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Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained.

Portrait of a Girl, 1547

Georg Pencz

G342

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Blind Man's Buff, 1945

Max Beckmann

G371

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath.

Dance Training, 1910-11 (altered 1920)

Ernst Ludwig Kirchner

G371

St. Jerome, c. 1635

Adam Lenckhardt

G341

maroon leather binding with gilding trim; "ARC TRIOMPHAL D'APRES ALBERT DURER" on spine; colorful endpapers with green, grey, yellow, red and white spots with black; text pages followed by woodcuts of portions of fantastic triumphal archway with figures (some with names and coats of armor), scenes of battle and other vignettes, animals, text and sculptural and architectural elements; detached green silk ribbon bookmark (inserted between pages)

Ehrenpforte (The Triumphal Arch of Maximilian I), 1515 (printed 1799)

Albrecht DĂŒrer

Not on View

Armor, c. 1520

Germany

G340

Figure

The Fighter of the Spirit, 1928

Ernst Barlach

Exterior Grounds

octagonal rifle barrel with simple decoration at the breech; wheel pierced by four hearts; trigger guard forged with three loops at cusps of finger grooves; bone and mother-of-pearl inlay throughout, cheek inlaid with a standing south American Indian. Arms and Armor-Firearm

Wheel lock rifle, c. 1630

M.P.

G340

Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96.

Seated Girl (FrÀnzi Fehrmann), 1910 (altered 1920)

Ernst Ludwig Kirchner

G371

One of a pair of marriage portraits (see 57.10)

Portrait of Moritz Buchner, c. 1520

Lucas Cranach the Elder

G342

Landscape depicting the ruins of the Temple of Vespasian.

Roman Landscape with Cattle and Shepherds, 1676

Johann Heinrich Roos

G309

Landscape. German Expressionism. View of Dresden.

View of Dresden: Schlossplatz, 1926

Ernst Ludwig Kirchner

G378

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Little Girl, 1922

Otto Dix

Not on View
Frame probably designed by the artist. It is inscribed 'Mater Amabilis' meaning 'Mother worthy of Love'

Madonna and Child, 1855

Franz Ittenbach

G357

high relief plaque with head of Beethoven emerging from dark red ground; egg and dart motif around edges of panel; "BEETHOVEN" incised at bottom; skin is pale white; brown eyes and light brown hair; scowling expression

Portrait of Beethoven, c. 1902

Franz von Stuck

G351

organic, curving, turned wood-like form with central open spaces; reddish finish

%C2%A9 2003 Tony Cragg

Pulse, 2003

Tony Cragg

G380

figure

The Avenger, modeled 1914, cast 1923

Ernst Barlach

G371

marquetry

Center table, c. 1680

Hans Daniel Sommer

G312

German Renaissance, probably made in Nuremberg for the residence of Archbishop Sigismund of Magdeburg; metal handles, locks

Schrank (cabinet), c. 1640

Germany

G310

Kitchen cabinetry, sink, stool, lighting fixture; stool has three blue legs and wood seat; single-bulb light fixture is white enamelled on top and is saucer-shaped, bulb of light does not function; Siemens cookstove with small oven and two burners; 12 metal bins for dry staples; one large metal scrap bin

Frankfurt Kitchen, 1926-1930

Margarete SchĂŒtte-Lihotzky

G378

red-eyed and balding telegraph operator at desk in foreground; postman in uniform, R background

%C2%A9 Albert Birkle %2F Artists Rights Society %28ARS%29%2C New York

The Telegraph Operator, 1927

Albert Birkle

G377

plate with flat rim; incised repeating organic design on rim with inscriptions inside ovals; interior incised with a pair of hands inside an organic element flanked by 2 birds facing outward

Seder plate, c. 1750

Germany

G362

pewter plate with floral and fish motifs in center and Hebrew around outer edge

Seder plate, 19th century

Germany

G362

wand; hand with pointing index figure at narrow end; chain attached at knob end; rolled design

Yad (Torah pointer), 20th century

Germany

G362

Pitcher, ceramic, German, XVIIIc cat. card dims H 6-1/2'

Pitcher, 18th century

Germany

G324

Kakiemon style with winged beast, flying crane, insects, grasses, spays in indianische blumen within a Sulkowski Osier border

Kakiemon plate with beast, crane, insects, c. 1740

Germany

G319

Kakiemon style with winged beast, flying crane, insects, grasses, spays in indianische blumen within a Sulkowski Osier border

Kakiemon plate with beast, crane, insects, c. 1740

Germany

G319

Teapot, Date Unknown

Germany

G324

Jug for hot milk with cover (replica of coffee pot), German XVIIIc cat. card dims 6 x 7-1/2'

Jug, 18th century

Germany

G324

Cup and Saucer with floral decoration in carmine.

