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City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry.

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Promenades of Euclid, 1955

René Magritte

G376

Composition is very similar to L'Intrigue by Ensor in collection of Royal Museum of Fine Arts, Antwerp, which measures 35 1/2' x 59' and is dated 1890.

The Intrigue, 1911

James Ensor

G371

woman wearing a black hat, short maroon cape, long tan gloves and grey skirt, holding purple flowers and leaning on a black iron rail; tan awning behind woman; trees and foliage behind railing

Portrait of Mademoiselle Dubois, 1884

Alfred Stevens

G351

Naturalistic wood form with four legs and four platforms

Pedestal, 1897

Gustave Serrurier-Bovy

G378

brass frame with glass insert

Vase, c. 1905

Gustave Serrurier-Bovy

G379

Family portrait

Portrait of the Gaspard Moeremans Family, 1831 and 1833

François-Joseph Navez

Not on View
Pair of armchairs in the Etruscan style

Etruscan-style armchair, one of a pair, c. 1805

Jean-Joseph Chapuis

Not on View
dark buildings with rust-red tile gable roofs; part of a sign at left on front of building; two figures in dark cloaks (?) with white highlights on heads and hands; dark arched doorway in LRQ; tan paper; received in black frame

The Dead City, Bruges (Die tote Stadt, BrĂŒgge), c. 1911

Julien Celos

G316

From the series The Medallion Months. The Month of September, symbolized by a vintage scene depicted in an oval medallion of which the frame carries the twelve signs of the zodiac alternated with pairs of classic female figures each holding an hour glass. In the upper spandrels Semele and Jupiter; in the lower spandrels a pair of lovers and a peasant cutting gapes. Elaborate border of fruits and figures outlined by guilloche band. Well preserved, colors fresh. This tapestry one of a set of twelve months of which seven pieces are known to exist. Materials warp undyed wool, 7-8œ ends per cm., weft dyed wool and silk, 22-120 ends per cm.

Month of September, 1525-1528

Circle of Bernard van Orley; Designer: Circle of Bernard van Orley

G340

abstract collage; trapezoidal forms, bars, and large color fields at right--yellow and black; heavy concentration of smaller collage pieces at left-- cream, white, purple, pink, and red; received in gilt frame

Untitled, 1917

Paul Joostens

G359

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Indiscreet Jewels, 1963

René Magritte; Printer: Mourlot Freres, Paris

Not on View

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

Lola de Valence, 1948

René Magritte

Not on View

Decanter, c. 1800

VonĂȘche Glassworks

Not on View
Plate 103

Lilium superbum (Superb Lily), 1805

de Gouy; Artist: After Pierre-Joseph Redouté

Not on View
Winter landscape with ice skaters and other figures

Les Patineurs, 1889

James Ensor

Not on View
man with halo and drapery over one shoulder holding book and looking over his PL shoulder; drawing is the study for the engraving which is 67.46.3

Saint Jude, 1591-1592

Jacob de Gheyn, the Younger

Not on View
Pair of armchairs in the Etruscan style

Armchair, one of a pair, c. 1805

Jean-Joseph Chapuis

Not on View
fragment of a larger tapestry, much wider and probably slightly higher; warp undyed wool, 6-8 ends per cm.; weft dyed wool and silk, 20-40 ends per cm.

Courtly Personages in a Landscape, c. 1520-1525

Belgium

Not on View
Plate 3, Set 1

Virum Improbum vel Mures Mordeant, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
tapestry; warp undyed wool, 6œ-8 ends per cm., weft dyed wool and silk, 20-60 ends per cm.

Joseph Ruler over Egypt, c. 1548-1555

Circle of Michiel Coxcie; Cartoonist: Circle of Michiel Coxcie

Not on View
Studies of female nudes

Seated Young Woman, Reflected in Mirror, 1895

Georges Joseph Laurent Lemmen

Not on View

Botanical Dissection: Spidorwort and Senna, c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Botanical Dissection: Spiderwort and Senna (Tradescantia sp., Cassia sp.), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Botanical Dissection: Sweet Pea (Lathyrus odoratus), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Botanical Dissection: Sour Cherry (Prunus cerasus), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Panel, 18th century

Belgium

Not on View

Band, 18th century

Belgium

Not on View
tree with crescent moon on it

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Sixteenth of September, c. 1956-1958

René Magritte

Not on View

Temps Orageux, 1924

LĂ©onard Misonne

Not on View
part of a larger group of millfleurs armorial tapestries woven in Bruges; warp undyed wool, 4-4œ ends per cm., weft dyed wool, 18-28 ends per em.

Allegorical "Millefleurs" Tapestry with Animals, c. 1530-1545

Belgium

Not on View
Old Flemish cap, with a shaped floral medallion flanked at base by spreading floral sprays. The toile is grounded chiefly with brides. Modes of various designs, including oeil de perdrix.

Cap back, 18th century

Belgium

Not on View
see object file for complete description of contents

Au square (In the Square), November 1897

Henri-Jacques-Edouard Evenepoel

Not on View
Portrait of a man.

