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Composition is very similar to L'Intrigue by Ensor in collection of Royal Museum of Fine Arts, Antwerp, which measures 35 1/2' x 59' and is dated 1890.

The Intrigue, 1911

James Ensor

G371

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry.

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Promenades of Euclid, 1955

René Magritte

G376

woman wearing a black hat, short maroon cape, long tan gloves and grey skirt, holding purple flowers and leaning on a black iron rail; tan awning behind woman; trees and foliage behind railing

Portrait of Mademoiselle Dubois, 1884

Alfred Stevens

G351

Naturalistic wood form with four legs and four platforms

Pedestal, 1897

Gustave Serrurier-Bovy

G378

brass frame with glass insert

Vase, c. 1905

Gustave Serrurier-Bovy

G379

Family portrait

Portrait of the Gaspard Moeremans Family, 1831 and 1833

François-Joseph Navez

Not on View
Pair of armchairs in the Etruscan style

Etruscan-style armchair, one of a pair, c. 1805

Jean-Joseph Chapuis

Not on View
dark buildings with rust-red tile gable roofs; part of a sign at left on front of building; two figures in dark cloaks (?) with white highlights on heads and hands; dark arched doorway in LRQ; tan paper; received in black frame

The Dead City, Bruges (Die tote Stadt, BrĂŒgge), c. 1911

Julien Celos

G316

From the series The Medallion Months. The Month of September, symbolized by a vintage scene depicted in an oval medallion of which the frame carries the twelve signs of the zodiac alternated with pairs of classic female figures each holding an hour glass. In the upper spandrels Semele and Jupiter; in the lower spandrels a pair of lovers and a peasant cutting gapes. Elaborate border of fruits and figures outlined by guilloche band. Well preserved, colors fresh. This tapestry one of a set of twelve months of which seven pieces are known to exist. Materials warp undyed wool, 7-8œ ends per cm., weft dyed wool and silk, 22-120 ends per cm.

Month of September, 1525-1528

Circle of Bernard van Orley; Designer: Circle of Bernard van Orley

G340

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Indiscreet Jewels, 1963

René Magritte; Printer: Mourlot Freres, Paris

Not on View

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

Lola de Valence, 1948

René Magritte

Not on View

Decanter, c. 1800

VonĂȘche Glassworks

Not on View
Plate 103

Lilium superbum (Superb Lily), 1805

de Gouy; Artist: After Pierre-Joseph Redouté

Not on View
Winter landscape with ice skaters and other figures

Les Patineurs, 1889

James Ensor

Not on View
man with halo and drapery over one shoulder holding book and looking over his PL shoulder; drawing is the study for the engraving which is 67.46.3

Saint Jude, 1591-1592

Jacob de Gheyn, the Younger

Not on View
Pair of armchairs in the Etruscan style

Armchair, one of a pair, c. 1805

Jean-Joseph Chapuis

Not on View
Plate 3, Set 1

Virum Improbum vel Mures Mordeant, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
tapestry; warp undyed wool, 6œ-8 ends per cm., weft dyed wool and silk, 20-60 ends per cm.

Joseph Ruler over Egypt, c. 1548-1555

Circle of Michiel Coxcie; Cartoonist: Circle of Michiel Coxcie

Not on View
Studies of female nudes

Seated Young Woman, Reflected in Mirror, 1895

Georges Joseph Laurent Lemmen

Not on View

Botanical Dissection: Spidorwort and Senna, c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Botanical Dissection: Sweet Pea (Lathyrus odoratus), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Botanical Dissection: Sour Cherry (Prunus cerasus), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Panel, 18th century

Belgium

Not on View

Band, 18th century

Belgium

Not on View
tree with crescent moon on it

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Sixteenth of September, c. 1956-1958

René Magritte

Not on View

Temps Orageux, 1924

LĂ©onard Misonne

Not on View
part of a larger group of millfleurs armorial tapestries woven in Bruges; warp undyed wool, 4-4œ ends per cm., weft dyed wool, 18-28 ends per em.

Allegorical "Millefleurs" Tapestry with Animals, c. 1530-1545

Belgium

Not on View
Old Flemish cap, with a shaped floral medallion flanked at base by spreading floral sprays. The toile is grounded chiefly with brides. Modes of various designs, including oeil de perdrix.

Cap back, 18th century

Belgium

Not on View
see object file for complete description of contents

Au square (In the Square), November 1897

Henri-Jacques-Edouard Evenepoel

Not on View
Portrait of a man.

