round platter with rim; two different bead designs at rim; small engraved round coat of arms medallion at rim — Serving plate from the Williams-Wynn service, one of a pair, 1773
Robert Adam; Silversmith: John Carter

G350

Floating Forms, John Randolph Carter — Floating Forms, 1978
John Randolph Carter

Not on View

Grinning Dog with Raggedy Ann Doll, Clouds with Ears in Sky, John Randolph Carter — Grinning Dog with Raggedy Ann Doll, Clouds with Ears in Sky, 1979
John Randolph Carter

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Carter Ratcliff, 1978

Alex Katz

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turquoise blue paper covered album bound with three pink screws; cover is title page/colophon printed in black typeface; 12 black and white photo prints adhered to turquoise paper pages which are sprayed with pink pigment; pages are separated by spiderweb embossed glassine sheets; subject of photos is a person (Nathan Carter) wearing messy wig, black tights, heels, costume fingernails, in a variety of poses — M A R S The Goddess of Sex and Death, 2022
Nathan Carter; Artist: Dan Estabrook

Not on View

2-1/3 repeats; bkg. ecru; sunflowers motifs black, brown, dark and light green — Sunflower, 1962
Howard Carter; Manufacturer: Heal's Fabrics

Not on View

small circular drum — Argyle, c. 1778-1779
Robert Makepiece I; Artist: Richard Carter

Not on View

Multi-color screenprint with photographic halftone images altered by the artist; figurative elements and layered drawing by the artist printed in flat inks and overprint varnish in select areas. — Forthcoming, 2011
Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

City of Refuge, James Fagan; Artist: after James Carter Beard — City of Refuge, 1888
James Fagan; Artist: after James Carter Beard

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Eleven-color screenprint bleed printed with visually irregular borders. The image includes drawings and marks by the artist made on Denril, overhead projector film and Rubylith film, and a halftoned image manipulated by the artist. It is signed and dated 2011 by the artist in pencil on the border and in the image in ink 2010. — Continuous, 2011
Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Six-color lithograph and screenprint with two images of small leafless trees, one being trimmed by a hand with pruning shears overlaid with a hand-drawn emotion wheel diagram with sections colored with pink and green. The halftone image was taken from a text and modified by the artist and printed from a photolithographic plate. Runs 2 through 6 were cut from Rubylith film to make the screens. Run 7 was hand-drawn by the artist on film to make the final screen. — Although / Emote, 2012
Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eight-color lithograph printed on two sheets of paper. The pale blue bottom sheet has five colors: light blue and medium blue atmospheric washes; dark blue calligraphic marks; black figurative drawing all executed by the artist on Denril to create photolithographic plates; and white screenprinting ink applied through a pochoir stencil. The translucent mulberry top sheet is printed with white circles executed by the artist on Denril to create a photolithographic plate; red and black printed 'threads' created by stitching Mylar with thread to make photolithographic plates; the center of each white circle was cut by hand to reveal portions of the bottom sheet, and the mulberry top sheet was stitched with white thread to the bottom sheet in three places at the top. — Selfsame (although), 2012
Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Collé proof, 2012

Carter

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Proof #1, 2012

Carter

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Emailed image notes, 2011

Carter

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Original drawn positive for white, 2012

Carter

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Original drawn positive, linework for bust, 2012

Carter

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Proof #1, 2012

Carter

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Color proof, 2012

Carter

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Original drawn positive, washes for bust, 2012

Carter

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Proof #2, 2012

Carter

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Sketch, 2012

Carter

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Original drawn positive for black, 2012

Carter

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Proof #3, 2012

Carter

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Color sketch, 2012

Carter

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Proof #3, 2012

Carter

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Plan drawing, 2011

Carter

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Plan drawing, 2011

Carter

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Blue line test proof, 2011

Carter

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Original drawn positive for silver, 2012

Carter

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Original drawn positive, background washes, 2012

Carter

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Artist sketched plan, 2012

Carter

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Proof #2, 2012

Carter

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Original drawn positive, linework, 2012

Carter

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Thread positive, 2012

Carter

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Original drawn positive for black, 2011

Carter

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Original drawn positive for black, alternate, 2011

Carter

Not on View

Saddle stitched binding, letterpress text printed on speckled wove paper covers; 22 pp. — Open Magazine, Pamphlet no. 15: ACT UP, The AIDS War & Activism, Updated Edition, July 1992
George M. Carter; Publisher: Open Media Pamphlet Series , Westfield, N.J.

