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dark brown glaze on top; inscriptions in unglazed areas at sides

Daoist Seal, 960-1279

Liu Ching K'o

Not on View

%C2%A9 2017 CHING HO CHENG ESTATE - Artist Rights Society %28ARS%29 New York

High Noon, April 6, 1982

Ching Ho Cheng

Not on View
large mountain with many levels and boulders and flat, sloping surfaces at upper center; small, "terraced" waterfall at LL; figure in small house on stilts seated overlooking water; cluster of trees and boulders at R; a few brown highlights

Reading I-Ching in the Autumn Woods, first half 19th century

Nakabayashi Chikutƍ

Not on View

I-ching, 18th-19th century

China

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View

I Ching, 1995

Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View
book with primarily green, blue and orange brocade front cover, gold brocade back cover; text with large, multipage drawing at front and two drawings at back

Book of Sudhana from the Garland Sutra (Hua-yan Ching Pu-hsien Hsing-yuan Pin), late 16th century

China

Not on View
3 volumes with yellow cloth covers in a yellow album cover; 6 page frontispiece with the Emperor seated under a canopy with a table in front of him, surrounded by figures in swirling clouds

The Marvelous Words of the Supreme Jade Emperor (Kao-shang yu-huang pen-hsing chi-ching), c. 1500

China

Not on View

The Illustrated Text of Three-Character Verse (Hui-tu San-tz'u Ching), 1573-1620

China

Not on View

Volume 14 (Da wei-te tuo-luo ni-ching) of the Ch'i-sha Triptaka, 1307

China

Not on View

Imperial Edition of the Illustrated Book of Documents (Ch'in-ting Shu-ching tu-shuo), 1905

China

Not on View
stoneware, ching pai and splashed iron glazes, molded decor

Burial Jar for Wine Storage, one of a pair, 12th-13th century

China

G204

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division

Bust of General Guillaume Brune, c. 1800

Joseph Chinard

G310

Burial Jar stoneware with Ching Pai glaze

Burial Jar for Wine Storage, one of a pair, 13th century

China

Not on View
three men in ULC-one man chisels at rock; two men push wheelbarrows filled with clay; black, gold, and red lacquer frame

Excavating the Clay, 19th century

Unknown Chinese

G209

woman with child at window, URC; man in yellow tunic, LRC; man with yoke follows another figure carrying a small basket; seated man stokes a firing kiln; black, gold and red lacquer frame

Kiln-firing the Porcelain, 19th century

Unknown Chinese

G209

man at L beats a clump of clay; two figures at center load bowls into large baskets; figure at R emerges from a room with a rack of decorated ceramics; black, gold and red lacquer frame

Removing the Kiln-fired Wares, 19th century

Unknown Chinese

G209

two men in LRC standing near bricks; man in URC with barrels; two men at L stir contents of barrels and kneed in a low vat; another figure seen through window, ULC; black, gold and red lacquer frame

Pulverizing the Clay and Building the Kiln, 19th century

Unknown Chinese

G209

standing woman with child at R; seated man splitting a reed or twig, LRC; man in LLC carries a yoke; small figure seated between the two men; black, gold and red lacquer frame

Breaking up the Clay, 19th century

Unknown Chinese

G209

two men working with barrels in foreground; man in blue tunic opening a barrel at center; man with fan at R; two men pack ceramics in a barrel behind man in blue; black, gold and red lacquer frame

Packing the Finished Porcelain for Shipment, 19th century

Unknown Chinese

G209

white with floral decoration; winged dragon as handle

Ewer, c. 1760

Vauxhall China Works

G324

Urn-shaped, slender neck; no decoration, rim diam. 3-3/16 in.

