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Harbor. Pointillism.

Blessing of the Tuna Fleet at Groix, 1923

Paul Signac

G355

one very large character at far R; two lines of graceful calligraphy at center; two smaller lines at far L with inscription and signature; rectangular intaglio stamp URC; circular relief stamp with waves at LLC

Blessings, 1865

Sesshū

Not on View
On India paper mounted on larger board

The Blessing, 1907

Timothy Cole; Artist: after Jean-Baptiste-Siméon Chardin

Not on View
1706 - Cardinal Zondadari returning from Spain

Monsignor Zondadari Blessing the Spanish, 1728

Placido Costanzi

G330

black diagonal form with linear red accents LLQ; parallel beige form and overlapping gray streak with rubbed texture also LLQ; two thick, crisscrossed diagonal brushstrokes near C of image, with tip overlapping in forms at L; thin white and ochre accent in brushstroke

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Blessing C, 20th century

Shinoda Tōkō

Not on View
horizontal, slightly wavy stripes; light cream at top with shades of green, brown and grey; cream tassels at top corners, dark green tassels at bottom corners; some raised twisted ribs

%C2%A9 2015 D.Y. Begay

Blessing of Rain, 2015

D.Y. Begay

Not on View
two large, bold characters at R; smaller characters, including signature, at L center; very faint impressed tan outline of a kimono-clad woman in background; faint tan characters at LL; rectangular red intaglio stamp at UR; square red intaglio stamp at LLC

Spring Blessings, 19th century

Ōchikuan (Wang Chu-an)

Not on View

%C2%A9 Jerry N. Uelsmann

Bless Our Home and Eagle, 1962

Jerry N. Uelsmann

Not on View

Christ Blessing The Virgin, c. 1480

Martin Schongauer

Not on View
Bound album, p.36

Archbishop Giving His Blessing, 1764

Jean-Baptiste Le Prince

Not on View
vegetables in various colors--green and orange pumpkin, purple eggplant, brown and grey mushrooms, green onions, red and orange peppers

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Blessings from the Great Land, April 2002

Minol Araki

Not on View
man reclining on a bed with a youth facing him in the foreground; woman and youth to the R under an arch

Isaac Blessing Esau, 1741

Count Anton-Maria Zanetti the Elder; Artist: after Raphael (Raffaello Sanzio)

Not on View
three nuns in habits in foreground with city skyline in background under "heavenly" light

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

City, Thy Name Be Blessed, 1934

Adolf Fassbender

Not on View

The Blessing, 19th-20th century

Moise Bianchi

Not on View

Blessed Art Thou Among Women, late 19th-early 20th century

Gertrude Käsebier

Not on View

Blessed Art Thou Among Women, 1899

Gertrude Käsebier; Editor: Alfred Stieglitz

Not on View

%C2%A9 Alen MacWeeney

The Head of Blessed Oliver Plunkett, Ireland, 1965-1966

Alen MacWeeney; Publisher: Hyperion Press

Not on View

So the Lord blessed the latter end of Job more than the beginning, 1825

William Blake

Not on View

Icon: The Archangel Michael Blessing the Martyred Saints Florus and Laurus of Dalmatia, 1450-1500

Unknown Russan (Novgorod)

Not on View

%C2%A9 Danny Lyon. All rights reserved.

Seventeenth Annual World's Largest Motorcycle Blessing, St. Christopher Shrine, Midlothian, Illinois, c. 1965

Danny Lyon

Not on View

Jacob Blessing Joseph's Children, 19th century

William Unger; Artist: After Rembrandt Harmensz. van Rijn

Not on View

Blessed Virgin Assends Into Heaven, 1762

After Lorenzo Sabbatini; Artist: Francesco Rosaspina

Not on View

Blessed Art Thou Among Women, 1899

Gertrude Käsebier

Not on View

Dying Soldier Being Blessed with Onlooking Woman, 19th century

Richard Westall

Not on View

Blessed Virgin with Saints Michael the Archangel, John the Evangelist, Catherine and Appollonia, 18th century

