🔎 country:"Italy" | Mia

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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros (after Polykleitos), 27 BCE–68 CE
Unknown Roman; Artist: Polykleitos

G241

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower. — The Coaci Inkstand, 1792
Vincenzo Coaci

G310

head, shoulders and arms of a woman with blonde wavy hair, leaning on a white cushion; woman wears brown, black and white dress, gold chain bracelet, pearl earrings, gold and pearl rings and holds a fan — I know a maiden fair to see, take care, 1868
Charles Edward Perugini

G357

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Bernardo Bellotto; Artist: Formerly attributed to Canaletto (Giovanni Antonio Canal) — The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, early 1740s
Bernardo Bellotto; Artist: Formerly attributed to Canaletto (Giovanni Antonio Canal)

G307

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, 1543–44
Giorgio Vasari

G341

The Coronation of the Virgin with Five Music-Making Angels, Mariotto di Nardo — The Coronation of the Virgin with Five Music-Making Angels, 1408
Mariotto di Nardo

G343

Stoup (holy water basin), Giovanni Giardini da Forli — Stoup (holy water basin), c. 1715
Giovanni Giardini da Forli

G308

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

Portrait of Cardinal Pietro Maria Borghese — Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s
Pietro da Cortona (Pietro Berrettini)

G313

Bust-length portrait of an unknown woman — Portrait of a Woman, c. 1495
Attributed to Benedetto Ghirlandaio

G343

painting on white ground — Standing Deity Holding Horn and Bucket, 1st century
Roman

G241

Madonna and Child, Segna di Buonaventura — Madonna and Child, c. 1310
Segna di Buonaventura

G343

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman — Wedding chest (cassone), 1475–85
Unknown Artist, Italian (Lucca)

G343

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

Holy Trinity and Purgatory — The Trinity with Souls in Purgatory, early 1740s
Corrado Giaquinto

G308

The Tiber Muse, 2nd-1st century BCE
Graeco-Roman

G241

70.17ter the old frame for this piece is on P65B MS; Italian wood tabernacle cassetta frame, ca. 1600 (reframed 1992), H.46-1/4 x W.44 in. — Portrait of a Cardinal, possibly Gabriele de' Gabrielli (1445–1511), c. 1505–11
attributed to Lorenzo Costa

G340

Metaphysical School. Scuola Metafisica. Surrealist still life with anatomical charts, drafting triangles and tools, and banded rod or maulstick. Architectural drawing in foreground. Various abstracted rectangles and triangles in remainder of composition. — The Scholar's Playthings, 1917
Giorgio de Chirico

G367

Center dipicting a man attacking another, probably representing Cain and Able; reverse has a nude boy holding a plumed helmet — Basin with Hercules and Cacus, c. 1570
Orazio Fontana

G332

Mythology: Diana the Huntress. Artemis. — Diana the Huntress, c. 1690
Giovanni Battista Gaulli (Baciccio)

G330

lacquered and giltwood, gilt bronze mounts; writing desk and chest-of-drawers which opens — Writing desk, c. 1760
Italy

G308

Catafalque Flambeau, wrought iron bobèche tray (6-3/8 in.), wooden bobèche with pomegranate seed and leaf carvings (6-½ in.), baroque carved structure skeleton(49-½ in.), iron pole shaft (40-½ in.), wrought iron tripod base (14 in.), triangular marble plinth, overall H.112 in., gessoed polychrome and gilded wood and wrought iron — Funeral torch, c. 1720
Italy

G310

'Immaculata' with Anthony of Padua and Francis of Assisi. — The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50
Giovanni Benedetto Castiglione (Il Grechetto)

G330

Religious Old Testament The Prodigal Son — The Prodigal Son, c. 1720–30
Pier Leone Ghezzi

G308

Cityscape of Venice Venezia — View up the Grand Canal toward the Rialto, c. 1785
Francesco Guardi

G307

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows. — Madonna and Child Enthroned, c. 1490
Nicola di Maestro Antonio (di Ancona)

G343

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons — Jewelry box, c. 1730
Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

