🔎 country:"England" | Mia

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Study for Portrait VI, Francis Bacon — Study for Portrait VI, 1953
Francis Bacon

G376

Warrior with Shield, 1953–54
Henry Moore

G371

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, c. 1824
Sir Edwin Henry Landseer

G305

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Nebuchadnezzar, William Blake — Nebuchadnezzar, 1795
William Blake

Not on View

black openwork barbed wire cube with 8" sections repeated — Cube (9 x 9 x 9), 2008
Mona Hatoum

Not on View

Raised work (stumpwork) casket depicting the story of Queen Esther and King Ahasuerus; Initialed 'BP' and dated 1662, worked in polychrome silk and metallic threads on white satin and decorated with seed pearls, English; Front King Ahasuerus presenting the royal scepter to Queen Esther; Back The hanging of Haman; Right side the search for a wife for King Ahasuerus; Left side Mordecai honored by Ahasuerus and paraded in royal regalia; Top King Ahasuerus, Queen Esther and Haman at dinner; The casket with two doors opening to reveal curious set of drawers with secret compartments; the top lifting to reveal a pink velvet interior fitted with two bottles, an inkpot and a pen tray, the back of this lid with brackets for a mirror that now is missing; a second lid at the top opening to reveal a shallow silk-lined tray. A 17th century oak box lined in marbled paper with replaced lock accompanies the casket (95.14cc Traveling Case for Stumpwork Casket); an itemized list of pieces and their dimensions is in the object file in the registration office. Surface ornamentation (Needlework) — Embroidered Box, 1662
England

Not on View

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

A wounded officer lying on his couch, at the head of which is seated his wife. An Irish wolfhound is also lying curled up on the sofa. Arched top. — Peace Concluded, 1856
Sir John Everett Millais

G357

Illustration for Canto XI of the 'Rubáiyaát of Omar Khayyám', Frank William Brangwyn — Illustration for Canto XI of the 'Rubáiyaát of Omar Khayyám', c. 1912
Frank William Brangwyn

G334

Cottage on Fire, Joseph Wright of Derby — Cottage on Fire, c. 1786-1787
Joseph Wright of Derby

G306

Woman with a basket containing a large fish and a stingray presenting them to a man on a white horse with a dog; rocky coastal scene with boats at left. — Selling Fish, 1792
George Morland

G306

classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion) Description (consistent for each cooler): Classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion). Coat of arms: those of Sawbridge-Erle-Drax with Grosvenoer in pretence, probably for Johan Samuel Wanley Sawbridge of Olantigh Towers, Kent, Holnest House, Co. Dorset, and Ellerton Abbey, Co. York (1800-1887). He married in 1827 Jane Frances, sister and sole heiress of her brother Richerd Erle-Drax-Grosvenor, M.P., of Charlborough Park, Dorset (dd. 1828). By 1853, Burke's Visitations of Seats and Arms, vol. 2, records this latter house as the seat of John Samuel Wanley Erle-Drax, M.P., Captain of the East Kent Militia. Stamps/Inscriptions/Stickers: 1a-c) - D. ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/091 - in black, on bottom of base; - EEBJW - and three stamps near top of liner; - 2 - etched three times on bottom of removable liner. 2a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/ - and illegible numbers in black, on bottom of base; - EEBJW - and three stamps near top of liner and side of collar; - A501/692 - in black, on bottom of removable liner. 3a-c) - D.ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/693 - in black, on bottom of base, bottom of liner and bottom of collar; - M209810 1(4) - on sticker on bottom of base; - EEBJW - and three stamps near top of liner and side of collar. 4a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - M209810 1(4) - sticker on bottom of base; - A501/691 - in black, on bottom of base, liner and collar; - EEBJW - and three stamps near top of liner and — Set of four wine coolers, 1828
Edward, Edward, James, and Barnard (a.k.a. Edward Barnard & Sons); Retailer: David Ellis

G350

mirror with relief gold frame with foliage and putti; removable top section with fruit, putti and foliage — Mirror on a stand, from a toilette service, 1683
William Fowle; Retailer: Fowle & Wotton

G350

the oval bowl of the wine cooler rests on a similarly shaped foot comprised of a plain concave molding and a vertical base rim surmounted by a convex repoussé band; rim and bowl are linked in the center of either lone side of the oval bowl by a large cash male head surrounded by exhuborant scrolls and moldings Weight: 703 troy ounces = 48 lbs. and 3.29 oz. — Wine cistern, 1719–1720
Paul de Lamerie

