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%C2%A9 John Piper %2F Artists Rights Society %28ARS%29%2C New York

Dansker; Costume Design for Benjamin Britten's Opera 'Billy Budd', 1951

John Piper

Not on View
flower still life; orange and yellow flowers in a light blue/white vase with vertical olive green stripes on a blue surface and a yellow/green background

Primroses (Primeln), c. 1900

Marianne von Buddenbrock

Not on View
Saddle stitched binding, design printed in yellow offset lithography on wove cover; 62 pp.

Buddy: Select Magazine, no. 5, 2003

Ed Marszewski; Publisher: Buddy, Milwaukee

Not on View
standing Buddha in robe; one knee bent slightly, arms bent but missing; standing on small stone base with figures and a Buddha in high relief

Buddha, 3rd century

Pakistan

G200

Buddha; traces of gilt on patina; face is square, mouth is wide, nose is flat and hair curls are large - all indicative of the classic style evolved bt the early Dvaravati sculptors

Buddha Head, 8th century

Cambodia or Thailand

G213

Enshrined Buddha, c. 1850

Myanmar (Burma)

G213

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

Udhyana Buddha, 14th century

China

G214

Head of the Buddha, 12th-13th century

Khmer

Not on View
gilt-bronze Buddha; one hands holds holy water bottle, other is damaged; meant to be seen from front, back has three open rectangles (gilt chipped at lower half)

Standing Buddha, 8th century

Unknown Korean

G206

Stone head of Buddha. A fragment consisting of the face only, modelled in the style that heralds the Tang.

Head of a Buddha, 570-577

China

G200

seated figure with legs crossed; PR hand raised in gesture of abhayamudra; wearing robe decorated with patterned block and floral stripes in gold; seated on a lotus petal throne

Amoghasiddhi Buddha, 1403-1424

China

G212

compressed spherical form on a high pedestal foot; domed cover with knob of concentric graduated disks surmounted by pear-shaped finial

Buddhist Reliquary, 7th-8th century

China

G214

rectangular box with removable lid; red on interior; 3 panels on each long side decorated with seated figure with hands folded and organic background and border designs

Buddhist Manuscript Box, c. 1850

Thailand

G213

standing frowning figure at left with arms hanging down in front of body; hood or scarf sweeping around in a swirl in LRC from shoulders and head, around a dark radiating ball; two glowing concentric circles in ULC; dark ground

Le Buddha (The Buddha), 1895

Odilon Redon

Not on View
relief sculpture; three figures inside a concave niche; central seated figure on lotus blossom on pedestal flanked by standing figures, incised Chinese characters around front edges; traces of pigment appearing brown--predominately grey

Buddhist votive stele with Buddha and two Bodhisattvas, 678

China

G200

long handle; cup-shaped censer with removable liner with small lion on rim; end of handle has another seated lion; top of handle has petal-shaped ornament; green patina

Buddhist Long-handled Censer, 8th century

China

G214

deep relief carving; Buddha at L seated on a throne with PL hand on head of kneeling Bodhisattva with clasped hands; 7 other figures stand behind and to R and L

Buddha Stroking the Head of a Follower, late 8th century

China

G200

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base

Amida, the Buddha of Infinite Light, early 12th century

Unknown Japanese

G220

Amida, the Buddha of Infinite Light, 12th century

Unknown Japanese

G200

Buddha, bronze figure of, Marching. The figure, in marching position, is stiffle erect, the left foot forward; the left arm is bent at the elbow, the hand raised, palm outward; the right arm, braceleted at the elbow, is down. The ears are weighted, without earrings, and the hair, composed of small, spiky curls, is surmounted by a flame. Some of his features, which display the supernatural anatomy of Buddha, include projecting heels, long fingers, smooth skin the color of gold and elongated arms. The figure wears a straight, girdled robe,leaving the right shoulder bare. Traces of gilding remain on back of robe, under left arm, on hair and in ears.

Walking Shakyamuni Buddha, 15th century

Thailand

G213

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.

Seated preaching Buddha, 7th-9th century

Mon-Dvaravati

G213

seated Buddha with hands in lap; wearing necklace, bracelets, earrings and hatlike crown; coiled snake body throne; 7 horselike heads on back of throne, each with a floral medallion under chin

Naga-enthroned Buddha, 12th-13th century

Khmer

G213

bowl shape without foot; straight sides; small lip

Ritual Buddhist Basin, 7th-8th century

China

G214

Buddha, bronze seated figure in attitude of contemplation, also known as the Mudra, or position of 'calling the earth to witness'. The green bronze pedestal is in two tiers; the upper one shows lotus leaves in relief beneath a beaded rim, and the lower, (broken at right side) with ovoid indentations, some of them perforated. The ears are weighted but unadorned. The hair is short, in spiky curls and the usnisa had indentation to hold flame, which is missing. The eyes are enameled, proving the figure to be a late piece.

