🔎 country:"England" | Mia

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blue and white design; birds around rim; scissors, razor, comb and mirror images inside basin; rim indent for neck — Barber's bowl, c. 1720
England

G332

mirror, Queen Anne, carved wood and gesso, surmounted by the three feathers of the Prince of Wales flanked by eagles heads; the frame finely worked with acanthus leaves; carved shell at the bottom — Mirror, c. 1710
England

G326

dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4' — Charger, c. 1715
attributed to John Simpson

G331

drum-shaped body on convex base suppported by three demi-horses, terminates at the top with a projecting cornice; domed cover with vase-shaped finial is surmounted by a standing figure of a man carrying a spear and shield; body, base and cover are richly decorated in the Renaissance fashion with strap-work bands embossed cartouches with lions' heads, and garlands of fruits and flowers; the monogram HVT appears on the shield — Standing salt, c. 1582
Christopher Eston

G350

Molded; central reclining nude figure with five nude children behind — Fecundity dish, c. 1650-1660
England

G332

Silver base and clear blown glass shade with silver mounts in organic form — Candle lamp, 1900
Attributed to Kate Harris; Manufacturer: William Hutton & Sons, Ltd. (silver); Manufacturer: James Powell and Sons (glass); Retailer: Goldsmiths & Silversmiths Co.

G379

mirror, with scrolled, gilt acanthus cartouche within the swan-necked pediment; there is a gilded inner and outer moulding, and gilded rosettes in the two lower corners; moulding has the shell and dart motif; this mirror is of the architectural type, popular from 1725.; material according to curatorial file is walnut — Mirror, c. 1725
England

G327

blue and white with verse — Puzzle jug, c. 1750
England

G332

chandelier of carved wood; baluster stem with acanthus carving; the arms are frilled with acanthus leaves and wide candle sockets of graceful shape formed of acanthus leaves — Chandelier, 1725-1730
England

G327

Polychromed floral pattern of blue, green and red; wide handles on either side with spout front center — Posset pot, 1710-1720
England

G332

pair of armchairs, carved mahogany with upholstered seats; numbered IV and VIII in wood under seat; George II period — Armchair, one of a pair, c. 1755
England

G327

Portrait shows Mrs. Froude seated, wearing a blue dress, quilted with bows in front, a white satin mantle trimmed with lace over her shoulders, playing a mandolin. — Miss Phillis Hurrell (1746–1836), 1762
Sir Joshua Reynolds

G307

Guild of Handicraft, Chipping Campden (1888-1908), manufacturer spoon, 1902-3; bowl and lid,1903-4 — Bowl with lid and spoon, 1902-1904
Charles Robert Ashbee; Manufacturer: Guild of Handicraft, London, 1888-1908

G350

Dims of vase(a) only, 'b' stored in D12.10 MS — Vase, c. 1758
Chelsea Porcelain Manufactory

G310

2 door frames, 2 pieces of molding, 2 doors, 3 panels, and miscellaneous trim — Queen Anne room, c. 1720-1730
England

G326

ceramic bottle with handle; white body with blue inscription; circular body, flared foot, bottle neck and arched handle — Bottle, 1650
England

G332

Sleeping church congregation. — The Sleeping Congregation, 1728
William Hogarth

G307

Tankard, Charles II, slightly tapering cylindrical body, engraved with contemporary armorials within a plume cartouche; cap-shaped cover; bifurcated thumbpiece and simple scroll handle, on moulded base. — Tankard, 1669-1670
FS

G350

The Hardwicke Soup Tureens, originally one of a pair. — Soup tureen, 1734-1735
Paul de Lamerie

G350

Old Testament. After the prophet Samuel anointed David as King Saul's successor, Saul became jealous and plotted David's death. David's loyal friend Jonathan (Saul's son) is preparing to shoot three arrows as a warning to David who is hiding in a field. Jonathan's pose is directly derived from Michelangelo's 'David'. — Jonathan’s Token to David, c. 1868
Frederic Leighton, 1st Baron Leighton of Stretton

G357

Two-handled cup with cover, David Willaume II — Two-handled cup with cover, 1728-1729
David Willaume II

G350

bureau bookcase, mahogany and secondary woods English, XVIIIc — Bureau bookcase, c. 1745
England

G327

George II creamer with panels of overlapping waves; jester's head at top of handle; central scroll on rim. Later regilt — Creamer, c. 1735-1745
Possibly Paul de Lamerie; Silversmith: Nicholas Sprimont

G350

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory. — Kiss of Victory, 1878–1881
Sir Alfred Gilbert

G357

On the Thames, A Heron, James Tissot — On the Thames, A Heron, c. 1871-1872
James Tissot

G357

pitcher, embossed with vines and nine putti; S-scrolled handle with ram's head termination — Beer jug, 1884-1885 (designed 1883)
Pierre-Emile Jeannest; Manufacturer: Elkington and Co.

