a: wire framework in organic shape with printed tin, plastic and wooden toys and noisemakers attached--Jack-in-the-boxes, various shapes of noisemakers, drums, clickers, tops and tambourines; b: suit installed over black plastic mannequin; colorful sweater fragments pieced together to create a bodysuit with head and face covering; bodysuit covered overall with crocheted doilies and hot pads, embroidered felt fragments and pieced stitched pieces; pink and white doily over face area — Soundsuit, 2010
Nick Cave

Not on View

landscape; tall, rocky mountains at center; group of figures on shore at center in foreground, with water at L — Ascetics' Cave, 1937
Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View

Mary Magdalene : Penitent — The Magdalen in a Cave, c. 1650
Johannes Lingelbach

Not on View

woman wearing white apron and cap, holding jug in her PR hand, emerging from a doorway; tub to left of doorway on floor; shelf above doorway with bottles and tankard; arched doorway into another room at left — La Sortie de Cave, 1868
François Bonvin

Not on View

fragments of stone walls; step formations on rocks at center — Ceremonial Cave, Torreón Complex, 1975
Edward Ranney

Not on View

49, Kannon in Cave, Sakanoshita, Utagawa Hiroshige; Publisher: Tsutaya Kichizō — 49, Kannon in Cave, Sakanoshita, 1855, 7th month
Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View

Saint Jerome in a Cave, Albrecht Altdorfer — Saint Jerome in a Cave, c. 1480-1538
Albrecht Altdorfer

Not on View

Demogorgon in the Cave of Eternity, Hendrick Goltzius — Demogorgon in the Cave of Eternity, c. 1588
Hendrick Goltzius

Not on View

arched rock formation at L; man in white robe sitting at front of covered fishing boat paddles through opening under rock formation; pale mountains in the distance — Landscape with Fisherman Outside a Cave, mid 19th century
Mochizuki Gyokusen

Not on View

mountain landscape with buildings, trees, and waterfall; tall mountains with horizontal lines indicating foliage at top; closely clustered buildings at center L; dense foliage at center; multi-tiered waterfall begins at center down towards LL; short bridge at lower center with figure crossing towards L; rocky embankments with dense foliage either side — Landscape with Fisherman Outside a Cave, late 18th century
Kuwayama Gyokushū

Not on View

Stone wall segment and stepped rock formation — Ceremonial Cave, Torreón Complex, Detail, 1971
Edward Ranney

Not on View

twenty-three lines of black text — Buddhist Text: Fragment from Tun Huang Cave Sanctuary, c. 600
Dunhuang

Not on View

interior, woman emerging from a doorway at left holding a large storage vessel in proper left hand and the door on her right; window with light shining through at upper right corner, water bucket to right of doorway on floor — Up from the Cellar (La sortie de la cave), 1857
François Bonvin

Not on View

A Man in a Cave, 1842

Charles-Émile Jacque

Not on View

Hollow Man's Cave, 1991

Robert Motherwell

Not on View

La Sortie de Cave, c. 1868

François Bonvin

Not on View

Ceremonial Cave, Torreón Complex, 1975

Edward Ranney; Author: Pablo Neruda; Publisher: The Limited Editions Club

Not on View

St. Jerome in the Cave, 17th century

Ferdinand Bol

Not on View

**Bishamon Cave in Shōdoshima Island**, 1830s

Utagawa Hiroshige

Not on View

**David at the Cave of Adullum**, 1776

Richard Earlom; Draftsman: after Claude de Lorraine; Publisher: John Boydell

Not on View

Untitled [standing nude looking into cave], 20th century

Forman G. Hanna

Not on View

Ceremonial Cave, Torreón Complex, Detail, 1971

Edward Ranney; Author: Pablo Neruda; Publisher: The Limited Editions Club

Not on View

Comment, c'est dans cette cave que sont les sculptures?. . . (Le salon de 1857), from Le Charivari, 1858

Honoré Daumier

Not on View

head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped — Saint Thomas Aquinas in Meditation, 17th century
Circle of Giacomo Cavedone

Not on View

**A propos des nouvelles caves de la banque de France. C'est moi qui voudrais. . .** (Actualités), from Le Charivari, 1866

Honoré Daumier

Not on View

waterfall; small cave bottom center; black border — Yosemite Falls, Yosemite, 20th century
Sigismund Blumann

Not on View

a group of mourners lowers Jesus's body onto a wide dais or coffin outside a cave — The Entombment of Christ, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