G350

Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

2 door frames, 2 pieces of molding, 2 doors, 3 panels, and miscellaneous trim — Queen Anne room, c. 1720-1730
England

G326

angular design--angular handle and top knob; pointed shoulder; tall neck; flat top; two ivory rings on handle; decorated with Asian-style designs of cranes, bamboo, fan shapes, the moon and flowers — Coffee pot, from a four-piece coffee and tea set, c. 1875
William Fairbourne and Sons

G350

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair. — Portrait of Dorothy Beridge, nèe Gladwin, 1777
Joseph Wright of Derby

G306

Presentation cup with lid, Kate Harris; Manufacturer: William Hutton & Sons, Ltd. — Presentation cup with lid, 1901
Kate Harris; Manufacturer: William Hutton & Sons, Ltd.

Not on View

full-length portrait of a woman with straight blonde hair standing in a landscape wearing a dark purple jacket with fuschia trim, short white skirt with purple dots and blue shoes; mounted on aluminum stretchers with aluminum "frame" (applied before painting was completed) — Moll, 2010
Chantal Joffe

Not on View

Sphinx, partially excavated, in foreground; three figures in front of Sphinx, pack animal behind; pyramid in background — The Great Pyramid and the Great Sphinx, Egypt, 1858
Francis Frith

Not on View

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron — Chest, c. 1590-1610
England

G310

Mary at left under a canopy, holding baby Jesus on her lap; three figures with crowns at left, offering vessels to Jesus; seated man with crutch in left corner; horse's and cow's heads, bottom center — The Adoration of the Magi, 15th century
England

G340

standing woman dressed in green and turquoise robes, holding a badminton racket in her PR hand and a shuttlecock at her PL shoulder — Battledore, 1868-1870
Albert Joseph Moore

G357

goblet, about 1765-1770; glass;, bucket bowl on double series twist stem; enamel decoration showing landscape in cartouche shape; decoration attributed to shop of William (1740-1819) and Mary (1749-1797) Beilby in Newcastle-on-Tyne — Goblet, c. 1770
Attributed to William Beilby; Decorator: Attributed to Mary Beilby

G333

angular design--angular handle and top knob; pointed shoulder; flat top; two ivory rings on handle; decorated with Asian-style designs of cranes, bamboo, fan shapes, the moon and flowers — Teapot, from a four-piece coffee and tea set, c. 1875
William Fairbourne and Sons

G350

drum-shaped body on convex base suppported by three demi-horses, terminates at the top with a projecting cornice; domed cover with vase-shaped finial is surmounted by a standing figure of a man carrying a spear and shield; body, base and cover are richly decorated in the Renaissance fashion with strap-work bands embossed cartouches with lions' heads, and garlands of fruits and flowers; the monogram HVT appears on the shield — Standing salt, c. 1582
Christopher Eston

G350

Sleeping church congregation. — The Sleeping Congregation, 1728
William Hogarth

G307

Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap. — Anne, Countess of Strafford, 1758–59
Sir Joshua Reynolds

G324

circular inlaid table with four footed pedestal base; central square organic motif with banding of meandering pattern and waves; circular design with harp and wind instruments crossed at center of each side of square; outer band of floral pattern on dark ground — Etruscan table, 1872
Alexander Eugène Prignot; Maker: Jackson & Graham

G333

sideboard with beveled front corners; double glass doors at center with metal foliate grills in front of glass; inlaid foliate decorations on doors flanking glass doors and on sides; carved foliage at top under edge and on molding — Side cabinet, c. 1850
Attributed to Augustus Welby Northmore Pugin; Maker: Attributed to J. G. Crace & Sons; Maker: Attributed to J. Hardman & Co (metalwork)

G334

Portrait shows Mrs. Froude seated, wearing a blue dress, quilted with bows in front, a white satin mantle trimmed with lace over her shoulders, playing a mandolin. — Mrs. Robert Froude, née Phillis Hurrell (1746-1826), 1762
Sir Joshua Reynolds

G307

Old Testament. After the prophet Samuel anointed David as King Saul's successor, Saul became jealous and plotted David's death. David's loyal friend Jonathan (Saul's son) is preparing to shoot three arrows as a warning to David who is hiding in a field. Jonathan's pose is directly derived from Michelangelo's 'David'. — Jonathan’s Token to David, c. 1868
Frederic Leighton, 1st Baron Leighton of Stretton

G357

On the Thames, A Heron, James Tissot — On the Thames, A Heron, c. 1871-1872
James Tissot

G357

Dims of vase(a) only, 'b' stored in D12.10 MS — Vase, c. 1758
Chelsea Porcelain Manufactory

G310

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

Female Figure, 1913
Sir Jacob Epstein

G367

landscape with Cornard Church in the distance — The Fallen Tree, probably between 1750 and 1753
Thomas Gainsborough R.A.

