🔎 country:"Germany" | Mia

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Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female — Modern Bohemia, 1924
Ernst Ludwig Kirchner

G371

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, c. 1520
Lucas Cranach the Elder

G342

The Avenger, modeled 1914, cast 1923
Ernst Barlach

G371

Armor, Germany — Armor, c. 1520
Germany

G340

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

Seascape. German Expressionism. — Evening Glow, 1915
Emil Nolde (born Emil Hansen)

G377

Study for Improvisation V, Vassily Kandinsky — Study for Improvisation V, 1910
Vassily Kandinsky

G371

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained. — Portrait of a Girl, 1547
Georg Pencz

G342

marquetry — Center table, c. 1680
Hans Daniel Sommer

G312

Kitchen cabinetry, sink, stool, lighting fixture; stool has three blue legs and wood seat; single-bulb light fixture is white enamelled on top and is saucer-shaped, bulb of light does not function; Siemens cookstove with small oven and two burners; 12 metal bins for dry staples; one large metal scrap bin — Frankfurt Kitchen, 1926-1930
Margarete Schütte-Lihotzky

G378

Frame probably designed by the artist. It is inscribed 'Mater Amabilis' meaning 'Mother worthy of Love' — Madonna and Child, 1855
Franz Ittenbach

G357

German Renaissance, probably made in Nuremberg for the residence of Archbishop Sigismund of Magdeburg; metal handles, locks — Schrank (cabinet), c. 1640
Germany

G310

Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96. — Seated Girl (Fränzi Fehrmann), 1910 (altered 1920)
Ernst Ludwig Kirchner

G371

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath. — Dance Training, 1910-11 (altered 1920)
Ernst Ludwig Kirchner

G351

pewter plate with floral and fish motifs in center and Hebrew around outer edge — Seder plate, 19th century
Germany

G362

Cast and wrought; comprised of twelve arms and central shaft for a total of thirteen candle holders; the arms swivel round the center shaft so that they may be arranged in the same plane or at right angles to each other, forming a three-dimensional stylized tree — Candelabrum, 1901
Bruno Paul; Manufacturer: K. M. Seifert & Company

G379

Hammered; teardrop form with incised striations — Tea kettle, c. 1909
Peter Behrens; Manufacturer: AEG (Allgemeine Elektrizitäts-Gesellschaft)

G379

Cast and wrought; kettle with liner, lid and tray — Samovar, 1904
Bruno Paul; Manufacturer: Werkstätten für Kunst stet Handwerk

G379

Kakiemon style with winged beast, flying crane, insects, grasses, spays in indianische blumen within a Sulkowski Osier border — Kakiemon plate with beast, crane, insects, c. 1740
Germany

G319

plate with flat rim; incised repeating organic design on rim with inscriptions inside ovals; interior incised with a pair of hands inside an organic element flanked by 2 birds facing outward — Seder plate, c. 1750
Germany

G362

Nude Girl, Lovis Corinth — Nude Girl, 1886
Lovis Corinth

G351

Teacup, ceramic, cat. card dims diam 3-1/8 x H 1-3/4' Cup and saucer; white ground with gold Chinese figures; no handle on cup. — Cup and saucer, c. 1740
Meissen Porcelain Factory

G319

Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8' — Tea caddy, 18th century
Germany

G324

Coffee Pot with cover, ceramic, ribbed with floral decoration in carmine and gold. Cover from smaller vessel of same design, German XVIIIc cat. dims 7-1/2 x 5-1/2' — Coffee pot, 18th century
Germany

G324

Jug for hot milk with cover (replica of coffee pot), German XVIIIc cat. card dims 6 x 7-1/2' — Jug, 18th century
Germany

G324

Cup and Saucer with floral decoration in carmine. — Cup and saucer, 18th century
Germany

G324

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room — Tea caddy, Date Unknown
Germany

G324

Plate, ceramic, cat. card dims diam 8-1/8 x H 1-5/8'; white ground, blue border, gold rim, panel view of village on water — Plate from the dinner service of Willem V, c. 1772–74
Meissen Porcelain Factory

G324

teacup, ceramic; green basket pattern border, scene of river and water front; saucer, ceramic, green basket pattern border, scene of river and water front; Dietrich period — Cup and saucer, 1760–80
Meissen Porcelain Factory

G324

Cup and Saucer, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc NO DIMS. ON CAT. CARDS — Cup and saucer, 18th century
Germany

