showing 100 of 9854 results matching `country:"Japan"`. (load 200 more)

Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, Yasuimoku Komuten Company Ltd. — Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, 2001 (constructed)
Yasuimoku Komuten Company Ltd.

G225

mounted fan painting: man in white robe holding a calligraphy brush up to the side of a small cliff or rock formation covered with foliage; shorter man behind him leans over a rock, looking on; ivory roller ends — Hanshan and Shide, mid 16th century
attributed to Kano Yukinobu

G221

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome. — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Unknown Japanese

G220

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina — Figurine of a Female, 1000-800 BCE
Unknown Japanese

G205

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

right sheet of a diptych — Women by an Iris Pond, c. 1785
Torii Kiyonaga; Publisher: Kōzuya Isuke

G266-G274

Landscape, attributed to Okada Hankō — Landscape, 18th-19th century
attributed to Okada Hankō

G225

La Dame du Parasol, after Cornelis Pronk; salmon cell pattern border; small panels of ladies and bird cartouches — "La Dame au Parasol" plate, c. 1736-1738
Cornelius Pronk

G209

Amida, the Buddha of Infinite Light, Unknown Japanese — Amida, the Buddha of Infinite Light, 12th century
Unknown Japanese

G200

Shinto priest's robe (kariginu), Unknown Japanese — Shinto priest's robe (kariginu), 19th century
Unknown Japanese

G220

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst — Set of leaf-shaped food dishes (mukōzuke), 1660’s
Unknown Japanese

G225

standing female figure with proper left arm bent, hand at side; flat mask like face, adorned by earrings and necklace; ridged dress extends to floor covering legs and feet — Haniwa of a Female Shrine Attendant, 6th century
Unknown Japanese

G205

large jar with dark brown dripping over glaze and large rocky inclusions; wide shoulder, short neck, rolled lip; gnarled texture — Storage jar, 15th century
Unknown Japanese

G222

Wheel of the Law, Buddhist (shingon sect.) gilded bronze — Chakra, 13th century
Unknown Japanese

G220

Sake pot, gold lacquer, with hinged semi-circular handle, and three short circular, tapering legs. Silver finial on cover. Decoration consists of gold vines, peonies, and arms of Tokugawa family (three asarum leaves within a circle) on bronze ground. Silver lacquer inside. — Ewer (katakuchi), 17th century
Unknown Japanese

G221

One of the twelve generals of Yakushi Buddha, with strong remains of original pigments. Original wood stand — Divine General, late 12th century-early 13th century
Joga

G200

Bronze bell (Dotaku); Dotaku- Bronze Bell with so-called 'crossing bands' (in Japanese Kesadasuki) decoration. Fine natural green patina; no repairs, in excellent condition. Excavated at Chiwa-Yama, Yashu-gun, Ohmi Province (now Shiga Prefecture) in the 14th year of Meiji, or 1881 A.D. This was on the 14 bells found, the largest of which is now in the Tokyo national Museum. with a box authentication of Professor Sueji Umehara. Modern wooden storage box has authentication by Professor Umchara. — Ritual Bell (Dōtaku), 1st century BCE-1st century CE
Unknown Japanese

G205

handled tray with short sides; light grey glaze with blue, green and gold leaves, vines and gourds; cutout gourd shapes — Tobacco tray, 18th century
Unknown Japanese

G225

squared form, with high walls; small ring foot; milky translucent glaze; stylized depictions of bridges and water, in brown — Serving dish with bridge and water, 17th century
Unknown Japanese

G225

round metal silver sputnik bank on a blue pedestal with a white dog wearing a space helmet, looking out the window of the capsule; "Sputnik" is printed on the base in red with pictures of stars and planets — "Sputnik Bank" still bank, c. 1957
Japan

G110

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs — Kakebotoke, 14th century
Unknown Japanese

G220

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck — Helmet in dragonfly shape, 17th century
Unknown Japanese

G219

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Unknown Japanese

G220

monk in white robe riding a donkey towards L — Yushanzhu Riding a Donkey [right of a pair of Zhenghuangniu and Yushanzhu], 17th century
Kano Dōun

G221

figurine of a boy riding side saddle on a water buffalo; boy is holding a shield with a swirl pattern in PR hand while holding PL hand up to his own ear; water buffalo holds its head slightly down in walking pose — Incense burner in the shape of a Chinese boy on a water buffalo, 19th century
Unknown Japanese

