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Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784.

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790

China

G210

seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Boddhisattva (Guanyin), late 11th-early 12th century

China

G200

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

Not on View
Library and Rock Garden

The Studio of Gratifying Discourse, 1797

China

G216

Vessel in the shape of an owl. Two flanges, one ending just under the beak in front and the other continuing to the top of the head in back, have alternating straight and L-shaped scores, those on the front flange being much the deeper of the two. The tail, with a scored flange border, forms the back support of the vessel. Apart from the realistically-formed feet, the bird is strongly stylized. The body is completely covered by rows of scales except for the shoulder line, expressed by a vigorous spiral, and the wings quills, rendered by bands filled with antithetical spirals. Patina green.

Zun wine vessel in the shape of an owl, 13th-12th century BCE

China

G214

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province.

Standing Bodhisattva, 571

China

G200

chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim

Silver plate decorated with chased “Red Cliff” scene, 13th century

China

G208

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand

Screen, 17th century

China

G217

Blue-and-White dish, porcelain; decorated in a deep blue in the center with a large peahen flying amongst peonies, the cavetto molded with a band of peonies in white in a blue ground, the rim with a border of stylized waves and a molded foliated edge; the reverse has a typical wide unglazed base with a short foot ring and the exterior is decorated with a band of scrolling lotus

Dish, 14th century

China

G325

Wallpaper, 19th century

China

G328

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

The Wu Family Reception Hall, early 17th century

China

G218

Bamboo and Rocks, c. 1760

Zheng Xie

Not on View
squat, round, red lacquer covered box with black interior and bottom; cover decorated with flowers, foliage and 2 birds with long tail feathers; sides of box with flowers and foliage

Box, 13th century

China

Not on View
white and grey veined marble; carved sculpture in the form of a Chinese side chair with curved back

Copyright Š Ai Weiwei 2008

Marble Chair, 2008

Ai Weiwei

Not on View
The principle surface displays a rectangular field of interlocked T's on a ground of squared spirals framed on three sides by rows of spikes. Scored flanges at the four corners of the vessel are supplemented in the upper belt by additional flanges which thus divide it into eight panels. Antithetical, long-tailed birds flank the short flanges forming the central ridge of a rudimentary t'ao-t'ieh mask. Hanging blades appear on the cylindrical legs, and disfigured dragons in flat relief on the outer surface of the upright handles. Patina green

Fangding food vessel, 11th century BCE

China

G214

Both sides inscribed with very small text in black and red; short sides are selvedge edges

Cheat's Handkerchief, c. 1860

China

G217

Cosmetic Case and Mirror Stand, early 17th century

China

Not on View
thinly cast with a narrow spout and pointed lip above an oblong body cast with three medial lines, a single loop handle; all standing on tall blade-form legs

Jue wine vessel, 16th-15th century BCE

China

G214

standing male figure wearing armor and tall hat, with thin moustache and beard; figure stands with both feet on a white-skinned demon with fangs, green claws and black hair

Lokapala Guardian King, one of a pair, late 7th-early 8th century

China

G207

the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade

Pillow, 17th-18th century

China

Not on View
bronze budhist temple bell; tall football shaped body with flat top; two dragons turned away from each other form hanger at top center; sides decorated with two rectangular fields striped with three bands of three raised circular bumps

Bo bell, late 6th-5th century BCE

China

G215

dark brown in color; square mouth piece cut from rim of smaller end; five holes at top, three at underside

Vertical flute, c. 1800

China

G216

Standing Bodhisattva of white marble, arms broken off below shoulder. The figure wears a narrow scarf, barely defined, and a skirt girdled at the waist, its upper edge finished with a curling line. Jewelled necklace and long chains. High headdress. Feet missing, head restored at throat where formerly broken off.

Standing bodhisattva, one of a pair, late 6th century

China

G200

Jewelled headdress with pendants suspended from the beaks of decorative birds or from projecting scrolls. Right hand is on right knee, left hand is raised toward the chief diety. Sitting in a cross-legged position, the image of his Dhyani-Buddha in his headdress. Hip-length blouse, with wide round neck and rolled over collar, has a center vertical panel which is pulled into the neck when seated. Three-quarter length sleeves. The skirt is finely pleated and caught up slightly on either side of the leg.

