showing 100 of 696 results matching country:"India". (load 200 more)

advanced
info
A yogini bearing a jar. One of 19 known sculptures from a set originating in Kanchipuram, Tamil Nadu, India.

Yogini with a jar, early 10th century

India

G210

husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures

Uma-Maheshvara, 10th-11th century

India

G210

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance.

Shiva Nataraja (Lord of the Dance), c. 1100

India

Not on View
Man with halo carries sword and wears sash

Portrait of Shah Jahan, 1700-1720

India

G243

Illustration from the 'Khamsa' (Five Poems) by the Persian poet Nizami (1141-1202). The nearly drowned hero, Majnun, has been rescued by various animals and is being revived.

Majnun in the Wilderness, c. 1600

Mughal school

Not on View
recto: rectangular image with text at top and bottom; battle scene with figures on horses and elephants, with swords and bows and arrows; figures at top in mountains fighting in hand-to-hand combat and throwing large rocks; bright multicolors; verso: black text with touch of red; gold lines around borders

The Armies of Timur Combat the Forces of Nasir al-Din Mahmud Tughluq, from the Zafarnama, 1595-1600

Bhora

G243

Illustration from the 'Gulshan-i 'Ishq (Rose Garden of Love). A man holds a large bag of clothes seated under a tree, upper center, seven fairies playing in a pool with fountain are gesturing to him, figures surround on four sides by a garden

Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710

Mulla Nusrati

Not on View
circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

Powder Horn, carved ivory, with original silver fittings; carved images of wild animals; Mughal Dynasty

Powder flask, 17th century

India

G243

reddish carved openwork stone; central arch with wide border with open stars; top corners contain rosettes on one side and 'Allah' on the other; central trellis design of curving lines; attached to mount

Jali with pointed arch frame, 18th century

India

G243

at the bottom, a bell-shaped base comprising four overlapping layers of leaves; this is flanked by stalks with bud and flower; at top of bell-shaped base sprouts a central stalk with large lily; serpentine stems and smaller flowers on either side of large lily

Relief with a Floral Decoration, c. 1700

India

G243

Krishna and Balarama underneath a Tree, 19th century

India

Not on View

Kartikeya on a Peacock, 19th century

India

Not on View
nude male figure with short hair and elongated earlobes standing rigidly upright on a base with incised designs

Jina, 11th or 12th century

Jain

Not on View
Bidri ware, bronze with inlaid brass.

Ewer, c. 1700

India

Not on View
small writing desk having a circular floral pattern adorning the major surfaces (top, sides and front of door) with handles on either sides, hinges, top guard rail and front heart shaped lock plate of silver; ebony stand for cabinet said to be made in Portugese colony of Goa, India

Writing desk on stand, c. 1725-1750

India

Not on View
dark green complected Parsvanatha seated in the lotus posture with cosmic diagram superimposed over his body, represented by nine circles or mandalas

Cosmic Parsvanatha, c. 1525

Jain

Not on View
woman at L with braided pigtails and glasses holds a silver canister toward her body, and smiles at a man at R who is offering her a rose; table in background with two bowls and open brown bottle

© Pushpamala N

Flirting, 2000-2004 (printed 2016)

Pushpamala N.

G103

man in armor seated on a large armored horse at center; man holds a large red sword; predominately black and gold shield at man's PL side with images of lions attacking animals and man spearing lion with a sword; five other men on horseback with staffs, swords and shields at right; turbaned man at bottom center with two dogs; three men on foot at left leading procession with spears, swords and rifle; delicate slice of landscape with birds, trees, buildings and animals at UL and across top edge; yellow ground; red edging

Processional Portrait of Prince Bhawani Singh of Sitamau, 1855

Attributed to Pyara Singh

G243

figure seated in dhyanasana with hands in lap; cushion below figure carved with foliate sprays and central quatrefoil medallion; crest ornamented with a diamond-shaped srivatsa; back uncarved

Seated Jina, 1108

India

Not on View
from a collection of Twenty Calcutta Paintings, watercolor on handmade paper, heightened with gold metallic paint; termed the post cards of the period.

