From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; close-up of a man's head with large expressive eyes staring straight ahead; there is a black dot between his brows with a black trail of ink running down the side of this nose and cheek; a small hourglass is in the lower left corner — Peter's Head with the Gunshot Wound in the Forehead, Plate 1 from Der Rebell (The Rebel), 1918
Walter Gramatté

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close-up of a man's face with large expressive eyes and a bowtie under his chin; a row of small buildings are drawn along the right margin of the sheet; select areas are lightly colored in blue, brown, and green — November Portrait (Self-Portrait), 1918
Walter Gramatté

Not on View

unsmiling man with a moustache in a military uniform and hat sits cross-legged in an upholstered chair; his head is tilted downward and his eyes look past the viewer staring into the distance — Tired Soldier I (Dr. Steger), 1919
Walter Gramatté

Not on View

woman on right side of image surrounded by animals with long faces; animal on left side of woman has a large eye and its head is resting on the woman's shoulder; same motif as for publication Il Pantegan by Victor Hadwiger — Dreaming Girl, 1919
Walter Gramatté

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man striding in center of image with a pole and a tiny flag attached to the end of it; houses and trees surround him in the background; a sun is setting in the upper right corner — The Great Madman with the Flag, 1919
Walter Gramatté

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man with a weary, vacant look in his eyes and a listless manner sits in a chair with his arms propped on the sides of the chair; his hands hang listlessly from his wrists — Tired Soldier II (Dr. Steger), 1919
Walter Gramatté

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woman and man on left and right side of image separated by three long, thick bands meant to depict the sun's rays radiating from the top of the image — The Distant Lovers, 1919
Walter Gramatté

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figure in middle of print with thin long arms and large hands outstretched with fish of varying sizes swirling around the figure in concentric circles — The Dream of the Fish, 1919
Walter Gramatté

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woman's head in lower half of image with a man behind her with his arms wrapped around her head and neck; a quarter moon is in the upper right corner — Two Humans, 1919
Walter Gramatté

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close up of a woman's head with her hands cupped on either side of her head near her eyes — Portrait, 1919
Walter Gramatté

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Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer" (left); Plate II, "Let's throw him into a pit" (right), 1923

Walter Gramatté

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Joseph is sold out of envy by his brothers. Plate II, "Let's throw him into a pit", 1923

Walter Gramatté

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face and neck of man with eyes closed and halo around his head; a small circle is in the lower right corner — Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer", 1923
Walter Gramatté

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two nude woman with long black hair sit leaning against one another in center of image with large expressive eyes but no noses or mouths; colored in yellow, red, blue, and green — Hinströmen, 1919
Walter Gramatté

Not on View

in black ink on blue paper a man stands on the left with his arms outstretched toward a flower in the lower right corner; in the upper right corner a sun shines rays on the man; writing in pencil on lower left margin of recto and verso not legible due to blue paper — The Happy One, 1919
Walter Gramatté

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on dark blue paper in black ink two nude woman with long black hair sit leaning against one another in center of image with large expressive eyes but no noses or mouths — Hinströmen, 1919
Walter Gramatté

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in green ink a woman's head and neck with a hand under her face on the right side of the image — Girl with Hand (Sonia Gramatté), 1923
Walter Gramatté

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two nude woman with long black hair sit leaning against one another in center of image with large expressive eyes but no noses or mouths — Hinströmen, 1919
Walter Gramatté

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in thick black lines the head and shoulders of a man with a mustache and a high-collared coat looking at the viewer — Revolutionary (Dr. Steger), 1919
Walter Gramatté

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From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a black coat and hat stands bent over with his hands outstretched to his sides; he is holding a rolled piece of paper in his hand on the left; a building with windows is in the background — Akaki Walks Perplexed on the Street, Plate 4 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; man in a black coat stands next to a window with rays coming through it; he holds a piece of his coat in his hand — Akaki Shows the Tailor the Areas to Be Repaired, Plate 3 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; row of men in black coats and hats with hunched shoulders walking in a line diagonally across the image; in the background on both sides of the men are tall buildings tilted inward — The Morning Way to the Office, Plate 1 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man sits behind a small table writing on a piece of paper in front of him; his forearms are resting on the table — The Titular Councilor Akaki Akakiyevich, Plate 2 from Der Mantel (The Coat), 1918
Walter Gramatté