G310

rectangular body with rounded corners on a slightly smaller base; round speaker with yellow dial below; three chrome knobs and chrome accented handles — Model AC74C radio, 1933
Serge (Sergius) Ivan Chermayeff; Manufacturer: Ecko Works, E. K. Cole, Ltd.

G379

white, off-white, grey and tan composition of overlapping squares, rectangles and two circles — Project, 1943
Ben Nicholson

G377

Marriage ceremony — The Marriage of the Duke and Duchess of York, 1791
Sir Henry Singleton

G324

salmon-colored terracotta; rounded bottom section with small flat foot; rather long, wide neck with asymmetrical forms with three points; tilted, diagonal wide rim — Vessel, 1985
Magdalene Odundo

G236

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory. — Kiss of Victory, 1878–1881
Sir Alfred Gilbert

G357

Design for a stained glass window; once thought to be by Dante Gabriel Rosetti from a series of The Elements — Earth, from the series The Four Elements, c. 1888-89
Frederick G. Smith; Artist: Formerly attributed to Dante Gabriel Rossetti; Artist: Formerly attributed to Frederic James Shields

G352

Table; with carved bulbous legs and inlaid side rails and stretchers — Table, c. 1580-1600
England

G325

Communion cup and paten cover, England — Communion cup and paten cover, 1657-1658
England

G350

bureau bookcase, mahogany and secondary woods English, XVIIIc — Bureau bookcase, c. 1745
England

G327

two armchairs, carved mahogany with upholstered seats; numbered IV and VIII in wood under seats; George II period — Armchair, one of a pair, c. 1755
England

G327

Plate, England — Plate, c. 1885
England

G334

ceramic bowl, blue and white with sailing ship within bowl, exterior decorated by two outdoor scenes and two birds in flight — "Success to the Three Brothers" punch bowl, 1764
England

G209

Holiday Traditions, Northumberland Room — Tilt-top table, 18th century
England

G327

Card table; by Chippendale?, folding top with semi-circular and broken corners for placing candslesticks (?); cabriole legs terminating in claw and ball feet; knees carved with acanthus leaf designs and foliated cartouches; front of drawer with fine foliate scrollings.MIddle XVIII c. Mahogany. — Card table, mid 18th century
England

G326

stained glass heraldic cartouche, containing the Arms of Sir Anthony Hungerford of Gloustershire impaled with those of his second wife, Dorothy Danvers; the shield is enciricled by a wreath of of blue and yellow foliage with yellow ornaments; Companion to 23.52.1 and contains the Hungerford, Burnell and Bottetort quarterings, impaled with Danvers (argent a bend gules charged with these martlets or, in chief a crescent of the second) in the first and fourth quarters Dauncey (per pale or and argent therr bars bebule gules) in the second and Barendes (gules two bars and in chief as many stags heads cabashed or) in the third — Window with heraldic cartouche, 16th century
England

G325

stained glass heraldic cartouche, containing the Arms of Edward, Prince of Wales, afterwerds King Edward VI (Quarterly France and England, a label of three points argent) within a wreath of green, ruby and purple; the latter that particular shade described as 'murrey', one of the livery colours of Prince Edward — Window with heraldic cartouche, 16th century
England

G325

stained glass heraldic cartouche, containing the Arms of Sir Anthony Hungerford of Gloustershire impaled with those of his first wife, Jane Darrell; within a wreath of purple and green foliage with yellow ornaments; on the dexter side of the shield are the arms of Hungerford of Farley (per bend dancette gules and vert, a chevron or), quartered with Hungerford of Heytesbury (sable, two bars and in chief three plates argent) and charged with a crescent argent for cadency; quartered with second- Burnell (argent a Lion rampant sable crowned or, within a boudure azure) and third Bottetort (or a saltire engrailed sable); on the sinister side are the arms of Darrell (azure, a lion rampant or, ducally crowned and charged on the shoulder with a cross bottone fitche' argent) — Window with heraldic cartouche, c. 1545
England

G325

mirror, with scrolled, gilt acanthus cartouche within the swan-necked pediment; there is a gilded inner and outer moulding, and gilded rosettes in the two lower corners; moulding has the shell and dart motif; this mirror is of the architectural type, popular from 1725.; material according to curatorial file is walnut — Mirror, c. 1725
England

G327

chandelier of carved wood; baluster stem with acanthus carving; the arms are frilled with acanthus leaves and wide candle sockets of graceful shape formed of acanthus leaves — Chandelier, 1725-1730
England