Avalokiteshvara Bodhisattva (Guanyin), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953

China

G200

ovoid shape, with two handle-like protrusions on long sides; rust-red and brown; rim and handles painted with running geometric designs

Wine Cup, 2nd century BCE

China

G215

Spinach green jade, carved in chrysanthemum form, small flutings, spread in tiers from the center of the plate, representing the petals of the flower. Carved on both sides, the petals curled over the rim. The jade is extremely thin and translucent.

Plate, 18th-19th century

China

G210

Yao-Chou celadon bowl, porcelain, carved lotus design.

Bowl, 960-1279

China

G204

half of a gourd with flat portion of wood; gourd carved overall with geometric designs; radiating half-circle door on one side

Dome-shaped Cricket Carrier, Date Unknown

China

G217

set of 32 chessmen, sixteen red and sixteen white (natural); each chaessman stands on a carved filigree globe, within which are one or more free carved balls; the globe rests on small turned stem, and the foot is carved with double row of lotus design

Chess Set, 18th century

China

Not on View
armorial porcelain deep dish painted with fly amidst butterfly wings, turquoise ground with reserve cartouches enclosing arms and monogram of Grimaldi

Dish, c. 1735

China

G209

red spongelike rock with white striations

Scholar's Rock, early 19th century

China

G218

The decor is disposed in the three areas usual in vessels of this class the foot, bulb, and neck. The foot belt, divided into four panels by deeply scored flanges, displays a mask t'ao-tieh with a C-shaped mouthline, hooked forehead shield, small eyebrows, and S-shaped norns. Above is a narrow band with consecutive trunked dragons. The decor ground is of squared spirals throughout. The bulb, also divided into four panels, displays a t'ao-tieh bodied to the extent that some simple lines of a vertical body still remain above the leg. The central line of the face, with no forehead shield, is formed by the flange. The lower zone of the high throat is filled with consecutive snakes, their heads turned EN FACE. Above are slender rising blades, the major part of each filled with a t'ao-t'ieh to be seen from above. Streaked eyebrows appear over buldging eyes, and over these, again, long-drawn-out C-shaped figures forming the horns. Below the eyes are two C-shaped figures, modifications of mouthlines. At the end of the blade, separated from the t'ao-t'ieh by a narrow, empty band, is a V-figure- a corruption of a cicada drawing. Patina grey-green and blue-green with patches of red. Except for a cross-shaped perforation between the foot and the area above, the beaker is in almost every detail exactly similar to the one with a Yin inscription published in Huang, TSUN KU CHAI.

Gu wine vessel, 12th-11th century BCE

China

G214

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Tomb Guardian Figures, early 6th century

China

G208

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin

Money Tree, 1st-2nd century

China

G201

Slab built and modeled, rectangular courtyard surrounded by a tile roofed wall; seperate elements are a pigsty, boar, round food dish, rectangular food dish, seated figure, bird, dog, suckling pig, four piglets.

Funerary Model of a Pig Sty, 2nd century BCE

China

G215

folding chair with woven seat; inlaid iron decorations on arms and footrest; carved open-mouthed animals where arms attach to seat

Folding round-back armchair, late 16th century

China

G217

Dancers, pair

Dancing Figure, one of a pair, 3rd century BCE - 3rd century CE

China

G215

Tomb Figurine of a Court Lady, 618-906

China

G208

crouching rabbit with small ears and brown eyes; rectangular base with squared-off corners

Figure of a Rabbit, 8th-9th century

China

G204

camel standing on diamond-shaped base; head up, tail up and curled; yellow with traces of red and black pigment; single hump

Two camels and a groom (Camel), 618-907

China

G207

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Sarcophagus of Prince Yuan Mi, 524

China

G208

This vessel is a remarkable example of its type, and of perfect workmanship. The body is divided into three horizontal belts by narrow, bare interstices uninterrupted by the scored flanges which, with the handle of the vessel, delimit four panels. The plain handle has an animal's head with zigzag lines across the nose and C-shaped horns with parallel lines in thin, thread relief. The lid is partly shaped as a plastic animal. The head, with the forehead lozenge and bottle horns of a t'ao-t'ieh, has other, more realistic details well-modelled ears and a mouth with saw-like teeth. The body is that of a long-drawn-out dragon in low relief reclining along the center of the lid. The central flange, curving with the body in the looped tail, has straight and T-shaped scores. A t'ao-t'ieh and various types of dragons figure in a decor scheme that covers almost the entire body of the vessel. The bodied t'ao-t'ieh with S-shaped horns in the middle belt is flanked by strongly stylized head turning dragons. Also strongly stylized are the dragons in the foot belt, which are similar to those on vessels 50.46.43, Karlgren #11, and 50.46.89, Karlgren #21. The consecutive dragons in the neck belt are not identical. To the right is an ordinary beaked dragon with recumbent C-shaped horn and a small vertical crest. The dragon under the spout of the vessel has no crest. Its horn is heart-shaped, and it has the drawn-out, pointed eye of the t'ao-t'ieh below. Its enormous beak is drawn out to parallel the curve in the rim. Inside the curve of the beak is a small, head turning dragon. The big dragon on the lid has spirals at the base of the horns and a single scale between parallel zigzag lines that flank the central flange, forming the common lozenge pattern. The legs, in flat relief, flank the big dragon, thier tails meeting at the end of the lid. Patina light blue-green.

