden Age. 'Vanitas' still life.

Still Life, 1643

Pieter Claesz.

G311

Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style.

Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501

Master of the Legend of Saint Lucy

G342

The Gamblers, 1623

Hendrick ter Brugghen

G312

Madonna and Christ Child Christ holds apple in one hand and touches a cabbage butterfly with the other

Madonna and Child, c. 1550

Cornelis van Cleve

G341

Varied floral arrangement in a white ceramic vase with putti; grey ground

An Arrangement with Flowers, 19th century

Georgius Jacobus Van Os

G305

Frame Dutch, mid-XVII century, bolection profile in ebonized fruitwood with sight wave mouldings, ripple-and-reed panel and border mouldings, accessioned for use on Dou, 88.50.1.

A Hermit Praying, 1670

Gerrit Dou

G309

very tall tulip-shaped bowl with a tapering hollow base formed into six graduated knops or steps, on a cushioned knop between collars and a spreading foot folded at the rim, entirely decorated in "vetro a retorti" with a striped pattern of flattened gauzes and ribbons; clear glass with white decorations

Goblet, late 16th century

Netherlands

G332

[Culture previously "South Netherlands" - FLB 03/15/2016]

Diamond-point engraved winged goblet, c. 1660

Unknown

G332

Brass kettle on a brass stand with four legs; round stretcher

Tea kettle on floor stand, c. 1906

Johannes (Jan) Eisenlöffel

G379

Cylindrical horizontal lamp on a stem with a round base and counterweight solid sphere on the terminating end

Piano lamp, c. 1928

Jacobus Johannes Pieter Oud; Manufacturer: W. H. Gispen

G379

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue

Dish, late 18th century

Netherlands

G310

panels with landscape scenes of a high-gabled house on the bank of a river; sailboat on river; cloudy sky with birds. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray; underglaze blue

Vase, one of a pair, 17th century

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered vase, from a five-piece garniture set, c. 1710

Netherlands

G310

one of a pair of andirons of a type found chiefly in Holland in the 17th and 18th centuries

Andiron, one of a pair, 17th century

Netherlands

G326

plate, ceramic, white ground, blue sprays near edge, center panel of water birds, cat. card dims Diam. 9-7/8', H. 1-1/4'

Plate, 1775–85

Netherlands

G324

Kas or Zeeuws Cupboard, oak inlaid with various woods; in two sections. Donor Kunsthandel K. and V. Waterman

Kast or Zeeuws cupboard, 17th century

Netherlands

G310

windmill with movable vanes and movable flag on top; building underneath with man in front and woman by a door on proper left side

Spice container, late 19th century

Netherlands

G362

Green tinted glass; flared foot with hollow stem; round prune decorations with rounded bowl

Roemer, 17th century

Netherlands

G332

Two curvy lines of glass decoration around upper rim, mid-section and lower section; engraved animals below rim, hunting scene at mid-section and large bird at lower section

Diamond-point engraved drinking horn, 17th century

Netherlands

G332

man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree

Saint Jerome by the Pollard Willow, 1648

Rembrandt Harmensz. van Rijn

Not on View
Miniature Frame, fruitwood, Netherlands XVIc

Miniature frame, 1575-1600

Netherlands

Not on View
whitewashed and painted white on listel elements

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F PICTORIGHT%2C The Netherlands

Sideboard, 1959 (designed 1919)

Gerrit Rietveld; Maker: Gerard A. van de Groenekan

Not on View

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730

Maria Sibylla Merian

G209

Virgin Mary in Prayer Mater Dolorosa

The Virgin in Prayer, c. 1520-1530

Joos van Cleve

Not on View

Soldiers Arming Themselves, mid 1630s

Jacob Duck

G312

Waterscape with Rainbow, 17th century

after Allart van Everdingen

G326

Portrait of a woman

Portrait of Lady Penelope Spencer, late 1660s

Sir Peter Lely

G327

Dutch golden age. Three quarter length figure of a young woman in black, seated toward the left, but looking at the viewer. A thin film of lace is around her heard, and she wears a deep white collar and broad white cuffs. In one hand is a black fan, and by the other lie her black gloves. Dark background.