Vase, 10th century

Unknown Chinese

G214

dish-shaped red ink cake with incised gilt dragons and 2 gilt characters at center; gilt inscription inside square on bottom; 2 rows of raised characters around edge; raised abstracted dragons around edge on bottom

Imperial Ink Cake, 1736-1795

Wang Chin-shen

G217

dark image of dragon flying through air towards L; flame or lightening-like forms extend from neck; waves at bottom

Dragon in Clouds, 17th century

Unknown Chinese

G103

circular black ink cake with gilt highlights; landscape with trees, building and water on front, with inscription at top; inscription on back surrounded by dragons in swirling clouds

Commemorative Ink Cake, 1844

Wang Chin-sheng

G217

brown, rough-textured, large jar with broad areas brushed with black slip; scattered short and linear marks carved in clay

%C2%A9 Lee In-Chin

Tall Tree-Decorated Jar, 1991

Lee In-chin

Not on View

(Small white fish and water-weed), c. 1854-1859

Chinkƍsai

Not on View
wine ewer dragon handle and spout, the body formed of a pomegranate shape, a peach and a Buddha-hand citron fruit; porcelain with Ying Ching bluish glaze and brown glaze, copper-red underglaze; Yuan-Ming dynasty porcelain copy

Wine Ewer, 20th century

Unknown Chinese

Not on View
Man wearing a garment with folds, standing on an elaborate staff on rolling waves; man looks up into sky over his proper left shoulder and holds a small flaming ball in his proper right hand; drag in dark clouds at upper right

Bodhidharma Crossing the Sea, 1368-1643

Unknown Chinese, 14th - 17th century

G103

pair of bowls, porcelain, Ching Dynasty, K'ang Hsi Period, underglaze blue and white ware.

Bowl, one of pair, 17th-18th century

China

Not on View
pair of bowls, porcelain, Ching Dynasty, K'ang Hsi Period, underglaze blue and white ware.

Bowl, one of pair, 17th-18th century

China

Not on View
Luncheon or salad plate? white plate with transfer design of flowers and vines around edge; shield with flower at top center, with a ribbon reading, "HOTEL ASTOR," below

Plate from the Hotel Astor, New York City, c. 1905

Buffalo China Co.

Not on View
six total lines; four full lines of expressive, bold, angular calligraphy; the two lines near the L are shorter; small rectangular relief stamp URC; two square stamps, one intaglio, one relief, at LLC; ink stain on R edge LRC

Quatrain in cursive Script, second half 19th century

ƌnuma Chinzan

Not on View
close-up image of a tiger's face, chest and PR front leg; tiger appears to be approaching viewer, looking towards LL; portion of tail coming to view at bottom

Sketch of a Tiger, mid 19th century

Tsubaki Chinzan

Not on View
two egrets standing close together near center of image; snow covered branch hangs down from UR; snow-covered branches and foliage in foreground LR

Egrets in Snow, mid 19th century

Tsubaki Chinzan

Not on View
two black and orange birds perched in the lower limbs of a tree branch; wispy, willowy branches interspersed with pink and purple flowers

Swallow's Song in Spring Breeze, 1852, 3rd lunar month

Tsubaki Chinzan

Not on View
ovoid body with small mouth, shoulder carved with four flower petals

Jar, 12th-14th century

Unknown Chinese

Not on View
crabs below lotus leaves at bottom; cluster of grasses and wilted lotus leafs and blossoms at UR

Jewel-like Countenance, Gaze of a Recluse, mid 19th century

Tsubaki Chinzan

Not on View
colorful image of ducks swimming in pairs, young and old; one duck is flying away at R; rocks with grasses along bottom of image; cluster of reeds at L

Geese in Autumn Stream, mid 19th century

Tsubaki Chinzan

Not on View
Saddle stitched binding, xerographic text and illustration of a girl wearig a dress and holding what appears to be a carrott, perhaps a broom, printed on wove paper; 8 pp.

The Tough Cinderella, April 2007

China Martens , et al.