G225

a: round iron vessel with semi-circular handles hanging on each side; bird in open circle below one handle and standing creature with shovel (?) in open circle below other handle; openings cut out in organic shaped designs on body; L-shaped hooks attached to each side to hold open doors; wing-shaped doors below that lift upwards, attached with two hinges; incised decoration on each door; solid bottom inside that is raised from very bottom with openwork around base in oval forms with points at top of each; b: brass insert with wing-shaped opening on each side; c, d: open brass handles — Hanging lantern, 8th century
Unknown Japanese

G220

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

sword set: metal blade with snake decoration and 3 peg holes in tang that has also a gold lacquer signature; signed tsuba with soft metalwork decoration of dragon amidst waves; grip is wrapped, dragon head on tip, 2 silver menuki in form of a tiger on one side and a lion on the other; lacquer scabbard with horimono (metal decoration) at end in form of dragon wrapped around sword, gold and silver mounts; fabric tie — Blade with engraved snake for a long-sword (koto-katana) and mounting with dragon decoration, 16th century
Unknown Japanese; Artist: Tsuba by Ōmori Terumasa

G219

Formal Audience Hall, Yasuimoku Komuten Company Ltd. — Formal Audience Hall, constructed 2001
Yasuimoku Komuten Company Ltd.

G222

monk riding an ox side-saddle, facing R, reading; ox is turning to LL — Zhenghuangniu Riding an Ox [left of a pair of Zhenghuangniu and Yushanzhu], 17th century
Kano Dōun

G221

black lacquered box with gold and silver butterflies; double flute case in black lacquer with gold and silver clouds and dragon design on bottom; bamboo flute inside with dark ribbing; smaller flute with red ribbing and details, both stored in double case; single bamboo flute case in plain wood with gold inscription on one side; also comes with two documents in handscroll form depicting the flute's history; document dated 1774 — Noh Flutes named “Winter Wind” (Kogarashi) with Box and Case, mid 18th century
Unknown Japanese

G219

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue — Sake bottle with paulownia, 17th century
Unknown Japanese

G221

figure slightly smaller than life size, seated cross-legged with hands one of top the other in lap; eyes closed; mottled green glaze with silver liquid-appearing beads and drips overall — Reduction I, 2013
Kondō Takahiro

G200

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

irregularly shaped tan jar with bulbous, wasp-nest shaped base, long neck, wide mouth; flecked, dripping brown overglaze, mostly on one side; comes with rattan ring — Recumbent vessel with long neck, 7th century
Unknown Japanese

G205

tea bowl with straight sides; pink glaze; grey linear designs on exterior beneath pink glaze; glaze crackled, heavily encrusted on exterior — Shino straight-walled tea bowl with bridge pattern in underglaze iron-oxide, c. 1965-1974
Arakawa Toyozō

G224

curvilinear form with a blob-like body; pink and cream coloring with grey scorch marks; lid has three lobes and a curved ribbon-like handle — Flare, 1994
Kawase Shinobu

G224

tea bowl in maroon, grey and black; straight sides that are cut into the clay body with a straight edge; small round foot; a majority of the bottom of the vessel is unglazed — Tea bowl (chawan), 2004
Wakao Toshisada

G224

rounded, almost lobed, shaped bowl with stark white glaze dripped over a reddish brown clay body — Tea bowl (chawan), 1991
Kawase Shinobu

G224

vessel with wide rim in cream, muted blues and greens with silver glaze beaded on the surface; black lacquer lid — Utalcata, 21st century
Yamamoto Junko

G224

Hanging scroll — Landscape, 18th century
Unknown Japanese

Not on View

dense landscape containing trees and an empty hut in the foreground; scholar seated in a multilevel pavillion built into the side of a mountain at middle and a towering twisted mountain peak with waterfall emerging from the left in the distance — Autumn Thoughts on a Garden Landscape, 1844
Nukina Kaioku

Not on View

large bowl with slightly sloping lip; light and dark tan textured border; mottled green with brown interior; tan exterior — Platter, c. 1950
Shimaoka Tatsuzō

Not on View

2 sharp edges with black at edges and mouth; horizontal, uneven striations in various shades of blue, lightening toward top — Shining Sea Reflecting on Clouds, 2001
Miyashita Zenji

Not on View

triangular form with flat top and bottom; tapering to smaller base; incised vertical lines; silver over blue forming moist-looking droplets; lifting corner at top; separate grey granite base included — Galaxy, 2001
Kondō Takahiro

Not on View

two phoenixes at center, perched on a gnarled tree branch; waves at L; greens, blues, pink and white; seal and inscription, LRC — Phoenixes and Paulownia [right of a pair], early 18th century
Kano Tanshin

