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Steam Colliers, 19th century

Mortimer Menpes

Not on View

Tourterelle. A Collier. (Birds.), 1790

Francois Nicolas Martinet; Artist: Alexandre Martinet

Not on View

No. 4. Le Tocan a Collier jaune., 1801-1806

François Levaillant; Artist: after Jacques Barraband; Engraver: Perré Gremillier

Not on View

No. 3. Le Tocan a Collier jaune., 1801-1806

François Levaillant; Artist: after Jacques Barraband; Engraver: Perré Gremillier

Not on View

La Tourterelle a collier. (Birds. 244.), 1765-1783

Francois Nicolas Martinet

Not on View

Colombe a double Collier. Columba Bitorquata Mihi., 1809-c. 1843

Madame Antoinette Knip; Engraver: Cesar Macret

Not on View

Colliers' Point near Banks Peninsula, Akaroa, 1863

Charles Meryon

Not on View

Pl. 55. La grande Perruche a collier et croupion bleu., 1801-1805

François Levaillant; Artist: after Jacques Barraband; Printer: Langlois

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Game in a White Room, c. 1954

Robert Collins

Not on View

Judith with the Head of Holofernes, 1750

Ignazio Collino

G324

1. Perruche a Collier Jaune, Male. 2. Son Bec Vu de Face., 1826-1829

Jules Sebastien Cesar Dumont D'Urville (Naturalist/ Captain of the expedition); Author: Jean Rene Constantin Quoy (Naturalist whose work print is based on); Artist: Jean Gabriel Pretre; Engraver: Louis-Antoine Manceau; Editor: J. Tastu; Printer: V. Drouard

Not on View

The Colliery, Ruhrort near Oberhausen, 1910

Joseph Pennell

Not on View

The Colliery Ruhrort Near Oberhausen, 1910

Joseph Pennell

Not on View
blue footed vase with large bouquet of pink and white flowers

Untitled (Flowers in a vase), 1899

Julia Collins Stohr

Not on View
head of a woman with wide nose and mouth; short wavy hair; bronze patina

Copyright of the artist%2C artist%27s estate%2C or assignees

Cleota Collins, 1932

Henry W. Bannarn

G303

head of a young man with a helmet, seen from shoulders, head turned to proper right

Head of a Young Warrior, 1894

Emmanuel Hannaux; Caster: E. Collin & Cie

Not on View
eight-sided table with eight thin, tapering turned legs all connected with horizontal bars near bottom to central spindle with turned finial on bottom; eight horizontal bars--curved at bottom--connect legs just under tabletop; brass caps and wheels on bottom of legs

Octagonal table, 1880

E. W. (Edward William) Godwin; Maker: Collinson & Lock

Not on View
wreath with Latin type; interspersed among leaves are circles containing the letters IHS or MA

Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640

Abraham Bosse; Artist: or François Collignon

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Paysage (Landscape), c. 1920

E. Collignon , possibly French, active early 20th century; Artist: Formerly attributed to Eugène Collignon

Not on View

Red-whiskered Bulbul, 1742

Charles Collins

Not on View
Saddle stitched binding, photomechanical reproduction of woodcut print depicting agricultural workers, with text and designs printed in offset lithography on wove paper covers; 40 pp.

Of This Land: A Collection of Writing on Land Rights from the Grassroots, vol. 1, 2011

The Elephant Collective; Publisher: The Elephant Collective , New Orleans

Not on View

Plate 11, 1736

Charles Collins; Engraver: I. Mynde

Not on View

Plate 8, 1736

Charles Collins; Engraver: I. Mynde

Not on View

Plate 3, 1736

Charles Collins; Engraver: I. Mynde

Not on View

Plate 7, 1736

after Charles Collins; Engraver: Henry Fletcher

Not on View

Plate 1, 1736

after Charles Collins; Engraver: Henry Fletcher

Not on View

Plate 10, 1736

after Charles Collins; Engraver: Henry Fletcher

Not on View

Sunday, 19th century

Samuel William Reynolds I; Artist: after W. Collins

Not on View

%C2%A9 Plattsburgh State Art Museum%2C Rockwell Kent Gallery and Collection

Workers of the World, Unite!, 1937

Rockwell Kent; Publisher: American College Society of Print Collectors

Not on View
Stab stitch binding in upper left corner, image with text and designs photocopied on wove cover; 19 pp.