Not on View

Portrait of a General, c. 1800

Joseph Chinard

Not on View
bottom in the form of a bell or upside-down flower with a demon-form head, resembling a werewolf; incised holes in two rows at bottom (large and small)

Silk seal (ito-in) in form of a monster, 18th century

Unknown Chinese

Not on View
left 3 panels show close image of bamboo plant; right 3 panels bamboo grove at top as a background with continuation at lower quarter of left panels

Orchids and Bamboo [right of a pair], 1852

Tsubaki Chinzan

Not on View

Verse in Cursive Script, c. 1410

Chieh Chin

Not on View
ten boats on a stormy sea; two scholars on an arch bridge walk toward rooftops and masts of a seaside port hidden below sheet's border

Evening on Lake Tai, 19th century

Chin Isshƫ

Not on View
landscape of large hills and a lone figure in a pavilion surrounded by pine trees in the foreground; line of faint low hills in the far distance

Contemplation Among Pines, 1843

Chin Isshƫ

Not on View
ceramic urn-shaped with pair of handles; cream underglaze with green, black, orange, blue, purple, brown and gilt Deco design at shoulder and handles; percolator insert; metal lid with glass knob; 4-footed metal base and metal spigot

Coffee percolator, from a three-piece coffee service, 20th century

Fraunfelter China

Not on View
short, splayed foot; long spout; cream underglaze with green, black, orange, blue, brown, purple and gilt Deco design at top and handle; white interior

Creamer, from a three-piece coffee service, 20th century

Fraunfelter China

Not on View

Landscape with Ruins, 19th century

George Chinnery

Not on View

Monkey in a wedding gown, c. 1836

ƌnishi Chinnen

Not on View

(Pushing boat in marsh), 19th century

ƌnishi Chinnen

Not on View
in two sections, embroidered with a design of clouds and indeterminate motifs in shades of blue and gold on a red ground. Case bound around edge with narrow blue satin bands, lined with rose cotton. At top and bottom a double red cord held together by painted glass beads.

Case, 19th century

Unknown Chinese

Not on View
short, splayed foot; pair of handles; cream underglaze with green, black, orange, blue, brown, purple and gilt Deco design at top of shoulder and handles; gilt and green on cover; white interior

Sugar bowl with cover, from a three-piece coffee service, 20th century

Fraunfelter China

Not on View
flat on 2 sides; rounded on sides with spout and handle; half cylindrical cover slides closed; silver lines around cover, around body, on spout and on handle; orange glaze below silver strip on body and on dome of cover; white at top of body, spout and handle

Teapot with Cover, 20th century

Fraunfelter China

Not on View
left 3 panels show close image of bamboo plant; right 3 panels bamboo grove at top as a background with continuation at lower quarter of left panels

Orchids and Bamboo [left of a pair], 1852

Tsubaki Chinzan

Not on View
jar, porcelain, Ming Dynasty, Chia Ching Period, 1522-66. Underglaze blue and white ware. Scene shows children at play.

Jar, 1522-1566

China

Not on View
Bowl, porcelain with lotus decor in underglaze blue, Ming Dynasty, Chia Ching mark and period, 1522-66.

Bowl, 1522-1566

China

Not on View
pitcher, ceramic-porcelain; 'Grecian' type with enamel-painted floral sprays and gilded decoration

Pitcher, 1827–1832

Andrew Craig Walker; Manufacturer: Tucker China Manufactory

Not on View
baluster vase, porcelain, Ching Dynasty, K'ang Hsi Period (1662-1722), underglaze blue decor of flowers and auspicious symbols.

Baluster Vase, 1736-1795

China

Not on View
ink tablet, form of tortoise with cover, standing on its four feet; cover decorated with incised designs of scales with the Pa Kwa; inscribed with the eight trigrams of the 'Yi-Ching' (The Book of Changes), representing the various forms of change, principles or laws of the universe

Ink tablet in the form of a turtle, 1st century

China

G201

Moon Flask, porcelain, Ching Dynasty, Yung Cheng Period. Porcelain underglaze blue and white ware in Ming style of XVI century. Japanese gold lacque repair to neck.

Moon Flask, 1723-1735

China

Not on View
dish, porcelain, Wu Chi ware, Chia Ching mark and period, 1522-66, overglaze enamel in green, red and yellow. Some enamel abrasion in plate interior.