Cup and saucer, 18th century

Germany

G324

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue

Cup and saucer, 18th century

Germany

G324

Cup and Saucer, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc NO DIMS. ON CAT. CARDS

Cup and saucer, 18th century

Germany

G324

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room

Tea caddy, Date Unknown

Germany

G324

Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8'

Tea caddy, 18th century

Germany

G324

cup, ceramic-porcelain, cat. card dims diam 2-3/4 x H 3-1/4'

Cup and saucer, 19th century

Germany

G333

Coffee Pot with cover, ceramic, ribbed with floral decoration in carmine and gold. Cover from smaller vessel of same design, German XVIIIc cat. dims 7-1/2 x 5-1/2'

Coffee pot, 18th century

Germany

G324

Sugar bowl and lid, ceramic, *25.417.77ab cat. card dims across top 2-3/4 x 3-3/4 x 1-1/2'

Lidded sugar bowl, 18th century

Germany

G319

in the form of the chalice; removable inner round cover for paten, which fits underneath base of chalice; pink lining; brown leather exterior with gilt embossed scroll designs; silver hook closures

Case for Eucharistic chalice and paten, 1627

Germany

G350

round, bulbous body; light blue glaze with inherant dark blue crackle lines; underside of cover and interior of cover have pinkish glaze hue

Coffee pot, c. 1925

Germany

G378

Cast and wrought; comprised of twelve arms and central shaft for a total of thirteen candle holders; the arms swivel round the center shaft so that they may be arranged in the same plane or at right angles to each other, forming a three-dimensional stylized tree

Candelabrum, 1901

Bruno Paul; Manufacturer: K. M. Seifert & Company

G379

Teacup and Saucer, ceramic, cat. card dims diam 2-3/4 x H 2-3/4' White ground with scenes of ships landing in panel on cup and landscape panel with bridge on saucer with border of gold and lavendar.

Cup and saucer, before 1756 (?)

Meissen Porcelain Factory

G324

Plate, ceramic, one of a pair with dragon design in iron red and gold. In the center oof the plate two phoenix placed beak to beak, their tails so arranged as to make a medallion motif. A butterfly, or bee?, apppears near the birds outside of the medallion.

Plate, one of a pair, c. 1726

Meissen Porcelain Factory

G319

teacup, ceramic, cat. card dims diam 2-5/8 x H 2-1/2'; cup has a lavendar ground with two panels with variety of kakeimon pattern with partridges

Cup and saucer, c. 1750

Meissen Porcelain Factory

G319

Bowl, ceramic, cat. card dims H 3-1/8 x diam 6-5/8' Two panel scene of ships landing in cloosed in border of gold with lavender sprays of flowers between; shipping scene in purple in bottom.

Bowl, c. 1750

Meissen Porcelain Factory

G324

Storage box for this object is in D10 MS

Long-stemmed goblet, c. 1900

Friedrich Zitzmann

G379

Charger, c. 1900-1905

Max Laeuger

G334

Teacup, ceramic, cat. card dims diam 3-1/8 x H 1-3/4' Cup and saucer; white ground with gold Chinese figures; no handle on cup.

Cup and saucer, c. 1740

Meissen Porcelain Factory

G319

plate, ceramic, cat. card dims diam 8-1/8 x H 1-3/4' ; blue border, gold rim, view of castle surrounded by water

Plate from the dinner service of Willem V, c. 1772–74

Meissen Porcelain Factory

G324

*25.417.76ab cat. card dims H 5-5/8 x diam 2-1/4' Coffee Pot, white ground with gold figures of chinamen; cover, top and bottom of pot fluted. c.1720. Earle Meissen of this type is much valued; made under Herold regime.

Coffee pot, c. 1720

Meissen Porcelain Factory

G319

teacup, ceramic; cat. card dims diam 2-7/8 x H 1-5/8'; canary yellow ground with carmine flowers and landscape in panel; the nick in the paste across the sword mark on the cup indicates that the piece was sold undecorated from the factory; this decoration was probably done by a contemporary artist in touch with the Royal Meissen methods and techniques

Cup and saucer, 1701–50

Meissen Porcelain Factory

G324

teacup, ceramic; green basket pattern border, scene of river and water front; saucer, ceramic, green basket pattern border, scene of river and water front; Dietrich period

Cup and saucer, 1760–80

Meissen Porcelain Factory

G324

Plate, ceramic, cat. card dims diam 8-1/8 x H 1-5/8'; white ground, blue border, gold rim, panel view of village on water

Plate from the dinner service of Willem V, c. 1772–74

Meissen Porcelain Factory

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11'

Coffee pot, 18th century

Furstenburg

G324

plate, ceramic, cat. card dims diam 9-1/2 x H 1-3/8' letters 'KPM' on bottom of piece

Plate, 19th century

Berlin Porcelain Factory

G333

Plate, ceramic, XVIIIc; See acc. number 37.25.1.