The Philosopher, c. 1845-1855

Antoine Joseph Wiertz

Not on View

%C2%A9 Estate of Paul Delvaux %2F Artists Rights Society %28ARS%29%2C New York %2F SABAM%2C Belgium

Woman with a Mirror, 1945

Paul Delvaux

Not on View
Tapestry; warp undyed wool, 6-7 ends per cm.; weft dyed wool and silk, 28-40 ends per cm.

Battle Scene, c. 1570-1600

Belgium

Not on View
Strip of Point d'Angleterre a reseau with an undulating pattern of leaves and flowers interrupted by sprays of flowers filled in with simple diaper modes.

Edging, 18th century

Belgium

Not on View

Lappet of Point d’Angleterre Ă  vrai rĂ©seau, 18th century

Belgium

Not on View

Vase, 20th century

Charles Chatteaux

Not on View
birch log shaped like torso and legs; 1/4 spherical head; wood ring around proper left ankle with other rings around neck; round wood disk at top of chest

%C2%A9 Jean Willy Mestach

Femme Ciblee (Bouleau), 1997

Jean Willy Mestach

Not on View

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
Second edition; from portfolio "21 Etchings and Poems," conceived by Peter Grippe, 1951, Atelier 17 with support of Stanley William Hayter

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Poem, 1953, from 21 Etchings and Poems, 1960

Pierre Alechinsky; Author: Poem by Christian Dotremont; Publisher: Morris Gallery, New York; Printer: Andersen-Lamb, New York

Not on View

La ramasseuse de fagots (Firewood Gatherer), 1895

FĂ©licien Rops; Publisher: Claude Roger-Marx, Paris

Not on View
Plate 11, Set 4

Fert Aestas flores, terramque virentibus herbis vestit, dans auibus cantum, syluisque decorem, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 0, Set 2

Una Hirundo non Facit ver, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 7, Set 1

Amicitijs non utendum ut flosculis, tamdiu gratis, quamidu recentibus, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 11, Set 1

Versicolor coluber, ranas, miserasp Lacertas Deuorat, In siluis ferra fortior, ore minorem Dilacerat, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 12, Set 1

Regum locustae non habent, et egreditur Universa par turmas suas. pra: 28, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 9, Set 1

Ipsa dies aperit: conficit ipsa dies, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 2, Set 2

Aeternum Florida Virtus, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
seated nude woman with long hair; ankles crossed; green ink on pink paper

Nu femme assise, 1899

Georges Joseph Laurent Lemmen

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Samples 4 & 5 marked on tags stapled to rt. Selvedge. Distance between groups of warp threads 13". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Samples 1, 2, 3 & 3A. Marked on tags stapled to rt. Selvedge. Distance between groups of warp thread 13". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Earth Red

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Cane

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Sample tag stapled to left selvedge states "Before flameproofing". Distance between warp threads 13". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Sample tag stapled to left selvedge states "After flameproofing". Distance between warp threads 11.5". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) Natural (natural)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Mango Gold

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Musiciens fantastiques, 1888

James Ensor

Not on View

Sire Hallwyn, 19th century

Fernand Khnopff

Not on View

Mask, 1899

Fernand Khnopff

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable I, 1967

Pierre Alechinsky; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable IV, 1967

Pierre Alechinsky

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable III, 1967

Pierre Alechinsky

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable II, 1967

Pierre Alechinsky

Not on View
part of a cap set of pillow or bobbin lace; Point d'Angleterre (on net); two pieces sewn together

Lappet, c. 1750

Belgium

Not on View
part of a cap set of pillow or bobbin lace; Point d'Angleterre (on net); three pieces sewn together

Lappet, c. 1750

Belgium

Not on View

Les bateaux Ă  Volendam (Boats at Volendam), 1894

Theodore Van Rysselberghe; Publisher: Claude Roger-Marx, Paris

Not on View

Gesture of Offering, 1900

Fernand Khnopff

Not on View

The Meuse, 1893

François Maréchal

Not on View
Plate XCII

Genista pedunculata, from Stripes Novae, 1784

J. J. Juillet; Artist: after Pierre-Joseph Redouté

Not on View
3/4-length study of a bare-chested young woman, with a white cloth around her waist and long dark hair, leaning her head to the PR, standing in front of a window with city buildings visible behind her