After Pietro Perugino; Designer: G. Canuti; Engraver: Giuseppe Rosaspina

Not on View

The Blessed Virgin with Child Jesus, an Angel, St. Margaret. St. Jerome and St. Augustine, 19th century

After Francesco Mazzola (Il Parmigianino); Engraver: Francesco Rosaspina

Not on View

Blessed Virgin with Child, Saints Augustine, Francis, John the Baptist, Monica, and donor Bartolomeo Felicini, 1830-1850

After Francesco Raibolini Francia; Delineator: Giuseppe Guizzardi; Engraver: Giuseppe Rosaspina

Not on View
knight on horseback, slumping down in the saddle, being attended by a youth, seen from back, wearing a short skirt and beret-like hat with a small triangular shield with a rampant lion; battle at left with castle in background

Lara blessé, c. 1820

Jean Louis André Théodore Géricault

Not on View
Album containing 39 lithographs by and after Géricault

Lara Blessé, 1822

Jean Louis André Théodore Géricault

Not on View

Coyote Stories, 1973-1976

Steven Sorman; Author: Lee Blessing

Not on View

Lessons from the Russian, 1999

Steven Sorman; Author: Lee Blessing; Printer: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
small cup on one end and larger cup on opposite end, gold-plated at interiors; silver movable ring covers one of 2 openwork rings of text between cups- ring falls when cup is turned over

%C2%A9 Michael Ende

Marriage cup, c. 1985

Michael Ende

Not on View

La première blessure. (from La Caricature), 1835

Honoré Daumier

Not on View
Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

Not on View
half-conical open base made of bands of graduated sizes (breast of bird); head with large eyes and scrolling beak with headcrest and pair of "ears"; fan of peacock-like tailfeathers; scrolling motifs and wheel-like roundels; brown, red, black, and white; received attached to small wheeled base with metal armature/stand

Processional image of a Large Swan (Velya Annam), 19th century

India

G211

two seated figures, male and female, on separate bases that fit into large separate rectangular base; larger male figure has four arms and sits with PL leg drawn in and PR leg extended downwards at an angle; man wears headdress with wheel on back; one hand has a small animal perched on his fingers, another hand has a small axe-like object resting on fingers; female figure seated in mirror image of man's position, with a small bolster under PR knee; woman is bare-breasted and hold PL hand out, palm up; woman wears a tiered conical headdress with a wheel on the back

Somaskanda (Holy Family), 13th-14th century

India

G211

Stoup (holy water basin), c. 1715

Giovanni Giardini da Forli

G308

Most of the prints are identified by large narrative text (see below) Plate 1. "HONEY MAKE/SURE YOU/PULL OUT/IN TIME../I'M NOT SAFE." Plate 2. "BLESS ME FATHER/FOR I HAVE SINNED/IT HAS BEEN/TWO WEEKS SINCE/MY LAST/CONFESSION. /SINCE THAT TIME/I HAVE ABUSED MYSELF 6 TIMES" Plate 3. "PLEASE DON'T/TELL MY/FAMILY. /I DIDN'T KNOW/WHY I DID IT." Plate 4. "I'D RATHER/DIE THAN HAVE/IT CUT OUT. /I WON'T/SIGN ANYTHING." Plate 5. "NOBODY/PAYS/ANY/ATTENTION/TO/WHAT/I/SAY." Plate 6. (No text; blank) Plate 7. (No text; blank) Plate 8. Side profile of a police officer pointing a gun (proof in black; no text) Plate 9. Side profile of a police officer pointing a gun (proof in red; no text)

%C2%A9 Steven Beyer

Studies for "Dissolution", 1981

Steven Beyer

Not on View
goblet-style cup with foot and stem; decorated at foot and body with bands of grapes, leaves and vines; saucer with raised center; rim decorated with grape motif from cup; Hebrew insription on one side

Wine cup and saucer, 20th century

Not on View

Fantassin blessé conduit sur un cheval par un paysan à pied, 19th century

Horace Vernet

Not on View

Fantassin blessé conduit sur un cheval par un paysan à pied, 19th century

Horace Vernet

Not on View

Fantassin blessé conduit sur un cheval par un paysan à pied, 19th century

Horace Vernet

Not on View
Virgin holding child; sitting on clouds; putti upper corners

Madonna and Child in the Clouds, c. 1581

Federico Barocci

Not on View
silver architectural-like element with four pieces of gold twisted wire, in a rough star of David, surrounding the Hebrew letter Shin.