Heroine with Peacock, 19th century

India

Not on View
ivory noisemaker; extension carved with flowers and crosshatched designs; plexi stand

Grogger (noise maker), 20th century

Middle East or India

G362

spherical body; hinged lid with organic finial with three raised leaves; four scrolling feet; overall decorations (body, cover, handle and spout) of relief floral designs

Teapot, from a three-piece tea set, c. 1885

India

Not on View
spherical body; hinged lid with organic finial with three raised leaves; four scrolling feet; overall decorations (body, cover and handle) of relief floral designs

Creamer, from a three-piece tea set, before 1888

India

Not on View
spherical body; cover with organic finial with three raised leaves; four scrolling feet; overall decorations (body, cover and handles) of relief floral designs

Sugar Bowl, from a three-piece tea set, before 1888

India

Not on View
red and yellow fibers woven around circular band; six brush-like red-orange elements; two tassel-like ornaments with red-orange and black hair, front and back; one large "tassel" has longer black hairs

Woman's head band, c. 1970s

Sema Naga

Not on View
red and yellow fibers woven around circular band; six brush-like red-orange elements; two tassel-like ornaments, front and back-one with orange hairs and one with orange and black hairs

Woman's head band, c. 1970s

Sema Naga

Not on View
red and yellow fibers woven around circular band; six brush-like red elements; two tassel-like ornaments-one slightly larger than the other-front and back- with red and black hair

Woman's head band, c. 1970s

Sema Naga

Not on View
maroon body with green trim; short sleeves; open back; breast covering in front; human figure on each breast and three figures on proper left sleeve; four crescents on proper right sleeve; embroidery (predominantly gold), gold and silver trimmings, sequins, looped gold threads and beads

Woman's wedding blouse, early 20th century

Rajput

Not on View
tie-dyed silk; wrinkled from tying and storage; brown, black, maroon and greenish-yellow in stripes

Turban, c. 1940

India

Not on View
blue, tan, white, rust red and green, woven in zigzags and diamond motifs; braids with tassels at one end; buckle at opposite end; leather fragments

Camel cinch, 19th century

India

Not on View
indigo blue woven panel; three strips stitched together; some loose stitching threads at ends

Woman's breast wrap, c. 1950

Zeliang Naga

Not on View
red, black and white stripes; four strips stitched together with red thread with black decorative chevrons; one long side has bow tie-shaped woven elements in pink, red, black, orange, green and white with twisted tassels

Woman's waist wrap, c. 1975

Zeliang Naga

Not on View
long black strip with green, yellow and red stripes on each long side; decorated at center and on each end with stitched stripes with fringe in green, pink, red, tan and yellow; long twisted fringe ends

Man's shoulder sash, mid 20th century

Kabui Naga

Not on View
white with black and red stripes; "faded" stripes at center at one short end; four strips sewn together

Woman's waist wrap, 1970s

Thangkul Naga

Not on View
white with red and dark blue stripes, edged in one thin green stripe; thin red, yellow and green stripes on long sides; four strips sewn together; "faded" stripes at center at one short end

Woman's waist wrap, 1970s

Thangkul Naga

Not on View
rectangular, squared-off shape; strap attached to bag with metal rings; body of bag and strap stitched overall with geometric designs-predominantly squares and rectangles and predominately in red and maroon; purple and yellow tassel clusters on strap; longer purple tassels on bottom corners and bottom center, embellished with metal elements; bell on long white and red twisted cord on one side

Bridegroom's wedding day bag, c. 1960

Banjara

Not on View
seated woman at left with blonde hair, wearing a yellow dress; woman rests her PL elbow on a crooked gold staff; two women at right--one seated, one standing; seated woman holds a seashell; standing woman holds a gold plate and ewer; small white bull at bottom center; trees behind wall in background; awning at center extending outward from domed white porch

