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A yogini bearing a jar. One of 19 known sculptures from a set originating in Kanchipuram, Tamil Nadu, India.

Yogini with a jar, early 10th century

India

G210

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance.

Shiva Nataraja (Lord of the Dance), c. 1100

India

Not on View
husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures

Uma-Maheshvara, 10th-11th century

India

G210

Man with halo carries sword and wears sash

Portrait of Shah Jahan, 1700-1720

India

G243

Illustration from the 'Khamsa' (Five Poems) by the Persian poet Nizami (1141-1202). The nearly drowned hero, Majnun, has been rescued by various animals and is being revived.

Majnun in the Wilderness, c. 1600

Mughal school

Not on View
Illustration from the 'Gulshan-i 'Ishq (Rose Garden of Love). A man holds a large bag of clothes seated under a tree, upper center, seven fairies playing in a pool with fountain are gesturing to him, figures surround on four sides by a garden

Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710

Mulla Nusrati

Not on View
recto: rectangular image with text at top and bottom; battle scene with figures on horses and elephants, with swords and bows and arrows; figures at top in mountains fighting in hand-to-hand combat and throwing large rocks; bright multicolors; verso: black text with touch of red; gold lines around borders

The Armies of Timur Combat the Forces of Nasir al-Din Mahmud Tughluq, from the Zafarnama, 1595-1600

Bhora

G243

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

Powder Horn, carved ivory, with original silver fittings; carved images of wild animals; Mughal Dynasty

Powder flask, 17th century

India

G243

reddish carved openwork stone; central arch with wide border with open stars; top corners contain rosettes on one side and 'Allah' on the other; central trellis design of curving lines; attached to mount

Jali with pointed arch frame, 18th century

India

G243

at the bottom, a bell-shaped base comprising four overlapping layers of leaves; this is flanked by stalks with bud and flower; at top of bell-shaped base sprouts a central stalk with large lily; serpentine stems and smaller flowers on either side of large lily

Relief with a Floral Decoration, c. 1700

India

G243

Krishna and Balarama underneath a Tree, 19th century

India

Not on View

Kartikeya on a Peacock, 19th century

India

Not on View
nude male figure with short hair and elongated earlobes standing rigidly upright on a base with incised designs

Jina, 11th or 12th century

Jain

Not on View
Bidri ware, bronze with inlaid brass.

Ewer, c. 1700

India

Not on View
small writing desk having a circular floral pattern adorning the major surfaces (top, sides and front of door) with handles on either sides, hinges, top guard rail and front heart shaped lock plate of silver; ebony stand for cabinet said to be made in Portugese colony of Goa, India

Writing desk on stand, c. 1725-1750

India

Not on View
dark green complected Parsvanatha seated in the lotus posture with cosmic diagram superimposed over his body, represented by nine circles or mandalas

Cosmic Parsvanatha, c. 1525

Jain

Not on View
woman at L with braided pigtails and glasses holds a silver canister toward her body, and smiles at a man at R who is offering her a rose; table in background with two bowls and open brown bottle

© Pushpamala N

Flirting, 2000-2004 (printed 2016)

Pushpamala N.

G103

female figure wrapped in white, facing viewer; PR arm extended, resting on wooden support; black and white checkered backdrop, with a hand on each side to steady

© Pushpamala N

Toda, 2000-2004 (printed 2016)

Pushpamala N.

G103

female figure in red with exposed skin painted blue, looking intently at a bird perched on her raised PR hand; woman is posing in front of a painted backdrop with foliage, a white building, and white rocks

© Pushpamala N

Yogini, 2000-2004 (printed 2016)

Pushpamala N.