Not on View

damaged wristwatch without a band against light-colored fabric background — Atomic Bomb Damage: Wristwatch Stopped at 11:02, August 9, 1945, Nagasaki, 1961 (printed 1980)
Shomei Tomatsu

Not on View

horizontally oriented finlike form; rectangular form rising slightly at center — Moment II, 2003
Fukami Sueharu

Not on View

jagged, towering rock formations at R with waterfall and gnarled pine trees; small pavilion on shore at lower center with fishing boat nearby; small footbridge connects two shores across a small channel with trees at L; bluish mountains in background; inscriptions ULQ — Early Spring Landscape, before 1533
Shūtoku; Author: Inscribed by Yōkoku Kentō; Author: Inscribed by Teihō Shōchū

Not on View

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Unknown Japanese

Not on View

unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting — Okuni Kabuki, first quarter 17th century
Unknown Japanese

Not on View

male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water — Summer Party on the Bank of the Kamo River, around 1800
Utagawa Toyohiro

Not on View

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Unknown Japanese

Not on View

unsigned — Taima Mandala, early 14th century
Unknown Japanese

Not on View

unsigned; white deer wearing bells and an ornate saddle with a wisteria vine growing from it; golden circle within wisteria with three figures sitting cross-legged, and sitting with hands folded in front of chest, clasping small tablets, four of the figures are in white, and center figure is in red; mountains at top with colorful mounds, water below, and golden moon near top — Deer Mandala of the Kasuga Shrine, first half 15th century
Unknown Japanese

Not on View

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Unknown Japanese

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Unknown Japanese

G220

Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments — Hachiman in the Guise of a Buddhist Monk, 12th century
Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back — Shinto Goddess, 12th-13th century
Unknown Japanese

G220

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position — Shinto God, 12th-13th century
Unknown Japanese

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Unknown Japanese

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Unknown Japanese

G205

red-brown jar with mottled ochre colored glaze around shoulder and down one side; four bow-like decorations around shoulder; short, vertical neck — Tea leaf storage jar, late 16th century
Unknown Japanese

G224

three men, one Chinese, one Japanese, and one Western, gathered around a table, the Western man holds a book with a skeleton on the page; white snake wrapped around Japanese man's PR wrist; in background, groups of men gather to extinguish a building engulfed in flame; a group of men look on from a cliff — A Meeting of Japan, China, and the West, late 18th - early 19th century
Shiba Kōkan

G103

wooden calligraphy box with two stems of bright blue flowers with green leaves and gold veins; includes brush, silver weight or brush rest, wooden tool rest, two metal and wood tools, green ceramic ink stone, and yellow ceramic water dripper — Calligraphy box decorated with gentians, 1920s
Kamisaka Sekka; Ceramist: Eiraku Zengorō XV; Manufacturer: Ichinose Kohei

G103

frogs in an interior dressed in various types of garments; many frogs writing or reading; screens on R with two frogs outside on street wearing hats — Frogs in Writing Contest, c. 1738
Ogawa Haritsu

G103

three elegantly dressed women; standing woman on R facing R wearing grey, green, red; two seated women; woman on L wearing floral kimono and woman in front wearing striped kimono and holding an open book — Young Maidens, first half 19th century
attr. Yamaguchi Soken

G103

Rooster, late 18th century

Sō Shiseki

G103

four lines of calligraphy of varying sizes on silver paper with ivy leaves in gold — Poem from the Collection of Japanese Poems of Ancient and Modern Times (Kokin wakashū), early 1610s
Hon'ami Kōetsu; Artist: Underpainting by Tawaraya Sōtatsu

G103

unsigned; lines of inscription written in silver against indigo blue paper; colorful brown and light green singe marks and tears along bottom — Fragment from Volume 53 of the Flower Garland Sutra, one of the “Burnt Sutra Fragments”, c. 744
Unknown Japanese

G103

woman lying on her stomach, reading a page of text, with an orange and white cat sitting on top of a short brown and black chest at left; woman wears a brown kimono with black checks; mounted on moderately stiff backing paper — I want to cancel my subscription, January 1878
Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

G103

Giraffe, second half 19th century

Matsuoka Kansui

G103

Two Quails with Pampas Grass, Sumiyoshi Hirosada — Two Quails with Pampas Grass, mid-18th century
Sumiyoshi Hirosada

G103

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

G375

53 Stations: Hokusai's Album of Travel Pictures, vol. 1, Katsushika Hokusai — 53 Stations: Hokusai's Album of Travel Pictures, vol. 1, 1830
Katsushika Hokusai