Bhairavi Ragini in Attitude of Renunciation with Ladies-in-Waiting, c. 1770

India

Not on View
golden city at top center; rocky landscape in foreground with several trees; battle scene with two human figures at right (one with blue skin) with bows and quivers; monkeys, bears, monsters and fantastic animals fighting with swords, spears, daggers, bows and shields

Folio from a manuscript of the Ramayana, 1595-1605

India

Not on View
dancing four-armed Nataraja at center standing on a demon with fangs and a moustache; central figure flanked by Ganesha (elephant-headed figure) at left and Meenakshi (green-skinned figure with green bird) at right; main figures appear in front of an architectural facade with a round element at center flanked by archways--all with swags and elaborate raised decorative patterning; pair of winged figures in top corners; eight figures on each side of a small bull at bottom with small shrines in each lower corner; all figures dressed in gold, with gold architectural elements; received framed and glazed with glass

Shiva as Nataraja Enshrined with Deities, mid 19th century

India

Not on View
central image of large dark-skinned figure wearing elaborate costume of white beads and gold, in a squared-off architectural framed work with floral bouquets on vases made of tiny white dots on dark ground, and flanked by four smaller figures in similar costumes; three small figures beneath large figure; eight standing figures wearing orange at left and right, and one pair of figures wearing white at top, flanking the architectural element; five kneeling figures in bright-colored robes with their faces covered at each side below figures wearing orange; L-shaped element at each side of image broken into small rectangles, each with a figure--the majority of which are clothed similarly to central figures; landscape at bottom with three women carrying vessels on their heads and three mean with a pair of white cattle; kneeling figures at bottom with two monkeys; fish and blooming lilies in water at bottom; multicolored floral border around all edges; predominately orange; mounted on brown canvas

Picchavai of Srinathji, late 19th century

India

Not on View
Illustration from a Bhagavata Purana Series; divided in two horizontal bands depicting groups of gopis walking through the forest, asking the plants and trees for the whereabouts of Krishna

Cowherd Women Seek the God Krishna in the Forest, 1520-1540

India

Not on View
Square shawl, patchwork, of hand-loom woven pieces with inserted scrolls of black and white and river design in border. Field carries pattern of large cones and arabesques converging on the shaped central panel. Inner border has running flower and leaf design. Outer border embroidered. Fringed edges. #9 in Exhibition.

Shawl, 19th century

India

Not on View
Sheer white brocade fabric with diagonal vines; slits at sides with 2 pairs of ties at waist and button at neck; small pocket on PR side at waist

Rajput robe, 18th century

India

Not on View
plain weave cloth, tie dyed; one half the length has been untied; the remainder is tied

Turban Cloth, 1974

India

Not on View
weft interlock tapestry and brocade patterning; blue/green and metallic gold; red/orange band on one end

Sari, 20th century

India

Not on View
Cuff cut from a man's robe; pink ground with printed flowers in green, red, purple and white; outlines painted with gold; lined with green and edged with pink

Sleeve cuff, 19th century

India

Not on View
White cotton fabric with embroidered scrolling flowering vine in pinks, white, green and black; border of alternating yellow and green rectangles outlined in black

Border, 18th century

India

Not on View
Brown fabric with overall repeated floral design in dark brown, black and gilt; mounted on board under plexi SO / DYED

Chinz Fragment, 18th century

India

Not on View
2 textile fragments mounted on board under plexi; asalmon-colored silk with embroidered vine and flower border on L in black and silver on gold; bgold ground with 3 'plants' of same motif as border on a; same border on L SO / EMB

Patka Fragments, 18th century

India

Not on View
3 pairs of necktie shaped embroidery on salmon pink fabric; gold metallic ground with green and yellow scrolling vines with red and white striped 'pods'

Three uncut tabs for Anghaka, 18th century

India

Not on View
2 pairs of necktie shaped embroidery on white fabric; gold metallic ground with border and central section of floral vines in black, green, dark pink and light pink

Two uncut tabs for Anghanka, 18th century

India

Not on View
Double-faced embroidery; white fabric with multicolored floral designs in strips and blocks with central medallion; black ink guidelines separate blocks and create stems