Buddha subduing Mara, 15th century

Thailand or Laos

G213

Figure of a Maitreya Buddha, porbably Avalokitesvara, seated as if on a stool, his legs crossed at the ankles, his body slightly bent forward, and his hands in the 'do not fear' attitude. The upper part of the body is partially covered with a scarf which falls over the upper arms in pointed cap sleeves and merges with the skirt drapery. The ribbon-like ends of the scarf are knotted in an x-form over the abdomen. The skirt hangs in flaring, rippled pleats over the legs, which are clearly visible under the drapery. The face is typical of the Wei style of Lung Men, with lips and nose firmly modelled, eyebrows falling to meet the lines of the nose, eyes set low beneath the brows, and lids cut in a narrow almond. The hair is parted in the center, and crowned with a square tiara with a figure of Amitabha in front. This figure comes from the Ping Yang cave at Lung Men.

Maitreya (The Buddha of the Future), early 6th century BCE

China

G200

Parinirvana of Sakyamuni, the Historical Buddha, 14th century

Unknown Japanese

Not on View

Head from an image of the Buddha, 11th-12th century

Myanmar (Burma)

G213

Buddha seated on pedestal; hands rest in lap

Buddha subduing Mara, late 19th century

Thailand

G213

Backdrop for an Enshrined Buddha, c. 1850

Myanmar (Burma)

G213

central large standing figure flanked by 2 smaller standing figures; dragons flank central figures feet and dragon at top center; 4 floating figures with trailing drapery at top; pigment traces

Stele of Maitreya Buddha, 563

China

G200

linear portrait of a man with a beard, long eyebrows and large ears, wearing a hood; block of text above

The Buddhist Layman Vimalakīrti, 18th century

Hakuin Ekaku

G221

slightly rounded body with long thin neck with wide, flat ring midway to top; small spout with hinged cover; green patina

Buddhist Ritual Water Bottle, c. 750

China

G214

Book cover, pigment on paper; silk and metallic thread brocade borders and backing.

Title Page from a Buddhist Manuscript, late 18th century

Tibet

Not on View

Welcoming Descent of the Amida Buddha Triad, 13th century

Unknown Japanese

Not on View
Mandalay style; Buddha seated in the bhumisparsamudra pose, his left hand is held in his lap and his right hand touches the pedestal

Shakyamuni Buddha Calling the Earth to Witness, 18th century

Myanmar (Burma)

G200

footed, with round body and long thin neck, flaring at mouth; pairs of incised lines inside mouth; cover is disk with 2 joined bronze strips below

Ritual Buddhist Bottle Vase and Cover, 7th-8th century

China

G214

Head of Buddha

Buddha Head, 12th century

Thailand

Not on View
two facing figures, rendered in black ink with a very fine brush; musician L is kneeling, wearing flowing robes, with drum on lap; figure on R kneels, also wearing flowing robes, bracelets, holding an object with two hands in front of face; Japanese character at UR

Two Buddhist Musicians, first half 19th century

Yamamoto Baiitsu

Not on View
tall, narrow, triangular vase with gently twisting angles; thin layers of colored slip in gradient from dark blue to green, yellow, and pink in cloudlike pattern; thin, tiny strands around opening

%C2%A9 Estate of Miyashita Zenji

Budding Wind, early 21st century

Miyashita Zenji

Not on View
oddly shaped yellow fruit at center; two sprigs of chestnut foliage with chestnuts above fruit; small red fruit with leaf at L; three opened chestnuts at R; unopened chestnut at LR; another oddly shaped yellow fruit at LL

Buddha's Hand, 1834

Urakami Shunkin

Not on View
framed: row of six seated Buddha figures; sitting cross-legged on lotus pedestal; double behind body; light inscription near C

Six Amida Buddhas, 15th century

Unknown Japanese

Not on View
head with eyes slightly open; curved indentation under chin; elongated earlobes; mottled patina with blacks, browns and tans; deep notch with oval flat spot above on back of head

Head of Buddha, 6th century

China

Not on View
seven eye-like figures arranged vertically down scroll; collaborative painting

Buddhist Jewels, 20th century

Shūtō

Not on View
Khmer Style; figure of Buddha standing on a lotus petal; both hands are raised; figure adorned with a diadem, long earrings, a necklace and armlets

Figure of Buddha, 13th-14th century

Thailand

Not on View
styrofoam spheres covered with wool pile variable dimensions when assembled.