G324

plate, ceramic, cat. card dims diam 8-1/8 x H 1-3/4' ; blue border, gold rim, view of castle surrounded by water — Plate from the dinner service of Willem V, c. 1772–74
Meissen Porcelain Factory

G324

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue — Cup and saucer, 18th century
Germany

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11' — Coffee pot, 18th century
Furstenburg

G324

teacup, ceramic; cat. card dims diam 2-7/8 x H 1-5/8'; canary yellow ground with carmine flowers and landscape in panel; the nick in the paste across the sword mark on the cup indicates that the piece was sold undecorated from the factory; this decoration was probably done by a contemporary artist in touch with the Royal Meissen methods and techniques — Cup and saucer, 1701–50
Meissen Porcelain Factory

G324

*25.417.76ab cat. card dims H 5-5/8 x diam 2-1/4' Coffee Pot, white ground with gold figures of chinamen; cover, top and bottom of pot fluted. c.1720. Earle Meissen of this type is much valued; made under Herold regime. — Coffee pot, c. 1720
Meissen Porcelain Factory

G319

Modelled by Kandler for Count Bruhl. — Armorial plate from the "Swan service", one of a pair, 1737-1741
Johann Joachim Kändler

G319

Teapot, Germany — Teapot, Date Unknown
Germany

G324

Pitcher, ceramic, German, XVIIIc cat. card dims H 6-1/2' — Pitcher, 18th century
Germany

G324

Plate, ceramic, XVIIIc; See acc. number 37.25.1. — Plate, one of a pair, c. 1726
Meissen Porcelain Factory

G319

Sugar bowl and lid, ceramic, *25.417.77ab cat. card dims across top 2-3/4 x 3-3/4 x 1-1/2' — Lidded sugar bowl, 18th century
Germany

G319

flagon, tapered cylindrical body with dished lid, slightly domed in center to carry lid-peg, handle with bold outward sweep meets body less than half way down, a characteristic or early German flagons, erect thumbpiece, on front of body an engraved shield with scrolled mantlings bearing initials [H.A.M.S.] and date — Flagon, 1685
Germany

G325

Storage box for this object is in D10 MS — Long-stemmed goblet, c. 1900
Friedrich Zitzmann

G379

Bowl, ceramic, cat. card dims H 3-1/8 x diam 6-5/8' Two panel scene of ships landing in cloosed in border of gold with lavender sprays of flowers between; shipping scene in purple in bottom. — Bowl, c. 1750
Meissen Porcelain Factory

G324

Copper with repoussé design of a sea creature and naturaliste / abstract motifs with inset mother-of pearl — Bowl, 1906
Ludwig Vierthaler; Manufacturer: J. Winhardt & Company

G379

Adjustable copper shade — Table lamp, 1928
Christian Dell; Manufacturer: Belmag

G379

Madonna and Child with Grapes, Lucas Cranach the Elder — Madonna and Child with Grapes, c. 1537
Lucas Cranach the Elder

G342

German Expressionism. The picture encloses four figures in a tight, absurd configuration defined by a picture frame and a door frame. Two men dressed as harlequins raise a daringly balanced woman muffled up in winter attire. A waiter in tails with a tray full of champagne glasses slides between the figures. In the background is a broad sky, low-lying snow covered mountains, and two figures in a horse costume. — The Skaters, 1932
Max Beckmann

G371

Plate, ceramic, one of a pair with dragon design in iron red and gold. In the center oof the plate two phoenix placed beak to beak, their tails so arranged as to make a medallion motif. A butterfly, or bee?, apppears near the birds outside of the medallion. — Plate, one of a pair, c. 1726
Meissen Porcelain Factory

G319

teacup, ceramic, cat. card dims diam 2-5/8 x H 2-1/2'; cup has a lavendar ground with two panels with variety of kakeimon pattern with partridges — Cup and saucer, c. 1750
Meissen Porcelain Factory

G319

Landscape. German Expressionism. View of Dresden. — View of Dresden: Schlossplatz, 1926
Ernst Ludwig Kirchner

G371

male figure seated before trees playing instruments; wearing conical hats and puce flowered robe on rockwork base with melons; blue crowned interlaced C's — Chinese musician, one of a pair, 1767
Joseph Weinmuller; Manufacturer: Ludwigsburg Factory (Herzoglich-Königlichen Porzellan-Manufaktur)

G319

female figure seated before trees playing musical instruments; wearing conical hats and puce flowered robes on rockwork bases with melons; blue crowned interlaced C's — Chinese musician, one of a pair, 1767
Joseph Weinmuller