The Element of Water, Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano) — The Element of Water, c. 1576-1577
Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G340

Relief study for the marble relief of Pope Liberius Baptizing Neophytes, in the Cortile de Belvedere in the Vatican, adorning the Fountain of St. Damasus — Pope Liberius Baptizing the Neophytes, 1647–49
Alessandro Algardi

G313

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area — Head, 1911–1912
Amedeo Modigliani

G367

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) — Pier table, c. 1768
Giovanni Battista Piranesi

G307

rectangular frame with an octagonal opening; three standing figures, a male at left facing right holding the head of St. John's by the hair, a woman wearing a blue dress at right holding a silver tray with the head of St. John on it and Salome at center looking on wearing a white headdress with strands of pearls — Salome with the Head of Saint John the Baptist, 1670s
Onorio Marinari

G330

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Madonna and Child, Giovanni Battista Cima da Conegliano — Madonna and Child, probably between 1500 and 1504
Giovanni Battista Cima da Conegliano

G343

Portrait Bust of Pope Clement X, Circle of Gianlorenzo Bernini — Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)
Circle of Gianlorenzo Bernini

G310

From the high altar of San Marco, Florence Italy (sold late 18th century) — Saint Romuald, c. 1440
Fra Angelico (Fra Giovanni da Fiesole)

G343

St. Onuphrius in Wilderness, Salvator Rosa — St. Onuphrius in Wilderness, c. 1660
Salvator Rosa

G330

Madonna and Child. — Standing Madonna with Child, c. 1350-1354
Nardo di Cione

G343

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date — Florence or Venus, first half of the 17th century
Italy

G310

Veiled Lady, Raffaelo Monti — Veiled Lady, c. 1860
Raffaelo Monti

G357

The Ball at the Mansion House, Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani — The Ball at the Mansion House, 1775
Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani

G209

male figure kneeling on one knee, with a red drapery across his lap; long brown and white beard and hair; PL hand resting on a skull; PR hand holding a crucifix; faint halo; rather dark image — St. Jerome in the Desert, c. 1700
Circle of Paolo Pagani

G308

clear glass; shallow bowl on a wide, short foot; fluted band on underside of bowl around foot; tiny lozenge-shaped spots of silver, gold and white (red, blue and white on back) enamel around underside of rim; blue, red and cream (gold, cream and blue on underside) floral medallion in enamel spots and lines at center bottom — Footed bowl, c. 1500
Italy

G332

four-fold screen/room divider; white ground and white on back; decorated with multicolored printed designs in four rows of musical instruments (primarily lutes), whips, umbrellas, canes, boots, guns, boating equipment (paddles, ropes, anchor), antique lamps, two hat trees with various hats, and keys; eight white casters — Four-paneled folding screen, c.1958
Piero Fornasetti

G378

base made up of parts of gilt metal sculptures attached together in a surreal fashion: human, animal and bird feet, dolphins, horse head, human figures and body parts, key, scrolls, bird's head, tiny grate section; top wishbone-shaped element made of white marble with grey veins, with two candle cups — Aleijadinho Candlestick, 2011
Fernando Campana; Designer: Humberto Campana

G310

Madonna stands upon dragon and clouds with hands placed to chest — Immaculate Madonna, c.1710
Giacomo Antonio Ponsonelli

G308

Neo-Classical head resting on PR side with cloth strips wrapped around top of nose and upper lip; open eyes; deeply crackled surface; mottled patina with greens, golds and browns; two incised/drawn mummy-like heads on back of neck; interior has deeply textured surface — Eros Bendato Screpolato, 1999
Igor Mitoraj

Exterior Grounds

platter form with wide rim; convex center; clear glass with white curving checkerboard design; vetro a reticello — Vetro a reticello charger, c. 1600
Italy

G332

column base is front half of stylized lion with mouth slightly open and head turned slightly toward PL; lion rests its front paws on the carcass of a calf; birds on lion's shoulders; reddish marble--tan tones at top--with black spots; grey spiral fluted column; reddish marble capital with horizontal deeply-incised wavy ribs and lion's head at each corner — Pair of lions with columns and capitals, c. 1210-1220
Workshop of Anselmo da Campione

