🔎 country:"Japan" | Mia

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figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Unknown Japanese

G220

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

white dog standing on all four paws; upright short tail; round red nose — Your Dog, 2002
Yoshitomo Nara

Not on View

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome. — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

Gesso, color, kirikane on wood, metal — Jizō, the Bodhisattva of the Earth Matrix, early 13th century
Unknown Japanese

G220

Amida, the Buddha of Infinite Light, Unknown Japanese — Amida, the Buddha of Infinite Light, 12th century
Unknown Japanese

G200

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

unsigned; from the Saga Palace, Kyoto; figures inside a building, mountains in background — Winter [left from the set Rice Farming in the Four Seasons], 1620s
Attributed to Kano Sanraku

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], Sesson Shūkei — Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century
Sesson Shūkei

Not on View

Misshaku Kongo, standing figure with one arm raised, mouth open. Note Nio means Benevolent Kings. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, Yasuimoku Komuten Company Ltd. — Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, 2001 (constructed)
Yasuimoku Komuten Company Ltd.

G225

Actor Ichikawa Ebizō as Takemura Sadanoshin, Sharaku; Publisher: Tsutaya Jūzaburō — Actor Ichikawa Ebizō as Takemura Sadanoshin, 1794, 5th lunar month
Sharaku; Publisher: Tsutaya Jūzaburō

Not on View

Prostitute Hanaōgi of the Ōgiya House, Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō — Prostitute Hanaōgi of the Ōgiya House, 1793-1794
Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō

Not on View

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

Not on View

flat gold bridge at right; stylized brown waves on water; water wheel at left; weeping willows at ULC and LRC — Willow Bridge and Water Wheel (Uji Bridge) [left of a pair], second half 16th century
Unknown Japanese

Not on View

unsigned; right of a pair of six-panel folding screens; many scenes on gold leaf: attendants with carriages at Land center among pine trees and clouds; interior scenes at top: male figure in red inside open walled room; court women at top center with pulled screens; trees; interior scene at R with court women in large robes admiring art on scrolls; group of robed men among blossoming cherry trees at UR — Spring and Summer [right of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century
Unknown Japanese

Not on View

Egrets in Plum [right of the pair Egrets in Plum and Willow], Sesson Shūkei — Egrets in Plum [right of the pair Egrets in Plum and Willow], second half 16th century
Sesson Shūkei

Not on View

Parinirvana of Sakyamuni, the Historical Buddha, Unknown Japanese — Parinirvana of Sakyamuni, the Historical Buddha, 14th century
Unknown Japanese

Not on View

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina — Figurine of a Female, 1000-800 BCE
Unknown Japanese

G205

Formal Audience Hall, Yasuimoku Komuten Company Ltd. — Formal Audience Hall, constructed 2001
Yasuimoku Komuten Company Ltd.

G222

round metal silver sputnik bank on a blue pedestal with a white dog wearing a space helmet, looking out the window of the capsule; "Sputnik" is printed on the base in red with pictures of stars and planets — "Sputnik Bank" still bank, c. 1957
Japan

G110

seated Santa Claus figure, made to sit with legs hanging from ledge; smiling Santa waves with PL hand; feet crossed — "Seated Santa Claus" still bank, 20th century
Japan

Not on View

flower vase with squat, round body, high neck, and high foot; ornately decorated with figures in relief; figure of a sage and a crane on each side of neck; two handles — Vase with Rin Nasei (Ch. Lin Hejing) and crane, 18th-19th century
Japan

G225

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Japan

G220

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Japan

G205

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom — Ash container with three birds, late 16th century
Japan

G225

landscape scene with dark blue water and puffy gold clouds, brown rice fields, trees, mountains; a few huts amid fields; small temple complex on a peninsula; people on boats — A View of Ama no Hashidate, early 17th century
Japan

G219

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Japan

G205

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Japan

G225

large plate in form of a lily pad resting on three cylindrical black feet — Clarity, 2003
Fukami Sueharu

G240

vertical squarish, thin form with vertical ripples near upper corner; triangular cutout at center of bottom edge; mounted to light wooden base — Between the Waves, 1984
Fukami Sueharu

G240

warped square-shaped figure with pale bluish glaze (seihakuji); raised lines on surface resembling ripples on surface of water — Dances with Waves, 1977
Fukami Sueharu

G240

wide, shallow, thick-walled bowl; two deep, horizontal inherent cracks on interior walls with pooling glaze; one of the cracks is angled and juts out subtly — Abundance, c. 1969
Fukami Sueharu

G240

large celadon colored cylinder with "crease" inside; rests on its side between two triangular wooden blocks; cone shaped porcelain tip screws into base of cylinder — Midair V–1, 2003
Fukami Sueharu

G240

brown body; top band of butterflies and flower scroll, bordered by blue band and rows of black circles; lappets below alternate colorful birds and dragons; green interior; enamels in lappets suffused with copper shavings ("goldstone" technique) — Vase, late 19th century
Japan