Stone head of Buddha. A fragment consisting of the face only, modelled in the style that heralds the Tang. — Head of a Buddha, 570-577
China

G200

Figure of a Maitreya Buddha, porbably Avalokitesvara, seated as if on a stool, his legs crossed at the ankles, his body slightly bent forward, and his hands in the 'do not fear' attitude. The upper part of the body is partially covered with a scarf which falls over the upper arms in pointed cap sleeves and merges with the skirt drapery. The ribbon-like ends of the scarf are knotted in an x-form over the abdomen. The skirt hangs in flaring, rippled pleats over the legs, which are clearly visible under the drapery. The face is typical of the Wei style of Lung Men, with lips and nose firmly modelled, eyebrows falling to meet the lines of the nose, eyes set low beneath the brows, and lids cut in a narrow almond. The hair is parted in the center, and crowned with a square tiara with a figure of Amitabha in front. This figure comes from the Ping Yang cave at Lung Men. — Maitreya (The Buddha of the Future), early 6th century BCE
China

G200

A Hermit Praying, 1670

Gerrit Dou

G309

landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ — Ear of Dionysius, 1842
Edward Lear

Not on View

cave-like interior space with rectangular fluorescent light in ULQ; metal gates with diamond shapes closing off front and back of space; caution tape hanging down at left — Untitled, 2011
Keith Taylor

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The Cavern, Philadelphia, Joseph Pennell — The Cavern, Philadelphia, 1920
Joseph Pennell

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B Vergine In Gloria e li Sante Petronio e Alò, 19th century

Francesco Rosaspina; Artist: After Giacomo Cavedone

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The Sun Goddess Amaterasu Ōmikami, February 1882

Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom — Saint Jerome in the Wilderness, 1623
Francesco Grigiotti

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Penitent Magdelene, Bartolomé Esteban Murillo — Penitent Magdelene, c. 1650–65
Bartolomé Esteban Murillo

G341

Saddle stitched binding, designs and color illustration of a cave-like environment, with geometric shapes and figures with eyes, and a figure wearing plaid pants lying on the ground, with text written vertically along the right-hand side; 20 pp. — The Somnambulae, part one, May 2005
Fiona Smyth

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standing man wearing black kimono with purple trim, with white flowers on sleeves, and black and white obi; man is offered food on a red tray by a small black baboon; cave setting — Shindō Kojirō Nobuyuki, 1867, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

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stone of light and dark grey color with white veins and criss-cross markings; a waterfall cuts the stone in the center; right of waterfall is a tunnel through cliff face with a cave in the overhang nearby — (Near-view Mountain Stone with Waterfall; Furuya Stone), mid 18th century
Unknown Japanese

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Death of Edith Cavell, George Bellows — Death of Edith Cavell, 1918
George Bellows

Not on View

Pines and Waves at the Dragon Cavern, Katsushika Hokusai; Publisher: Moriya Jihei — Pines and Waves at the Dragon Cavern, c. 1832
Katsushika Hokusai; Publisher: Moriya Jihei

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Storage jar, Thailand — Storage jar, 15th century
Thailand

G213

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

compressed spherical form on a high pedestal foot; domed cover with knob of concentric graduated disks surmounted by pear-shaped finial — Buddhist Reliquary, 7th-8th century
China

G214

black and white image of a body of water with circular ripples; wolf in center of water, with fish swimming in LLC, LRC, and in center right; eel swimming in water in center left; rising rocky structure with to cave openings in top center — Page from the book "Strange Tales of Matasaburō", 1952
Sekino Jun'ichirō

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Surrealist night landscape with moon in dark sky, right of center; standing female nude in foreground with foliage on top of her hair, extending down behind her legs; woman leans against a doorway; two standing nudes at right, seen from back; silhouettes of figures inside a cave at right center — Untitled [standing nudes in Surrealist night landscape], c. 1971
Paul Delvaux

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four figures in Renaissance-era clothing lowering a dead body into a grave; two women at R, one looks outward, and the other one prays; another man stands to the far R; crown of thorns LLC, and opening to cave in background — The Entombment, From the Engraved Passion, Plate 13, 1512
Albrecht Dürer