Not on View

Early Settlers (Graveyard, Ulertown), 1955

Clarence Holbrook Carter

Not on View

Frictionless Glider #5, 1970

John Randolph Carter

Not on View

Frictionless Glider #3, 1970

John Randolph Carter

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Frictionless Glider #7, 1970

John Randolph Carter

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Frictionless Glider #1, 1970

John Randolph Carter

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Frictionless Glider #8, 1970

John Randolph Carter

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Frictionless Glider #4, 1970

John Randolph Carter

Not on View

Frictionless Glider #6, 1970

John Randolph Carter

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Frictionless Glider #2, 1970

John Randolph Carter

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Muros Mexicanos, 1963

Whitford Carter

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Gondola, 1997

Keith Carter

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Frontispiece (Frictionless Glider Portfolio), 1970

John Randolph Carter

Not on View

25 rectangular panels arranged in a 5 x 5 grid; each panel is painted in tones of peach, tan, brown and pink — Synecdoche: David Ibata, Deborah Lesser, Dirk Young, James Bartolucci, Jazzi McGilbert, Jesse Clark, Julius Boxer-Cooper, Kazuichi Carter-McGinty, Liz Diament, Mariana Gariby Raeke, Marie Akridge, Marilou Acquino, Marlon Taylor-Wiles, Matt Skopek, Mike Beauchamp, Neil Borowicz, Pamela Cook, Rodrick McElveen, Ruby Jackson, Sarah Battle, Sarah Boxer, Victoria Fu, Willie Wright, Xander Carter-McGinty, Zachariah Rockhill, 1991-present
Byron Kim

Not on View

The Ninth Hour, 1978

Clarence Holbrook Carter; Printer: Alexander Heinrici, New York

Not on View

Problems Involving Equilibrium, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

How to Make Black Wax or the Prevention of Accidents, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Greetings to the Future President, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Kiko and Kocko Protect the Valley from Intruders, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Why is My Turtle Losing His Appetite?, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

If You Can Count, You Can Play, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Frontispiece for "Night Croquet Portfolio", 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Zebrarbez, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Evidence of Swimming in Assyria, 1971

John Randolph Carter; Publisher: Kelpra Studio, Ltd., London

Not on View

Arrivederci, Modernismo, 1978

Alex Katz; Author: Poem by Carter Ratcliff; Publisher: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York

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Deborah, Carteret, New Jersey, George A. Tice — Deborah, Carteret, New Jersey, 1976
George A. Tice

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five people picnicking on a grassy shore line with two boats anchored in the water — On the Banks of the Marne, France, 1938
Henri Cartier-Bresson

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Tineuse de cartes, Charles Maurin — Tineuse de cartes, 1891
Charles Maurin

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one of a set of four tapestries, with woodland scene in grove of trees; the huntsmen have made a fire of logs, and one of them stands before it warming his hands, while a second dressed in crimson holds two panting brown hounds on leash. Beyond, a third hunter shields face from fire with left hand, and holds in his right a trophy of the hunt; warp undyed wool, 7½-9 ends per cm., weft dyed wool and silk, 28-40 ends per cm. — The End of the Hunt, c. 1650
Unknown designers and cartoonists, Flanders

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Chansons de Montmartre, 1896

Théophile-Alexandre Steinlen; Publisher: L. Carteret

Not on View

two men seated at a table, playing a card game on a tray; man at L examines cards under his PL hand; man at R wears apron and cap and has a beard — Les cartes, Plate 20 from "Les Toquades", 1858
Paul Gavarni (Sulpice-Guillaume Chevalier)

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wrinkled face man in an over sized robe standing in front of a receding wall — Eunuch of the Imperial Court of the Last Dynasty, Peking, 1949
Henri Cartier-Bresson

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view looking down a winding, sunlit alley; two boys in foreground — Séville, Spain, 1932
Henri Cartier-Bresson

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horse standing in stall number 8 with man carrying a cane in the foreground — At the Curragh Racetrack, Near Dublin, Ireland, 1955
Henri Cartier-Bresson

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smiling little boy wearing a sweater and shorts, walking down street carrying two bottles of wine; other children and walking figures in background at left — Rue Moffetard, c. 1975
Henri Cartier-Bresson

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people at a lookout point at corner of Notre-Dame cathedral; seated couple in foreground, seen from back--man has his PL arm around woman's neck; group of children wearing dark hooded capes looking over Paris and Seine from railing; three little girls seated — From the Towers of Notre Dame, 1952
Henri Cartier-Bresson

