🔎 country:"Italy" | Mia

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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros (after Polykleitos), 27 BCE–68 CE
Unknown Roman; Artist: Polykleitos

G241

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower. — The Coaci Inkstand, 1792
Vincenzo Coaci

G310

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman — Wedding chest (cassone), 1475–85
Unknown Artist, Italian (Lucca)

G343

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date — Florence or Venus, first half of the 17th century
Italy

G310

Madonna and Child, Giovanni Battista Cima da Conegliano — Madonna and Child, probably between 1500 and 1504
Giovanni Battista Cima da Conegliano

G343

The Tiber Muse, 2nd-1st century BCE
Graeco-Roman

G241

Relief study for the marble relief of Pope Liberius Baptizing Neophytes, in the Cortile de Belvedere in the Vatican, adorning the Fountain of St. Damasus — Pope Liberius Baptizing the Neophytes, 1647–49
Alessandro Algardi

G313

Portrait Bust of Pope Clement X, Circle of Gianlorenzo Bernini — Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)
Circle of Gianlorenzo Bernini

G310

Center dipicting a man attacking another, probably representing Cain and Able; reverse has a nude boy holding a plumed helmet — Basin with Hercules and Cacus, c. 1570
Orazio Fontana

G332

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Stoup (holy water basin), Giovanni Giardini da Forli — Stoup (holy water basin), c. 1715
Giovanni Giardini da Forli

G308

Portrait of Cardinal Pietro Maria Borghese — Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s
Pietro da Cortona (Pietro Berrettini)

G313

Holy Trinity and Purgatory — The Trinity with Souls in Purgatory, early 1740s
Corrado Giaquinto

G308

Madonna and Child. — Standing Madonna with Child, c. 1350-1354
Nardo di Cione

G343

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows. — Madonna and Child Enthroned, c. 1490
Nicola di Maestro Antonio (di Ancona)

G343

silver gilt, separates into five parts; fluted foot and bowl with four panels embossed with scenes of the life of the emperor Caligula and capped with a cast and chased figure of Emperor Augustus — Tazza, c. 1587–1599
Unknown Netherlandish?

G350

lacquered and giltwood, gilt bronze mounts; writing desk and chest-of-drawers which opens — Writing desk, c. 1760
Italy

G308

painting on white ground — Standing Deity Holding Horn and Bucket, 1st century
Roman

G241

Catafalque Flambeau, wrought iron bobèche tray (6-3/8 in.), wooden bobèche with pomegranate seed and leaf carvings (6-½ in.), baroque carved structure skeleton(49-½ in.), iron pole shaft (40-½ in.), wrought iron tripod base (14 in.), triangular marble plinth, overall H.112 in., gessoed polychrome and gilded wood and wrought iron — Funeral torch, c. 1720
Italy

G310

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons — Jewelry box, c. 1730
Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

Madonna and Child, Segna di Buonaventura — Madonna and Child, c. 1310
Segna di Buonaventura

G343

Triptych — Triptych: Prisoners of the Mountain Mist, c. 1910
Giovanni Battista Crema

G310

The Element of Water, Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano) — The Element of Water, c. 1576-1577
Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G341

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

rectangular frame with an octagonal opening; three standing figures, a male at left facing right holding the head of St. John's by the hair, a woman wearing a blue dress at right holding a silver tray with the head of St. John on it and Salome at center looking on wearing a white headdress with strands of pearls — Salome with the Head of Saint John the Baptist, 1670s
Onorio Marinari

G330

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

G310

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Religious Old Testament The Prodigal Son — The Prodigal Son, c. 1720–30
Pier Leone Ghezzi

G308

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

'Immaculata' with Anthony of Padua and Francis of Assisi. — The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50
Giovanni Benedetto Castiglione (Il Grechetto)

G330

Veiled Lady, Raffaelo Monti — Veiled Lady, c. 1860
Raffaelo Monti

G357

Cityscape of Venice Venezia — View up the Grand Canal toward the Rialto, c. 1785
Francesco Guardi

G307

Mythology: Diana the Huntress. Artemis. — Diana the Huntress, c. 1690
Giovanni Battista Gaulli (Baciccio)

G330

The Coronation of the Virgin with Five Music-Making Angels, Mariotto di Nardo — The Coronation of the Virgin with Five Music-Making Angels, 1408
Mariotto di Nardo

G343

Metaphysical School. Scuola Metafisica. Surrealist still life with anatomical charts, drafting triangles and tools, and banded rod or maulstick. Architectural drawing in foreground. Various abstracted rectangles and triangles in remainder of composition. — The Scholar's Playthings, 1917
Giorgio de Chirico

G376

St. Onuphrius in Wilderness, Salvator Rosa — St. Onuphrius in Wilderness, c. 1660
Salvator Rosa

G330

Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area — Head, 1911–1912
Amedeo Modigliani