Mezuzah (doorpost), Date Unknown

United States

G362

dress-like underbody; horizontal bar at top with doughnut-shaped section at center which rests on top of head; inset piece of knit blue and white material at top front (for wearer to see through); many vertical strips of various lengths of patchwork cloth trimmed in zigzags of colored felt and plastic; many different types of fabric--printed, velvet, pile, wool, felt; hammered aluminum pendants in various shapes scattered overall; some fabrics printed with text on back

Egungun ceremonial outfit, 1930-1950

Yoruba

Not on View
seven people in profile in a scene against a yellow background; at center is Rama bowing to larger central figure of Agastya; trees and partial view of a pavilion at L; water's edge and reeds at R; red border; gold wood frame

Folio from the Shangri Ramayana (Style IV): Rama, Sita, and Lakshmana Arriving at the Hermitage of Sage Agastya, c. 1730

Kulu or Mandi workshop

G211

Madonna and Child

The Madonna and Child with the Infant Saint John, c. 1750

Francesco de Mura

G308

double-handled cup on 3 lion's paw feet; hands on either side of cup in front of handles; 2 heavy applied inscriptions on front; handles decorated with vines and berries; rampant lion with sack on back

%C2%A9 Michael Ende

N'tilat Yada'im (hand washing cup), c. 1985

Michael Ende

G362

ovoid box with hinged cover; three raised characters on back; raised characters under cover; cover decorated with yali head on top, with various inlaid gems (primarily turquoise) and wire filigree; inlaid multicolred gems around edges of box; tara inside with turquoise inlay and gems on crown, holding filigree flowers

Gahu Amulet Box, 19th century

Tibet

G212

Shanghai Antique, H.K. dealer

Pine and Crane, 1932

Wang Zhen

Not on View
stemmed cup on a high domed base on 3 grape feet; gold base patina with silver applied organic filigree designs overall

%C2%A9 Michael Ende

Kiddush cup, part of three piece set, c. 1985

Michael Ende

Not on View
rectangular board with protruding carved arrow at top; text from Qur'an written in ink on either side of board, surrounded by delicate border; one side has decorations of square spirals across C; the other side has geometric zigzag pattern

Qur'anic writing board, mid 20th century

Nigeria

G242

angel with blonde curly hair at left, wearing flowing yellow garment and gold and blue sandals, wrestling with man with brown hair and beard at right, wearing brown robes; plain gilt frame with "POMARANCIO" on plate at bottom center

Jacob Wrestling with the Angel, early 1620s

Cristoforo Roncalli (il Pomarancio)

G330

long case with attached rounded rectangular inkwell; red, orange, and turquoise round beads and gems; crescent and star designs on one side; medallions with text on opposite side; wire filigree

Pen box, 19th century

Algeria

G242

headdress with leather cap/headpiece with beaded band around front top with white beads with two lines of blue triangles, two red bars and two lines of red and orange triangles at either end; long red wool strips at each side of headdress, backed with buffalo hide; brown and cream eagle feathers overall; some feathers at top have light brown horsehair strands attached to ends; eagle feather at center back accented with bright red and bright purple feathers; images of cows' heads drawn on leather beneath feathers on crown of head

Headdress, late 19th-early 20th century

Tsistsistas (Cheyenne) or Lakȟóta

G261

Manon Lescaut from the French of L'Abbè Prèvost, 1928

Antoine François Prévost, called Abbé Prévost; Author: Introduction by J. Lewis May; Illustrator: John Austen; Publisher: Geoffrey Bles

Not on View
covered goblet; wide foot below urn-shaped stem; rounded bowl; domed cover; foot has repeating leaf design around edge with fluting at center; long thin leaves on urn on stem; fluting at underside of bowl; cover has radiating cross on knob; radiating leaves at center of cover; floral swags joining four winged heads at edges of cover; gold patina