Gong wine vessel, late 13th century BCE

China

G214

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed.

Horse, early 8th century

China

G208

The rich decor of the vessel covers every surface except the backs of the stubby legs. The ground is squared spirals throughout. On the long side of the body the median line is marked by a free animal's head on the neck belt and by a t'ao-t'ieh in low relief on the bottom. The shoulder line of the owl is boldly stylized into an enormous spiral, the wing quills emerging in narrow parallel bands. Behind the quills the tail protrudes in a short downward hook. The shoulder, neck and quills are covered with scales. Two birds with cleft crests, bottle horns, and tails adorned with scales, flank the free head on the neck of the vessel. Coiled dragons decorate the front sides of the legs, and the bottom surface of the vessel is covered with scales in parallel rows. The whole area is bordered at the rim by a circle band which appears also on the adjoining rim of the lid. The owl has enormous eyes, and the horns are the large, C-shaped type of the ordinary t'ao-t'ieh. Patina bluish-green

You wine vessel in double-owl shape, 12th-11th century BCE

China

G214

Stone head of Buddha. A fragment consisting of the face only, modelled in the style that heralds the Tang.

Head of a Buddha, 570-577

China

G200

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown

Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century

China

G200

Ceremonial Gate, 1728

China

G217

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

orchid plant with very long, thin turquoise-colored leaves and pale green flowers at center; two lines of text--one at left edge, one at right edge; five red seals, including very large red seal at top center

Fragrance of the Orchids, 1902

Empress Dowager Cixi

G203

head with elongated earlobes; downcast eyes; headdress with scrolls, tassels and floral forms, with pair of ornaments on either side with three red balls on blue drops; traces of blue pigment at hairline; traces of red pigment on lips; traces of olive-colored patina on skin of face; red, green and blue pigment on headdress; received attached to rectangular black base

Head of a Bodhisattva, late 6th century

China

G200

Chinese Export Partial Dinner Service, about 1780, porcelain with arms of owner, Duque de Agrada, on all pieces. Made for the Portuguese Market

Dinner plate with arms of the Duque de Agrada, c. 1780

China

G209

painted in rich cobalt blue; interior has cusped circular medallion enclosing monkey seated on a pie-bald horse within fenced garden, encircled by trellis, diaper and floral panels, broad flaring rim with lotus-lappet panels enclosing ribbon-tied antique phoenix and blossoming peach trees alternating with diaper, pearl string and flame scroll panels; exterior has lotus panels enclosing ruyu-headed cloud scrolls and panels of Lingxi

Dish with scene of monkey on a horse, late 16th century

China

G209

Chinese export blue and white; bell-shaped body painted with continuous scene of figures in misty landscape between lotus-lappet bands; cylindrical waisted shaft has vertical lotus sprays

Candlestick, c. 1640

China

G209

underglaze blue; scenes of houses and terraces with women and boys; peacock feathers with M undulating boarder and flowers; inner rim has similar boarder and lappets with landscape, house and mountains across lake

Bowl with domestic scenes, c. 1690

China

G209

blue and white; pear-shaped body; six medallions of Arabic Script divided by relief-molded vertical flanges and amid ruyi-headed cloud scrolls; base of cylindrical tall neck has six flanges and six tubes around rim

Arrow vase for the Islamic market, 19th century

China

G209

white with blue Arabic inscription "kindness is the duty of the believer"; Buddhistic lion handles; pierced domed cover with lion knop with Buddhistic lion handles and pierced domed cover

Incense burner for the Islamic market, 18th century

China

G209

painted with portrait of young Queen Victoria within laurel wreath above "1837" in iron-red and gilt cartouche; body has scattered floral sprays