%C2%A9 Estate of Paul Delvaux %2F Artists Rights Society %28ARS%29%2C New York %2F SABAM%2C Belgium

Female Nude Standing Before a Window, 1956

Paul Delvaux

Not on View
red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side

Study of a Figure in Priest's Robes, c. 1650

Jacob Jordaens

Not on View
line drawing of a pipe with lines around it, forming a rectangle with rounded corners

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

Ceci n'est pas une pipe (This is not a pipe), 1962

René Magritte; Publisher: Galleria Schwarz, Milan

Not on View
elaborately-dressed couple seated at a table outdoors; woman at left holds a books in her PR hand and rests her PL arm on the shoulder of man at right, who is playing a lute; vase of flowers, footed bowl with fruit and book on table; landscape in background with windmill-like structure, hunters with bows aiming at bird, fisherman and couples beneath a tree; text at bottom below image

Sanguine, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View

Le Chemin Creux, 1937

LĂ©onard Misonne

Not on View
Plate 148, volume 3, Les Lillacées

Amaryllis lutea, 1806 (1807)

After Pierre-Joseph Redouté; Engraver: de Gouy

Not on View

Remains of the Portico of the Temple of Kom Ombo, 1846

Louis Haghe; Artist: after David Roberts

Not on View
mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man

Standing Saint, 17th century

Anthonis Sallaert

Not on View

Botanical Dissection: Yellow Asphodel (Asphodelus lutea), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Decanter with Stopper, c. 1810

VonĂȘche Glassworks

Not on View

Uylenspiegel au Salon: Revue de l'Exposition de 1860, 1860

FĂ©licien Rops; Publisher: Chez Tous les Libraires , Brussels

Not on View

Le pendu, 1869

FĂ©licien Rops

Not on View
square bowl with undulating top edge decorated with blue on white ground

Salad bowl, 1904

Henry van de Velde; Manufacturer: Meissen Porcelain Factory

Not on View

Bouquet d'Arbres, 1888

James Ensor

Not on View

Two Women Visiting, 19th century

Edward Antoon Portielje

Not on View

Small Scarf, 19th century

Belgium

Not on View

La Cathedrale (1re planche), 1886

James Ensor

Not on View
couple wearing rather plain garments, with woman at left standing behind a table, holding a bucket of fish with her PL hand; flat tray-like basket of fish on table, with long, thin fish on table in LRC; man at right seated on edge of a boat; sea scene behind couple with fishermen on boats and on shore pulling in nets and filling barrels; tower with smoke in ULC; text at bottom below image

Phlegmatic, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
set of seven woodcuts and original presentation folder; folder is a brown, rough textured paper with the work's title and artist's name printed in square block of text in upper half of front side; inside the cover page is a single sheet of yellowing paper accordion folded into eight sections; the first seven sections are figurative interpretations of the dance of death--figures are rendered with sharp angles and emphasized musculature; the scenery is ghoulish boasting dead and aggressive animals, menacing natural landscapes, alienating cityscapes; each woodcut is in black and white

%C2%A9 Estate Nicolas Eekman

Dance of Death in Seven Tempos (Dood dans in zeven tempo), 1924

Nicolas Eekman

Not on View
elaborately-dressed couple, with man at left wearing sleeves and breastplate of armor, with a long sword at his hip and carrying a handled pot on a long staff over his PR shoulder; woman at right carries a tiny lion-faced dog (or monkey?) in the crook of her PL arm, with a rooster on the bundle on her upper back and two dead birds tied to her belt; woman carries turnips in a small apron pouch on her abdomen; landscape in background with burning buildings in ULC, figure attacking another with a sword, man chasing a flock of geese with a sword and a reaper; text at bottom below image

Choleric, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
image of a crowd of people in front of a cathedral; those in foreground are facing the viewer

James Ensor%2C The Cathedral 1886. %C2%A9 Artists Rights Society %28ARS%29 New York %2F SABAM%2C Brussels

The Cathedral, 1886 (published 1896)

James Ensor

Not on View
portrait 1/2 length of Daniel van Heil facing right looking at viewer; left hand across chest; wearing cloak and flat white collar

Portrait of Daniel Van Heil, 1649

After Jean Baptist van Heil; Engraver: Frederik Bouttats; Publisher: Jan Meyssens

Not on View
couple with standing man at left, offering jewelry to a seated woman looking down at her bare breast; woman leans her PL elbow on a box with broken pots inside; more broken pots in LRC; winter landscape in background with bare trees and ruined buildings; text at bottom below image