G103

man in armor seated on a large armored horse at center; man holds a large red sword; predominately black and gold shield at man's PL side with images of lions attacking animals and man spearing lion with a sword; five other men on horseback with staffs, swords and shields at right; turbaned man at bottom center with two dogs; three men on foot at left leading procession with spears, swords and rifle; delicate slice of landscape with birds, trees, buildings and animals at UL and across top edge; yellow ground; red edging

Processional Portrait of Prince Bhawani Singh of Sitamau, 1855

Attributed to Pyara Singh

G243

from a collection of Twenty Calcutta Paintings, watercolor on handmade paper, heightened with gold metallic paint; termed the post cards of the period.

Heroine with Peacock, 19th century

India

Not on View
figure seated in dhyanasana with hands in lap; cushion below figure carved with foliate sprays and central quatrefoil medallion; crest ornamented with a diamond-shaped srivatsa; back uncarved

Seated Jina, 1108

India

Not on View
ivory noisemaker; extension carved with flowers and crosshatched designs; plexi stand

Grogger (noise maker), 20th century

Middle East or India

G362

spherical body; hinged lid with organic finial with three raised leaves; four scrolling feet; overall decorations (body, cover, handle and spout) of relief floral designs

Teapot, from a three-piece tea set, c. 1885

India

Not on View
spherical body; hinged lid with organic finial with three raised leaves; four scrolling feet; overall decorations (body, cover and handle) of relief floral designs

Creamer, from a three-piece tea set, before 1888

India

Not on View
spherical body; cover with organic finial with three raised leaves; four scrolling feet; overall decorations (body, cover and handles) of relief floral designs

Sugar Bowl, from a three-piece tea set, before 1888

India

Not on View
silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover

Claret Jug, c. 1890

India

Not on View
red and yellow fibers woven around circular band; six brush-like red-orange elements; two tassel-like ornaments with red-orange and black hair, front and back; one large "tassel" has longer black hairs

Woman's head band, c. 1970s

Sema Naga

Not on View
red and yellow fibers woven around circular band; six brush-like red-orange elements; two tassel-like ornaments, front and back-one with orange hairs and one with orange and black hairs

Woman's head band, c. 1970s

Sema Naga

Not on View
red and yellow fibers woven around circular band; six brush-like red elements; two tassel-like ornaments-one slightly larger than the other-front and back- with red and black hair

Woman's head band, c. 1970s

Sema Naga

Not on View
tie-dyed red silk with tie-dyed black silk band on chest; very short with short sleeves; green and gold bands at cuffs; green ties on back

Blouse, late 19th century

Rajput

Not on View
very short; short sleeves; openwork netting in diamond-block designs - primarily red; yellow ties on back; red, yellow and green trim

Woman's Blouse, late 19th century

Rajput

Not on View
green with blue, red, and yellow appliqués in floral medallions on shoulders and breasts; red ties on back; very short with short sleeves

Blouse, late 19th century

Rajput

Not on View
maroon body with green trim; short sleeves; open back; breast covering in front; human figure on each breast and three figures on proper left sleeve; four crescents on proper right sleeve; embroidery (predominantly gold), gold and silver trimmings, sequins, looped gold threads and beads

Woman's wedding blouse, early 20th century

Rajput

Not on View
white; ends woven with diamond and zigzag patterns in black, pink, greens, and red; small red and green pompon balls, and loose and twisted yellow, green, black, and red threads

Woman's belt, c. 1970s

Zeliag Naga

Not on View
white; ends woven with chevrons and geometric bands and stripes in pink, black, and red; pink and green pompon balls at bottom with loose pink, red, and black threads at sides

Woman's belt, c. 1970s

Zeliag Naga

Not on View
brown with maroon floral shapes and circles; embroidered overall with circles with mirrors and cross shapes in white, green, and orange; orange waistband

Woman's skirt, early 20th century

Lohana

Not on View
tie-dyed silk; wrinkled from tying and storage; brown, black, maroon and greenish-yellow in stripes

Turban, c. 1940

India

Not on View
blue, tan, white, rust red and green, woven in zigzags and diamond motifs; braids with tassels at one end; buckle at opposite end; leather fragments