G367

urn-shaped water jar with three handles a pair of horizontal ones on either side and an upright one at the back; two-panel mythological scene around body; an ornate daisy-like floral band between the two panels and stylized palmettes at sides and back; on front center of shoulder 'signature' painted female bust wearing coiffure wrapped in a 'kekryphalos' — Terracotta Hydria (Water Jug), c. 320 BCE
Attributed to the White Sakkos Painter

G241

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) — Pier table, c. 1768
Giovanni Battista Piranesi

G307

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, 1543–44
Giorgio Vasari

G341

Bust-length portrait of an unknown woman — Portrait of a Woman, c. 1495
Attributed to Benedetto Ghirlandaio

G343

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Bernardo Bellotto; Artist: Formerly attributed to Canaletto (Giovanni Antonio Canal) — The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, early 1740s
Bernardo Bellotto; Artist: Formerly attributed to Canaletto (Giovanni Antonio Canal)

G307

From the high altar of San Marco, Florence Italy (sold late 18th century) — Saint Romuald, c. 1440
Fra Angelico (Fra Giovanni da Fiesole)

G343

head, shoulders and arms of a woman with blonde wavy hair, leaning on a white cushion; woman wears brown, black and white dress, gold chain bracelet, pearl earrings, gold and pearl rings and holds a fan — I know a maiden fair to see, take care, 1868
Charles Edward Perugini

G357

ebony frame with gilt acanthus leaf decoration; central bust of Flora on top crest rail; original mirror panels — Mirror, c. 1700
Italy

G310

Religion: New Testament. The Raising of Lazarus — The Raising of Lazarus, 1570-80s
Studio of Jacopo Tintoretto

G330

Religion: New Testament. Jesus Christ. Reverse is cradled. — The Temptation of Christ, c. 1516-25
Titian (Tiziano Vecelli)

G330

Nymphs bathing — Nymphs at the Bath, c. 1600
Scarsellino (Ippolito Scarsella)

G330

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned. — Madonna and Child Enthroned with Saints, 1339
Bernardo Daddi

G343

Portrait of John Woodyeare — Portrait of John Woodyeare, 1750
Pompeo Girolamo Batoni

G307

Ganymede and the Eagle, c. 1710
Antonio Montauti

G310

Leda and the Swan, Antonio Montauti — Leda and the Swan, c. 1710
Antonio Montauti

G310

Murano clear white glass; flattened spherical body, conical neck decorated with band of quilled clear white glass — Vase, probably 17th century
Italy

G332

Murano blown amber color glass, globular body, segmental gadroonings, tall cylindrical neck with quilled band. — Flask, probably 17th century
Italy

G332

balaster form, all members of which are channeled and faceted; engraved triangular bases and scroll feet of iron — Andiron, one of a pair, 16th century
Italy

G325

Italian, Gothic revival style oil lamp menorah; top oil holder separate — Hanukkah lamp, 19th century
Italy

G362

Saint Augustine and Saint Monica — Saint Augustine and Saint Monica, 17th century
Gioacchino Assereto

G330

Tazza, ceramic, Italian, majolica, cavetto and broad marli molded in relief, depicting the Lion of St. Mark and a conventional leaf design, in the brilliant blue, yellow-gold, and ruby lustre of Gubbio, XVI c. cat. card dims Diam. 10'; ruby lustred — Plate with lion of St. Mark, c. 1525
Italy

G332

Satyr and Nymph, Ferdinando Tacca — Satyr and Nymph, 17th century
Ferdinando Tacca

G310

Bowl with short stem and lobed foot; two protruding elements at front with floral motif decorations; large openwork decorative element above handle with flower and leaf designs — Oil Lamp, 1st century BCE - 1st century CE
Roman

G241

Modello - Apotheosis of Individual Persons : Andrea Doria — The Glorification of Andrea Doria, c. 1750–68
Domenico Corvi

G314

One of a pair of similar bronze escrutcheons, the shield in each bearing the Arms of the Borghase family: a crowned eagle with outspread wings, above a griffin. The shield incorporates at the top a man's head, and above this a cross, which appears under a Cardinal's hat. Each side is supported by a nude winged cherub. — Coat of arms of Cardinal Scipione Borghese (1579–1633), c. 1620–30
Italy

G330

1706 - Cardinal Zondadari returning from Spain — Monsignor Zondadari Blessing the Spanish, 1728
Placido Costanzi

G330

Pharisees bring a woman accused of adultery before Christ — Christ and the Woman Taken in Adultery, 1720s
Sebastiano Ricci

G308

Still life. — Still Life, 1942
Giorgio Morandi

G377

Side table, Attributed to Giovanni Paolo Schor (born Johann Paul Schor) — Side table, late 17th century
Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

Coat of arms of Cardinal Scipione Borghese (1579–1633), Italy — Coat of arms of Cardinal Scipione Borghese (1579–1633), c. 1620–30
Italy

G330

diptych, part of an altarpiece — Saint Bartholomew and Saint Anthony Abbot, 1408
Mariotto di Nardo

G343

Free standing figure, modeled in the round, with a rich brown patination. — Faith, early 16th century
Attributed to Niccolò Tribolo