Rumal, 18th century

India

Not on View
One complete and one partial large band of scrolling poppies in green and pink with 4 bands of smaller flowers on metallic ground

Velvet fragment, 18th century

India

Not on View
orange silk pants; go with tunic (97.189.53)

Pants, c. 1920

India

Not on View
White brocading on white plain weave; repeated floral motifs; stripe of metallic threads flanked with red at bottom with geometric design halfway across above stripes

Panel, 19th century

India

Not on View
Sheer yellow fabric with overall design of isolated floral forms in purple, red, green and black SO / DYED

Turban fragment, 18th century

India

Not on View
A folio from an illustrated erotic series

Lovers, c. 1675

India

Not on View
Page from an erotic manuscript

Man Massaging Woman, c. 1675

India

Not on View

Rama and Lakshmana Visit Sita or Suparanakha, 1760

India

Not on View
illustration from a Ramayana series; Chamba

Battle between the Monkeys and Ravana, c. 1735

India

Not on View
two ladies (recto), mother and child, probably Krishna and Yashoda (verso) illustration from a Ramayana series; Bikaner

Two Court Ladies, Mother and Child (reverse), c. 1810

India

Not on View
illustration from a Ramayana series; Bikaner

Poppy Blossom, c. 1650

India

Not on View
Bidri ware, bronze with inlaid silver.

Base for a water pipe, 18th century

India

Not on View
Bidri ware, bronze with inlaid silver. Called a 'Gulabpash'.

Gulabpash (Rosewater Sprinkler), late 17th century

India

Not on View
Bidri ware, bronze with inlaid silver.

Tray, 18th century

India

Not on View
Woman stands on footstool at left surrounded by sarus cranes. Two female attendants hold a portrait or a mirror and a tray of flasks beside her.

The Vilaval Ragini, c. 1780

India

Not on View

A Jain Guru Gives a Sermon, c. 1810

India

Not on View

Portrait Study, c. 1775

India

Not on View
Bird perched on branch by river

Study of a Bird, c. 1810

India

Not on View
84.44a and b came to the MIA as one object and were separated. Records still reflect a and b.

Album folio of poetry, c. 1725

India

Not on View
84.44a and b came to the MIA as one object and were separated. Records still reflect a and b.

Album folio of Pink Lotus, 18th or 19th century

India

Not on View
Mushru Cloth, Mughal Period, late XVII-early XVIII century. Ikat dyed (indigo over cochineal). 'Mushru' means 'permitted'. Under the laws of the Koran pure silk could not be worn by men, but with cotton or linen wefts, it was permitted as a lining material for a garment at court.

Mushru cloth, late 17th-early 18th century

India

Not on View
subject is the Great Grandfather of Jia Jee Rad Sihdhya

Portrait of Maharaja Mahadji-Scindia, c. 1880

India

Not on View
Fakir Khan, Mirza Iftikhar, Mirza Muhammad Azam, Mirza Khuda Bakhsh, and Mirza Khudabad on a floral rug on a terrace with trees behind.

Portrait of Fakir Khan and His Sons, c. 1690

India

Not on View
Folio from a Kalpasutra manuscript; ornamental border decoration

Queen Trisala on Her Couch, c. 1500

India

Not on View
Four illustrations to the Kalpastura, first quarter, 16th c.

Kalaha Preaches to King Sahr; Mahavira’s Departure with Indra (top); Adoration of a Tirthankara (bottom), c. 1500

India

Not on View
One of four illustrations to the Kalpastura, first quarter, 16th c.

Kalaha Preaches to King Sahr / Mahavira’s Departure with Indra / Adoration of a Tirthankara, c. 1500

India

Not on View
One of four illustrations from a Kalpasutra manuscript.

Mahavira Gives Away His Possessions, c. 1500

India

Not on View
One of four illustrations to the Kalpastura, first quarter, 16th c.