Camel cinch, 19th century

India

Not on View
braided multicolored yarn; beading at one end with cluster of predominantly maroon-felted balls with beads on black and white wrapped cords around a central blue cloth ball

Woman's hair ornament, c. 1970s

Jat

Not on View
long, black braided cord with buttons, beads, colored bands, tassels and pairs of large striped multicolored felted balls at ends

Woman's hair ornament, 1970s

Jat

Not on View
indigo blue woven panel; three strips stitched together; some loose stitching threads at ends

Woman's breast wrap, c. 1950

Zeliang Naga

Not on View
red, black and white stripes; four strips stitched together with red thread with black decorative chevrons; one long side has bow tie-shaped woven elements in pink, red, black, orange, green and white with twisted tassels

Woman's waist wrap, c. 1975

Zeliang Naga

Not on View
long black strip with green, yellow and red stripes on each long side; decorated at center and on each end with stitched stripes with fringe in green, pink, red, tan and yellow; long twisted fringe ends

Man's shoulder sash, mid 20th century

Kabui Naga

Not on View
white with black and red stripes; "faded" stripes at center at one short end; four strips sewn together

Woman's waist wrap, 1970s

Thangkul Naga

Not on View
white with red and dark blue stripes, edged in one thin green stripe; thin red, yellow and green stripes on long sides; four strips sewn together; "faded" stripes at center at one short end

Woman's waist wrap, 1970s

Thangkul Naga

Not on View
rectangular, squared-off shape; strap attached to bag with metal rings; body of bag and strap stitched overall with geometric designs-predominantly squares and rectangles and predominately in red and maroon; purple and yellow tassel clusters on strap; longer purple tassels on bottom corners and bottom center, embellished with metal elements; bell on long white and red twisted cord on one side

Bridegroom's wedding day bag, c. 1960

Banjara

Not on View
tan with blue, red and white stripes

Woman's under wrap, c. 1950

Kabui Naga

Not on View
off-white edged with blue and tan stripes at long side; red, pink, blue and black highlighting stitched bands on all sides; pink stitches under blue chevrons in 12 areas on body; very tiny knotted fringe on short ends

Woman's body wrap, c. 1970s

Zeliang Naga

Not on View
appliqué overall in various brightly -colored solid color and printed fabrics; flower and leaf bands around edges; central Tree of Life motif on dark blue with three pairs of birds-pink, white and yellow; lappet panels at top and bottom

Wall hanging, early 20th century

India

Not on View
coarse woven tan ground with red edging; symmetrical design painted in orange, green, khaki and brown with roundels, birds, pairs of human figures, elephants and plants; flower band and lappet band at bottom; grey marks on back may be faded inscription

Wall hanging, mid 20th century

Kanbi (?)

Not on View
slightly marled grey-brown yarn; multicolored end bands in purple, red, orange, pale orange, grey, yellow and white in geometric bands with squares, checks and chevrons; grey fringe

Man's shawl, mid 20th century

India

Not on View
seated woman at left with blonde hair, wearing a yellow dress; woman rests her PL elbow on a crooked gold staff; two women at right--one seated, one standing; seated woman holds a seashell; standing woman holds a gold plate and ewer; small white bull at bottom center; trees behind wall in background; awning at center extending outward from domed white porch

Bhairavi Ragini in Attitude of Renunciation with Ladies-in-Waiting, c. 1770

India

Not on View
golden city at top center; rocky landscape in foreground with several trees; battle scene with two human figures at right (one with blue skin) with bows and quivers; monkeys, bears, monsters and fantastic animals fighting with swords, spears, daggers, bows and shields

Folio from a manuscript of the Ramayana, 1595-1605

India

Not on View
dancing four-armed Nataraja at center standing on a demon with fangs and a moustache; central figure flanked by Ganesha (elephant-headed figure) at left and Meenakshi (green-skinned figure with green bird) at right; main figures appear in front of an architectural facade with a round element at center flanked by archways--all with swags and elaborate raised decorative patterning; pair of winged figures in top corners; eight figures on each side of a small bull at bottom with small shrines in each lower corner; all figures dressed in gold, with gold architectural elements; received framed and glazed with glass