G350

Card table; by Chippendale?, folding top with semi-circular and broken corners for placing candslesticks (?); cabriole legs terminating in claw and ball feet; knees carved with acanthus leaf designs and foliated cartouches; front of drawer with fine foliate scrollings.MIddle XVIII c. Mahogany. — Card table, mid 18th century
England

G326

Chest, oak, English (Jacobian), XVIIc cat. card dims 28-7/8 x 47-1/4 x 23' — Chest, early 18th century
England

G325

Portrait. — Portrait of Sir Edward Walpole's Children, 1747
Stephen Slaughter

G327

Holiday Traditions, Northumberland Room — Tilt-top table, 18th century
England

G327

Teapot, Worcester Porcelain Works (a.k.a. Royal Worcester Porcelain Company) — Teapot, c. 1765
Worcester Porcelain Works (a.k.a. Royal Worcester Porcelain Company)

G331

Teapot, England — Teapot, c. 1755
England

G331

stained glass heraldic cartouche, containing the Arms of Sir Anthony Hungerford of Gloustershire impaled with those of his first wife, Jane Darrell; within a wreath of purple and green foliage with yellow ornaments; on the dexter side of the shield are the arms of Hungerford of Farley (per bend dancette gules and vert, a chevron or), quartered with Hungerford of Heytesbury (sable, two bars and in chief three plates argent) and charged with a crescent argent for cadency; quartered with second- Burnell (argent a Lion rampant sable crowned or, within a boudure azure) and third Bottetort (or a saltire engrailed sable); on the sinister side are the arms of Darrell (azure, a lion rampant or, ducally crowned and charged on the shoulder with a cross bottone fitche' argent) — Window with heraldic cartouche, c. 1545
England

G325

stained glass heraldic cartouche, containing the Arms of Edward, Prince of Wales, afterwerds King Edward VI (Quarterly France and England, a label of three points argent) within a wreath of green, ruby and purple; the latter that particular shade described as 'murrey', one of the livery colours of Prince Edward — Window with heraldic cartouche, 16th century
England

G325

stained glass heraldic cartouche, containing the Arms of Sir Anthony Hungerford of Gloustershire impaled with those of his second wife, Dorothy Danvers; the shield is enciricled by a wreath of of blue and yellow foliage with yellow ornaments; Companion to 23.52.1 and contains the Hungerford, Burnell and Bottetort quarterings, impaled with Danvers (argent a bend gules charged with these martlets or, in chief a crescent of the second) in the first and fourth quarters Dauncey (per pale or and argent therr bars bebule gules) in the second and Barendes (gules two bars and in chief as many stags heads cabashed or) in the third — Window with heraldic cartouche, 16th century
England

G325

Chair, yorkshire type with carved back, top rail and simple cresting; turned legs and stretcher; oak; front stretcher turned. one of a pair (23.26.1) — Chair, one of a pair, 17th century
England

G325

Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

Creamware "house" teapot — Teapot, c. 1740
England

G331

A mid-drip candlestick: central stick with three disks at base, middle and top; completely white glaze — Candlestick, c. 1680
England

G332

ceramic bowl, blue and white with sailing ship within bowl, exterior decorated by two outdoor scenes and two birds in flight — "Success to the Three Brothers" punch bowl, 1764
England

G209

blue and white Oriental design — Coffee pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

Title--tulip charger? Blue, yellow, green and brown floral design in basin with yellow and blue striping around rim; unadorned sides — Charger, c. 1680
England

G332

Portrait of a seated woman head turned to her proper right looking downward at an angle, she wears a white dress with two red jewels at center of dress associated with two strands of pearls and one larger central pearl, a blue cape drapes over proper right shoulder and covers lap. — Anne, Countess of Strafford, 1758–59
Sir Joshua Reynolds

G324

chairs, pair of, with fiddle backs; cabriole legs, the knees carved with a simple leaf design; Dutch grooved feet; slip seats upholstered in old wool needlework in shades of red and bright yellow cross stitch — Side chair, one of a pair, c. 1710
England

G327

a pair of exceptionally rare, unusually large sized William and Mary candlesticks; plain octagonal bases, with large bold gadroon above, fluted columns with gadroon at the base, the upper part of the columns surmounted with leaves, removable bobeche — Candlestick, one of a pair, 1694-1695
Thomas Ash