Travel pyxis, 1811-1814

Giovacchino Belli

Not on View
edges of base decorated with grapes and leaves; reclining lions at bottom flank 8 vessels; tall columns with grapevine motif; central grapevines, star of David and other images; rampant lions and crown flank text at top

Hanukkah lamp, c. 1900

United States

Not on View
quatrefoil base with wolf's head feet; large floriform element, surmounted by a cross, with glass window in center

Monstrance (ostensoir), c. 1851

Arthur Martin; Manufacturer: Poussielgue-Rusand

Not on View
PR forearm and hand; hand has two fingers raised in gesture of blessing; hammered gold bracelet on wrist with gems; hammered gold bands at hem and bottom of sleeve with gems; various gemstones each surrounded by bands of tiny pearls; pearl-banded window on front of forearm

Arm reliquary, c. 1350-1400

France

G340

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.

Seated preaching Buddha, 7th-9th century

Mon-Dvaravati

G213

Terracotta, Italian XVIc cat. card dims H 27 x L 8 x W 12'; Figure carries on her head a basket filled with fruit and in her hand a brimming cornucopia. Little boy at her feet turns to her for protection from a barking dog. Blue gown with golden yellow decoration; yellow, green and violet fruit.

Dovizia, c. 1520

Giovanni della Robbia

G332

conical bowl with cream glaze; two palmettes and other designs at inner sides in tan, green and brown

Large bowl with Kufic and Palmette motifs, 10th century

Iran or Uzbekistan

G243

hexagonal shaped container on stem and base; top decorated with incised vines and 3 inset turquoise stones; openwork floral body with 3 hanging pendants on movable arms; crescent-topped bars at corners; incised decorations on stem and base

Spice container, Early 20th century

possibly Unknown Turkish

Not on View
Holy Family at R with Joseph feeding donkey, Mary kneeling beside manger with baby Jesus and two angels; vertical beam at center of image separates four shepherds at L with two sheep, looking on

The Adoration of the Shepherds, c. 1606

Annibale Carracci

Not on View
Robe of violet satin brocaded in gold with widely spaced double-peach and pomegranate. Wide sleeves banded with light blue satin with braid applique above a beaded swag. Collar band of same. These bands, Victorian in flavor, much later than the brocade of the robe proper. Robe slit at sides and lined with thin blue silk. Note pocket on under side of front.

Robe, 19th century

China

Not on View
five-character poem; bold, angular characters; smaller inscriptions at L and R edges

Single-Line Calligraphy [center of a triptych of single-line calligraphies], 1690

Gaoquan Xingdun

Not on View
five-character poem; loopy, bold characters; small inscription at R

Single-Line Calligraphy [right of a triptych of single-line calligraphies], 1690

Gaoquan Xingdun

Not on View
five-character poem; smaller inscription line at L

Single-Line Calligraphy [left of a triptych of single-line calligraphies], 1690

Gaoquan Xingdun

Not on View
bi-level display holding wine decanter, wine cup, two loaves of challah, Kiddush cup, fruit basket, flower vase, two candles, veiled female figure holding hands to face, baby doll head with hand on top of head, and a sprawled body with a cherry attached; tray and individual components are all crocheted and hardened with resin

%C2%A9 Norma Minkowitz

The Sabbath Now, 2011

Norma Minkowitz

Not on View
a piece form the cycle of tapestries woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel Manufactory of Marc de Comans and Frauçais de la Planche between 1611 and 1627; warp undyed wool, 6-7½ ends per cm., weft dyed wool and silk, 32-40 ends per cm.

The Coronation Sacrifice, designed c. 1610 (woven 1611–1627)

Border design and cartoon probably by Guillaume Dumée and Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche

Not on View
Mirror, round, black and green patina.