Portrait of a Young Girl, c. 1650

Jacob van Loo

G312

One of a pair; see 73.11.2; long view, has man with dog

View of a Town House Garden in The Hague, 1775

Paulus Constantijn la Fargue

G314

Small bouquet of red gladioli

Red Gladioli, c. 1906

Piet Mondrian

G351

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple.

The Prodigal Son, c. 1640

David Teniers, the Younger

G312

one of a pair

Portrait of Catharina van Voorst, 1628

Paulus Moreelse

G312

tankard, with massive scrolled thumbpiece, device of brewers guild on front, makers mark on handle and Tudor rose inside bottom

Tankard, 18th century

Netherlands

G325

Jug, dated 1580, earthenware with salt glaze, decorated with band on neck and armorial medallions on front and sides

Jug with lid, 1580

Netherlands

G325

panels bearing landscape which shows high-gabled house on a river bank; sailboat in river nearly; cloudy sky with birds. Shaped panel framed in blue band with large six-petaled flower at top and bottom. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray. Colors blue, green, yellow, rust; greenish glaze. Glaze covers inside bottom of food. Underglaze blue.

Vase, one of a pair, 17th century

Netherlands

G310

two men at left--one standing man wearing a hat holding a staff, looking down to PR, and seated gesturing man with short beard; small group of pigs of various colors and sizes to right of men at center bottom; figure and dog in middle ground at right; two horse pulling a covered wagon right of center in middle ground; expansive landscape behind figures with clouds in sky

A Landscape with a Herd of Pigs, The Swineherd Conversing with Another Man, 1645

Paulus Potter

G312

shiny copper and silver metal pots and pans; candlestick in ULC; bunch of onions and 2 fish, LLQ; 5 small birds, LRQ

Allegory of the Four Elements, c. 1600

Cornelis Jacobsz. Delff

Not on View
man in white with long grey beard at left center accompanied by man in mint green; both figures wear laurel wreaths; man in white stands behind an altar with burning twigs; three kneeling women at right center with chicken and gold pitcher; silver objects and branches below altar; several other kneeling figures at left; standing figures including two musicians and cow behind; ruined sculpture in LRC; sculpture on tall pedestal behind main figures; buildings close behind background figures

St. Paul and St. Barnabas at Lystra, 1636

Willem de Poorter

G311

portrait of Diana with light brown curly hair in an updo with some loose curls in front, wearing a gold and silver headdress, earrings with clear drops and an armlet with a large green gem and pearls; figure is bare-breasted and wears a pinkish-red garment and holds a spear on a staff with a pinkish-red tassel

Diana as Goddess of the Hunt, 1607

Cornelis Cornelisz. van Haarlem

G341

View of Lake LĂ©man at Nyon, 1875

Johan Barthold Jongkind

G355

man and woman conversing and gesturing in front of a marina with ships; clapboard building with tile roof at L and smoke billowing out of its window

No. 11, Rooke der Haring, of Bokemhang (The smoking of the herring or mackerel), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

man and woman seated outdoors on chairs mending large net; clapboard building at R; three trees in middle ground; fence at L; trees and church in distant background

No. 12, Boeten der Haring Netten (Repairing the herring nets), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

woman sitting on chair, making fishing net; boy standing opposite, gesturing and smiling; house at R; shore with ships at L

No. 1, Brayen der Haring Netten (Weaving of the herring nets), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

two men filling wooden barrels with fish; large boat at R; trees at L; 2 barrels laying on their sides behind L man, and one at LR

No. 10, Verpakke der Haring (The crating of the herring), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

man and woman seated at dining table outdoors, facing one another; man is gesturing toward woman with PR hand, woman holds a fork in PR hand; garden walls with pine trees in background