G350

Candlestick, silver, English XVIIIc cat. card dims H 7' — Candlestick, one of a pair, 1741
Robert Tyrill; Silversmith: Bennett Bradshaw

G350

Communion cup with paten cover, George Kitchen — Communion cup with paten cover, c. 1568-1569
George Kitchen

G350

Candlestick, silver, English XVIIIc cat. card dims H 7' — Candlestick, one of a pair, 1741
Robert Tyrill; Artist: Bennett Bradshaw

G350

one of a pair of entree dishes with covers; engraved with royal coat of arms, finials in form of owner's crest; gadrooned borders, high domed covers with gadrooned mouldings — Covered Entrée Dish, one of a pair, 1809-1810
Paul Storr; Manufacturer: Rundell, Bridge & Rundell

G350

large silver tray — Salver, 1732
Augustin Courtauld

G350

Caster, silver, English XVIIIc cat. card dims H 6' — Caster, one of a set of three, 1723
Isaac Liger

G350

chairs, pair of, with fiddle backs; cabriole legs, the knees carved with a simple leaf design. Dutch grooved feet; slip seats upholstered in old wool needlework in shades of red and bright yellow cross stitch. — Side chair, one of a pair, c. 1710
England

G327

candlestands, pair of, octagonal with baluster shafts and tripod of single-scrolled legs; walnut veneered — Candlestand, one of a pair, c. 1700
England

G327

pole screen, tripod base, lion paw feet; the base of pole and knees are carved with acanthus leaves and there is a flame finial; the screen is a petit point floral design on a reddish tan ground — Pole screen, c. 1730-1735
England

G327

card table, square, folding with corners shaped into round plates for candles. Hinged backed with stay; cabriole legs with weak claw and ball foot in front and pad feet in back; the knees are carved with a shell motif, and a simple scrolling on the inner knee forms the ear; top covered with green felt — Card table, c. 1730
England

G327

fully marked, Britannia Standard, on outer edge near handle; fully marked on bezel of detachable rim; leopard's head erased on each hinged handle — Monteith, 1705-1706
John Leach

G209

settee, Queen Anne style, with club feet on the six legs of attenuated cabriole shape; the knees are carved in ther outline of a leaf which terminates in a simple scroll to frame the ear; on the central front leg the curve of the knee is negligible and the leaf is seen in its complete frrom; the back is formed of two hooped chair backs with solid vase shaped splats; the simple curved arms are unadorned; modern green and gold damask upholster — Settee, 18th century
England

G326

table, round; combination card and tea table; triple top. The legs are almost straight, and the knees are carved at top with a small scroll motif. Dutch feet. The gaming top, covered with green felt, has four fish wells. The tea top is of mahogany, and there are two small drawers in the table. — Card table, 1714
England

G326

Entrance Door from a House in Hanover Square, London, England — Entrance Door from a House in Hanover Square, London, c. 1720-1740
England

G332

Caster, silver, English XVIIIc cat. card dims H 6' — Caster, one of a set of three, 1723
Isaac Liger

G350

Caster, silver, English XVIIIc cat. card dims 7' — Caster, one of a set of three, 1723
Isaac Liger

G350

dog grate, the apron is pierced in a design of vines and salamanders; baluster-shaped firedogs support the basket, which has bowed bars of steel across the front, and baluster-shaped columns at each corner — Dog grate, 1720-1725
England

G327

Side Chairs, pair of, with hoop backs and shaped splats; attenuated cabriole legs in front, end in spatulate feet. The knees are carved with a shell motif. Slip seats upholstered in blue and silver brocade. — Side chair, one of a pair, c. 1710
England

G326

candlestands, pair of, octagonal with baluster shafts and tripod of single-scrolled legs — Candlestand, one of a pair, c. 1700
England

G327

Side Chairs, pair of, with hoop backs and shaped splats; attenuated cabriole legs in front, end in spatulate feet. The knees are carved with a shell motif. Slip seats upholstered in blue and silver brocade. — Side chair, one of a pair, c. 1710
England

G326

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, c. 1824
Sir Edwin Henry Landseer

G305

Christening set (George Adams), silver gilt, stored in own case; individual dims on cat. card (bowl, plate, knife, fork and spoon) — Cup from a christening set, 1864-1865
George Adams; Manufacturer: Chawner & Co.; Retailer: J. Turner

G350

Cottage on Fire, Joseph Wright of Derby — Cottage on Fire, c. 1786-1787
Joseph Wright of Derby