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Bonnard seated in his studio; drawings and sketches on walls and tables; two drawings on wall behind head — Pierre Bonnard, 1944
Henri Cartier-Bresson

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four robed figures in foreground on a plateau overlooking a village; water and mountains in background — Srinagar, Kashmir, 1948
Henri Cartier-Bresson

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descending street scene; city buildings built on a hillside; street in foreground; two figures and dog on street — L'Aquila, Italy, 1951
Henri Cartier-Bresson

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two figures and a shadow figure with large net in river — Peasants Fishing in the Nile River, Luxor, Egypt, 1950
Henri Cartier-Bresson

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two nuns in front of a painting of nude women in a circle — New York, 1964
Henri Cartier-Bresson

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rice paddies with a single worker in foreground and a group at UL; village on R side; more paddies in background — Sumatra, Indonesia, 1950
Henri Cartier-Bresson

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children playing in rubble seen through a hole in the foreground wall; one child on crutches, a second with a hoop; fifteen figures visible — Seville, Spain, 1933
Henri Cartier-Bresson

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a group of workers, male and female, in a rough line across center ground; pictures, posters and notices on walls; a group of wooden stools at L behind people — Construction Workers of the Hotel Metropole, Moscow, 1954
Henri Cartier-Bresson

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seated man holding child; black wall behind — Madrid, Spain, 1933
Henri Cartier-Bresson

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child on stairs, very white building; wood doors and windows (closed) — Sifnos, Greece, 1961
Henri Cartier-Bresson

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Matisse seated holding a white bird; three additional birds seated on cage at R; artist's sketchbook is open on lap — Henri Matisse, Vence, France, 1944
Henri Cartier-Bresson

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Island in river; bridge spanning river with island tip in front and city behind; boats in river R side — Ile de la Cité, Paris, 1951
Henri Cartier-Bresson

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man on bicycle viewed from top of stairway; see L2005.262.312, which is the same image in larger size; — Hyères, France, 1932
Henri Cartier-Bresson

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line of soldiers in front of snow-covered evergreens; cobblestone(?) street; large building behind wall — Moscow, 1923-2000
Henri Cartier-Bresson

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woman at center, seen from behind, wearing a black fitted dress and black stiletto heels, with her blonde hair in an updo with a tiny netting cap; woman leans on an iron railing on a bridge overlooking water; man seen from back at right edge, wearing light-colored short-sleeved shirt and light-colored slacks — Marilyn Monroe (from behind, at river's edge), on the set of "The Misfits", 1960
Henri Cartier-Bresson

Not on View

two men lying on grass, man in foreground sleeping with one leg bent upwards — Marseille, France, 1932
Henri Cartier-Bresson

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quilt top, about 1825, homespun cotton, block printed; central design of meandering flower vine, framed by an inner grape vine border with an outer border of flower vases and swag decoration; red, green, yellow blue and terra cotta — Quilt top, c. 1825
Matilda Cartwright

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man kissing the hand of a Cardinal — Cardinal Pacelli at Montmartre, Paris, 1938
Henri Cartier-Bresson

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man with glasses, looking through fence opening — Arena at Valencia, Spain, 1933
Henri Cartier-Bresson

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cross engraved with 'Jesus Is Coming Soon' with auto junk yard in background — Tennessee, 1947
Henri Cartier-Bresson

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close up of two men wearing hats and overcoats; the larger man has a mustache — Taxi Drivers, Berlin, 1932
Henri Cartier-Bresson

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Matisse seated holding a pigeon, three other pigeons are sitting on top of a near by cage — Henri Matisse, Vence, France, 1944
Henri Cartier-Bresson

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three bald men wrapped in black robes stand before an alter with their hats on it — Midnight Mass at Scanno, in the Abruzzi, Italy, 1953
Henri Cartier-Bresson

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three women in front of a barred window and paint chipped wall — Alicante, Spain, 1932
Henri Cartier-Bresson

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two men in hats trying to look through a cloth fence — Brussels, 1932
Henri Cartier-Bresson

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boy standing, in the shadow of a building, near a cart in the sunlight — Salerno, Italy, 1933
Henri Cartier-Bresson

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two somber looking people holding their hands together in front of them — Irène and Frédéric Joliot-Curie, Paris, 1945
Henri Cartier-Bresson

Not on View

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