Plate, one of a pair, c. 1726

Meissen Porcelain Factory

G319

Modelled by Kandler for Count Bruhl.

Armorial plate from the "Swan service", one of a pair, 1737-1741

Johann Joachim KĂ€ndler

G319

dark stained fruitwood, relief carving of foliate and scrolling; octagonal barrel and breech; gilt brass wheelcover and figures placed throughout; images of St. George and the Dragon at trigger; brass nail heads incorporated throughout carved woodwork design. Arms and Armor-Firearm

Wheel lock hunting rifle, 1650

Martin Gummi

G340

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band

Cup and saucer from Solitaire Set, c. 1785

Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band

Tea Pot with lid from Solitaire Set, c. 1785

Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band

Sugar Bowl with lid from Solitaire Set, c. 1785

Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band

Coffee Pot with lid from Solitaire Set, c. 1785

Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band

Milk Jug from Solitaire Set, c. 1785

Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band

Tray from Solitaire Set, c. 1785

Höchst Porcelain Factory

G324

Rococo oval base with moss applique

The Stolen Kiss, c. 1770

Karl Gottlieb Lucle; Manufacturer: Frankenthal Porcelain Factory

G324

Round white body, D-shaped handle and spout in the form of an opened mouth animal; purple detailing; large flower arrangements at each side with four smaller sets interspersed throughout, 1 near handle and 3 nearest the spout.

Covered teapot, 18th century

Meissen Porcelain Factory

G324

round stained glass panel depicting the Nativity, with baby Jesus in a basket at bottom center, kneeling Mary praying before Jesus, Joseph hammering at one side, and horse and cow behind baby Jesus; angel at top center; scrolling border

The Nativity, c. 1510-1520

Hans SchÀufelein

G341

round stained glass panel depicting the Resurrection, with a standing Jesus with two figures at bottom--one sleeping, the other startled; hand-drawn grid and circle patterned border

The Resurrection, c. 1510-1520

Hans SchÀufelein

G341

round stained glass panel depicting Christ enthroned with two figures beneath him; floral border

The Last Judgement, c. 1510-1520

Hans SchÀufelein

G341

round stained glass panel depicting the Annunciation, with kneeling Mary at prayer at one side and an angel in red at the other side, holding a scroll; white flowers in a vase behind Mary; wave or scroll patterned border

The Annunciation, c. 1510-1520

Hans SchÀufelein

G341

Tyrolean dancers, 1735-1737

J. Eberlein; Manufacturer: Meissen Porcelain Factory

G209

male figure seated before trees playing instruments; wearing conical hats and puce flowered robe on rockwork base with melons; blue crowned interlaced C's

Chinese musician, one of a pair, 1767

Joseph Weinmuller; Manufacturer: Ludwigsburg Factory (Herzoglich-Königlichen Porzellan-Manufaktur)

G319

female figure seated before trees playing musical instruments; wearing conical hats and puce flowered robes on rockwork bases with melons; blue crowned interlaced C's

Chinese musician, one of a pair, 1767

Joseph Weinmuller

G319

round stained glass panel depicting the Adoration of the Magi, with Mary seated at one side holding baby Jesus on her lap; three men holding gold containers at other side; central standing man gestures up to the Star of Bethlehem; angel above Mary's head; floral border

The Adoration of the Maji, c. 1510-1520

Hans SchÀufelein

G341

gilt saucer; tiny indentation at bottom center

Paten, 1627

André Schiller

G350

stemmed cup on wide base; base decorated with scrolls, three-dimensional winged heads, and bouquets; three winged heads with tasseled cord pendants on stem separate three cartouches--crucified Christ with "1627", engraved panel with scrolls, heart, flowers, and "MARIA", engraved panel with scrolls and "IHS"; three angels in relief on cup separating cartouches with engraved scroll and flower designs; silver and gold patina

Eucharistic Chalice, 1627

André Schiller

G350

back has openwork design with lions flanking a cartouche with a menorah; light incised lattice design on top of lamp compartment cover; tiny lions on domed feet; cover of lamp compartment detaches from the main lamp body when it is opened more than 75%, possibly due to the fact that it seems to be missing a hinge pin on the "back left" hinge.