The Philosopher, c. 1845-1855

Antoine Joseph Wiertz

Not on View

%C2%A9 Estate of Paul Delvaux %2F Artists Rights Society %28ARS%29%2C New York %2F SABAM%2C Belgium

Woman with a Mirror, 1945

Paul Delvaux

Not on View
Tapestry; warp undyed wool, 6-7 ends per cm.; weft dyed wool and silk, 28-40 ends per cm.

Battle Scene, c. 1570-1600

Belgium

Not on View
Strip of Point d'Angleterre a reseau with an undulating pattern of leaves and flowers interrupted by sprays of flowers filled in with simple diaper modes.

Edging, 18th century

Belgium

Not on View

Lappet of Point d’Angleterre Ă  vrai rĂ©seau, 18th century

Belgium

Not on View

Vase, 20th century

Charles Chatteaux

Not on View
birch log shaped like torso and legs; 1/4 spherical head; wood ring around proper left ankle with other rings around neck; round wood disk at top of chest

%C2%A9 Jean Willy Mestach

Femme Ciblee (Bouleau), 1997

Jean Willy Mestach

Not on View

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
Second edition; from portfolio "21 Etchings and Poems," conceived by Peter Grippe, 1951, Atelier 17 with support of Stanley William Hayter

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Poem, 1953, from 21 Etchings and Poems, 1960

Pierre Alechinsky; Author: Poem by Christian Dotremont; Publisher: Morris Gallery, New York; Printer: Andersen-Lamb, New York

Not on View

La ramasseuse de fagots (Firewood Gatherer), 1895

FĂ©licien Rops; Publisher: Claude Roger-Marx, Paris

Not on View
Plate 11, Set 4

Fert Aestas flores, terramque virentibus herbis vestit, dans auibus cantum, syluisque decorem, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 0, Set 2

Una Hirundo non Facit ver, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 7, Set 1

Amicitijs non utendum ut flosculis, tamdiu gratis, quamidu recentibus, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 11, Set 1

Versicolor coluber, ranas, miserasp Lacertas Deuorat, In siluis ferra fortior, ore minorem Dilacerat, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 12, Set 1

Regum locustae non habent, et egreditur Universa par turmas suas. pra: 28, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 9, Set 1

Ipsa dies aperit: conficit ipsa dies, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
Plate 2, Set 2

Aeternum Florida Virtus, 1592

Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View
seated nude woman with long hair; ankles crossed; green ink on pink paper

Nu femme assise, 1899

Georges Joseph Laurent Lemmen

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Samples 4 & 5 marked on tags stapled to rt. Selvedge. Distance between groups of warp threads 13". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Samples 1, 2, 3 & 3A. Marked on tags stapled to rt. Selvedge. Distance between groups of warp thread 13". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Earth Red

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Cane

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Sample tag stapled to left selvedge states "Before flameproofing". Distance between warp threads 13". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) White. Sample tag stapled to left selvedge states "After flameproofing". Distance between warp threads 11.5". Shell white

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Experimental pieces (.1 - .4) varying thread twist & thickness on weft with linen warp. (.5 is finished piece) Natural (natural)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Bahia Blind, 1959-1974

Larsen Design Studio, New York; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Mango Gold

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Musiciens fantastiques, 1888

James Ensor

Not on View

Sire Hallwyn, 19th century

Fernand Khnopff

Not on View

Mask, 1899

Fernand Khnopff

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable I, 1967

Pierre Alechinsky; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable IV, 1967

Pierre Alechinsky

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable III, 1967

Pierre Alechinsky

Not on View
From a suite of four etchings

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les dimanches du comptable II, 1967

Pierre Alechinsky

Not on View
part of a cap set of pillow or bobbin lace; Point d'Angleterre (on net); two pieces sewn together

Lappet, c. 1750

Belgium

Not on View
part of a cap set of pillow or bobbin lace; Point d'Angleterre (on net); three pieces sewn together

Lappet, c. 1750

Belgium

Not on View

Les bateaux Ă  Volendam (Boats at Volendam), 1894

Theodore Van Rysselberghe; Publisher: Claude Roger-Marx, Paris

Not on View

Gesture of Offering, 1900

Fernand Khnopff

Not on View

The Meuse, 1893

François Maréchal

Not on View
Plate XCII

Genista pedunculata, from Stripes Novae, 1784

J. J. Juillet; Artist: after Pierre-Joseph Redouté

Not on View
3/4-length study of a bare-chested young woman, with a white cloth around her waist and long dark hair, leaning her head to the PR, standing in front of a window with city buildings visible behind her

%C2%A9 Estate of Paul Delvaux %2F Artists Rights Society %28ARS%29%2C New York %2F SABAM%2C Belgium

Female Nude Standing Before a Window, 1956

Paul Delvaux

Not on View
large gateway with triangular shaped elements on sides; relief sculpture at sides and top of gateway; numerous people in street below; buildings beyond gateway and at left

Porte Saint-Denis, Paris, 1928

Jules de Bruycker

Not on View
red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side

Study of a Figure in Priest's Robes, c. 1650

Jacob Jordaens

Not on View
line drawing of a pipe with lines around it, forming a rectangle with rounded corners