Saucer Dish, 1552-1566

China

Not on View
curved shape; molded and painted on a mountain-shaped body with green and rust dragons flanking a blue dragon amongst clouds and above rocks and waves

Three Dragon Brushrest, Wanli mark and period (1573-1619)

China

G103

interior scene; bottom R shows Christ seated with five figures immediately surrounding him-three looking and two above his head are poking him, placing crown of thorns on his head; in foreground is a knife next to branches of thorns; to R two figures with shields dressed in military garments stand as if watching; on L is guard in same attire; guards throughout interior; through outside the doorways on L hand side is Christ walking head looking down, appears as if figures are holding his hands behind his back; Chinese symbols by each depiction of Christ and one symbol above doorway, third one in

The Mocking of Christ, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene with two windows; UL window is scene of Christ having walked away from tomb and two Chinese characters, UR is image of Christ preaching and one Chinese character; man in foreground with five people seated at each side, figures in discussion; three winged figures on each side

Caiaphas and the Council of Elders, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
LR side has image of the Virgin under a shelter holding Christ Child; line of figures weave throughout image; most figures bear gifts; mountainous background with western architecture; eight Chinese characters throughout image; star at URC

The Adoration of the Magi, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
interior scene; man seated at door holding crutches with two dogs possibly eating his leg; Christ also at door with five figures at each side; western style building through window; to L of doorway are men in balcony with musical instruments; at LC in foreground is table where food is being prepared and servants bring food to table at R; men and women in 17th century clothing around table at R; one-armed man at foreground holding a stick to chained monkey; four winged creatures at top R; three hold "V" shaped objects

Lazarus at the House of the Rich Man, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
well at R side; line of figures carrying food behind Christ who is pointing into well; woman also points into well; city in background has western influence; at center L is group of people with Christ at center, another group of people to bottom L; Mountain valley setting, well on platform; seven Chinese characters throughout image; woman in distance viewed through well frame carries water jugs, one on head, one in hand; sailboat at UR middle border

Christ at the Well, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
Christ seated at LLC with L hand extended; man sits facing Christ, pointing; various animals in foreground including rabbits, porcupine, fox, and moose; four seated female angels seated at middle R side make offering to Christ who is making sign with R hand; two winged figures/creatures?, a crane and deer at center to middle L side; western architecture in background; four small scenes at top show Christ inn various stages of the Cross; all figures have Chinese characters next to them; one scene at top depicts rays shinning on Christ kneeling, holding a dove; mountain-like setting

Christ in the Wilderness, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of last supper; Christ and eleven male figures seated around table; above table are six circles, each with an image and Chinese character inside; scenes inside circles: (top L to R) a: Christ's charge to Peter b: Christ healing the crippled c: sermon on the mount d: two groups with fire in between them e: turning water into wine f: healing a man; L border is outdoor scene with Christ floating above group of people leaving a building

The Risen Christ Appears to His Disciples, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
scene of St. John the Baptist standing in front of tree, preaching to crowd; two women seated at LRC, one feeding baby; seated woman holding two children at LLC; medieval clothing; western architecture at top half of image with seven small groups of people, possibly in military formation; eight Chinese characters throughout image

Saint John the Baptist Preaching, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Publisher: Giulio Aleni

Not on View
Saddle stitched binding, xerographic reproduction of a portrait of a woman, with text; 64 pp.

the future generation #15: Raising Teenagers, 2006

China Martens; Publisher: The Future Generation, Baltimore, Md.

Not on View
Silver colored

%C2%A9 Estate of Eva Zeisel

Coffee pot, c. 1952

Eva Zeisel; Manufacturer: Hall China Company

Not on View
Silver colored

%C2%A9 Estate of Eva Zeisel

Teapot, c. 1952

Eva Zeisel; Manufacturer: Hall China Company

Not on View
Four-legged table with apron on front and back and leg supports on sides; apron carved on front and back with scrolling organic designs; two drawers on front carved with flowering branches

Two-Drawer Table, 17th century

China

G218

Silk canvas woven in China. Silk canvas woven in China. Ivory

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Tchin Tchin II, 1981

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.; Mill: China National Textile Corp., China

Not on View
Bowl, porcelain, light blue underglaze, Ching Dynasty, Yung Cheng period (1723-35). On exterior flowering plants and garlanded scrolls. Floral spray with surrounding bands of stylized floral motifs inside. Six character Yung Cheng mark within double circle on base.