Melancholic, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
blue printed on white; bare tree or leaf vein design with "textured" pebble-like ground; screen printed

%C2%A9 Knoll Fabrics%2C New York %2F Tracy%2C Eszter Haraszty%2C 1970

Tracy, c. 1970

Eszter Haraszty; Manufacturer: Knoll, New York, New York

Not on View
head of a young man with a short pointed beard and thick wavy hair parted in the middle

[Portrait of a man], 19th century

Adrien de Witte

Not on View
portrait of a girl with long dark hair, pulled back in the front, with a wide pointed collar

[Portrait of a girl], 1876

Adrien de Witte

Not on View
portrait of a woman with her head turned toward PL, with her hair in a bun, with her neck and shoulder exposed

[Woman with her hair in a bun], 1876

Adrien de Witte

Not on View
3/4 portrait of a seated man wearing an academic robe with a medal on his chest, holding a stack of books on his lap; man has thick light-colored hair and wears pince-nez glasses

Portrait of Victor Chauvin, 1891

Adrien de Witte

Not on View
portrait of a man with a short full light-colored beard and thick curly light-colored hair, parted at the center

[Portrait of a man], 1877

Adrien de Witte

Not on View
bust-length portrait of a woman on lower 2/3 of sheet, looking straight out of picture plane, wearing a dark blouse with white patterning (lace?) on shoulders, seated in a cane-backed chair; tan paper

Self-Portrait, c. 1900

CĂ©cile Cauterman

Not on View
woman with her hair in a bun, wearing a shawl, seated in a high-backed chair, holding a sleeping child on her lap

[Woman and sleeping child], 1876

Adrien de Witte

Not on View
portrait of a man in profile with a short pointed beard and thick wavy hair, wearing a cravat tied in a bow

Portrait of Prosper Drion, 19th century

Adrien de Witte

Not on View
woman with bare arms wearing a below-the-knee skirt and slippers, seated at a bench in front of a fireplace, holding a poker in the fire, with an overflowing bucket of crockery at LRC and a bucket with a broom behind her

[Resting woman at a hearth], 1879

Adrien de Witte

Not on View
brown, impressionist-style image; garden with thick hedges, sunflowers, and other foliage in foreground; portion of building with balcony at L; row of low buildings in background

The Garden, 1900

Georges Joseph Laurent Lemmen

Not on View
seated woman wearing a white hood, plaid bodice, and a white apron, with a pack basket on her back, holding a staff in her PL hand; PR hand on hip

[Seated woman with a pack basket], 1890

Adrien de Witte

Not on View
Surrealist image with nude woman reclining against rocks in foreground; second woman, kneeling, behind reclining woman; tree in ULQ; frames of houses in background and left and right with some nudes inside

%C2%A9 Paul Delvaux %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Untitled [two nudes with tree and house frames], c. 1971

Paul Delvaux

Not on View
Surrealist night landscape with moon in dark sky, right of center; standing female nude in foreground with foliage on top of her hair, extending down behind her legs; woman leans against a doorway; two standing nudes at right, seen from back; silhouettes of figures inside a cave at right center

%C2%A9 Paul Delvaux %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Untitled [standing nudes in Surrealist night landscape], c. 1971

Paul Delvaux

Not on View
nude female in profile from PL at right; partially seated nude female at left with PL foot drawn behind PR knee and PL arm behind her head; nude male in profile from PR, with head turned to PR, behind partially seated woman; tree in URC; architecture and tile paving

%C2%A9 Paul Delvaux %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Untitled [two female nudes and one male nude], c. 1971

Paul Delvaux

Not on View
head, PL arm and torso of bare-breasted woman with long hair in foreground, looking down toward PR corner; two faces in profile, facing one another, behind woman, ULQ

%C2%A9 Paul Delvaux %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Untitled [woman, and two faces in profile], c. 1971

Paul Delvaux

Not on View
two standing nude woman in foreground; woman at left has her PL hand behind her head; woman at right has both hands folded on top of her head; bearded man at right, partially outside of picture plane; leaves and tree trunks behind woman

%C2%A9 Paul Delvaux %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Untitled [two standing nude women with male nude at right in landscape], c. 1971

Paul Delvaux

Not on View
Christ on the cross in controposto pose, wearing crown of thorns and a small bit of flowing drapery; Christ looks upward toward PR; arms upraised; feet nailed separately