G306

vase, ceramic-porcelain — Vase, c. 1758–69
Derby Porcelain Factory

G324

two armchairs, carved mahogany with upholstered seats; numbered IV and VIII in wood under seats; George II period — Armchair, one of a pair, c. 1755
England

G327

Portrait of a young woman sitting against a green background. She holds a small psalm book. The book is actually a girdle prayer book, whether it is a psalm book or something else remains to be determined. NW 03/10 — Portrait of a Noblewoman, c. 1550
Unknown

G342

one of a set of six — Salt cellar, 1728-1729
Paul de Lamerie

G350

Table; with carved bulbous legs and inlaid side rails and stretchers — Table, c. 1580-1600
England

G325

Yorkshire-type with carved back, top rail and simple cresting; turned legs and stretcher; three stretcher rails restored — Chair, one of a pair, 1650-1699
England

G325

Formed as footed shallow bowl with looping handles on either end which terminate in a heart shape — Loop-handled dish, 1903
Mürrle-Bennet & Co.

G350

Spade shaped basin — Spoon, 1903 (designed 1900)
Oliver Baker; Retailer: Liberty & Company

G350

white with floral decoration; winged dragon as handle — Ewer, c. 1760
Vauxhall China Works

G324

A pair of rare large sized William and Mary candlesticks — Candlestick, one of a pair, 1694-1695
Thomas Ash; Artist: Previously attributed to Thomas Allen

G350

decorated with cut-card work on handles and body; domed cover removable — Chocolate pot, c. 1703
William Charnelhouse

G350

Communion cup and paten cover, England — Communion cup and paten cover, 1657-1658
England

G350

Rare George II Two-handled Cup and Cover. cup has number partially rubbed off — Two-handled cup with cover, 1742-1743
Paul de Lamerie

G350

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

one of a pair of entree dishes with covers; engraved with royal coat of arms, finials in form of owner's crest; gadrooned borders, high domed covers with gadrooned mouldings — Covered entrée dish, one of a pair, 1809-1810
Paul Storr; Manufacturer: Rundell, Bridge & Rundell

G350

Tankard, Robert Cooper — Tankard, c. 1707-1708
Robert Cooper

G350

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

landscape with Cornard Church in the distance — The Fallen Tree, probably between 1750 and 1753
Thomas Gainsborough R.A.

G310

Female Figure, 1913
Sir Jacob Epstein

G367

wide maple bowl with wide splayed silver gilt lip; in center is a raised boss enclosing an engraved silver medallion of St. Margaret standing on a dragon — Mazer with scene of St. Margaret of Antioch and her dragon, c. 1470-1500
England

G350

One of a pair of paintings, see also 39.9 — Castle on the Rhône River, France, c. 1765–80
William Marlow

G314

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair. — Portrait of Dorothy Beridge, nèe Gladwin, 1777
Joseph Wright of Derby

G306

Portrait of a man. Portrait of Robert Devereux, Second Earl of Essex. (1970 catalogue states 'oil on panel, mounted on aluminum') — Portrait of Robert Devereux, Second Earl of Essex, 1599
Studio of Marcus Gheeraerts the Younger

G325

arm chair, wainscot showing simple paneling with chamfered rails. Initials(?) cut in top rail — Armchair, late 16th century
England

G325

One of a pair of paintings, see also 39.8. — View of the Saône and the Château Pierre-Scize (Lyon, France), late 18th century
William Marlow

G314

Charles II repoussé tazza; fully marked on rim and with lion passant underfoot; shallow circular dish with wide flat rim embossed in bold relief with a wolf, a boar, a turkey, and a falcon amid undulating stems of leafage and large blossoms with punchwork tendrils; on low, hollow flaring foot with flat rim — Footed salver, 1662-1663
RF

G350

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron — Chest, c. 1590-1610
England

G310

Three quarter length portrait of a lady in white dress with a blue satin scarf draped over right arm and shoulder, and wrapped around the figure to be held in left hand. Pink ribbon knots at belt and sleeves and pink rose at breast. The girl has dark hair and wears a necklace of pearls. She is leaning with her right arm on a column and there is a landscape in the background. Wide scrolled gold frame. — Portrait of a Lady, c. 1744
Follower of Allan Ramsay

G327

Wainscot; cresting and side pieces carved with scrolls; back panel lozenge design; bands of chevron inlay, turned legs. — Armchair, c. 1650
England

G325

hot water jug, stand and spirit lamp; silver; George III; band of fluting around body; replacement wooden handle — Hot water jug with warming stand, 1807
Paul Storr

G350

blue and white Oriental design — Cream pitcher, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

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