G103

colored later — Picture Book of Evergreens, vol. 3, 1731, 8th lunar month
Nishikawa Sukenobu; Publisher: Morita Shōtarō

G103

depicts women’s customs in early 18th century Japan; from imperial and samurai women to courtesans and women of the merchant and peasant class; each shown in a group scene at their various occupations including reading, sewing, making fans, spinning, and farming — One Hundred Women Classified According to their Rank, 1729
Nishikawa Sukenobu

G103

toiletry set with box, three combs of varying fineness of teeth; small chalice with pine and floral design; and other small containers, all flecked gold with pine tree and floral designs; mirror stand; box decorated with pine trees, carriages, boats, and silver clouds; tray decorated with pine tree — Accessories box with scenes from The Tale of Genji, 17th-18th century
Unknown Japanese

G103

eleven images of orchids, some growing from rocks — Orchids, second half 19th century
Tanomura Chokunyū

G103

small woodblock printed book; text pages alternating with images of various insects on plants and vegetables; toad eyeing a fly near back; cover has pattern of small brown and blue flowers with tiny brown spots — Selected Insects from Close at Hand (Chūka senzen 肘下選蠕), 1820, 7th month
Mori Shunkei

G103

remnants of burned scroll mounted to paper decorated with gold flakes; colorful scenes of men and women interacting alternating with cursive text panels — The Tale of Usugumo, first half 18th century
Miyagawa Chōshun

G103

rectangular board with upward curved edges; pink moon at UL with two cranes flying toward L; mottled blue and brown background; elevated on two rows of triangular feet — Chopping board with cranes and sun, 20th century
Wakao Toshisada

G223

warrior standing with horse in front of large tree — View of Kusunoki's Farewell at Sakurai Station, late 19th century
Kobayashi Kiyochika; Publisher: Daikokuya Heikichi

G219

coverlet in the shape of a kimono; indigo field decorated with cranes and pines and a large crest or medallion on the top of the back — Padded comforter with sleeves (kaimaki) decorated with crest and origami cranes, early 20th century
Unknown Japanese

G223

simplified prancing deer with bowed had in front of red-headed crane; small bat flying above; text in LRC — Deer, Crane and Bat, 19th century
Suzuki Kiitsu

G223

body is twisted; tiger looking to left; green floral brocade border — Sitting Tiger, late 19th century
Kishi Chikudō

G219

golden Shaka laying his PR side at center of composition; surrounded by trees, human and non-human beings; 7 golden kannon in background, swirling clouds and waves in background; a variety of animals and insects in foreground including heron, owls, ducks, horse, bull, monkey, deer, elephant, centipede, etc.; Buddha's mother in UR corner in clouds with attendants and Jizo — Parinirvana of Sakyamuni, the Historical Buddha, late 17th century
Hanabusa Itchō

G220

flock of white and grey cranes, some with red at eyes and forehead, against a gold background; cranes stand, preen, and walk — Flock of Cranes [left of a pair], second half 18th century
Ishida Yūtei

G222

unsigned; many different scenes from Genji, separated by trees, rivers, and silver clouds; from R: men and women in a building with verandah, with a man sitting on the verandah alone looking in with a flower in hand; group of women and performers wearing wings at LR; near center, men seated behind low black table holding meting; men and women outside; at L, people in a boat, and others inside building near screens painted with bamboo motif — Scenes from the Tale of Genji on Silver Ground [right of a pair], 18th century
Unknown Japanese

G219

unsigned; many different scenes with people sitting in small groups inside of buildings, on verandahs, or standing near trees outside; scenes separated by silver clouds: people sitting on and inside a building doing calligraphy; woman inside room looking at a river; men and women outside near trees; scholars seated near rocks; men near a carriage pulled by a black ox, etc. — Scenes from the Tale of Genji on Silver Ground [left of a pair], 18th century
Unknown Japanese

G219

woman in richly decorated red kimono loosely embracing a large white crane with her PL arm; vertical rock with blossoms at R; horizontal blossoming branch extending just above her head — Parody of a Beautiful Woman as Rin Nasei (Ch. Lin Hejing) with Crane, mid 18th century
Kawamata Tsunemasa

G223

left; close-up view of a jagged, rugged landscape sculpted by lava flow; sweeping downward plane at C with dramatically intersecting cliffs at L and R; greens and moss punctuate the cliffs; cluster of red and gold foliage at L; gnarled and broken tree trunks along bottom; inscription ULQ — Volcanic Landscape [left of a pair], 1916
Irie Shikai

G223

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