G239

squared form, with high walls; small ring foot; milky translucent glaze; stylized depictions of bridges and water, in brown — Serving dish with bridge and water, 17th century
Unknown Japanese

G225

black and brown eagle with white tail perched on dark rock with back toward viewer, craning head around to face viewer; darker clouds at UL with snowflakes beginning to fall; brambles with white leaves in lower portion — White-tailed Eagle in a Snowstorm, after 1901
Takeuchi Seihō

G223

brown and white eagle with grey beak perched on a thick branch; vines with red leaves twisted around branch — Eagle on a branch, 19th-20th century
Kikuchi Hōbun

G223

Large rounded form with small diameter base and neck; green glaze covers side and shoulders of form and drips towards opposite side, which shows two circular forms impressed upon the surface. — Large jar, 2008
Tsujimura Kai

G223

male figure seated on ground at L with arms crossed wearing billowing, angular black robes, looking toward R; inscription at R — Fujiwara Teika, from One Poet One Poem (Ikkasen isshu), early 14th century
Unknown Japanese

G221

horizontally oriented finlike form that bows upward on both ends; one end dramatically pointed; wider, vertical rise in center; mounted on wooden base — Seascape 'Transgression', 1998
Fukami Sueharu

G222

unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned — Cranes under Pine Trees, 16th century
Unknown Japanese

G221

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue — Sake bottle with paulownia, 17th century
Unknown Japanese

G221

ink drawing of skinny elderly man in straw hat running toward L, carrying a long pole that he aims at a dangling object in a tree at UL; inscription at R — Bird Catcher, 18th century
Hakuin Ekaku

G222

abstract image with two thin circles, one light blue and one black, in center; spots of multicolored pigment of yellow, orange, red, blue and white in center; lighter blue circular shape encompasses center image — Milky Way, 1959
Hagiwara Hideo

G226

abstracted mountain landscape with tan field in foreground with line of green trees behind it; grey middle ground with darker grey lines; medium to dark blue mountains with lavender and grey clouds; orange at top of sky — Autumn Clouds at Jūrigi, 1986
Hagiwara Hideo

G227

abstracted image; dark purple form of Mt. Fuji with greenish-brown cloud forms; purple mottled sky with brownish cloud forms — Fantasy after Rain, 1981-1986
Hagiwara Hideo

G237

abstracted image of Mount Fuji in dark grey and purple; orang sky; smudgy purplish-grey clouds at top; grey and green wave-like lines at bottom — The Way to Oshino, 1981-1986
Hagiwara Hideo

G227

abstract; orange ground; green, red, yellow circles; scratchy circles, star; grey arced form at left — Fireworks (2), 1965
Hagiwara Hideo

G226

drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels — Large hand-drum core with grapevines and squirrels, late 16th century
Unknown Japanese

Not on View

skull with snake coiled on top; tail curving down back of skull; no lower jaw — Snake sitting on a skull, 19th century
Japan

Not on View

turtle wrapped in a snake's coils — Snake curled around a turtle, late 18th-19th century
Unknown Japanese

Not on View

Embroidered scene of the Golden Pavilion on one side and scene of Mount Fuji painted on silk on the other, black lacquer frame — The Golden Pavilion in Kyoto, early 20th century
Unknown Japanese

G239

Sunrise on New Year's Day at Kanazawa, Totoya Hokkei — Sunrise on New Year's Day at Kanazawa, 1810s-1830s
Totoya Hokkei

Not on View

abstract — Composition P, 1958
Hagiwara Hideo

G226

The Miracle of Famous Paintings by Ukiyo Matahei, Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke — The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month
Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

horizontally oriented finlike form; rectangular form rising slightly at center — Moment II, 2003
Fukami Sueharu

Not on View

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand — Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century
Unknown Japanese

G219

head and shoulders of figure wearing floral headpiece, brown scarf around shoulders and bronze-colored hand shaped earrings — An Inner Dialogue with Frida Kahlo (Hand Shaped Earring), 2001
Morimura Yasumasa

Not on View

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Unknown Japanese

G220

flat, wide, outward-flaring rim; protruding triangular band around thick neck; shallow grooved line drawn into edge of rim; two black spots on body, one on rim; tan patina; small flat foot — Wide-Mouthed Jar, 1st century BCE- 1st century CE
Unknown Japanese

G205

three levels: bottom section is round base topped by football-shaped body with some squared-off corners at sides, top rounded rectangular opening, with outward-flaring top; glazed brown with some light brown drips/splotches inside mouth; orange-red and green splotchy glaze elements on exterior — Vase, c. 1960
Kawai Kanjirō

G223

standing wooden figure with flame like hair, and fierce expression wearing warrior clothing; wide stance with PR hand clenched in fist toward chest; PL hand clenched in fist with index finger pointing outward; base with carved and painted waves — Makora, one of the Twelve Divine Generals, early 14th century
Unknown Japanese