Crucifixion, mid 19th century

Louis Gallait

Not on View
standing figure with long hair, wearing a thorny crown, long skirt and sandals, pulling back a curtain with PR hand; group of figures in hiding behind the curtain, with two small children cuddling each other and weeping at bottom

The Curtain (Le rideau), 1890

Adrien de Witte

Not on View
underglaze blue decoration on rim

Dinner plate, 1904

Henry van de Velde; Manufacturer: Meissen Porcelain Factory

Not on View
Original watercolor drawing for plate 148 of "Les Liliacées," Paris: Chez l'Auteur. De l'Imprimerie de Didot jeune, 1802-1816.

Amaryllis lutea, c. 1800-1806

Pierre-Joseph Redouté

Not on View

Rooster and Hens, 1876

attributed to Frans van Severdonck

Not on View
Plain weave. Plain weave. Brass

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Marjatta Metsovaara%2C Larsen Design Studio

Kings Tweed, 1962

Larsen Design Studio, New York; Designer: Marjatta Metsovaara; Mill: British Replin; Producer: Jack Lenor Larsen, Inc.

Not on View

%C2%A9 Jean Willy Mestach

Enlacement, 1990

Jean Willy Mestach

Not on View
tall, armless, 2-legged male figure with animal's head, at L; vertical spear-like object at R; mounted on a board

%C2%A9 Jean Willy Mestach

Ad Lumen--The Rainbow Awakener, 20th century

Jean Willy Mestach

Not on View
wall of building at L with arched doorway and one arched window visible; large bare trees in foreground and at R

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Chapel Notre Dame de Lure, Alpes de Haute Provence, 20th century

Martine Franck; Author: Jean Giono

Not on View
4 arches made of thin, irregular stone slabs between walls of same material; grass between walls

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Le Contadour, Near Banon, Alpes de Haute Provence, 20th century

Martine Franck; Author: Jean Giono

Not on View
exposed roots of a large tree

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Roots-Montjustin, Alpes de Haute Provence, 20th century

Martine Franck; Author: Jean Giono

Not on View
2 small trails extending up a small hill at R with trees and mountains at L

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Le Contadour, Overlooking the Jabron Valley, Alpes de Haute Provence, 20th century

Martine Franck; Author: Jean Giono

Not on View

%C2%A92002 Artists Rights Society %28ARS%29%2C New York%2FSABAM%2C Brussels

Hommage Ă  Edward Weston II, 1981

Pierre Cordier

Not on View

%C2%A92002 Artists Rights Society %28ARS%29%2C New York%2FSABAM%2C Brussels

Hommage Ă  Nonyme, 1972

Pierre Cordier

Not on View

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Le Contadour, Overlooking the Jabron Valley, Alpes de Haute Provence, 1995

Martine Franck; Author: Jean Giono

Not on View

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Le Contadour, Near Banon, Alpes de Haute Provence, 1995

Martine Franck; Author: Jean Giono

Not on View

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Chapel Notre Dame de Lure, Alpes de Haute Provence, 1995

Martine Franck; Author: Jean Giono

Not on View

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Roots-Montjustin, Alpes de Haute Provence, 1995

Martine Franck; Author: Jean Giono

Not on View

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Col de L'homme Mort, Alpes de Haute Provence, 1995

Martine Franck; Author: Jean Giono

Not on View
fragment of a larger tapestry, much wider and probably slightly higher; warp undyed wool, 6-8 ends per cm.; weft dyed wool and silk, 20-40 ends per cm.

Courtly Personages in a Landscape, c. 1520-1525

Belgium

Not on View
triangular-shaped field in a mountain valley with gridded rows of trees in foreground and scattered taller trees in middle ground

%22The Man Who Planted Trees%22 by Jean Giono%2C illustrated by Martine Franck%2C %C2%A9 Martine Franck %2F Magnum Photos

Col de L'homme Mort, Alpes de Haute Provence, 20th century

Martine Franck; Author: Jean Giono

Not on View
two crisscrossed flutes or whistles forming X at center, overlapping vertical musical staff with treble clef; two stylized cherubs sitting on fluttering ends of a banner over the center flutes, each playing an instrument; at top, putto sits on a wreath and holds a burning torch

Les Mirlitons (Pour Madame Anna Judic), 1886

FĂ©licien Rops

Not on View
large gateway with triangular shaped elements on sides; relief sculpture at sides and top of gateway; numerous people in street below; buildings beyond gateway and at left

Porte Saint-Denis, Paris, 1928

Jules de Bruycker

Not on View
Still life. Vase of flowers.