G319

Teacup and Saucer, ceramic, cat. card dims diam 2-3/4 x H 2-3/4' White ground with scenes of ships landing in panel on cup and landscape panel with bridge on saucer with border of gold and lavendar. — Cup and saucer, before 1756 (?)
Meissen Porcelain Factory

G324

Landscape. — St. Anthony Falls as It Appeared in 1848, 1855
Henry Lewis

G303

square table with leaves that fold upward creating X shape; small triangular-shaped compartment on each side of table; legs curve inward toward base of compartments/ shelves, and curve outward toward feet; four supports pull out to support leaves; green leather playing surface; small brass cup at each corner when unfolded — Game table, c. 1906
Henry van de Velde; Manufacturer: H. Scheidemantel Hofkunsttischlerei

G378

stemmed cup on wide base; base decorated with scrolls, three-dimensional winged heads, and bouquets; three winged heads with tasseled cord pendants on stem separate three cartouches--crucified Christ with "1627", engraved panel with scrolls, heart, flowers, and "MARIA", engraved panel with scrolls and "IHS"; three angels in relief on cup separating cartouches with engraved scroll and flower designs; silver and gold patina — Eucharistic Chalice, 1627
André Schiller

G350

in the form of the chalice; removable inner round cover for paten, which fits underneath base of chalice; pink lining; brown leather exterior with gilt embossed scroll designs; silver hook closures — Case for Eucharistic chalice and paten, 1627
Germany

G350

gilt saucer; tiny indentation at bottom center — Paten, 1627
André Schiller

G350

ovoid foot with beaded edge and silver rim decorated with scrolls and flowers; long stem with silver and gilt figure of Neptune with long hair and beard, holding a trident, riding a hippocamp; Neptune wears elaborate scrolled crown; nautilus shell forms cup, decorated with gilt and silver mountings with swags, a grotesque face, two caryatids, and a satyr, with two crabs and two turtles holding decorative silver ball pendants; topped with Jonah (?) emerging from the whale's mouth; whale ridden by Cupid (?), holding gold reigns — Nautilus shell cup, c. 1660-1680
Unknown

G350

round, bulbous body; light blue glaze with inherant dark blue crackle lines; underside of cover and interior of cover have pinkish glaze hue — Coffee pot, c. 1925
Germany

G378

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Cup and saucer from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Tray from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Coffee Pot with lid from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Milk Jug from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Sugar Bowl with lid from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

Kakiemon style with winged beast, flying crane, insects, grasses, spays in indianische blumen within a Sulkowski Osier border — Kakiemon plate with beast, crane, insects, c. 1740
Germany

G319

cockerels, hens, peacocks, ducks and geese in a landscape with gilt scrollwork and purple band and evergreen garland on band — Tea Pot with lid from Solitaire Set, c. 1785
Höchst Porcelain Factory

G324

Orange body with brown bands encircling the body — Vase, 1899
Max Laeuger; Maker: Tonwerke

G379

Handwrought brass with traces of silver wash on various surfaces — Cordial from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Ceramic with pewter mount in tri-footed cylindrical form — Umbrella stand, 1900
Friedrich Adler; Retailer: Walter Scherf

G378

Handwrought brass with traces of silver wash on various surfaces — Cordial from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Handwrought brass with traces of silver wash on various surfaces — Tray from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Handwrought brass with traces of silver wash on various surfaces — Cordial from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Round base with aqua colored glass — Table lamp, c. 1928
Attributed to Fritz August Breuhaus de Groot; Manufacturer: Württembergische Metallwaren Fabrik (a.k.a. WMF)

G378

a-p black chess pieces; q-ff natural chess pieces; gg original box — Chess set, c. 1923
Josef Hartwig; Manufacturer: Staatliches Bauhaus

G379

Round white body, D-shaped handle and spout in the form of an opened mouth animal; purple detailing; large flower arrangements at each side with four smaller sets interspersed throughout, 1 near handle and 3 nearest the spout. — Covered teapot, 18th century
Meissen Porcelain Factory

G324

Handwrought brass with traces of silver wash on various surfaces — Cordial from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Handwrought brass with traces of silver wash on various surfaces — Decanter from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Handwrought brass with traces of silver wash on various surfaces — Cordial from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Handwrought brass with traces of silver wash on various surfaces — Cordial from a cocktail/schnapps set, c. 1930
H. Ottomann; Manufacturer: Possibly attributed to Burg Diebichenstein

G379

Tyrolean dancers, J. Eberlein; Manufacturer: Meissen Porcelain Factory — Tyrolean dancers, 1735-1737
J. Eberlein; Manufacturer: Meissen Porcelain Factory