%C2%A9 Estate Claire Zeisler

Buddy Balls, 1972

Claire Zeisler

Not on View
Anonymous, 'Head of Buddha', dark gray schist (with travertine marble base), Indian II-IIIc cat. card dims H 17-1/2';

Head of Buddha, Kushan period, 1-299

Pakistan

Not on View
Shakyamuni seated on a throne, flanked by 2 Bodhisattvas and surrounded by 8 rows of seated deities and monks; red, gold, green and blue

Shakyamuni Buddha, 1440-1470

Tibet

Not on View
standing Buddha wearing cape; both hands raised in abaya mudra; wearing caplike crown, earrings and necklace; attached to mount

Standing Buddha, 11th-12th century

Cambodia

Not on View
seated Buddha with PL hand palm up in lap and PR hand on knee; broad shoulders and very thin arms; wearing long earrings and pointed cap

Seated Buddha, 12th-13th century

Cambodia

Not on View
seated Buddha with PL hand palm up on lap and PR hand on knee; organic, leaflike designs on back of throne; attached to mount

Enshrined Buddha, 11th century

Cambodia

Not on View
seated Buddha with hands on lap; small pointed hat on top of head; coiled snake body throne; 7 doglike heads on back of throne; smiling expression

Naga Buddha, 11th century

Cambodia

Not on View
16 separate leaves between thin wood covers; covers decorated with birds and organic and geometric forms in red on gold; front and back leaves are gold with text on silver leaves

Buddhist Manuscript, 19th century

Myanmar (Burma)

Not on View
cross-legged seated figure with PR hand on PR leg and PL hand, palm up, on lap; elongated earlobes; mother-of-pearl inlaid eyes

Figure of a Buddha, 1350-1767 (Ayutthia period)

Thailand

Not on View
Buddhist priest robe of many squares of brocade ingold and colors green, mulberry, blue, orange, yellow, red, deep blue, and mauve. The outer border and intervening wide bands are of the red brocade which thus predominates. One end of the robe is gored. Lining of red silk.

Buddhist Robe, Kangxi period, 1662-1722

China

Not on View
profile of seated man wearing a red robe; Sotheby's, NY Lot 111

Portrait of Buddha, Date Unknown

Wang Zhen

Not on View

Amida Buddha, second half 17th century

Unknown Japanese

Not on View
large reclining Fo dog, holding an openwork ball between its front paws; smaller dog climbing on larger dog

Buddhist Lion-Dog, c. 1800

China

Not on View
octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles

Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century

Unknown Japanese

G220

Buddhist ritual conch shell with a dancing Hevajra, 12th-13th century

Khmer

G213

%C2%A9 Estate Wallace Berman

Untitled (Buddha, upstretched arms, daffodils, Buddha), 1974

Wallace Berman; Publisher: Gemini G.E.L., Los Angeles; Printer: Blair Litho, Los Angeles

Not on View

%C2%A9 Walker Evans Archive%2C The Metropolitan Museum of Art

Lunchroom Buddies, New York City, 1931

Walker Evans; Publisher: The Double Elephant Press Ltd.

Not on View
Buddhist priest robe, kesi, Kangxi blue. An exceptionally fine example of kesi weaving with five-clawed dragons in gold and individual flower motifs in shades of red and pink. Patched character of robe achieved with narrow bindings of yellow satin.

Buddhist Priest Robe, 1662-1722

China

Not on View
Buddha, figure of, seated on coils of a snake and sheltered by his seven expanded hoods. Monastic garment covers the figure (greatly weathered) leaving right shoulder bare; pendant ears, without jewelry. The Usnisa, or flame, is cone shaped; the hair is apparently plaited. The figure and serpent were originally ornamented with gilding, some of which remains, especially on coils of serpent and rear of his expanded heads. The serpent is in three coils. Provenance Angkor region.