G327

mirror, Queen Anne, carved wood and gesso, surmounted by the three feathers of the Prince of Wales flanked by eagles heads; the frame finely worked with acanthus leaves; carved shell at the bottom — Mirror, c. 1710
England

G326

Vase/lid, ceramic-porcelain, English, XVIIIc (56.25.6.1ab) garniture of 5 vases; NO DIMS ON CAT. CARDS — Vase with lid, one of a five-piece garniture, 19th century
England

G333

Vase/lid, ceramic-porcelain, English, XVIIIc (56.25.6.3) garniture of 5 vases; NO DIMS ON CAT. CARDS — Vase, one of a five-piece garniture, 19th century
England

G333

Teapot, England — Teapot, c. 1755
England

G331

dog grate, the apron is pierced in a design of vines and salamanders; baluster-shaped firedogs support the basket, which has bowed bars of steel across the front, and baluster-shaped columns at each corner — Dog grate, 1720-1725
England

G327

Side Chairs, pair of, with hoop backs and shaped splats; attenuated cabriole legs in front, end in spatulate feet. The knees are carved with a shell motif. Slip seats upholstered in blue and silver brocade. — Side chair, one of a pair, c. 1710
England

G326

Side Chairs, pair of, with hoop backs and shaped splats; attenuated cabriole legs in front, end in spatulate feet. The knees are carved with a shell motif. Slip seats upholstered in blue and silver brocade. — Side chair, one of a pair, c. 1710
England

G326

Entrance Door from a House in Hanover Square, London, England — Entrance Door from a House in Hanover Square, London, c. 1720-1740
England

G332

pole screen, tripod base, lion paw feet; the base of pole and knees are carved with acanthus leaves and there is a flame finial; the screen is a petit point floral design on a reddish tan ground — Pole screen, c. 1730-1735
England

G327

chairs, pair of, with fiddle backs; cabriole legs, the knees carved with a simple leaf design; Dutch grooved feet; slip seats upholstered in old wool needlework in shades of red and bright yellow cross stitch — Side chair, one of a pair, c. 1710
England

G327

settee, Queen Anne style, with club feet on the six legs of attenuated cabriole shape; the knees are carved in ther outline of a leaf which terminates in a simple scroll to frame the ear; on the central front leg the curve of the knee is negligible and the leaf is seen in its complete frrom; the back is formed of two hooped chair backs with solid vase shaped splats; the simple curved arms are unadorned; modern green and gold damask upholster — Settee, 18th century
England

G326

table, round; combination card and tea table; triple top. The legs are almost straight, and the knees are carved at top with a small scroll motif. Dutch feet. The gaming top, covered with green felt, has four fish wells. The tea top is of mahogany, and there are two small drawers in the table. — Card table, 1714
England

G326

card table, square, folding with corners shaped into round plates for candles. Hinged backed with stay; cabriole legs with weak claw and ball foot in front and pad feet in back; the knees are carved with a shell motif, and a simple scrolling on the inner knee forms the ear; top covered with green felt — Card table, c. 1730
England

G327

chairs, pair of, with fiddle backs; cabriole legs, the knees carved with a simple leaf design. Dutch grooved feet; slip seats upholstered in old wool needlework in shades of red and bright yellow cross stitch. — Side chair, one of a pair, c. 1710
England

G327

candlestands, pair of, octagonal with baluster shafts and tripod of single-scrolled legs; walnut veneered — Candlestand, one of a pair, c. 1700
England

G327

candlestands, pair of, octagonal with baluster shafts and tripod of single-scrolled legs — Candlestand, one of a pair, c. 1700
England

G327

vase (part of Garniture), ceramic-porcelain — Vase from a Garniture, c. 1830
England

G333

'Whieldon' type — Plate, c. 1750
England

G331

vase (part of Garniture), ceramic-porcelain — Vase from a Garniture, c. 1830
England

G333

vase (part of Garniture), ceramic-porcelain — Vase from a garniture, c. 1830
England

G333

Hercules, wearing lion skin, wrestling with a bull, with his PR knee and hand pressing down on the bull's shoulder and his PL hand holding bull's PR horn, holding it to the ground — Hercules and the Bull, c. 1820
England

G350

curved front; 6 legs; 3 drawers and one large hinged door on L; pair of sliding doors below central drawer; floral vases flanking central drawer on front — Sideboard, c. 1790
England

G209

white ground; long spout; large base; transfer decoration of Darlington Town Hall on one side; pastoral landscape with cottage and slumped figure carrying a pack on other side — "Darlington Town Hall" pitcher, c. 1808
England