Shiva as Nataraja Enshrined with Deities, mid 19th century

India

Not on View
central image of large dark-skinned figure wearing elaborate costume of white beads and gold, in a squared-off architectural framed work with floral bouquets on vases made of tiny white dots on dark ground, and flanked by four smaller figures in similar costumes; three small figures beneath large figure; eight standing figures wearing orange at left and right, and one pair of figures wearing white at top, flanking the architectural element; five kneeling figures in bright-colored robes with their faces covered at each side below figures wearing orange; L-shaped element at each side of image broken into small rectangles, each with a figure--the majority of which are clothed similarly to central figures; landscape at bottom with three women carrying vessels on their heads and three mean with a pair of white cattle; kneeling figures at bottom with two monkeys; fish and blooming lilies in water at bottom; multicolored floral border around all edges; predominately orange; mounted on brown canvas

Picchavai of Srinathji, late 19th century

India

Not on View
Illustration from a Bhagavata Purana Series; divided in two horizontal bands depicting groups of gopis walking through the forest, asking the plants and trees for the whereabouts of Krishna

Cowherd Women Seek the God Krishna in the Forest, 1520-1540

India

Not on View

Shiva, late 10th century

India

Not on View
two seated figures, male and female, on separate bases that fit into large separate rectangular base; larger male figure has four arms and sits with PL leg drawn in and PR leg extended downwards at an angle; man wears headdress with wheel on back; one hand has a small animal perched on his fingers, another hand has a small axe-like object resting on fingers; female figure seated in mirror image of man's position, with a small bolster under PR knee; woman is bare-breasted and hold PL hand out, palm up; woman wears a tiered conical headdress with a wheel on the back

Somaskanda, 14th or 15th century

India

Not on View
Red square bag with brown and tan cord and 4 fabric tassel bundles decorated with shells; embroidered geometric patterns in yellow, blue, green and varagated red and white

Pouch, 20th century

India

Not on View
Square shawl, patchwork, of hand-loom woven pieces with inserted scrolls of black and white and river design in border. Field carries pattern of large cones and arabesques converging on the shaped central panel. Inner border has running flower and leaf design. Outer border embroidered. Fringed edges. #9 in Exhibition.

Shawl, 19th century

India

Not on View
Sheer white brocade fabric with diagonal vines; slits at sides with 2 pairs of ties at waist and button at neck; small pocket on PR side at waist

Rajput robe, 18th century

India

Not on View
plain weave cloth, tie dyed; one half the length has been untied; the remainder is tied

Turban Cloth, 1974

India

Not on View
weft interlock tapestry and brocade patterning; blue/green and metallic gold; red/orange band on one end

Sari, 20th century

India

Not on View
Cuff cut from a man's robe; pink ground with printed flowers in green, red, purple and white; outlines painted with gold; lined with green and edged with pink

Sleeve cuff, 19th century

India

Not on View
White cotton fabric with embroidered scrolling flowering vine in pinks, white, green and black; border of alternating yellow and green rectangles outlined in black

Border, 18th century

India

Not on View
Brown fabric with overall repeated floral design in dark brown, black and gilt; mounted on board under plexi SO / DYED

Chinz Fragment, 18th century

India

Not on View
2 textile fragments mounted on board under plexi; asalmon-colored silk with embroidered vine and flower border on L in black and silver on gold; bgold ground with 3 'plants' of same motif as border on a; same border on L SO / EMB

Patka Fragments, 18th century

India

Not on View
3 pairs of necktie shaped embroidery on salmon pink fabric; gold metallic ground with green and yellow scrolling vines with red and white striped 'pods'

Three uncut tabs for Anghaka, 18th century

India

Not on View
2 pairs of necktie shaped embroidery on white fabric; gold metallic ground with border and central section of floral vines in black, green, dark pink and light pink