Naga-Enthroned Buddha, 13th-14th century

Cambodia

Not on View
long narrow banner with horizontal stripes of bright pink, yellow, aqua, rust, gold, purple, dark green and cream interspersed with narrow bands and wider bands of geometric design; most of narrow bands have design of rectangles with circles in middle

Buddhist temple banner, 20th century

Vietnam

Not on View
swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud

Great Buddhist Avatar Akiba-san, 19th century

Unknown Japanese

Not on View
Buddha reposed at center on dias surrounded by many crying figures; animals in foreground; trees surrounding dias with full moon at top center; part of mount painted with large flowers

Parinirvana of Sakyamuni, the Historical Buddha, 1682

Unknown Japanese

Not on View
rubbing of a mound-shaped monument with carved Japanese characters down center

Memorial for Buddhist Writings, 1880

Murase Taiitsu

Not on View
horned red demon with fangs dressed in priest's black robe; demon holds gong and inscribed paper in PL hand, striker in PR; bushy hair, clawed feet

Demon Reciting Buddhist Prayers, 18th - early 19th century

Unknown Japanese

Not on View
rectangular panel of blue silk with metallic gold and silver brocade designs of birds, leaves and scrolling vines; six squares of rose-colored silk with gold brocade designs of deities; purple silk backing

Buddhist priest's robe (kesa), c. 1800

Unknown Japanese

Not on View
massive seated bronze Buddha sculpture in a park; two small birds on Buddha’s PR hand; two women and child stand in front of sculpture; small building at R

The Great Buddha at Kamakura, Summer 1930

Kawase Hasui; Publisher: Watanabe Shōzaburō

Not on View
carved on both sides; one side carved with landscape with buildings, marked with text like a map; other side carved with four images of pairs of figures in various poses, including warriors; brown patins

Keyblock for "Buddhism Outlook on the World", 1860

Utagawa Sadahide

Not on View
monk's stole: white on one side with chrysanthemum motif; gold and gray brocade on opposite side with flowers and rabbit motif; four burgundy and gold brocade panels at inner corners of gray side

Noh Costume of a Buddhist Priest's Robe, late 19th century

Unknown Japanese

Not on View
orange and gold brocade monk's stole with purple lining; black lacquered ring holding straps together on PL side; subtle appliqued motif on front; embroidered star on back of strap

Noh Costume of a Buddhist Priest's Robe, late 19th century

Unknown Japanese

Not on View
framed: thirteen Bodhisattvas standing on lotus blossoms within a cloud; each is dressed differently, and is standing in a different pose, looking in a different direction; figure at top has a sword in PR hand; figure at LR is surrounded by flame, and holding a sword and a rope; black background; metallic halos

Thirteen Buddhas and Bodhisattvas, 16th century

Unknown Japanese

Not on View
Sewn using a ‘back stitch, kyakushi

Buddhist clergy garment (kesa), 17th-19th century

Unknown Japanese

Not on View
brass flakes

Parinirvana of Sakyamuni, the Historical Buddha, 1720s

Nishimura Shigenaga

Not on View
Buddhist Prayer Beads, one with two tassels, Chinese, 18th c., peachseed, L. 22 in. (duobled).

Buddhist Prayer Beads, 18th century

China

Not on View
Seated Buddha at top center with pink, yellow and green clouds; green demon figure with eight arms seated on a white cow at bottom; arc of white and yellow flames above demon; gold frame; glazed with plexiglass

The Buddhist Guardian Mahabala, 16th century

China

Not on View
figure seated with legs crossed and feet on knees; both hands loosely clenched in fists, with PR hand on top, and PL thumb held up into PR fist; hexagonal hat; long earlobes; arms detach

Dainichi, the Buddha of Infinite Illumination, Date Unknown

Unknown Japanese

Not on View
golden Shaka laying his PR side at center of composition; surrounded by trees, human and non-human beings; 7 golden kannon in background, swirling clouds and waves in background; a variety of animals and insects in foreground including heron, owls, ducks, horse, bull, monkey, deer, elephant, centipede, etc.; Buddha's mother in UR corner in clouds with attendants and Jizo

Parinirvana of Sakyamuni, the Historical Buddha, late 17th century

Hanabusa Itchō

Not on View
A thanka, pigments on fabric, wood; symmetrically arranged deities in the upper register; donor figures represented at the bottom in native dress; figures are engaged in various consecration ceremonies; the mount of this thanka is painted with designs imitating the imperial Chinese brocade typically used to frame thankas belonging to important monasteries

Shakyamuni Buddha, The Enlightened One, 18th century

Tashilumpo Monastery

Not on View
Ewer. deep green glaze. White earthenware

Kundika (Buddhist Water Vase), 618-906

China

Not on View
Hanging of embroidered imperial yellow satin with an upper valance of brocaded red satin. The central design of the lower portion shows the Yin and Yang symbol emerging from a lotus flower. In the field on either side are large lotus blossoms and trailing branches. The colors include shades of blue, green, coral, mulberry, pink, yellow and tan. Chiefly satin stitch and couching. The brocaded valance carries a row of hanging lanterns with mystic symbol pendants in shades of brown and tan. Around the edge, and separating valance from main field is a band of black satin embroidered with running floral pattern in shades of blue. Lining of yellow cotton. NoteA.P. thinks brocade may be later than early 18th century.