Vase of Flowers, formerly The Horticulturalist, 1883

James Ensor

Not on View

Double Plot, 2018

Otobong Nkanga

Not on View

Botanical Dissection: Spiderwort and Senna (Tradescantia sp., Cassia sp.), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View
abstract collage; trapezoidal forms, bars, and large color fields at right--yellow and black; heavy concentration of smaller collage pieces at left-- cream, white, purple, pink, and red; received in gilt frame

Untitled, 1917

Paul Joostens

Not on View
one of a set of four tapestries, with woodland scene in grove of trees; the huntsmen have made a fire of logs, and one of them stands before it warming his hands, while a second dressed in crimson holds two panting brown hounds on leash. Beyond, a third hunter shields face from fire with left hand, and holds in his right a trophy of the hunt; warp undyed wool, 7œ-9 ends per cm., weft dyed wool and silk, 28-40 ends per cm.

The End of the Hunt, c. 1650

Unknown designers and cartoonists, Flanders

Not on View
Leaf from a sketchbook?

A Path in the Woods, 17th century

attributed to Frans Orizzonte (Frans von Bloemen); Artist: attributed to Jan Frans von Bloemen

Not on View
Pair of natural linen bobbin lace irregularly shaped rectangular cuffs

Cuffs, 17th-18th century

Belgium (Flanders)

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One of set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with rams' heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouch in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. Hunting the Deer Rolling countryside with sturdy elm at left. In immediate foreground a huntsman holding spear and sounding horn, in middle distance one of his companions on horseback and another on foot, pursue the deet who advances towards the left.; Warp undyed wool, 7œ-8 ends per cm., waft dyed wool and silk, 24-28 ends per cm.

Women Hunting the Fox, c. 1650

Unknown designers and cartoonists, Flanders

Not on View
One of set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with rams' heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouche in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. Hunting the Hare In immediate foreground a bearded huntsman, wearing a crimson cap, a blue doublet with half armor and short trunks, holds a spaniel in leash. He runs towards left where two hounds pursue the hare up a hill. In middle distance another huntsman, with spear, holds off two other hares.; warp undyed wool, 8-8œ ends per cm., weft dyed wool and silk, 24-36 ends per cm.

Hunting the Hare, c. 1650

Unknown designers and cartoonists, Flanders

MS

Set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with ram's heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouche in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. .1 Awaiting the Chase In the immediate foreground trwo huntsmen, one of whom reclines against a tree and caresses a hound. The hunters wear short doublets and broadrimmed hats. Hunters' horns are slung over their shoulders.; warp undyed wool, 7-8 ends per cm., weft dyed wool and silk, 24-40 ends per cm.

Awaiting the Chase, c. 1650

Unknown designers and cartoonists, Flanders

Not on View

Ufology Keepsake, 2000

Christine Kermaire

Not on View
tapestry, cotton, jacquard woven

Tapestry, early 20th century

Belgium or France

Not on View

L’heure du silence (The Hour of Silence), November 1897

Henri Meunier

Not on View

Solveig, January 1898

Gustave-Max Stevens

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Corpus, 12th century

Belgium

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Lace, 19th century

Belgium

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Lace, 17th century

Belgium

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Medal commemorating Belgian-American relations, 1914

C. de Vreese

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Medal commemorating Belgian-American relations, 1914

C. de Vreese

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Veil, c. 1830

Belgium

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Border, 18th century

Belgium

Not on View

Border, 18th century

Belgium

Not on View

Border, 18th century

Belgium

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Panel, 18th century

Belgium

Not on View

Border, 18th century

Belgium

Not on View

Border, 18th century

Belgium

Not on View

Face veil, 19th century

Belgium

Not on View

Medal, 1900-1926

C. de Vreese

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Handkerchief, 19th century

Belgium

Not on View

Border, 18th century

Belgium

Not on View

Medal, 1900-1926

C. de Vreese

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Handkerchief, 19th century

Belgium

Not on View

Border, 20th century

Belgium

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Lappet, 19th century

Belgium

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Piece of Lace, Date Unknown

Belgium

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Border, 18th century

Belgium

Not on View

Border, 20th century

Belgium

Not on View

Three lace borders, 20th century

Belgium

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Border, 19th century

Belgium

Not on View

Borders, 18th century

Belgium

Not on View

Border, 19th century

Belgium

Not on View

Border, 19th century

Belgium

Not on View

Lappets and cuffs, 18th century

Belgium

Not on View

Pair of lappets, 18th century

Belgium

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Collar, 19th century

Belgium

Not on View

Border, 19th century

Belgium

Not on View

Coin, 19th century

Belgium

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Scarf, 19th century

Belgium

Not on View

Plaquette, 1900-1926

Belgium

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Lappet, 18th century

Belgium

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Flounce for Rochet, 18th century