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

Ceci n'est pas une pipe (This is not a pipe), 1962

René Magritte; Publisher: Galleria Schwarz, Milan

Not on View
elaborately-dressed couple seated at a table outdoors; woman at left holds a books in her PR hand and rests her PL arm on the shoulder of man at right, who is playing a lute; vase of flowers, footed bowl with fruit and book on table; landscape in background with windmill-like structure, hunters with bows aiming at bird, fisherman and couples beneath a tree; text at bottom below image

Sanguine, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
two crisscrossed flutes or whistles forming X at center, overlapping vertical musical staff with treble clef; two stylized cherubs sitting on fluttering ends of a banner over the center flutes, each playing an instrument; at top, putto sits on a wreath and holds a burning torch

Les Mirlitons (Pour Madame Anna Judic), 1886

FĂ©licien Rops

Not on View

Le Chemin Creux, 1937

LĂ©onard Misonne

Not on View
Plate 148, volume 3, Les Lillacées

Amaryllis lutea, 1806 (1807)

After Pierre-Joseph Redouté; Engraver: de Gouy

Not on View

Remains of the Portico of the Temple of Kom Ombo, 1846

Louis Haghe; Artist: after David Roberts

Not on View
mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man

Standing Saint, 17th century

Anthonis Sallaert

Not on View

Botanical Dissection: Yellow Asphodel (Asphodelus lutea), c. 1778-1790

Attributed to Pierre-Joseph Redouté

Not on View

Decanter with Stopper, c. 1810

VonĂȘche Glassworks

Not on View

Uylenspiegel au Salon: Revue de l'Exposition de 1860, 1860

FĂ©licien Rops; Publisher: Chez Tous les Libraires , Brussels

Not on View

Le pendu, 1869

FĂ©licien Rops

Not on View
square bowl with undulating top edge decorated with blue on white ground

Salad bowl, 1904

Henry van de Velde; Manufacturer: Meissen Porcelain Factory

Not on View

Bouquet d'Arbres, 1888

James Ensor

Not on View

Two Women Visiting, 19th century

Edward Antoon Portielje

Not on View

Small Scarf, 19th century

Belgium

Not on View

La Cathedrale (1re planche), 1886

James Ensor

Not on View
couple wearing rather plain garments, with woman at left standing behind a table, holding a bucket of fish with her PL hand; flat tray-like basket of fish on table, with long, thin fish on table in LRC; man at right seated on edge of a boat; sea scene behind couple with fishermen on boats and on shore pulling in nets and filling barrels; tower with smoke in ULC; text at bottom below image

Phlegmatic, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
set of seven woodcuts and original presentation folder; folder is a brown, rough textured paper with the work's title and artist's name printed in square block of text in upper half of front side; inside the cover page is a single sheet of yellowing paper accordion folded into eight sections; the first seven sections are figurative interpretations of the dance of death--figures are rendered with sharp angles and emphasized musculature; the scenery is ghoulish boasting dead and aggressive animals, menacing natural landscapes, alienating cityscapes; each woodcut is in black and white

%C2%A9 Estate Nicolas Eekman

Dance of Death in Seven Tempos (Dood dans in zeven tempo), 1924

Nicolas Eekman

Not on View
elaborately-dressed couple, with man at left wearing sleeves and breastplate of armor, with a long sword at his hip and carrying a handled pot on a long staff over his PR shoulder; woman at right carries a tiny lion-faced dog (or monkey?) in the crook of her PL arm, with a rooster on the bundle on her upper back and two dead birds tied to her belt; woman carries turnips in a small apron pouch on her abdomen; landscape in background with burning buildings in ULC, figure attacking another with a sword, man chasing a flock of geese with a sword and a reaper; text at bottom below image

Choleric, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
image of a crowd of people in front of a cathedral; those in foreground are facing the viewer

James Ensor%2C The Cathedral 1886. %C2%A9 Artists Rights Society %28ARS%29 New York %2F SABAM%2C Brussels

The Cathedral, 1886 (published 1896)

James Ensor

Not on View
portrait 1/2 length of Daniel van Heil facing right looking at viewer; left hand across chest; wearing cloak and flat white collar

Portrait of Daniel Van Heil, 1649

After Jean Baptist van Heil; Engraver: Frederik Bouttats; Publisher: Jan Meyssens

Not on View
couple with standing man at left, offering jewelry to a seated woman looking down at her bare breast; woman leans her PL elbow on a box with broken pots inside; more broken pots in LRC; winter landscape in background with bare trees and ruined buildings; text at bottom below image

Melancholic, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
blue printed on white; bare tree or leaf vein design with "textured" pebble-like ground; screen printed

%C2%A9 Knoll Fabrics%2C New York %2F Tracy%2C Eszter Haraszty%2C 1970

Tracy, c. 1970

Eszter Haraszty; Manufacturer: Knoll, New York, New York

Not on View
head of a young man with a short pointed beard and thick wavy hair parted in the middle

[Portrait of a man], 19th century

Adrien de Witte

Not on View
portrait of a girl with long dark hair, pulled back in the front, with a wide pointed collar

[Portrait of a girl], 1876

Adrien de Witte

Not on View

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