G310

chest, carved in high relief and parcel gilded on a specially-made stand — Cassone (chest), c. 1600
Italy

G330

a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings. — Saint Sirus, c. 1460
Vincenzo Foppa

G343

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

Free standing figure, modeled in the round, with a rich brown patination. — Justice, early 16th century
Attributed to Niccolò Tribolo

G310

balaster form, all members of which are channeled and faceted; engraved triangular bases and scroll feet of iron — Andiron, one of a pair, 16th century
Italy

G325

Cassone, walnut, Italian XVIc — Cassone (chest), 16th century
Italy

G330

a pair with Saint Sirus (66.37.1); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top — Saint Paul, c. 1460
Vincenzo Foppa

G343

Religious Old Testament Adam Discovering the Body of Abel — Adam Discovering the Body of Abel, before 1644
attributed to Carlo Magnone; Artist: Andrea Sacchi

G330

Thalia and Melpomene — Two Muses (Erato and Melpomene), c.1500-1505
Workshop of Filippino Lippi; Artist: Master of Memphis, possibly Bernardo di Leonardo; Artist: Formerly attributed to Master of Tavernelle (Niccolò Cartoni?)

G343

Saint Roch — Saint Roch, c. 1730–35
Giambattista Tiepolo (Giovanni Battista Tiepolo)

G307

from a polyptych, arched top (pointed) — Saint Lucy, c. 1410
Benedetto di Bindo Zoppo

G343

The Ball at the Mansion House, Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani — The Ball at the Mansion House, 1775
Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani

G209

Portrait of Giuseppe Alberto de Ambiveri — Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo, c. 1740
Giuseppe Ghislandi, called Fra Galgario

G307

Cassone with Intarsia decoration — Cassone (chest), 15th century
Italy

G330

2-handled Vase, ceramic, Italian, late XV Century cat. card dims H. 9-1/2'; catalogued as Albarello, pottery — Albarello (apothecary jar), c. 1450-1500
Italy

G332

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period. — Console table, c. 1775-1800
Italy (?)

G310

male figure kneeling on one knee, with a red drapery across his lap; long brown and white beard and hair; PL hand resting on a skull; PR hand holding a crucifix; faint halo; rather dark image — St. Jerome in the Desert, c. 1700
Circle of Paolo Pagani

G308

Venetian or facon-de-Venise latticinio goblet; thick stem with delicate lattice-like engraving; bulbous midsection on stem; cylindrical shape at top with lip around bottom edge of vessel with vertical applied linear elements--alternating hash marks and white stripes; two horizontal bands on bottom half of vessel; clear glass — Goblet, c. 1530
Italy

G332

clear glass; shallow bowl on a wide, short foot; fluted band on underside of bowl around foot; tiny lozenge-shaped spots of silver, gold and white (red, blue and white on back) enamel around underside of rim; blue, red and cream (gold, cream and blue on underside) floral medallion in enamel spots and lines at center bottom — Footed bowl, c. 1500
Italy

G332

fork with two long tines; twisted stem; end of handle has piece of red coral left in its organic shape — Fork, from a two-piece cutlery set, late 16th century
Italy

G350

knife with grey metal blade with gold inlay of five organic plantlike forms on one side of blade; top of short handle has hexagonal body with alternating grey and yellow metal incised panels; end of handle has piece of red coral left in its organic shape — Knife, from a two-piece cutlery set, late 16th century
Italy

G350

four-fold screen/room divider; white ground and white on back; decorated with multicolored printed designs in four rows of musical instruments (primarily lutes), whips, umbrellas, canes, boots, guns, boating equipment (paddles, ropes, anchor), antique lamps, two hat trees with various hats, and keys; eight white casters — Four-paneled folding screen, c.1958
Piero Fornasetti

G378

clear glass; wide, thin foot; thin spooled stem with spool on top of base (attached), topped with bulbous form and two other spools; trumpet-shaped bowl with wide outward-flaring rim — Wine glass, c. 1575-1600
Italy

G332

base made up of parts of gilt metal sculptures attached together in a surreal fashion: human, animal and bird feet, dolphins, horse head, human figures and body parts, key, scrolls, bird's head, tiny grate section; top wishbone-shaped element made of white marble with grey veins, with two candle cups — Aleijadinho Candlestick, 2011
Fernando Campana; Designer: Humberto Campana

G310

Madonna stands upon dragon and clouds with hands placed to chest — Immaculate Madonna, c.1710
Giacomo Antonio Ponsonelli

G308

Neo-Classical head resting on PR side with cloth strips wrapped around top of nose and upper lip; open eyes; deeply crackled surface; mottled patina with greens, golds and browns; two incised/drawn mummy-like heads on back of neck; interior has deeply textured surface — Eros Bendato Screpolato, 1999
Igor Mitoraj

Exterior Grounds

Arm Chair, Palagio Pelagi, Italain, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

Model No. 267; moulded seat; egg-shaped rockers on either side; back and seat in cane — "Egg" rocking chair, c. 1922
Società Anonima Antonio Volpe

G378

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