Belgium

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Bobbin Lace Strip, 18th century

Belgium

Not on View

A Country Road, 19th century

Armand Heins

Not on View

Die Sackgasse, 19th-20th century

Albert Baertsoen

Not on View

Frontispiece, from Lives of the Roman Emperors, 1557

Gietlingen of Courtrai; Printer: Hubert Goltzius; Printer: Balthasar Moretus

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Portrait of Carol Clusius, 1601

Jacob de Gheyn, the Younger

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Claudius Caesar, from Lives of the Roman Emperors, 1557

Gietlingen of Courtrai; Printer: Hubert Goltzius; Printer: Balthasar Moretus

Not on View

Divus Augustus Pater, from Lives of the Roman Emperors, 1557

Gietlingen of Courtrai; Printer: Hubert Goltzius; Printer: Balthasar Moretus

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Portrait of the Duchess of Portland, 1650

Wenceslaus Hollar; Artist: after Anthony van Dyck; Printer: Joannes Meysens , Antwerp

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Solanum Milleri, from Stripes Novae, 1784

Guiard; Artist: after Pierre-Joseph Redouté

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Broussonetia papyrifera, from Stripes Novae, 1784

Milsan; Artist: after Pierre-Joseph Redouté

Not on View

Cameroon, 1956-1969

Win Anderson; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Tartar, 1967

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Jalousie, 1959-1976

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Plate 4 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Revolutionaries, plate 9 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Plate 2 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Plate 12 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Plate 5 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Plate 3 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Somebody Loves Me, plate 7 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Missale: Romanum and Missale: Propriae Festorum Ordinis Fratrum Minorum, 1663

Belgium

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Border, 18th century

Belgium

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Collar, 18th century

Belgium

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Collar, 19th century

Belgium

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Initiation sentimentale: Diaboli virtus in Lombis! (St. Augustin), 1887

FĂ©licien Rops

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Plate 6 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Business-man, 1920

Frans Masereel

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Plate 10 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

L'Affûteur, 1884

FĂ©licien Rops; Author: Roger Riordan; Publisher: Dodd, Mead and Company, NY

Not on View

Plate 11 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Idealist, plate 8 from "Expiations" portfolio, 1933

Frans Masereel; Publisher: Pierre Vorms, Paris

Not on View

Chemin boneux, 19th century

Armand Heins

Not on View

La Mare aux peupliers, 1889

James Ensor

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Acacia, 1888

James Ensor

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Coin de LiĂšge - vu du bois de Kirkampois, 1892

François Maréchal

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Bois de Lapin, 1892

François Maréchal

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Fence Corner in Woods, 18th Century

Armand Heins; Publisher: Die Graphischen KĂŒnste

Not on View

La Meuse - Quai des pecheurs, 1894

François Maréchal

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La Route de la Tombe, 1891

François Maréchal

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Survival Phylactery Yarvis Syndrom, 2001

Christine Kermaire

Not on View

A Mendou, 19th-20th century

Armand Heins

Not on View

L' Incantation, 1909

FĂ©licien Rops; Publisher: Gustave Pellet

Not on View

Soleil de Mars, 1893

François Maréchal

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Inondation, 1893

François Maréchal

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Sous-Bois Ă  Groenendael, 1888

James Ensor

Not on View

La vengeance de Hop-Frog, 1898

James Ensor

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Peste Dessous, peste dessus, peste partout!, 1904

James Ensor

Not on View

La Meuse à Liége, 1893

François Maréchal

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Banlieu - la Nuit, 19th century

François Maréchal

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Lever de Lune, 1893

François Maréchal

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Vue de Nieuport, 1888

James Ensor

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La passerelle - la nuit, 1894

François Maréchal

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Cour de ferme Ă  Lamberge, 19th century