Bottle vase with portrait of Queen Victoria, c. 1897

China

G209

octagonal body; painted with ships of various styles; floral design on cover; blue and white

Teapot with scenes of ships, c. 1754

China

G209

interior painted with one man at tessellated entrance and second man on a circular staircase amidst Masonic symbols and central rondel with "TFPJ" beneath broad tasseled band and series of blue, red and gold patterned borders; exterior has Masonic implements and symbols

Masonic punch bowl, 1800-1805

China

G209

inverted baluster reeded shape with mask spout and domed cover beneath two opposing dolphins centering a shell of underglaze blue and iron red; front painted coat of arms supported by scaly beast

Wall fountain with arms of Brydges and Willoughby, c. 1719

China

G209

iron-red, gilt, black and green; central scene with Dutch couple and dog in a fenced garden; border of underglaze blue lappets issuing floral sprigs alternating with auspicious and antique objects; two pairs of flower boughs on exteriors

Charger with Dutch figures in garden setting, c. 1725-1730

China

G209

coat of arms, surmounted by head and supported by scaly beasts; head molded below spout; clusters of flowering plants painted on sides between borders of crosshatch, lappets and gilt whorls; pedestal foot; high arched handle

Ewer with arms of James Brydges, first Duke of Chandos, c. 1719

China

G209

exterior decorated with ships at front and back of edge, at full sail on a green sea, flying two Union Jacks; central rondel with scene of ten sailors at various pursuits; each sailor has a speech bubble; white ground; two floral sprays on exterior

Documentary shipping bowl, late 18th century

China

G209

octagonal; Imari decorated with central rondel depicting coat of arms below scroll inscribed, "CORBEAU", surrounded by shaped panels enclosing plants, a lion and a group of cranes; washed-blue ground with camilla sprays

Armorial dish labeled "Corbeau", c. 1710

China

G209

cover and sides painted with coat of arms beneath cell-pattern border; pomegranate cover knob; animal-head handles

Soup tureen with arms of Chase, c. 1750

China

G209

plain interior with gold and red decorative border; exterior decorated with two identical coats of arms surrounded by flowers and two floral sprays

Punch bowl with arms of Doone, c. 1755

China

G209

cover knob in the shape of a large-mouthed lion; decorated with delicate floral swags and green dotted lines; two identical coats of arms surmounted by griffons

Loving cup with arms of Bartlett, c. 1780

China

G209

sauceboat shape with one handle; decorated with three bunches of flowers; blue, orange and gilt

Bourdaloue (oval chamber pot), first half of the 18th century

China

G209

Meissen-style; European harbor scene within bianco-sopra-bianco spandrels; floral sprays at rim

Plate with Meissen-style harbor scene, c. 1740

China

G209

central design of Bacchus wearing floral wreaths, holding goblet and bunch of grapes, standing by a table on a terrace within a lappet-edged roundel surrounded by scrolling vine; narrow molded rim with gadroons; blue and white

"Bacchus" tray, c. 1700

China

G209

stand has two applied putti on a tree stump, with flowers; basket painted with scattered floral sprays, red and gold scroll rim

Meissen-style lemon basket and stand, c. 1765

China

G209

Asian river landscape with bridge to pavilion, trees and distant island; trellis-pattern border; spout and handle; blue and white

Milk bowl, c. 1752

China

G209

famille rose ship, sampan and walled pagoda at center; pink trellis diaper border; edged in iron red

Plate with quasi-European ship and chop boat, c. 1730

China

G209

pear-shaped; two large ships on rough sea; sampan below spout; fan-shaped pagoda roofs among clouds; cover has wide pink diaper border with four landscape panels; chrysanthemum finial

Teapot with quasi-European ship and chop boat, c. 1730

China

G209

Chinese export candle cup represents a stalk of bamboo, with smaller taper holder; three-dimensional vine, dragon, two small animals; painted with Asian figures in a riverscape

Chamber candlestick, one of a pair, c. 1785

China

G209

famille rose; portrait of young Queen Victoria at center with laurel cartouche above a shell panel painted, "1837"; scattered floral sprays; blue and iron red beaded border, gilt with stars

Plate with portrait of Queen Victoria, c. 1897

China

G209

two small portraits, date 1837 and 1897; royal coat of arms and crown with flags; flowers at top and bottom; black floral band below mouth high on shoulder