Bowl, 1723-1735

China

Not on View
Bowl, porcelain, underglaze blue, floral scrolls and eight Buddhist emblems on exterior, Ching Dynasty, Yung Cheng period (1723-1735). Six character Yung Cheng mark within circle centered inside. Scroll pattern on foot.

Bowl, 18th century

China

Not on View
Plate XXXIV

Le Pin de la Chine, 1776

Pierre Joseph Buc'Hoz

Not on View

Chinon, 1902

D. Y. Cameron

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Los Chinchillas, 1797-1798

Francisco José de Goya y Lucientes

Not on View
L border is scene of crucifixion of Christ; ULC is God the Father preaching to seven winged angels; middle L side is tower where top is a figure pointing towards LRC, where pregnant woman is standing reading the prophesy of Islam from a podium; on chair on opposite side of podium has basket of wool; angel holding a lily walks toward woman; two rays on her; appears as if standing inside architectural structure; R border is building; URC is cloud with man kneeling and one blessing by raising his R hand; eight Chinese characters by scene and figures

The Annunciation, plate from Giulio Aleni's "Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637

Unknown Chinese; Artist: after JĂ©rĂŽme Nadal; Publisher: Giulio Aleni

Not on View
footed, with round body and long thin neck, flaring at mouth; pairs of incised lines inside mouth; cover is disk with 2 joined bronze strips below

Ritual Buddhist Bottle Vase and Cover, 7th-8th century

China

G214

Perfect bound volume, xerographic-like illustration of a mother and daughter's embrace, in black silhouette on a magenta ground, with white text along the bottom; 238 pp.

The Future Generation: The Zine-Book for Subculture Parents, Kids, Friends & Others, 2007

China Martens; Publisher: Atomic Book Company Baltimore, Md.

Not on View
Cup white interior, black exterior; plate white with black script-like design around center

"Continental" cup and saucer, c. 1955 (designed 1952)

Raymond Fernand Loewy; Manufacturer: Rosenthal China Corporation, Selb, Germany

Not on View
Cream colored coffeepot with bulbous body narrowing at the top

%C2%A9 Estate of Eva Zeisel

Coffee pot, c. 1946 (designed 1942-1943)

Eva Zeisel; Manufacturer: Shenango Pottery, New Castle, Pennsylvania for Castleton China, New York

Not on View
black and white image of three young women seated on a striped couch with a plant in front of a window in background; woman at center has her PL hand beneath her ching and rests her head on shoulder of woman at left

Reunion of Lifelong Friends, 1968

Joanne Leonard

Not on View

Wristrest with Bamboo Decoration, c. 1980

Fang Chin-hsia

G216

female figure seated before trees playing musical instruments; wearing conical hats and puce flowered robes on rockwork bases with melons; blue crowned interlaced C's

Chinese musician, one of a pair, 1767

Joseph Weinmuller

G319

small stand in the shape of a qin; 13 ivory circular inlays on top at one side; inlaid seal; four small legs; 10 characters on top

Wristrest in the Shape of a Chin (Lute), early 19th century

Kuo Shang-hsien

G217

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke

Chinese Immortals [one of a pair], 1804

Hara Zaichƫ

G237

smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him

Chinese Immortals [one of a pair], 1804

Hara Zaichƫ

G237

male figure seated before trees playing instruments; wearing conical hats and puce flowered robe on rockwork base with melons; blue crowned interlaced C's

Chinese musician, one of a pair, 1767

Joseph Weinmuller; Manufacturer: Ludwigsburg Factory (Herzoglich-Königlichen Porzellan-Manufaktur)

G319

4-sided; light brown color; slightly rounded, tapered sides; short spout; long loop handle; slip decorated with single fisherman, waves, trees and pavilion on one side, 2 fisherman with wave, tree and birds on opposite side; trees and birds on lid

I-hsing ware, c. 1800

Hsu Shun-fang

Not on View

Tea caddy named "Tamamizu", 13th century

Unknown Chinese

Not on View

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