Chain Reaction, vol. 1, no. 1, 1999

Chain Reaction Collective; Publisher: Chain Reaction Collective , Homewood, I.L.

Not on View
Saddle stitched binding, photomechanic image of chair and lamp, and letterpress text printed in offset lithography on wove paper covers; 16 pp.

Hidden Histories of Resistance: The Diverse Heritage of Squatting in England, late 20th-early 21st century

Needle Collective; Publisher: CrimethInc. Worker Collective; Publisher: Oplopanax Publishing

Not on View
Loose, folded leaves, image and text photocopied on wove paper; 10 pp.

The Beehives Plan Columbia Poster Narration, late 20th-early 21st century

Beehive Design Collective; Publisher: Beehive Design Collective , Machias, M.E.

Not on View
Perfect bound volume, photomechanical image of figures on makeshift boat with letterpress text printed in color offset lithography on coated paper covers; 160 pp.

Make a Zine: When Words and Graphics Collide, 2008

Bill Brent; Author: Joe Biel; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Loose, folded leaves of newsprint, photomechanical illustration of two groups of figures (both nude, one male and the othe female) with red text printed in color and black-and-white offset lithography; 14 pp.

After the Fall, 2002

After the Fall Collective, New York

Not on View
Image and text printed on newsprint in offset lithography; 10 pp.

After the Fall, 2002

After the Fall Collective, New York

Not on View

Cartouche, 17th century

François Collignon; Artist: after Stefano della Bella

Not on View

The Ladies of Vallbona, 1934

Norman Hepple; Author: Archer Milton Huntington; Publisher: Collins, London; Printer: Collins Clear Type Press, London and Glasgow

Not on View
openwork 3-D "pendant" with pairs of dragons and lions and a fish; double chain with round and floral links attached to top; two top clips with butterfly motifs; long chains with wheel pendants and three bells alternate short chains with floral pendants and bugle beads below large pendant

Collar, Date Unknown

Miao

Not on View
collar with shoulder coverage; applique in linear designs and various colors with geometric embroidered panels; predominantly reds and yellows

Collar, Date Unknown

Miao

Not on View
collage of faces in pink

%C2%A9 Estate Harry Callahan %2F PaceWildensteinMacGill%2C New York

Collages, c. 1956

Harry Callahan

Not on View
blue and green applique over white ground; white button at opening; green trim on scalloped edges with white, orange, pink and red squares

Collar, mid 20th century

Miao

Not on View
Collar, shaped, of embroidered black satin. The design, in shades of pale blue, green, and yellow includes cranes, cocks, spotted deer, grasshoppers, Hundred Antiques, and other symbols. Border of narrow white braid, banding of reseda green satin and binding of black satin. Lining of blue silk with figured ground.

Collar, 19th century

China

Not on View
embroidered silk, brocaded

Collar, 1821-1850

China

Not on View
Collar of silk tapestry (ko'ssu) made with a design of waves and dragons on a dark blue ground. Finished with an added border of dark blue silk and gold material and lined with stained silk damask. The finer detail of the design is painted on the material.

Collar, 1736-1795

China

Not on View
lace; bobbin; made in Minnesota by a Belgian worker; early XX century

Collar, 1900–1916

United States

Not on View
Irish crochet; some restoration needed

Collar, c.1900

Ireland

Not on View
red with white, black and yellow zigzag geometrics embroidered in chain stitch through green silk cloth and coarse, weft faced black cotton; one long edge overcast; tacked to black fabric along other long end, selvedge edges and both ends of embroidery; green silk fabric seamed in 2 pieces; black cotton fabric has a center seam

Collar, 1920-1930

Turkman

Not on View
head (turned toward PL) and shoulders of woman wearing a pink, red and white kimono with a red collar; shiny ground

Red Collar, 1928

Yamakawa Shūhō; Publisher: Bijutsusha

Not on View
image of woman smoking a cigarette and holding a pack of cigarettes on a green background

Smoke Cancerettes, Pox in Every Puff, 1970

Seymour Chwast; Collaborator: Art direction by Martin Geisler

Not on View
Bound volume with loose pages, image and text photocopied on wove paper; 8 pp.

