showing 100 of 211 results matching artist:"Willie Cole". (load 111 more)

advanced
info
Sculptural assemblage of various types of black ladies' and girls' shoes in the form of an abstracted woman holding a baby on her lap; topmost shoe has white and gold flowers on upper

%C2%A9 Willie Cole

Anne Klein with a Baby in Transit, 2009

Willie Cole

G369

Matrix for Anna Mae & Lula Bell, from The Beauties series

Printing matrix for "Anna Mae" (top) and "Lula Bell" (bottom), 2012

Willie Cole

Not on View
Matrix for Dot/ & Ida Mae, from The Beauties series

Printing matrix for "Dot" (top) and "Ida Mae" (bottom), 2012

Willie Cole

Not on View
Matrix for Fannie Mae & Ruth, from The Beauties series

Printing matrix for "Fannie Mae" (top) and "Ruth" (bottom), 2012

Willie Cole

Not on View
Matrix for Queen & Lucy, from The Beauties series

Printing matrix for "Queen" (top) and "Lucy" (bottom), 2012

Willie Cole

Not on View
Beauty, Savannah/ Bessie

Printing matrix, 2012

Willie Cole

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Bertha Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Bessie, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Calpurnia, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Carolina, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Clara Esther, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Emma, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Eva Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Ida Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Jane, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Jesse Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Jonny Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Lilly, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Lucy, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Lula Bell, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Mammy, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Matti Lee, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Pearl, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Rose, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Ruth, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Saphire, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Sarah, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Willy Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Zeddie, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Anna Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Dot, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Fannie Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Queen, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Savannah, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light orange iron shape on an orange background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Creativity (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of an orange iron shape on a light orange background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Creativity (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light red iron shape on a red background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Desire (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a red iron shape on a light red background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Desire (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light green iron shape on a green background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Healing (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a green iron shape printed on a lighter green background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Healing (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light fuchsia iron shape on a fuchsia background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Renunciation (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a fuchsia iron shape on a light fuchsia background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Renunciation (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A four run two-color screenprint of a white iron shape on a gray field on the left side and a gray iron shape on a white background on the right.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Enlightenment (ascending/descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A four run two-color screenprint of a light blue iron shape on a blue field on the left side and a blue iron shape on a light blue field on the right.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Wisdom (ascending/descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
An edition of nine black-and-white relief prints plus proofs printed from a plywood block carved by the artist with a router.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Sole Sisters, 2013 (published 2018)

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Ironing board test, 2012

Willie Cole

Not on View

Litho Color A, 2012

Willie Cole

Not on View

Litho Color B, 2012

Willie Cole

Not on View

Litho Color C, 2012

Willie Cole

Not on View

Litho Color D, 2012

Willie Cole

Not on View

Litho Color E, 2012

Willie Cole

Not on View

Litho Color F, 2012

Willie Cole

Not on View

Litho Color F (2), 2012

Willie Cole

Not on View

Litho Color H, 2012

Willie Cole

Not on View

Litho Color I, 2012

Willie Cole

Not on View

Litho Color J, 2012

Willie Cole

Not on View

Litho Color K, 2012

Willie Cole

Not on View

Litho Color M, 2012

Willie Cole

Not on View

Screen Color C, 2012

Willie Cole

Not on View

Screen Color C/ D, 2012

Willie Cole

Not on View

Screen Color D, 2012

Willie Cole

Not on View

Screen Color F, 2012

Willie Cole

Not on View

Screen Color I, 2012

Willie Cole

Not on View

Screen Color J, 2012

Willie Cole

Not on View

Proof testing rope, original test #1, 2012

Willie Cole

Not on View

Proof testing rope, original test #2, 2012

Willie Cole

Not on View

Proof testing rope, ?, 2012

Willie Cole

Not on View

Proof testing rope, #1, 2012

Willie Cole

Not on View

Proof testing rope, #2, 2012

Willie Cole

Not on View

Proof testing rope, #3, 2012

Willie Cole

Not on View

Proof testing rope, #4, 2012

Willie Cole

Not on View

Proof testing rope, #5, 2012

Willie Cole

Not on View

Proof testing rope, #6, 2012

Willie Cole

Not on View

Proof testing rope, #7, 2012

Willie Cole

Not on View

Proof testing rope, #8, 2012

Willie Cole

Not on View

Proof testing rope, #9, 2012

Willie Cole

Not on View

Proof testing rope, #10, 2012

Willie Cole

Not on View

Proof testing rope, #11, 2012

Willie Cole

Not on View

Proof testing rope, #12, 2012

Willie Cole

Not on View

Rope test matrix, 2012

Willie Cole

Not on View

Board drawing with color boards and blue background, 2012

Willie Cole

Not on View

Board drawing with legs, 2012

Willie Cole

Not on View

Board drawing with white boards and blue lines, 2012

Willie Cole

Not on View

Board drawing with yellow boards and blue background, 2012

Willie Cole

Not on View

Board sketch printout, 2012

Willie Cole

Not on View

Board sketch printout, 2012

Willie Cole

Not on View

Board sketch printout, 2012

Willie Cole

Not on View

Board sketch printout, 2012

Willie Cole

Not on View

Overlapping boards color drawing, 2012

Willie Cole

Not on View

Sketch with printout of ironing boards, 2012

Willie Cole

Not on View

Proof, board #13, 2012

Willie Cole

Not on View

showing 100 of 211 results matching artist:"Willie Cole". (load 111 more)

Download results as CSV