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Picture of Prince Moriyoshi, the Third Son of Emperor Daigo, Reciting the Lotus Sutra in the Dungeons of Kamakura, January 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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three men entering the gate of a crude picket fence, carrying staffs with crosses; one man points towards Jesus who is on his knees with his hands raised in front of a cave at URC; cartouche in clouds shows a dead Christ with crucifix — Christ on the Mount of Olives, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

many figures wearing rust-colored garments struggling to row a boat in LRC through waves near shorline at right with figures in a cave; two other rowboats at left, with sailboats in distance; vertical clouds in sky; blue, yellow, rust-red — Bonito Fishing Boats in Chōshi Bay in Shimosa Province, c. 1810
Shōtei Hokuju; Publisher: Nishimuraya Yohachi

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man with long curling hair and curly moustache; head tilted down, with foreshortened face; man reads from a book propped up at his PL elbow; cave-like landscape behind man, with tree over his PL shoulder; text at bottom: "IX. / SANCTAM ECCLESIAM CA- / THOLICAM SANCTORUM / COMMUNIONEM." — Saint James the Less, Plate 10 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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Print, 1675-1719

Arnold Houbraken

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Hercules and Cacus, Master of 1515 — Hercules and Cacus, c. 1505-1520
Master of 1515

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head with elongated earlobes; downcast eyes; headdress with scrolls, tassels and floral forms, with pair of ornaments on either side with three red balls on blue drops; traces of blue pigment at hairline; traces of red pigment on lips; traces of olive-colored patina on skin of face; red, green and blue pigment on headdress; received attached to rectangular black base — Head of a Bodhisattva, late 6th century
China

G200

dais or coffin outside of cave with small group of men seated around it; remnants of pudding and bread are on the table; two men at L with long spears full of fish and sausages, with a woman at far L holding a plate with a turkey; a cartouche of Jesus at top center with light beams, looking down at scene; two figures lying on ground in front of coffin — The Resurrection of Christ, From the Satirical Passion, 1642-1654
Wenceslaus Hollar; Artist: After a follower of Hans Holbein the Younger

Not on View

Coastal landscape with granite cliffs — Coastal Landscape with Granite Cliffs, c. 1610–20
Cornelis Johannesz. Liefrinck

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seated lion looking over PL shoulder; curly mane and chin whiskers; open, roaring mouth; grey and reddish brown stone — Guardian Lion, one of a pair, 8th century
China

G208

armless figure--bottom edge at middle of thighs; heavily muscled torso; wearing skirt with tie at waist; frowning, angry expression; headdress; dark stone with white veins — Dvarapala (Guardian Figure), 8th century
China

G200

The Temptation of St. Anthony, David Teniers, the Younger — The Temptation of St. Anthony, 17th century
David Teniers, the Younger

G309

male figure kneeling on one knee, with a red drapery across his lap; long brown and white beard and hair; PL hand resting on a skull; PR hand holding a crucifix; faint halo; rather dark image — St. Jerome in the Desert, c. 1700
Circle of Paolo Pagani

G308

nishiki-e — Takinoura Beach, Noto Province, 1853, 9th month
Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

Not on View

Sword guard (tsuba), 18th-19th century

Unknown Japanese

Not on View

William Cavendish, 19th century

George Dawe; Artist: after Sir Thomas Lawrence

Not on View

Animals in an Enclosure, Paul Klee — Animals in an Enclosure, 1938
Paul Klee

Not on View

St. Paul the Hermit, Andrea Bergondi — St. Paul the Hermit, 1772
Andrea Bergondi

G330

seated figure with short legs outstretched, hands on knees; vessel opening on back of figure; figure has protruding lips, uneven eyes and pierced ears — Vessel, c. 800
Colima

Not on View

tall, wavy wall; dark on one side, reddish-brown wood-grain pattern on other side — Inner Side—Outer Side, 2014
Tanaka Nobuyuki

Not on View

The Raising of Lazarus, Rembrandt van Rijn — The Raising of Lazarus, c. 1632
Rembrandt van Rijn

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eagle with outstretched wings on rocky outcropping at center; three monkeys hidden in LRC — Eagle Threatening Monkeys, second half 19th century
Kano Hōgai

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The Temptation of Saint Antony, Jacques Callot — The Temptation of Saint Antony, 1635
Jacques Callot

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book bound in ivory colored leather with ornate tooled medallion at center of front and back covers; frontispiece is an engraving of Apollo (?) holding paintbrush and palette as the nine muses dress him and crown him with laurel; title page printed in black and red ink; several engravings throughout the book illustrating the muses, human anatomy, perspective, and a portrait of the author — Inleyding tot de Hooge Schoole der Schilderkonst, 1678
Samuel van Hoogstraten; Publisher: Fransois van Hoogstraeten