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man in white garment sitting on a bed with a large pillow behind him and his hands on a flower in his lap; other flowers are strewn around him; the man's shoulders are hunched and he has a worried look on his face — The Sick Man with the Flowers, 1918
Walter Gramatté

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man in white garment sitting on a bed with a large pillow behind him and his hands on a flower in his lap; other flowers are strewn around him; the man's shoulders are hunched and he has a worried look on his face — The Sick Man with the Flowers, 1918
Walter Gramatté

Not on View

full length image of a man dressed in black standing in the center of the image bent forward; his arms at his side are lifted to waist level and his large hands are splayed out to the sides; his head is tilted down and thrust forward — Being Tired, 1918
Walter Gramatté

Not on View

man on left side of image wearing a black coat and boots standing on a table; his intestines are exposed and falling from an exposed area in his abdomen; in the lower right corner are the heads and shoulders of three men and a pair of open hands reaching for the figure on the table; above the heads in the background are a number of smaller figures behind the glass of a shattered window coming toward the figures in the foreground — The Rebel, 1918
Walter Gramatté

Not on View

full-length image of a man dressed in black standing in the center of the image bent backwards; his arms are out in front of him and his hands have long fingers and are outstretched in a claw-like manner — Whirling, 1918
Walter Gramatté

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head and shoulders of woman with hair parted in the middle and eyes looking to the right; she wears a shirt with a white collar beneath which is a a tied bow — Girl with Lace Collar (Sonia Gramatté), 1923
Walter Gramatté

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head and shoulders of a woman with arm resting in front of her on a black platform and eyes looking to the right; lines depicting the woman are in black and the rest of the print is green — Girl Resting on Right Arm (Sonia Gramatté), 1923
Walter Gramatté

Not on View

large tree on left side with a scattering of smaller trees throughtout the image; leaves of smaller trees are bent sharply to the left as if being blown by the wind; a row of small buildings appear in the background behind the blowing trees — Storm, 1915
Walter Gramatté

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head and shoulders of a man dressed in black looking at the viewer; a thick black stripe is drawn down the center of the nose — Self-Portrait, 1925
Walter Gramatté

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railroad track in center of image leading to a group of buildings in the upper portion of the print — Sand Break, 1913
Walter Gramatté

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view of a house with an enclosed porch on the right; visible behind the house are smaller buildings, fenced in areas, and laundry drying on clotheslines — Garden, 1915
Walter Gramatté

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lion curled up resting its head and paw on a branch — Lying Lion, 1915
Walter Gramatté

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nude woman in center of image with a crescent moon above her head and a row of houses behind her in the background — Ex Libris, 20th century
Walter Gramatté

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landscape with three trees in foreground and houses in the background; thickly applied paint in predominately yellows, greens, browns, and reds — Three Trees, 20th century
Walter Gramatté

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still life with a vessel with a handle and two spouts in the bottom of the image with a tall vase lightly sketched to its right; branches with leaves and flowers are faintly sketched in the background — Eucalyptus Branches and Brass Drinking Vessel, 1924-1925
Walter Gramatté

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man in center of image with tall buildings with windows behind him — Study for a Self-Portrait, 1917
Walter Gramatté

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large circular building with a chimney in the center and a ramp with a cart leading to a door on the second floor of the structure — Brick Kiln, 1916
Walter Gramatté

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road in center of image leading to buildings in the background; in the center of the sheet is a church with a steeple and cross at the top — Near Stettin, 1916
Walter Gramatté

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on recto: head and shoulders of a young man directly facing the viewer with a slight smile on his face; verso: head and shoulders of a slightly older man directly facing the viewer; face has a more careworn expression than that on the recto — Self-Portrait II, 1923 (?)
Walter Gramatté

Not on View

landscape with a church on the horizon line on the left side of the image and a large tree in the foreground on the right — Landscape, 1917
Walter Gramatté

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head and shoulders of a man directly facing the viewer; behind the man is a fence, trees, a building, clouds and a sun emanating rays — Self-Portrait III, 1923 (?)
Walter Gramatté