Armand Heins

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Coup de Vent, 19th century

François Maréchal

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LisiĂšre du Petit Bois, Ostende, 1888

James Ensor

Not on View

La Meuse, 1893

François Maréchal

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La Meuse - Rue des glacis de la Citadel, 1893

François Maréchal

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Vieux Lion, 19th century

Armand Heins

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Church Beside Canal, 19th century

Franz Hens; Publisher: Die Graphischen KĂŒnste

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Hotel de Ville D'Audenaerde, 1888

James Ensor

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Souvenirs de Barbizon, 1875

FĂ©licien Rops; Author: Alexandre Piedagnel; Publisher: A. Cadart and F. Chevalier

Not on View

Landscape with Pigs, 19th century

Armand Heins

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Chemin Ă  Assendelft, 18th Century

Armand Heins

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La Niege - St. Laurant et St. Gilles, 1895

François Maréchal

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Bertrand et Raton, 1871

Charles Michel Maria Verlat

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La Muse de Rops, 1895

FĂ©licien Rops; Author: E. Remiro

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Veere - Le Soir, 18th Century

Albert Baertsoen

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Coin de LiĂšge, 1893

François Maréchal

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Le Barrage, 1893

François Maréchal

Not on View

LiĂšge - la nuit, 1894

François Maréchal

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Old Bridge, 18th Century

Albert Baertsoen

Not on View

Solanum multifidum, from Stripes Novae, 1784

Milsan; Artist: after Pierre-Joseph Redouté

Not on View

Solanum gigantum, from Stripes Novae, 1784

Pierre-Joseph Redouté

Not on View

Virgilia helioides, from Stripes Novae, 1784

Maleuvre; Artist: after Pierre-Joseph Redouté

Not on View

Michauxia campanuloides, from Stripes Novae, 1784

Milsan; Artist: after Pierre-Joseph Redouté

Not on View

Salvia Tiliaefolia, from Stripes Novae, 1784

François Hubert; Artist: after Pierre-Joseph Redouté

Not on View

Michauxia campanuloides, from Stripes Novae, 1784

Milsan; Artist: after Pierre-Joseph Redouté

Not on View

Menu pour Ernest Rousseau, 1896

James Ensor

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Portrait. 104., 16th century

Andreas Vesalius

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Portrait of Gaston d'Orleans, 17th century

Lucas Vorsterman; Artist: after Anthony van Dyck

Not on View

Larsen Plush II, 1985

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Larsen Plush II, 1985

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Larsen Plush II, 1985

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Larsen Plush II, 1985

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Larsen Plush II, 1985

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Gala Velour, 1976-1982

Wohntextil A G; Producer: Jack Lenor Larsen, Inc.

Not on View

Larsen Plush II, 1985

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Part of cap set, c. 1750

Belgium

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Portrait of Antonius Blocklandius Batvus, c.1682

Esme de Boulonois

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Portrait of Jacques D"Arthois, c.1649

Peter de Jode, the Younger; Artist: After Joannes Meysens

Not on View

Fan mount, 19th century

Belgium

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Cap, 18th century

Belgium

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Lace Strip, Date Unknown

Belgium

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Belgian rosepoint lace cuff, one of a pair, 19th century

Belgium

Not on View

Belgian rosepoint lace cuff, one of a pair, 19th century

Belgium

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Belgian rosepoint lace collar, 19th century

Belgium

Not on View

Collar, 19th century

Belgium

Not on View

Collar, 19th century

Belgium

Not on View

Border, 19th century

Belgium

Not on View

Lace Band, 19th century

Belgium

Not on View

Lace Strip, Date Unknown

Belgium

Not on View

Lace Strip, 19th century

Belgium

Not on View

Border, 19th century

Belgium

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Gala Velour, 1976-1982

Wohntextil A G; Producer: Jack Lenor Larsen, Inc.

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Coachcloth, 1987

Jack Lenor Larsen, Inc.

Not on View

Gala Velour, 1976-1982

Wohntextil A G; Producer: Jack Lenor Larsen, Inc.

Not on View

Gala Velour, 1976-1982

Wohntextil A G; Producer: Jack Lenor Larsen, Inc.

Not on View

Two Cuffs (Duchesse), 19th century

Belgium

Not on View

A Touch of the Bubbly, 2007

Pollack & Associates

Not on View

Avec plaisir, 1963

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Peter Bramsen

Not on View

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