G340

column base is front half of stylized lion with mouth slightly open with tongue out and head turned slightly toward PR; lion rests its front paws on a small serpent which is biting the lion's neck; reddish marble--tan tones at top--with black spots; grey spiral fluted column; reddish marble capital with horizontal deeply-incised wavy ribs and lion's head at each corner — Pair of lions with columns and capitals, c. 1210-1220
Workshop of Anselmo da Campione

G340

standing male angel at right with a thin wire halo and carrying a thin staff with a curved thin element on front; angel wears robe with a shell motif on each side of chest and a sash with incised flowers over his PL shoulder; angel points downward with his PR hand; young man seated on rock at left, with bare feet, wearing a short robe with zigzag design at hem, looking up at angel; fantastic fish with many teeth, tongue and snout emerging from water at center; spaniel-type dog between two man figures, looking down at fish; figures are silver, base/rocks are gilded — Saint Raphael with Tobias, His Dog, and the Fish, c. 1780
Giuseppe Sanmartino

G350

angel wearing a breastplate and a helmet with a lion at the top and three feathers, holding a sword aloft in his PR hand; angel also wears a shield on his PL arm, printed with, "QUIS UT DEUS"; angel wears a short skirt and a flowered sash over his PR shoulder; angel stands on a fantastic animal with a fierce dog-like head with open mouth with many teeth, lion-like body, thick tail and bat-like wings; silver figures, gilt base — The Archangel Saint Michael in Triumph, c. 1780
Giuseppe Sanmartino

G350

three-part sculpture; a=bust of a woman in gilt bronze; woman wears her hair in a thick bun in back with thick, curly portions framing her face; billowing headdress with point of fabric at center of forehead; woman wears long-sleeved garment with wide cuffs and small bows at shoulders; PR hand on torso below PL breast; PL hand held open at waist; b=black marble pillow/cushion with bronze tassels at front corners and decorative band of chevrons; c=front black marble portion carved to resemble a curtain/drapery with incised gilt inscription — Princess Anna Colonna Barberini (1601-1658), c. 1658-61
Portrait modello by Jacomo Antonio Fancelli; Gilder: Carlo Mattei; Sculptor: Stonemason: Gabriele Renzi; Architect: Francesco Contini; Caster: Francuccio Francucci

G310

angel with brown hair in ULQ, wearing olive green garment over a white undergarment with flowing red sash, holding a sword with a curving red blade in PR hand and reaching down with PL hand; slightly crouching man and woman in foreground wearing loincloths made of leaves; snake, LRC; some white quadrupeds in distance, LRQ; gilt frame with inner leaf pattern; "11" on plate at LRC — The Expulsion of Adam and Eve from Paradise, 1627
Domenico Passignano

G330

standing winged male figure with long curly blonde hair, looking up toward ULC; sword in upraised PR hand--blade out of picture plane; blue breastplate; red cape; blue sandals with white cloth, gilt straps and red gems; figure stands on writhing, muscular nude male figure with brown hair and long fingers and fingernails — The Archangel Michael, ca. 1624-1626
Cavaliere d'Arpino

G330

angel with blonde curly hair at left, wearing flowing yellow garment and gold and blue sandals, wrestling with man with brown hair and beard at right, wearing brown robes; plain gilt frame with "POMARANCIO" on plate at bottom center — Jacob Wrestling with the Angel, early 1620s
Cristoforo Roncalli (il Pomarancio)

G330

tall, thin image of a standing satyr playing pan pipes; satyr may be wearing a hat — Pan, 16th century
Attributed to Pellegrino Tibaldi

G317

knife with grey metal blade with gold inlay of five organic plantlike forms on one side of blade; top of short handle has hexagonal body with alternating grey and yellow metal incised panels; end of handle has piece of red coral left in its organic shape — Knife, from a two-piece cutlery set, late 16th century
Italy