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head and shoulders of a young man directly facing the viewer drawn in a loose, sketchy style; eyes are densely filled in with graphite — Self-Portrait I, 1923 (?)
Walter Gramatté

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city street scene with cable cars — Street, 1915
Walter Gramatté

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original metal printing plate; verso of printing plate has same image — Printing plate for Brothel, Large, 1916
Walter Gramatté

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original steel-faced copper printing plate — Printing plate for A Puppet Show, 1917
Walter Gramatté

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original iron printing plate — Printing plate for The Gamblers, 1916
Walter Gramatté

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original zinc printing plate — Printing plate for Orchestra I, 1917
Walter Gramatté

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original zinc printing plate — Printing plate for Brick Kiln, 1916
Walter Gramatté

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original metal printing plate — Printing plate for Gasworks, 1916
Walter Gramatté

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original zinc printing plate — Printing plate for Café Josty, 1917
Walter Gramatté

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original copper printing plate — Printing plate for Outcry, 1918
Walter Gramatté

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original zinc printing plate — Printing plate for Storm, 1915
Walter Gramatté

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original copper printing plate — Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927
Walter Gramatté

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original copper printing plate — Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927
Walter Gramatté

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original copper printing plate — Printing plate for Sonia, with Head Supported in Hand, 1927
Walter Gramatté

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original copper printing plate — Printing plate for a portrait of Sonia Gramatté, 1927
Walter Gramatté

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original copper printing plate — Printing plate for Self. Head in Hand, 1927
Walter Gramatté

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original metal alloy plate; verso has a musical score — Printing plate for Sleeping Girl (Sonia Gramatté), 20th century
Walter Gramatté

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recto: darkly painted scene of a tall cylindrical structure on left side of image done in greens and yellow; fascade of buidling has large black squares with an "x" in each square; smaller buildings are seen in the foreground of the picture and on the right side of the image; verso: interior scene with windows done in purple pencil with a plant on a pedestal in the lower left outlined in green pencil; cardboard is thick and compressed — Gasworks, 1916
Walter Gramatté

Not on View

outdoor scene of the grounds of a fair with various buildings and structures including a green striped caravan on the left side of the image and a large red building on the right; three small figures are shown next to the structures and a small row of houses are shown in the distant background; paint is applied thickly in predominantly blues, grays, greens, yellows, purples, and red — Fairground, 1914
Walter Gramatté

Not on View

outline in black lines of a man's head turned to the right; head sits in center of sheet with a large amount of space around it — Portrait of Mr. H. Bardtholdt, 1916
Walter Gramatté

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in thin lines a partially drawn man's face looking to the right in the upper half of the sheet; grayish/black splotches of different sizes and densities cover the surface of the print — Self-Portrait, 1915
Walter Gramatté

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on the right a large cylindrical building; to the left of this building are two houses, one with a tall chimney next to it — Gasworks, 1916
Walter Gramatté

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silhouettes of a house and three chimneys visible in the upper portion of image with the lower 3/4 of image done in dark gray and black diagonal and cuved lines against a dark gray and black background — Tonwerk, 1914
Walter Gramatté

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water in foreground with posts and other parts of a dock on the right side; background has land with a row of trees and houses with red roofs; thickly applied paint in predominately blues and greens — Jetty, 1915
Walter Gramatté

Not on View

tree on left side of image with a few houses and hills behind the tree in the background — Landscape, 1915
Walter Gramatté

Not on View

From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; in green ink the head and shoulders of a boy looking directly at the viewer; a wisp of hair stands upright at the top of his head; diagonal lines set closely together cover parts of his forehead, his cheeks, and across a portion of his neck; area around eyes, tip and under the nose, chin, and a portion of the neck are colored in pale pink — Boy's Head (Self-Portrait), Plate 8 from Das Gesicht (The Face), 1922-1923
Walter Gramatté

Not on View

From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of a woman with a large collar and closed eyes turned to the left; background colored in blue — Tired Girl's Head (Sonia Gramatté), Plate 7 from Das Gesicht (The Face), 1923
Walter Gramatté