Baluster vase with portraits of Queen Victoria, c. 1897

China

G209

cover knob in the shape of a golden Fo dog; brightly-colored "tobacco leaf" pattern, scattered with flowers; double-twisted two-part handle

Cider jug, c. 1800

China

G209

recumbent; body is pale brown wash with brown markings; green saddle; blue and white saddle blanket

Elephant candle holder for the Indian market, 19th century

China

G209

long light brown hair; holding a straw hat in PL hand and gilt rosary in PR hand; wearing flowered costume of doublet, jacket and dark green breeches; famille verte; attached to wood base

Figure of Portuguese missionary, c. 1880

China

G209

arms of Trevor impaling Weldon, flanked and surmounted by black dragons, on one side; scholar’s utensils, double-gourd vessels and pomegranates amid floral sprays on other side Rose-verte decoration

Tankard with the arms of Lord Trevor impaling Weldon, c. 1722

China

G209

Chinese Export blue and white porcelain; bullet-shaped form; painted with willow and peony; a terrace on a rock with a scholar's retreat; trellis pattern borders

Teapot, c. 1752

China

G209

blue and white globular shape; birds and insects hovering around flower sprays growing from rockwork; loop handle and cylindrical spout; cover with knob and finial and scrolls

Teapot, c. 1643

China

G209

blue and white kraak; tripod base

Lotus bowl with tripod base, c. 1643

China

G209

blue and white compressed globular shape; hovering insects amongst prunus branches; cylindrical spout with clouds

Teapot, c. 1643

China

G209

Marieberg bombe oval form on four scroll feet; molded shell cartouche with four pendant leaves on upper edge; finger scroll handles

Soup tureen, c. 1755

China

G209

One of a pair Famille Rose; each silver shape with quatrefoil bracket; lobed foot; blue ribbon entwined; rose scrolls; yellow flower heads

Candlestick, c. 1736-1796

China

G209

famille rose armorial sauce tureen, cover and stand; arms of Crooke of Norfolk; silver shape; ornate oval gilt ribbon designs

Sauce tureen and stand with arms of Crooke, c. 1770

China

G209

Chinese Export Partial Dinner Service, about 1780, porcelain with arms of owner, Duque de Agrada, on all pieces. Made for the Portuguese Market

Dinner plate with arms of the Duque de Agrada, c. 1780

China

G209

pair of sparrow hawks, porcelain birds of Chinese Exportware, Ch'ien Lung Period (1736-1795), mounted on bases of chased and gilded bronze, French, Louis XV Period (1710-1774).

Sparrow hawk, one of a pair, 1736–74

China

G314

hard paste porcelain, Chinese Export

Saucer from a coffee set, c. 1760

China

G209

cream jug, hard paste porcelain, Chinese Export

Cream jug from a coffee set, c. 1760

China

G209

Plate, ceramic, Chinese Export XIXc cat. card dims diam 9-3/4' Holiday Traditions, MacFarlane Room; Porcelain with 'Fitzhugh' border pattern, initials T.J. and sailing ships in underglaze blue

Plate with the initials "T.J." and sailing scene, c. 1800

China

G209

Plate, ceramic, Chinese Export XVIIIc cat. card dims diam 9-1/8' plate with the arms of Soldanha de Albuquerque, Portuguese market

Plate with the arms of Saldanha for the Portuguese market, c. 1760-1770

China

G209

Chinese Export, century?

Soup bowl, c. 1785-1800

China

G209

Chinese Export Platter, Fitzhugh pattern; porcelain; border motif in orange enamel; center motif of American eagle with red, white and blue shield holding in his beak a ribbon bearing the motto, E Pluribus Unum

Tureen stand for the American market, c. 1810

China

G209

Bowl, ceramic, Chinese Export XVIIIc cat. card dims H 1-3/4' diam 8-5/8'; NO PHOTO ON CAT. CARDS; listed as 'soup plate'

Soup plate with Meissen-style harbor scene, c. 1750-1760

China

G209

Warming Dish, ceramic, Chinese Export XVIIIc cat. card dims diam 9-1/2'; listed as 'hot water soup plate' on cat. cards

Hot water plate with arms of Hamond, c. 1790

China

G209

pair of sparrow hawks, porcelain birds of Chinese Exportware, Ch'ien Lung Period (1736-1795), mounted on bases of chased and gilded bronze, French, Louis XV Period (1710-1774).

Sparrow hawk, one of a pair, 1736–74

China

G314

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