G350

fork with two long tines; twisted stem; end of handle has piece of red coral left in its organic shape — Fork, from a two-piece cutlery set, late 16th century
Italy

G350

vertical composition with Christ on cross wearing a tan loincloth and crown of thorns with six weeping women in jewel-tone robes; skeleton, male nude wearing a crown of snakes, male nude with hands behind his back, and calm-faced woman with blonde hair at foot of cross; received framed in elaborate frame with chased gold balls and faux tortoiseshell — Crucified Christ Triumphant over Death, Evil, and Sin, 1621
Paolo Guidotti, called Cavalier Borghese

G313

Venetian or facon-de-Venise latticinio goblet; thick stem with delicate lattice-like engraving; bulbous midsection on stem; cylindrical shape at top with lip around bottom edge of vessel with vertical applied linear elements--alternating hash marks and white stripes; two horizontal bands on bottom half of vessel; clear glass — Goblet, c. 1530
Italy

G332

two women walking with a young girl; foremost woman wears a white gown with a cape-like back with a green lining, and wears her brown hair in two long braids, with her head completely turned so her face is not visible; second woman wears a black dress and a sheer headscarf over her black hair, with a red headband; little girl in front of women holds a small bouquet of orange and white flowers and wears a gold dress with brown trim, white stockings, and brown pointed Mary Jane shoes, with her long frizzy light brown hair loose with a blue headband; flat landscape with low horizon line, with some figures in middle ground seated on the grass in LLC, three figures walking with a pair of dogs between pair of woman and little girl, and pair of walking figures at leftt; birds in sky at right; pink cloud above girl's head; received in gilt frame — The Evening Walk--Environs of Florence, 1870
Raffaello Sorbi

G357

White resin and fabric; bald woman with African facial features (eyelids not delineated) curled into a fetal position, wearing a white gown with a collar but without sleeve openings; woman wears a tall cone-shaped hat; long length of white Lycra fabric tied around figure's waist which hangs down to floor — Supha, 2008
Maïmouna Guerresi

G242

clear glass; wide, thin foot; thin spooled stem with spool on top of base (attached), topped with bulbous form and two other spools; trumpet-shaped bowl with wide outward-flaring rim — Wine glass, c. 1575-1600
Italy

G332

bust of a man with thick curly hair, beard under his chin and moustache; draping garment with round brooch at PR shoulder; unfinished concave back — Bust of Emperor Hadrian as a Young Man, c. 1590
Giovanni Battista Caccini

G341

with ribbed baluster stems and shaped circular screw-on bases — Candlestick, one of a pair, c. 1745
Italy

G209

male figure wearing a robe carved from brown-veined rock, seated on a red and cream stone plinth; head, hands and feet of gilt bronze; curly hair and beard; wearing cap; man holds scroll in PL hand and two keys in PR hand — The Ludovisi Saint Peter, 2nd century (marble body); c. 1590 (gilt bronze head, hands and feet; throne)
Attributed to Bastiano Torrigiani (head, hands and feet)

G340

sketchy 3/4 length portrait of a man wearing a grey jacket and a tan hat with a brown handlebar moustache, looking toward his left; man holds a cigarette in his PL hand on which he wears a pinky ring; man wears a boutonniere on his PR lapel; received in medium toned wood frame — Portrait of the Painter Francesco Santoro, Rome, 1887
Joaquin Sorolla y Bastida

G355

bust of young man with medium-length curly hair; man wears draping garment with low neckline with knot on PR shoulder; bare PR arm; mottled patina — Saint John the Baptist, c. 1505
Benedetto da Rovezzano

G340

Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow — Mary Magdalen, 17th century
Pasquale Ottino

G313

youth with a halo (Jesus) with long curly blonde hair wearing draping blue garments seated on a raised chair in URQ; male figures seated and standing, gesturing and conversing with each other; man in foreground wearing green skirts and brown shawl seen from back, turning toward PR; man with his PR hand on his chin wearing a blue turban near center with heavy-set man in brown turban behind him, looking over PR shoulder; columns in ULQ; red curtain at top; papers and books in LRQ; circular frame with high relief carvings on fruits and pinecones — Christ Among the Doctors, c. 1685
Luca Giordano