No. 9, Haring Banket (The herring banquet), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

two women and a man with barrel of fish at C; woman at L is seated in chair next to barrel, holding a fish by its tail in PL hand, and pointing at it with PR hand; woman at L holds two fish by tails and is looking down at seated woman's fish; man at L holds and gestures at fish; 3 trees in middle ground; building at R; church and shrubbery in background

No. 8, Verkoope van de Haring (The selling of the herring), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

ship in calm water with crew, one of whom is climbing on mast; other ships in background; wood pilings at L and R

No. 2, Fielafjeeren van de Buysch (Putting the nets onboard), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

ship with 1 sail up with several crew members fishing; large rock formations at R; other ships

No. 6, een Zee Schiujt op de Neering (A sea ship over the fishing grounds), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

crew members preparing a ship in harbor; smaller boats nearby; building at R with dock; smaller buildings at L; birds and clouds

No. 3, Foemaken van een Hoeker (Preparing of the fishing boats), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

ship listing slightly, with 3 sails up; crew members working on boat; other boats in background; rock formations at L

No. 7, de Buys Zeytd Binnen (The fishing boat sails into port), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

fishing boat amid waves, heading to R; two crew members visible; other boats in background

No. 4, de Buyzen loopen in Zee (The fishing boat sails out to sea), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

fishing ship at C among waves; many other boats in background

No. 5, de Buys op de Neering (The fishing boat over the fishing ground), from "The Herring Catch", c. 1780

Porcelain Axe (Porceleyne Bijl) Factory

G332

Genre scene. The Piazza del Popolo

The Piazza del Popolo, Rome, c. 1660

Johannes Lingelbach

G309

Dutch still life

Still Life, 1658

Jan Jansz. van de Velde

G309

The Temptation of St. Anthony, 17th century

David Teniers, the Younger

G309

Still life with dead birds

Still Life of Dead Birds, c. 1660

Jan Vonck

G309

blue and white glazed Delftware vase divided into four sections that separate; each section baluster-shaped with openings at top that recede in size toward the top; small baluster-shaped spouts surround openings; overall design consists of alternating scroll patterns with ornamental woven florals; largest section on bottom with eight spouts in a circle around the opening; lower middle section smaller, with base meant to fit into opening of bottom section, and eight spouts surround top opening; upper middle section smaller has eight smaller spouts, hole in center; top section smallest in size, with six spouts surrounding vase opening; six leaf-shaped panels with various floral designs around middle center of top section

Flower vase, c. 1700

De Witte Ster (The White Star) Factory

G309

clear glass vase with pink roses; two lemons--one partially peeled--and a snail on table; trompe l'oeil effect with sealing wax and piece of paper in LLQ at left edge; tiny spider above and to right of snail; dark wood frame

Floral Still Life, 1670-1690

Cornelis de Heem

G309

little boy with shoulder-length blonde hair and brown eyes, wearing a green cap with a tall white feather and a pink skirted garment with a white blouse underneath and a red cloth over his shoulders, holding a brown finch on his extended PL index finger; finch has a ribbon attached to its leg, which the boy holds in his PR hand; jumping brown and white spaniel with its mouth open at boy's PR hip; image in an oval with brown border

Portrait of a Boy in Classical Dress with a Bullfinch and Spaniel, c. 1670

Nicolaes Maes

G309

Drydock at Durgerdam, c. 1898-99

Piet Mondrian

G355

Landscape panorama with figures.

Landscape with Peasants, c. 1604

Jan Brueghel the Elder

Not on View

Tentoonstelling Voor de Kunst (De Ruiter), 1919

Bart van der Leck; Publisher: Willem Scherjon

Not on View

Mounted Officer, 1610s-1630s

Unknown Flemish, 17th century

Not on View
Butterflies and flowers. No signatures.

Plate XIX, from "Naauwkeurige Waarneemingen...", 1774

Jacob L'Admiral, Jr.

Not on View
With the famous vignettes of the 4 seasons.

Map of the World, c. 1710

Karel Allard; Artist: after Jacob De Wit

Not on View

Saint John the Baptist, c. 1605

Attributed to Theodor Matham

Not on View

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