Hanukkah lamp, c. 1760

Rotger (Rudiger) Herfurth

G362

square table with leaves that fold upward creating X shape; small triangular-shaped compartment on each side of table; legs curve inward toward base of compartments/ shelves, and curve outward toward feet; four supports pull out to support leaves; green leather playing surface; small brass cup at each corner when unfolded

Game table, c. 1906

Henry van de Velde; Manufacturer: H. Scheidemantel Hofkunsttischlerei

G378

Plate 15

The Babylonian Whore, 1498

Albrecht DĂŒrer

Not on View
Plate 13

Beast with Two Horns Like a Lamb, 1498

Albrecht DĂŒrer

Not on View
a family, two adults and a child, seated in a field; two cows (oxen?) and a plow next to family

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

Afternoon Break, Westerwald, Germany, c. 1928

August Sander

Not on View
full-length portrait of grey haired, bearded man standing beside a wall in front of a vine covered structure

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

Pharmacist, Linz, Germany, 1931 (printed c. 1980)

August Sander

Not on View
farm fields and woodlands (trees and shrubs) farmhouses and barn center L foreground and center R middle ground; cloudy sky

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

Landscape Near Heisterbach, Germany, 1935 (printed c. 1980)

August Sander

Not on View
old woman at right, spinning at a wheel, with an old man seated to her right, in the corner of a room with flowered wallpaper

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

Peasant Couple, Germany, c. 1928

August Sander

Not on View
portrait of man with pointed chin and flat, short hair, combed to the left; man wears shirt and tie

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

The Painter Franz Wilhelm Seiwert, Cologne, Germany, 1928

August Sander

Not on View
One of a pair of marriage portraits (see 57.11)

Portrait of Anna Buchner, née Lindacker, c. 1520

Lucas Cranach the Elder

G342

Landscape.

St. Anthony Falls as It Appeared in 1848, 1855

Henry Lewis

G303

Seascape. German Expressionism.

%C2%A9 Nolde Stiftung Seeb%C3%BCll

Evening Glow, 1915

Emil Nolde (born Emil Hansen)

Not on View

Madonna and Child with Grapes, c. 1537

Lucas Cranach the Elder

G342

Nude Girl, 1886

Lovis Corinth

Not on View

Diogenes, 17th century

Johann Carl Loth

G308

two men with bicycles at right; man seated on a closed horse-drawn carriage at left

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

Untitled, 1911

August Sander

Not on View
two mirror images of hands in blessing gesture (two fingers raised) with drapery in background; sheet treated to show premature yellowing and foxing

Copyright %C2%A9 Linda Schwarz%2C published by Highpoint Editions

Gesture XVII, 2002

Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

proper left hand with fingers loose and slightly bent, emerging from draperies at right; sepia tone overall

Copyright %C2%A9 Linda Schwarz%2C published by Highpoint Editions

Gesture XIII, 2002

Linda Schwarz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

elderly man and woman seated in armchairs with branches on backs; woman in black seated to proper right of elderly woman; woman in white blouse and black skirt seated to proper left of elderly man; three men with moustaches and one woman stand in back of seated people

%C2%A9 Die Photographische Sammlung%2FSK Stiftung Kultur %E2%80%93 August Sander Archiv%2C Cologne %2F Artists Rights Society %28ARS%29%2C New York 2017

Farming Family, c. 1910

August Sander

Not on View
pictorial marquetry on top, front, sides, inside the lid, inside the doors, and throughout the inner drawer fronts and inner cabinet doors; images of soldiers and knights, some with horses, fighting various real and mythological animals and men; elaborate scrolls and floral edging with birds, animals, and various flowers and foliage; back on cabinet, inner top, and inner doors veneered in marquetry simulating paneling; wood of various shades including green; heavy metal handles on each short side; elaborate metals corners and hardware on inside and outside with scrolling motifs and bluing; compartments and drawers numbered in blue chalk; three keys; two secret compartments behind inner central removable section with four drawers on each side

Table cabinet, c. 1560-1570

Germany

G340

flagon, tapered cylindrical body with dished lid, slightly domed in center to carry lid-peg, handle with bold outward sweep meets body less than half way down, a characteristic or early German flagons, erect thumbpiece, on front of body an engraved shield with scrolled mantlings bearing initials [H.A.M.S.] and date

Flagon, 1685

Germany

G325

Copper with repoussé design of a sea creature and naturaliste / abstract motifs with inset mother-of pearl

Bowl, 1906

Ludwig Vierthaler; Manufacturer: J. Winhardt & Company

G379

Adjustable copper shade

Table lamp, 1928

Christian Dell; Manufacturer: Belmag

G379

Cast and wrought; kettle with liner, lid and tray

Samovar, 1904

Bruno Paul; Manufacturer: WerkstĂ€tten fĂŒr Kunst stet Handwerk

G379

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