Mirror, 1st-2nd century

China

Not on View
Illustration from a Bhagavata Purana Series; divided in two horizontal bands depicting groups of gopis walking through the forest, asking the plants and trees for the whereabouts of Krishna

Cowherd women seek the God Krishna in the forest, 1520-1540

India

Not on View

Monkey and Trainer, January 1884

Keirin

Not on View

And I only am escaped alone to tell thee., 1825

William Blake

Not on View
woman at center in orange and green, holding a triangular shaped object (lamp?) in front of a figure in yellow and a figure draped in orange and gold, with three more pairs of figures in similar dress standing behind them; bearded man in pink and white behind central pair of figures; standing woman in LLQ wearing various jewel-toned garments; women and girls observing at left inside a room; man figures and musicians on various levels of the building at right, with elephants and large flags on middle tier in URQ

The Arrival of the Brides at the Palace in Ayodhya: Page from a dispersed Ramayana series, 1775-1780

The First Generation after Manaku and Nainsukh

Not on View
dark, dramatic interior scene: male figure with head bandage laying on a bed surrounded by men and women in various expressions of angst and grief; man at C holds metal container in one hand and reaches towards man on bed; mourners are in classical dress; sheet draped behind bed with shield appearing in background; figure at far L table looking towards scene

The Sacrament of Extreme Unction (Orent Super Eum Urgentes Eum Oleo in Nomine Domini / Le Sacrementde lL’Extrême-Onction), mid 17th century

Jean Pesne

Not on View
procession of five dancing skeletons; second and third skeletons are each holding a red stamp in their hand; last two skeletons are rendered in lighter grey ink; inscription with stamps at URC

Skeletons Holding Seals, second half 19th century

Doi Gōga

APS

woman with long curly hair wearing a cloth on her head, lying in a canopy bed with curtains, surrounded by men, with a man to her PL learning toward her, holding a long taper candle; two kneeling men in LLC looking in a book; candle on an elaborate stand in LRC

The Death of the Virgin, c. 1473-1474

Martin Schongauer

Not on View
couple engaged in intercourse, surrounded by brightly-colored fabrics; woman is bare-breasted; black fabric with blue, pink and white wave designs at left; screen with chrysanthemum pattern at top left; text above man and in URC

Yoshiwara Prostitute with Samurai Customer, from Selections from the Brocade Quarter (E-awase kingaishō), c. 1815

Kikukawa Eizan

Not on View
A thanka, gouache on cotton

The Arhat Rob-abyor, 18th century

Nepal

Not on View
Illustration from the Bhagavata Purana; a compartmentalized painting illustrating various scenes with Krishna

The Adoration of Krishna, c. 1700

India

Not on View
Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red.

Leaf from a Book of Hours (recto and verso), c. 1500

Unknown Netherlandish

Not on View
Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red.

Leaf from a Book of Hours (recto and verso), c. 1500

Unknown Netherlandish

Not on View

Akasaka, 1855, 4th month

Utagawa Kunisada; Artist: Utagawa Hiroshige; Publisher: Maruya Kyūshirō; Carver: Yokogawa Takejirō

Not on View
buckle with 4 loops on back; rectangular shape with squared-off corners; Hebrew text in relief at center; wavy wire border flanked by 2 twisted wires at inner edge and 5 twisted wires in 2 thicknesses on outer edge

Buckle, Date Unknown

Not on View
beaker, clear glass painted in enamel with the 'Fox and Bitter Grapes' fable

Beaker, 1729

Switzerland

Not on View
brick building with small tower, topped with movable pennant, atop ring, "V" shapes connect ring at sides; 4 silver birds at bottom edges of ring; gold chain

%C2%A9 Michael Ende

Wedding ring on chain, c. 1985

Michael Ende

Not on View

Sun Wukong Exhaling Manzai Performers, 1836

Utagawa Kuninao

Not on View
Mary, with long wavy hair wearing a headscarf, lying in canopy bed at center, holding a candle, also held by a man on left; other standing, seated and kneeling figures at left and right--some with hands folded in prayer

The Death of the Virgin, 1510

Albrecht Dürer

Not on View
red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side

Study of a Figure in Priest's Robes, c. 1650

Jacob Jordaens

Not on View
same record as L2004.287.7 cat. 35; church scene with men writing in book at L and many men standing in back; gold trim; beige paper; cream mat; gold frame with black undertones

Feast of the Company of Archers, 1872

Léon-Augustin Lhermitte

Not on View
diamond design; purples, pinks, blues, greens and tan ground; fringe on one end

Mat, c. 1900

Anishinaabe (Ojibwe)

Not on View

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