Frontal for a Buddhist altar, late 19th century

Tibet

Not on View

Buddhist Altar Bell, 10th century

Indonesia

Not on View
PL hand from a Buddha sculpture; very long middle finger; fingers slightly bent and apart; attached to mount

Hand of a Seated Buddha, 12th century

Cambodia

Not on View
seated Buddha with hands in lap, PR index finger bent to touch thumb; wearing crown, necklace, bracelets and heavy earrings

Seated Crowned Buddha, 11th century

Cambodia

Not on View
Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments

Hachiman in the Guise of a Buddhist Monk, 12th century

Unknown Japanese

Not on View

Demon Reciting Buddhist Prayers, 18th-19th century

Unknown Japanese

Not on View
Seated horned demon with wild black hair and toothy grin holding a tan and black ball in his lap; parcel in PL hand and tube-shaped parcel on his back

Demon Reciting Buddhist Prayers, late 19th century

Unknown Japanese

Not on View
Figure of Buddhist priest (?) playing flute.

Figure of Buddhist priest (?), 386-535

China

Not on View
Priest Robe, mulberry and gold brocade with four small squares of light blue and gold brocade set in.

Buddhist priest's robe (kesa), 18th century

Unknown Japanese

Not on View

%C2%A9 %C5%8Cmura Minosuke

Cleaning the Great Buddha in Nara, 1970s

Ōmura Minosuke

Not on View

Demon Reciting Buddhist Prayers, second half 18th century

Unknown Japanese

Not on View
drawing of a male figure seated on a lotus throne with gold skin on red ground on front; 11 lines of text, in red, on back

Buddhist Ritual Card (Tsakali), 1200-1300

Tibet

Not on View
Buddhist priest robe of fine quality kesi woven in squares and strips of different color to represent the rags of Buddha in his mendicant days. Yellow is predominant, with pieces of red, black, gold, green, blue, white, brown, and pale blue. Designs include Buddhist symbols, sacred vessels, cursive profile dragons, loose clouds, chilin, elephant, peonies, phoenix, Foo dog, and imperial five-clawed dragon in shades of blue, red, green, pink, puce, black, olive-green, yellow, and mauve. The border contains a running design of large peonies and leaves. Note some of the weaving done with peacock feathers. Lining of burnt orange damask of large cloud pattern.

Buddhist Priest's Robe (kashaya), 1662-1722

China

Not on View
Buddhist Priest's robe with gored end made up of pieces of colored satin blue, pink, white, peach, green, tan, and embroidered in satin stitch and couched gold threads with dragons, clouds, flowers, Fu dogs, Eternal Sea, etc. in colored silks. Border of dark blue satin embroidered with five-clawed gold dragons, bats, clouds, and Eternal Sea. Satin torn in places. Lining of thin pink silk and rose floral satin.

Buddhist Priest's Robe, Qianlong period, 1736-1795

China

Not on View
Vase, carnelian, carved in the form of a finger citron (buddha's Hand) with peach and pomegranate ornaments. Base on A10.7 MS

Hands of Buddha (red and white), 1736-1795

China

Not on View

%C2%A9 Estate of Robert Gene Wilcox

Untitled (budding plant), 20th century

Robert Gene Wilcox

Not on View
Buddhist priest robe of K'ang Hsi blue k'ossu with gored end. Mnay five-clawed dragons in gold, those in the border having th symbolic universe design below. The small squares representing Buddha's mendicant days are alternately filled with gold dragons and large peony blossoms in shades of red, pink, and green. The shaped gores are filled with peony blossom and trailing tendrils. Upper border contains loose cloud forms and bats in end sections. Colors include green, red, pink, yellow, olive green , puce, mauve, yellow coral, peach and burnt orange. Compare treatment of clouds, wave border and dragons with the K'ang Hsi robes. K'ossu broken in many spots. The squared and gored areas set off with bindings of yellow satin. Lined with thin rose silk. Canopy flap with standard design, at center of upper top.

Buddhist Priest's Robe (kashaya), early 18th century

China

Not on View

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