Art and Revolution Convergence Orientation Zine, 1997

WAIL Collective; Publisher: Art and Revolution, Arlington, W.A.

Not on View
Loose, folded leaves with photocopied text and image; 11 pp.

The Abolition of Work, 1996

Unknown; Publisher: CrimethInc. Worker Collective

Not on View

%C2%A9 The Estate of Miriam Schapiro %2F Artists Rights Society %28ARS%29%2C New York

Female Concerns, 1976

Miriam Schapiro; Workshop: Minneapolis College of Art and Design

Not on View
Cut and folded leaves, xerographic text and designs printed on wove paper; 8 pp.

Single Moms of the World Unite, 2016

Katherine Arnoldi; Publisher: College Mom Magazine

Not on View
two sets (five DVD's in each set) of exhibition/viewing copy DVD's--one set received in paper sleeves; one set (five DVD's) of master DVD's--each DVD signed and dated by the artist, with the edition number and screen number, in black marker, received in plastic and cotton sleeves; master DVD set and loose set of exhbition/viewing copies received stored in wooden box with glass cover; box stuffed with cotton; six handmade cutout fairies pinned to cotton on left side of box, with cardboard labels naming each in Japanese and English; five plasma flat panel TV's (with five wall mounts), five DVD players and synchronization unit also included; see Notes for supply list

%C2%A9 Chiho Aoshima %2F Kaikai Kiki

City Glow, 2005

Aoshima Chiho; Collaborator: Bruce Ferguson

Not on View
broad collar of blue faience beads, an extraordinarily large example of funerary jewelry typical of the middle kingdom; blue glazed faience. Both heads generally cracked and chipped at beak.

Broad collar, 2040-1783 BCE

Ancient Egyptian

G254

La ferme sur la colline, 19th century

Alphonse Legros

Not on View

Paysage de Colline, 1910

Henri Rivière

Not on View

La ferme sur la Colline, 1895

Alphonse Legros

Not on View

San Luca de Colli, 1904

Donald Shaw MacLaughlan

Not on View

Masure sur la colline, 19th century

Alphonse Legros

Not on View

Chaumieres sur la colline, 1900

Paul Dauchez

Not on View

Le haut de la colline, 19th century

Alphonse Legros

Not on View

La village sur la colline, 1905

Jean François Raffaëlli

Not on View

Environs des Collisure, 20th century

Henri Vergé-Serrat

Not on View

Vendanges à Collisure, 20th century

Henri Vergé-Serrat

Not on View
light finish; upright; carved on sides and front with floral, bee and geometric motifs; cloth on back

Piano, c. 1878

Henry William Batley; Manufacturer: James Shoolbred & Co. (case); Manufacturer: Collard & Collard (movement)

Not on View
tapestry; warp undyed wool, 7½-8 ends per cm., weft dyed wool and silk, 24-28 ends per cm.; woven at the Royal Beauvais Manufactory; from the series Grotesques; lining is sewn to the tapestry

The Camel, designed 1686–1688 (woven 1688–1695)

Jean-Baptiste Monnoyer and collaborators; Cartoonist: Jean-Baptiste Monnoyer; Weaver: Royal Beauvais Manufactory under Philippe Behagle; Sponsor: Phillipe Behagle

Not on View
Coated covers, color offset lithographic imags with letterpressed text in red; 32 pp.; spread pp. 2-3 and front cover by Mac McGill

After the Flood, 2006

Mac McGill , et al.; Publisher: Common Ground Collective; Publisher: World War 3 Illustrated, New York

Not on View
Saddle stitched binding, text, designs and an illustration of several figures, one with a speech bubble saying "'cuz we's single / and we loves to mingle"; 28 pp.