Two uncut tabs for Anghaka, 18th century

India

Not on View
2 pairs of necktie shaped embroidery on white fabric; gold metallic ground with border and central section of floral vines in black, green, dark pink and light pink

Two uncut tabs for Anghanka, 18th century

India

Not on View
Double-faced embroidery; white fabric with multicolored floral designs in strips and blocks with central medallion; black ink guidelines separate blocks and create stems

Rumal, 18th century

India

Not on View
One complete and one partial large band of scrolling poppies in green and pink with 4 bands of smaller flowers on metallic ground

Velvet fragment, 18th century

India

Not on View
red silk tunic with metallic (gold) decorative embroidery at hem, wrists, chest and in two bands running vertically up front

Tunic, c. 1920

India

Not on View
orange silk pants; go with tunic (97.189.53)

Pants, c. 1920

India

Not on View
silk tunic; beige with machine embroidery of flowers in green, purple, red at neck

Tunic, 20th century

India

Not on View
beige silk pants with drawstring; go with tunic (97.189.55)

Pants, 20th century

India

Not on View
Red silk with large yellow tie-dyed field at center with 5 red areas; printed floral designs at border and inside red areas, made up of small rectangles; sequins and gold, aqua and green embroidery around bottom and portions of right, left and top edges, at center and through yellow field

Head covering, 20th century

India

Not on View
White cotton fabric stamped and embroidered with flowerlike circles (stamps visible around edges of embroidery and at one end) in red, salmon, yellow, green and blue; 5 flowers embroidered over stamps at one end; small blue bead sewn into one blue circle

Length of Embroidered Fabric, 20th century

India

Not on View
White brocading on white plain weave; repeated floral motifs; stripe of metallic threads flanked with red at bottom with geometric design halfway across above stripes

Panel, 19th century

India

Not on View
Sheer yellow fabric with overall design of isolated floral forms in purple, red, green and black SO / DYED

Turban fragment, 18th century

India

Not on View
A folio from an illustrated erotic series

Lovers, c. 1675

India

Not on View
Page from an erotic manuscript

Man Massaging Woman, c. 1675

India

Not on View
fine details, polished surface and decorative floral border

Portrait of Nawah General Firoz Khan, early 18th century

India

Not on View

Rama and Lakshmana Visit Sita or Suparanakha, 1760

India

Not on View
illustration from a Ramayana series; Chamba

Battle between the Monkeys and Ravana, c. 1735

India

Not on View
two ladies (recto), mother and child, probably Krishna and Yashoda (verso) illustration from a Ramayana series; Bikaner

Two Court Ladies, Mother and Child (reverse), c. 1810

India

Not on View
illustration from a Ramayana series; Bikaner

Poppy Blossom, c. 1650

India

Not on View
Bidri ware, bronze with inlaid silver.

Base for a water pipe, 18th century

India

Not on View
Bidri ware, bronze with inlaid silver. Called a 'Gulabpash'.

Gulabpash (Rosewater Sprinkler), late 17th century

India

Not on View
Bidri ware, bronze with inlaid silver.

Tray, 18th century

India

Not on View
globular body with neck pinched in middle; painted figural decor, glass and pigment.

Glass vase with animal painting for Indian market, 1670-1700

India

Not on View
Woman stands on footstool at left surrounded by sarus cranes. Two female attendants hold a portrait or a mirror and a tray of flasks beside her.

The Vilaval Ragini, c. 1780

India

Not on View

A Jain Guru Gives a Sermon, c. 1810

India

Not on View

Portrait Study, c. 1775

India

Not on View
Bird perched on branch by river

Study of a Bird, c. 1810

India

Not on View
84.44a and b came to the MIA as one object and were separated. Records still reflect a and b.

Album folio of poetry, c. 1725

India

Not on View
84.44a and b came to the MIA as one object and were separated. Records still reflect a and b.

Album folio of Pink Lotus, 18th or 19th century

India

Not on View

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