G333

wood stem/ handle with cone-shaped silver end cap with ball at end; cone-shaped silver cap at bottom with five thin silver spirals forming whisk-like tool — Chocolate muddler, c. 1760
England

G317

globular shape with S shaped spout and loop handle, cover with lion finial, circular stand with scalloped rim and three paw feet, blue and brown marbelized pattern on mud-yellow ground — Teapot with cover and stand, c. 1745
England

G331

Egyptian influence carved wood tea caddy (a) with two lidded compartments (b,c) and blue and white ceramic bowl inset (d) — Tea caddy, c. 1825
England

G333

blue and white design; birds around rim; scissors, razor, comb and mirror images inside basin; rim indent for neck — Barber's bowl, c. 1720
England

Not on View

wide maple bowl with wide splayed silver gilt lip; in center is a raised boss enclosing an engraved silver medallion of St. Margaret standing on a dragon — Mazer with scene of St. Margaret of Antioch and her dragon, c. 1470-1500
England

G350

Creamware "house" teapot — Teapot, c. 1740
England

G331

pair of armchairs, carved mahogany with upholstered seats; numbered IV and VIII in wood under seat; George II period — Armchair, one of a pair, c. 1755
England

G327

Molded; central reclining nude figure with five nude children behind — Fecundity dish, c. 1650-1660
England

Not on View

rectangular wall-hanging type bank with scary smiling face on front side; red tall hat on figure's head; "SAVE & SMILE" on front side — "Santa Save and Smile, Hanging" still bank, early 20th century
England

Not on View

George IV Gothic Revival; six lobes on foot; hexagonal tapered shaft; round rim; bulb above foot has alternating three-dimensional leaves and tiny frogs; three-dimensional collar below candle cup with repeating leaf designs — Candlestick, one of a pair, 1824-1825
Rundell, Bridge & Rundell; Designer: John Flaxman R.A.

G350

George IV Gothic Revival; six lobes on foot; hexagonal tapered shaft; round rim; bulb above foot has alternating three-dimensional leaves and tiny frogs; three-dimensional collar below candle cup with repeating leaf designs — Candlestick, one of a pair, 1824-1825
Rundell, Bridge & Rundell; Designer: John Flaxman R.A.

G350

double-handled vase on fluted base; handles are each two snakes with heads resting on rim of vase; relief designs of grapevines, clusters of grapes and leaves; vignette of soldiers and native peoples on each side--soldiers and natives trading guns on one side, natives and soldiers with horses on opposite side; separate square stepped base with scroll and floral designs, coats of arms, tributary text cartouches and high relief elephant heads at each corner — Vase, 1822
Rundell, Bridge & Rundell

G350

Silver base and clear blown glass shade with silver mounts in organic form — Candle lamp, 1900
Attributed to Kate Harris; Manufacturer: William Hutton & Sons, Ltd. (silver); Manufacturer: James Powell and Sons (glass); Retailer: Goldsmiths & Silversmiths Co.

G379

Charmed Circle of Youth, Esther Moore — Charmed Circle of Youth, late 19th century
Esther Moore

Not on View

narrow base with flaring mouth and 3 subtile corners; tan interior; incised decoration of 3 wolves standing in front of grasses; metal rim — Vase, 1878
Doulton Art Pottery; Decorator: Hannah B. Barlow

G334

six pale figures with white hair, wearing dark clothing, seated and standing around a table; another figure emerging from a curtain at right; transparent insect figures in scattered through image; dark interior; Surrealist style — Dear Diary—Never Since We Left Prague, 1955
Leonora Carrington

G376

alley/ pedestrian street with vending machine and flowering cherry blossom tree on R; black metal frame on light box — Tokyo Story 7: Nightfall (after Hiroshige), 2011
Emily Allchurch

Not on View

high relief central mythological scene with Zeus emerging from clouds at center top, accompanied by an eagle; nine figures (two women)--including Artemis and Hermes--wearing drapery and seated around a bench with fish and sea creatures; two small figures in the distance, ULC; inner rim decorated with groups of three fish; outer rim has reclining figures alternating with grotesque masks — "Feast of the Gods" charger, 1808
William Pitts; Manufacturer: Rundell, Bridge & Rundell

G350

angular design--pair of angular handles; pointed shoulder; wide mouth; decorated with Asian-style designs of cranes, bamboo, fan shapes, the moon and flowers — Sugar bowl, from a four-piece coffee and tea set, c. 1875
William Fairbourne and Sons

G350

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