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Print, 1751

Francis Hayman; Engraver: Charles Grignion

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William Cavendish, Duke of Newcastle, 18th century

George Vertue; Artist: Jacob Houbraken; Artist: after Anthony van Dyck

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Coat of Arms: William Cavendish, 19th century

England

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black pigment on white background; cascading landscape with layered, irregular shaped rocks overlapping with small houses and trees; shadowed peaks in upper portion of image; untranslated Japanese characters in upper right quadrant — One Thousand Mountains and Ten Thousand Ravines, c. 1922-1932
Fukuda Kodōjin

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Ryūdō, Totoya Hokkei — Ryūdō, 1833
Totoya Hokkei

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10 individual strips, 5-½ in. wide, lengths varying slightly, machine zigzag stitched together — Wrapper, 20th century
Djege Coulibaly

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abstracted image of clouds, rain and waves, with washes of grey and blue — A Storm at Sea, c. 1819-1831
Joseph Mallord William Turner R.A.

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two nude men fighting, with a standing man holding a club over his head; second man lying on his back, reaching up to grab standing man's groin; two other figures in ULC; cows, owls, and winged figure in URC; skull at bottom center; printed in green, yellow, and black — Hercules and Cacus, 1588
Hendrick Goltzius

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two sheets configured vertically; topless wrinkled old woman seated at bottom, sharpening a knife, looking up at a heavily pregnant topless woman with long hair wearing a red skirt, tied by her ankles, hanging upside down from a ceiling rafter — Picture of the Lonely House at Adachigahara in Ōshū, September 1885
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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Sword guard (tsuba), 18th century

Unknown Japanese

Not on View

steamwheeler on river front center; bluffs on L bank — Steamwheeler on the Upper Mississippi, 1865
Ferdinand Richardt

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saucer with attached central stemmed container, decorated with dragons on foot; openwork lid with openings behind mountains with figures and animals — Boshanlu hill censer, 1st-2nd century
China

Not on View

Hercules Slays Cacus, 1550

Heinrich Aldegrever

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six lines, seal LLC; mounted to sheet with gold flecks, brocade border, and gold background — Two Poems by Yan Xiufu, late 18th - early 19th century
Kameda Bōsai

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smokey grey background; zigzagging white line with wide peaks, with small dips on right side — Faith, 1913, Plate 39 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smoky grey ground; zigzagging white line--nearly straight on right half of image; horizontal white line beneath zigzag line, with "+ Menace de dentiste" above straight line — Threatening a little girl, 10, to go to dentist, 1896, Plate 13 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smokey grey background; wavy white line; "10." below line at left edge; "1/2" at end of line at right edge — Smoking a strong cigar, 1874, Plate 27 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smoky grey background; two zigzagging white lines; top line has regular peaks and valleys, and is higher at center; cross below highest point of top line; bottom line is more horizontal with small regular peaks and valleys — Being shamed/scolded (you behave like a child; you ruin everything for me), 1876, Plate 19 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smoky grey background; white zigzagging line with short peaks — Umbilical cord, first gasp, cutting of cord, 1886, Plate 9 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smokey grey background; zigzag white line — Fear, 1912, Plate 42 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smoky grey background; zigzagging white line with close-together peaks, near top of picture plane — 8 months pregnant, 1870, Plate 7 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smokey grey ground; straight white line — Flatline (dying of stomach cancer), 1870, Plate 50 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

Not on View

smoky grey background; four zigzagging white lines; top line has highest peaks; three bottom lines have smaller scalloped peaks, with second line from bottom having some irregularities at left half of picture plant — Mother giving birth, fetal heartbeats (twins) in utero, 1898, Plate 8 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smoky grey background; zigzagging white line with short, regular peaks — 10 year old boy, 1886, Plate 12 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smokey grey background; two zigzagging lines in white — Perfect mental repose, 1879, Plate 33 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

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smokey grey background; wavy white line — Holding breath while listening to tuning fork, 1880, Plate 31 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

Not on View

smokey grey background; three wavy white lines, each with an upward bump near center; top two lines are looping with scalloped peaks; bottom line is zigzagging; three downward-pointing arrows, one on each wavy line; lines labeled "A", "B", and "C" beneath lines at left — Arising from sleep, 1876, Plate 38 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

Not on View

smoky grey background; wavy white line — 3 months old, sleeping, 1874, Plate 11 from "The First Time, The Heart (A Portrait of Life 1854-1913)", 2017
Dario Robleto; Publisher: Island Press at Washington University, St. Louis

Not on View

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