Not on View

frontal view of the head and shoulders of a man in a green collarless garment with his eyes closed; background is in dark blue/gray and the face has a pinkish hue — Tired Man (Self-Portrait), 1922
Walter Gramatté

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close-up of a woman's face with closed eyes; background in blue and eyes and lips are red/brown — Tired Girl (Sonia Gramatté), 1923
Walter Gramatté

Not on View

close-up of a woman's face with closed eyes; background in green and eyes and lips in brown ink with touches of red — Tired Girl (Sonia Gramatté), 1923
Walter Gramatté

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Head in Profile, 1923

Walter Gramatté

Not on View

a woman's head and neck with a hand under her face on the right side of the image — Girl with Hand (Sonia Gramatté), 1923
Walter Gramatté

Not on View

frontal view of the head and shoulders of a man in a green collarless garment with his eyes closed; background is a dark blue/gray — Tired Man (Self-Portrait), 1922
Walter Gramatté

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frontal view of the head and shoulders of a man in a collarless garment with his eyes closed — Tired Man (Self-Portrait), 1922
Walter Gramatté

Not on View

From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; figure dressed in black in center running with arms extended above his head; his face is featureless except for eyes; background in black except for areas of white with jagged borders — For the First Scene, Plate 1 from Die Tragische Sendung (The Tragic Commission), 1920
Walter Gramatté

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head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose — Edlef Köppen, 1919
Walter Gramatté

Not on View

head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose — Edlef Köppen, 1920
Walter Gramatté

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head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose — Edlef Köppen, 1920
Walter Gramatté

Not on View

head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose — Edlef Köppen, 1920
Walter Gramatté

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head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose — Edlef Köppen, 1920
Walter Gramatté

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head and shoulders of person drawn in thick black lines with solemn expression on face and eyes that are turned down at the corners; jagged bangs fall across the forehead and one hand with long fingers rests under the chin — Thief, 1920
Walter Gramatté

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head and torso of a woman with black hair in a black garment bent over with her head tilted toward her hands that are crossed in front of her — The Composer Sonia Friedman, 1920
Walter Gramatté

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bare-chested woman in a crown with her hands crossed in her lap sits in the middle of the image; a man's head is nestled in the crook of her neck on the right side — Taking Leave, 1920
Walter Gramatté

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woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left; background on the bottom of the image is colored in green; middle ground is in red with a row of black trees; upper half of the image is blue sky with black birds — Girl at the Lake (Sonia Gramatté), 1920-1921
Walter Gramatté

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woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left; background on the bottom of the image is colored in a blue-green; middle ground is in a coral color with a row of black trees; upper half of the image is blue sky with black birds; the woman's eyes are lined in blue and there are two coral colored circles on her cheeks — Girl at the Lake (Sonia Gramatté), 1920-1921
Walter Gramatté

Not on View

distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and blue — Torment, 1920
Walter Gramatté

Not on View

distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and blue — Torment, 1920
Walter Gramatté

Not on View

distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and purple — Torment, 1920-1921
Walter Gramatté

Not on View

head and shoulders of a woman in a high collared shirt looking downward and to the right; her hands are clasped in front of her — Listening (Sonia Gramatté, a Bird in her Hands), 1920
Walter Gramatté

Not on View

head and shoulders of a woman in a high-collared shirt looking downward; her hands are folded one on top of the other in front of her — Listening (Sonia Gramatté, a Bird in her Hands), 1920
Walter Gramatté

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woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left — Girl at the Lake (Sonia Gramatté), 1920
Walter Gramatté

Not on View

distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with green, pink, and yellow — Torment, 1920
Walter Gramatté

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figures sitting and standing around a table with two glasses on it; an empty stool in center of sheet — Gamblers, 1916
Walter Gramatté

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group of figures with various musical instruments; figure in lower left corner is seen from behind holding a flute to his mouth — Studies, Various Musicians, 1920
Walter Gramatté

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figure sitting with child in their lap — Man with Unknown Child, 1920
Walter Gramatté

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on left side of sheet is a boat with a figure on one side of the boat and the sail on the other; to the right of this image is a smaller image of a sailboat and figure with a border drawn around the image — Sketches (Sailors), 1920 (?)
Walter Gramatté

Not on View

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