Adoration of a Tirtankara, c. 1500

India

Not on View
Illustration from the Bhagavata Purana; a compartmentalized painting illustrating various scenes with Krishna

The Adoration of Krishna, c. 1700

India

Not on View

An Illustration to the Rasikapriya of Keshav Das, c. 1700

India

Not on View
illustration from a Ramayana series

Sita at the Hermitage of Bharadvaja, c. 1810

India

Not on View
Shiva sits with Parvati on top of a flayed tiger skin. Shiva wears a necklace of human heads and holds an antelope in his upper left hand, a blade in his upper right, a trident in his lower left, and rudraksha beads in his lower right.

Uma Maheshvara (Shiva and Parvati), late 19th century

India

Not on View
A princely couple, surrounded by female musicians and attendants, gaze upon an approaching storm. The pastoral countryside is darkened on the right by thunder and lightning and punctuated by flying birds.

Lovers Watching an Approaching Thunderstorm, c. 1780-90

India

Not on View

Vasudeva carries the Infant Krishna across the Yamuna River, c. 1720

India

Not on View

Water Vase (Lota), 17th-18th century

India

Not on View
Odhani, or woman's veil, of black satin with very fine tie-dye design in red. Fine embroidery borders enclosing mirror chips. Embroidery.

Woman's veil (Odhani), 19th century

India

Not on View
Man's Coat; gold brocade on cream ground in palmette and ogive design with touches of lavendar. Coat edged with lavendar striped brocade. Back, front and sleeve pieces woven seperately. Silk brocade.

Man's coat, 19th century

India

Not on View
Potala (double ikat) silk panel with all-over geometric pattern in yellow, red, green, and brown. Finished at each end with wide borders and fringe; possibly a sari.

Sari, 19th century

India

Not on View
kussaba or square shawl; the ground is of black wool, parts of which have been woven separately and fastened together; shawl is completely covered with floral and arabesque designs; border woven separately and added; supplementary border of fringed strips of colored woolen; the design has been outlined in embroidered stitch; alike on both sides

Shawl (kussaba), 18th century

India

Not on View
Square panel of pashmina (wool from Tibetan goat), dark red ground, scarcely visible, covered with all-over embroidery in chain stitch representing animals, trees and human beings. The outer border consists of multiple scenes, each framed by an Indo Islamicate arch. These scenes gesture at painting traditions of the time, and depict interior and exterior court, hunting, leisure, parade, and battle scenes. Central circular motif emanates from roundel containing untranslated Persian inscription. Red predominating color except for center and corners where pale blues, greens and yellow predominate. Corners and central circle have elaborate use of gold threads. Lined with mauve sateen. Tears on border.

Embroidered Tablecover, 19th century

India

Not on View
square of silk brocage, pear design

Panel, 18th century

India

Not on View
Doshalla or long shawl bearing a maker's signature in corner; white wool ground with borders, wide at ends and narrow along sides of Buthas or cone-shaped ornaments with floral network separating borders woven separately and joined to shawl.

Shawl (doshalla), 18th-19th century

India

Not on View
Kussaba or square shawl, loom woven. Ground of yellow wool covered with small Buthas or cone-shaped ornaments; border on each end of larger Buthas made separatly and sewn on; border appears to be of a later date.

Shawl (kussaba), 18th-19th century

India

Not on View
sari, black silk. Widfe woven border of palmettes at one end and narrow border on both sides

Sari, 19th century

India

Not on View
Coarsely woven mat with bands at top and bottom of red and dark blue ad, in the center, three wide red stripes on a blue ground. Finished at top and bottom with white warp fringe.

Mat, 19th century

India

Not on View
Panel of dull red cotton material embroidered in an all-over pattern of diamond shapes in stain stich worked in white silk. At both ends are borders of diagonal bars of diamond shapes embroidered with orange silk.

Panel, 19th-20th century

India

Not on View
Irregular fragments of brocade sewed together, possibly part of a costume. Patterned with large and small palmettes and yellow flowers on a dull blue ground.

Panel, 19th century

India

Not on View

showing 100 of 696 results matching country:"India". (load 200 more)

Download results as CSV