G209

Rococo oval base with moss applique — The Stolen Kiss, c. 1770
Karl Gottlieb Lucle; Manufacturer: Frankenthal Porcelain Factory

G324

blue "sky"; black "ground"; high horizon line; red open circle at top center encompassing ground and sky; turquoise wavy line on bottom of red circle; blue and green wavy lines on ground, with turquoise line near bottom of green band; painted on both sides of glass — Soleil rouge maritime, 1927
Max Ernst

G377

organic, curving, turned wood-like form with central open spaces; reddish finish — Pulse, 2003
Tony Cragg

G380

Blue striated lines and round blue decoration — Dinner plate, c. 1930
Margarete Heymann-Marks Löbenstein; Manufacturer: Haël Werkstätten

G379

red-eyed and balding telegraph operator at desk in foreground; postman in uniform, R background — The Telegraph Operator, 1927
Albert Birkle

G377

One of a pair of marriage portraits (see 57.11) — Portrait of Anna Buchner, née Lindacker, c. 1520
Lucas Cranach the Elder

G342

St. Jerome, Adam Lenckhardt — St. Jerome, c. 1635
Adam Lenckhardt

Not on View

Diogenes, Johann Carl Loth — Diogenes, 17th century
Johann Carl Loth

G308

maroon leather binding with gilding trim; "ARC TRIOMPHAL D'APRES ALBERT DURER" on spine; colorful endpapers with green, grey, yellow, red and white spots with black; text pages followed by woodcuts of portions of fantastic triumphal archway with figures (some with names and coats of armor), scenes of battle and other vignettes, animals, text and sculptural and architectural elements; detached green silk ribbon bookmark (inserted between pages) — Ehrenpforte (The Triumphal Arch of Maximilian I), 1515 (printed 1799)
Albrecht Dürer

Not on View

seated angel at right, wearing long dress and crown of laurel branches, holding a book and calipers; woodworking tools at bottom; sleeping dog, LLQ; somber putto seated on a wheel to left of angel; hourglass, bell and scales in URQ; tiny village and landscape with water, ULC — Melencolia I, 1514
Albrecht Dürer

Not on View

pictorial marquetry on top, front, sides, inside the lid, inside the doors, and throughout the inner drawer fronts and inner cabinet doors; images of soldiers and knights, some with horses, fighting various real and mythological animals and men; elaborate scrolls and floral edging with birds, animals, and various flowers and foliage; back on cabinet, inner top, and inner doors veneered in marquetry simulating paneling; wood of various shades including green; heavy metal handles on each short side; elaborate metals corners and hardware on inside and outside with scrolling motifs and bluing; compartments and drawers numbered in blue chalk; three keys; two secret compartments behind inner central removable section with four drawers on each side — Table cabinet, c. 1560-1570
Germany

G340

crucified Christ at center; Mary Magdalene in green gown hugs bottom of cross; two crucified men flank Christ; two soldiers in grey armor, man in orange armor, two other men and boy at right; three women and two men at left; frame received separate from painting--blue highlighted bead on three sides — The Crucifixion, c. 1575
Follower of Lucas Cranach the Elder

G342

cityscape in bright color (predominately maroon, pink, green and blues) with two towers; clock tower at left; bridge with arches in middle ground; five boats behind dock in foreground, with two figures seated in one boat; two figures in foreground — Zurich, 1926
Ernst Ludwig Kirchner

G371

back has openwork design with lions flanking a cartouche with a menorah; light incised lattice design on top of lamp compartment cover; tiny lions on domed feet; cover of lamp compartment detaches from the main lamp body when it is opened more than 75%, possibly due to the fact that it seems to be missing a hinge pin on the "back left" hinge. — Hanukkah lamp, c. 1760
Rotger (Rudiger) Herfurth

G362

Little Girl, Otto Dix — Little Girl, 1922
Otto Dix

Not on View

octagonal rifle barrel with simple decoration at the breech; wheel pierced by four hearts; trigger guard forged with three loops at cusps of finger grooves; bone and mother-of-pearl inlay throughout, cheek inlaid with a standing south American Indian. Arms and Armor-Firearm — Wheel lock rifle, c. 1630
M.P.

Not on View

1st edition, Latin text. — Presentation of the Virgin in the Temple, 1504-1505 (1511)
Albrecht Dürer

G344

1st edition, Latin text. — Joachim Rejected by the High Priest, 1504 (1511)
Albrecht Dürer

G344

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