G313

man tied to tree at left; man with knife in hand on one knee; man with lyre, seated, pointing; man seated at right; all figures in foreground; arched bridge left middle ground; gate with arch middle ground center; field with sheep left distance; trees at right middle ground; hills and fields at distance — Apollo and Marsyas, c. 1530 (printed c. 1585)
Master of the Die; Artist: After Raphael (Raffaello Sanzio); Publisher: Philippe Thomassin; Publisher: Giovanni Giacomo de Rossi

G317

train at L and four fieldworkers at center and R; workers are gathering pumpkins in a field — The Pumpkin Harvest, 1897
Giovanni Segantini

G359

Portrait of Giuseppe Alberto de Ambiveri — Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo, c. 1740
Giuseppe Ghislandi, called Fra Galgario

G307

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

Still life. — Still Life, 1942
Giorgio Morandi

G377

Madonna and Child — The Madonna and Child with the Infant Saint John, c. 1750
Francesco de Mura

G308

Portrait of Ruggiero Leoncavallo — Portrait of Ruggiero Leoncavallo, 1906
Giovanni Boldini

Not on View

Religion: New Testament. The Raising of Lazarus — The Raising of Lazarus, 1570-80s
Studio of Jacopo Tintoretto

G330

Mary, Joseph, and the newborn Christ (Nativity) — The Nativity, c. 1425
Fra Angelico (Fra Giovanni da Fiesole)

G343

Resurrection — The Resurrection of Christ, 15th century
Giovanni Dal Ponte (Giovanni di Marco)

G343

One of a pair; the other is "Pentecost", 77.27.2 — Way to Emmaus, c. 1440
Bartolomeo di Tommaso

G343

1706 - Cardinal Zondadari returning from Spain — Monsignor Zondadari Blessing the Spanish, 1728
Placido Costanzi

G330

Religious Old Testament Adam Discovering the Body of Abel — Adam Discovering the Body of Abel, early 1640s
Andrea Sacchi and workshop; Artist: attributed to Carlo Magnone

G330

urn-shaped water jar with three handles a pair of horizontal ones on either side and an upright one at the back; two-panel mythological scene around body; an ornate daisy-like floral band between the two panels and stylized palmettes at sides and back; on front center of shoulder 'signature' painted female bust wearing coiffure wrapped in a 'kekryphalos' — Terracotta Hydria (Water Jug), c. 320 BCE
Attributed to the White Sakkos Painter

Not on View

One of a pair of similar bronze escrutcheons, the shield in each bearing the Arms of the Borghase family: a crowned eagle with outspread wings, above a griffin. The shield incorporates at the top a man's head, and above this a cross, which appears under a Cardinal's hat. Each side is supported by a nude winged cherub. — Coat of arms of Cardinal Scipione Borghese (1579–1633), c. 1620–30
Italy

G330

Pharisees bring a woman accused of adultery before Christ — Christ and the Woman Taken in Adultery, 1720s
Sebastiano Ricci

G308

from a polyptych, arched top (pointed) — Saint Lucy, c. 1410
Benedetto di Bindo Zoppo

G343

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

Not on View

Free standing figure, modeled in the round, with a rich brown patination. — Justice, early 16th century
Attributed to Niccolò Tribolo

G310

Side table, Attributed to Giovanni Paolo Schor (born Johann Paul Schor) — Side table, late 17th century
Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

Madonna of the Martyrs, Francesco Solimena — Madonna of the Martyrs, c. 1705
Francesco Solimena

Not on View

Portrait of John Woodyeare — Portrait of John Woodyeare, 1750
Pompeo Girolamo Batoni

G307

Equestrian figure — Horse and Rider, 1950
Marino Marini

Not on View

balaster form, all members of which are channeled and faceted; engraved triangular bases and scroll feet of iron — Andiron, one of a pair, 16th century
Italy

G325

Cassone with Intarsia decoration — Cassone (chest), 15th century
Italy

G330

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