G220

fan shaped format; nine bold lines of calligraphy; light red seals, LLC and URC — Song Zhiwen's Layered Peaks, mid 18th century
Ike Taiga

G252

six lines of very regular text; three red seals, LLC; nearly square format — Spring in Kitano, first half 19th century
Uno Meika

G252

The details of the figure are made up of calligraphic allusions to the deity's attributes and qualities. — Tenjin on His Way to China, mid 18th century
Hakuin Ekaku

G222

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer — Incense burner with Chinese lions, 16th century
Unknown Japanese

G220

oval bottle with very narrow foot and cap; vertical bands of colored enamel with overlapping decorations of butterflies, flowers, and vine designs; separate cap with bright floral motifs against black enamel — Covered bottle with butterflies, flowers, and vine designs, around 1900
Namikawa Yasuyuki

G239

many small children playing with and climbing on a white elephant that is lying down — Chinese Children Playing with an Elephant [right of a pair], late 18th-mid 19th century
Style of Nagasawa Rosetsu

Not on View

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

bold, expressive, splattered characters written across 6 panels — Words Concerned with Existence [right of a pair], 1984
Suda Kokuta

G252

six panel screen with large, expressive, splattered characters written across screes — Words Concerned with Existence [left of a pair], 1984
Suda Kokuta

G252

massive eagle flexing its wings on a bank next to a waterfall near center; rocky shoreline on either side of waterfall; gnarled pine to R and above eagle, with hanging vines; brambles at L — Sea Eagle amidst the Three Friends of Winter, second half 19th century
Ikeda Unshō

G223

two lines of very large characters; light brown mount — Clouds and Dew, second half 18th century
Ryū Kōbi

G251

light pencil-drawn grid with characters in each space, with some empty spaces in leftmost two rows; two red seals, LLQ — Lu Tong's Tea Song, first half 19th century
Maki Ryōko

G251

14 lines of rather small, looping calligraphy; two large red seals at left edge, below center — Su Shi's First Ode to the Red Cliff, 1826
Tōkai Okon

G253

11 lines of text; red seal in URC, square red seal in LLQ; light blue-grey paper with floral and leaf watermarks; bamboo roller ends — On Becoming Fifty, 1836
Ema Saikō

G253

three lines of bold text; three small characters above two red seals at left edge, LLQ — Du Fu's Over the Blue River, late 17th-early 18th century
Sasaki Shōgen

G253

figure slightly smaller than life size, seated cross-legged with hands one of top the other in lap; eyes closed; mottled green glaze with silver liquid-appearing beads and drips overall — Reduction I, 2013
Kondō Takahiro

G200

red figure with wavy, curling gold hair and a golden crown of flaming jewels; rests chin in PL hand; PL elbow propped on top of a staff he is leaning on; PR toes curled up; standing on rocky platform — Seitaka Dōji, 14th century
Unknown Japanese

G220

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Unknown Japanese

Not on View

funnel-shaped vessel with gentle fluting; three bowed panels join forming folded edges; pale blue color — Clear Daybreak, 1984
Fukami Sueharu

G240

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs — Kakebotoke, 14th century
Unknown Japanese

G220

five bold characters; one short line of connected characters at left; two red seals below short line of text at left; one red seal, URC — Clouds, mid 19th century
Tōkai Okon

G253

jagged, towering rock formations at R with waterfall and gnarled pine trees; small pavilion on shore at lower center with fishing boat nearby; small footbridge connects two shores across a small channel with trees at L; bluish mountains in background; inscriptions ULQ — Early Spring Landscape, before 1533
Shūtoku; Author: Inscribed by Yōkoku Kentō; Author: Inscribed by Teihō Shōchū

Not on View

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures — People of Many Nations, 1649
Unknown Japanese

Not on View

small panda figure with PR arm raised; stands on PR foot on square base covered in strips of mother-of-pearl; bear is covered in mother-of-pearl chips with black lacquered face and inner ears; eyes, nose, and cheeks painted in gold — Bear: Glittering, 2010
Sano Akira

Not on View

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees — Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

G221

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat — Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

G221

two very large, bold characters; two large red seals at left edge, center; one red seal, URC — Bring the Qin, first half 17th century
Nakae Tōjū

G251

two lines of large, bold calligraphy--4 characters in each line; two red seals at left edge, below center; one red seal, URC — Dragons Growl, mid 18th century
Ryū Kōbi

G253

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Unknown Japanese

Not on View

unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting — Okuni Kabuki, first quarter 17th century
Unknown Japanese

Not on View

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Unknown Japanese

G220

long-necked ewer with motif of dragons on handle and lid; bulbous body, gently curving spout with scalloped design around base — Ewer, 15th-16th century
Rihei

G220

black lacquer table; scalloped cutouts on sides between base and rim; curved, scrolling, upturned feet — Black altar table, 15th-16th century
Unknown Japanese

G221

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck — Helmet in dragonfly shape, 17th century
Unknown Japanese

G219

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