Sticky Bun, Number 1, 1998

Tunde Adebimpe; Publisher: Junior College Publishing, New York

Not on View
Saddle stitched binding, photocopied image with text printed in xerography on blue wove paper covers; 21 pp.

The Germinator!, vol. 1, 2006

Sascha Scatter , et al.; Publisher: Germantown Farm Collective, Germantown, N.Y.

Not on View
Saddle stitched binding, xerographic text and illustrations of a skull and silhouetted barbed wire and bird printed on wove paper covers; 10 pp.

What Is Security Culture? A Guide To Staying Safe..., 2011

Sprout Anarchist Collective, Grand Rapids, Mich.; Printer: In Our Hearts, New York

Not on View
Saddle stitched binding, text with design in red ink screenprint on cardboard covers; 40 pp.

Le Fond de l'Air Est Rouge, 2013

Stefan Christoff; Publisher: Howl! Arts Collective, Quebec

Not on View
Saddle stitched biniding, xerographic illustration of man and bear with designs and text printed on wove paper covers; 62 pp.

Please Don't Feed The Bears! (A Vegan Cookzine), 1999

Brad Misanthropic; Publisher: Brad Misanthropic , State College, Penn.

Not on View
Saddle stitched binding, photomechanic image of abstracted text with letterpress text printed in offset lithography on wove paper covers

House Magic: Bureau of Foreign Correspondence, 2009

Alan W. Moore; Publisher: ABC Visual Arts Collective, New York

Not on View
Single, folded leaf, photographic image of cityscape, with text, printed in color offset lithography on newsprint; 2 pp.

The Shadow of the Past Holds the Future Hostage, 21st century

Unknown; Publisher: CrimethInc. Worker Collective , Olympia, Wash,

Not on View

The Skeleton, c. 1531

Possibly Agostino d' Musi; Artist: Possibly in collaboration with Battista Dossi

Not on View
group of figures in landscape with man in front holding spotted panther by collar

King Arsaces Dedicating a Panther to Dionysus, c. 1596

Joannes Stradanus (Jan van der Straet); Engraver: Jan Collaert II; Publisher: Philips Galle

Not on View
eight people sitting inside large, open cupboards; one man lying on top of cupboard; 'Bauatelier Gropius' on one cupboard door

Copyright of the artist%2C artist%27s estate%2C or assignees

Bauatelier Gropius, 1927-1928

Edmund Collein; Publisher: Rudolf Kicken Gallery, Cologne, Germany

Not on View

King Arsaces Dedicating a Panther to Dionysus, 16th-17th century

Jan Collaert II; Artist: after Joannes Stradanus (Jan van der Straet); Publisher: Philips Galle

Not on View
"From the Original Picture by John Collet, in the possession of Carington Bowles."

Winter, late 18th century

after John Collet; Printer: Carington Bowles; Retailer: Carington Bowles

Not on View
Freehand lines within one inch squares

%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York

Plate 7, from "Work from Instructions", 1971

Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada

Not on View
Illustration from the 'Gulshan-i 'Ishq (Rose Garden of Love). A man holds a large bag of clothes seated under a tree, upper center, seven fairies playing in a pool with fountain are gesturing to him, figures surround on four sides by a garden

Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710

Mulla Nusrati

Not on View
The sentence “I will not make any more boring art” is repeated 17 times in a neat cursive script; printed in black-and-white.

%C2%A9 John Baldessari

I Will Not Make Any More Boring Art, 1971

John Baldessari; Printer: Nova Scotia College of Art and Design Lithography Workshop, Halifax, Canada; Publisher: Nova Scotia College of Art and Design, Halifax, Canada

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

Airline Samples, 1969

Larsen Design Studio, New York; Mill: Collins & Aikman; Producer: Jack Lenor Larsen, Inc.

Not on View

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