showing 100 of 2649 results matching `artist:"Unknown"`. (load 200 more)

after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros, 120–50 BCE
Unknown Roman

G241

Library and Rock Garden — The Studio of Gratifying Discourse, 1797
Unknown

G216

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand — Screen, 17th century
Unknown

G217

Vessel in the shape of an owl. Two flanges, one ending just under the beak in front and the other continuing to the top of the head in back, have alternating straight and L-shaped scores, those on the front flange being much the deeper of the two. The tail, with a scored flange border, forms the back support of the vessel. Apart from the realistically-formed feet, the bird is strongly stylized. The body is completely covered by rows of scales except for the shoulder line, expressed by a vigorous spiral, and the wings quills, rendered by bands filled with antithetical spirals. Patina green. — Zun wine vessel in the shape of an owl, 13th-12th century BCE
Unknown

Not on View

Basket woven with plant fiber and heavily beaded with black, white, orange, blue and red beads. Flared stem base with cone-shaped lid. Two straps cross over the top and are secured at sides. — Basket, early 20th century
Unknown

G254

Lion; standing on its four paws, the tail arched over the back; surface decorated with very fine granulation and tiny ringlets of twisted wire; gold — Statue of a lion, 11th-12th century
Unknown

G243

wood frieze carved with birds whose eyes are made of green turbo shell opercula; painted serpents wind their way across the relief; covered with lime and painted in red, black, and white pigments; carved for use in the Malanggan rites when it would be placed in a special hut with other sculptures — Malagan Frieze, 19th century
Unknown

G256

standing figure with panpipes encircled by serpents and birds; wood with opercula inserts and pigments; carved for Malanggan rites — Malagan Figure, c. 1890
Unknown

G256

Genre. Interior of a bedroom with a lady dressed in bright golden yellow silk, a small dog in her lap, seated at a dressing table with toilet articles on it. A maid pinning a bow into her long wavy blonde hair is standing behind her. In the background a canopied bed with gray draperies. — Lady at Her Toilet, c. 1650-1660
Unknown Dutch, 17th century

G310

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box — Ewer in the shape of a gourd, 12th century
Unknown Korean

G206

polychrome wood statue of a Confucian scholar standing, holding a book (?) downward at waist toward the viewer, wearing a long flowing blue robe, red waisted skirt with black belt and a black hat — Attendant to a King of Hell, 19th century
Unknown Korean

G206

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center — Corinthian helmet, c. 540 BCE
Unknown Greek

G241

unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind — Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century
Unknown Japanese

Not on View

Parinirvana of Sakyamuni, the Historical Buddha, Unknown Japanese — Parinirvana of Sakyamuni, the Historical Buddha, 14th century
Unknown Japanese

Not on View

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome. — Vajra Warrior (one of a pair), mid 14th century
Unknown Japanese

G205

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Unknown Japanese

G220

Gesso, color, kirikane on wood, metal — Jizō, the Bodhisattva of the Earth Matrix, early 13th century
Unknown Japanese

G220

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina — Figurine of a Female, 1000-800 BCE
Unknown Japanese

G205

jar, stoneware with underglaze iron-brown dragon motif — Jar with Dragon and Clouds, 17th century
Unknown Korean

G206

silver button-like object with loop on back; relief design with two men, with standing man at back holding hair of seated man at front, who holds an open book with incised text; blossoms at top; incised blossoms and branch on back; unsigned — Manju netsuke depicting Chinese scholar, c. 1840s
Japan

Not on View

netsuke in the form of a brown woven basket with the image of a fish on top; unsigned — Fish basket, c. 1840s
Japan

Not on View

dark blue panel with appliqued and embroidered animals, ship, pineapple and other images; 12 images with names and dates embroidered in orange and yellow below; red trim — Panel, 20th century
Benin

Not on View

golden-brown patina, darker at bottom; rounded base with long neck with bulb on top — Bottle, third quarter of 20th century
Ethiopia

Not on View

Mary on a throne holding baby Jesus who is standing on her PR leg; angel on either side of throne; Mary's PL hand rests on a book on knee; printed on sheet that is rounded at the top — Virgin Enthroned, early 16th century
Not on View

sketch of a battle scene; man sitting at center with his body twisted away from the viewer, leaning on ground over bayonet; reaching into bag on belt with PR hand; man carrying a wounded soldier at L, near a barefoot soldier who is carrying a flag; outlines of a running man at R; scribbles on back — Battle Sketch (Civil War), 1861-1865
Not on View

Saddle stitched binding, photo-collage of different text ad a distorted image of native Americans, printed on coated paper covers in color offset lithography; 12 pp. — A Night of Terror, 21st century
Not on View

figures preparing food and playing musical instruments; blooming cherry tree at top; figures clockwise from LLC: bald monk accompanied by three nude little boys, stirring a pot on a flaming brazier, with a barrel; red-skinned man wearing colorful headdress rolling dough (?) over a gold staff; bald man with a very tall forehead accompanied by man wearing a red and white cloth over his head and body, playing a recorder-type wind instrument and woman in grey kimono with black and white dots playing a lute; woman wearing flowing floral kimono fanning skewers on a small grill; man wearing green garment shredding a white vegetable over a cone-shaped bowl; scowling man with white hair wearing a grey-blue garment squatting with a bowl of white round balls — Gods Preparing a Cherry Blossom Banquet, 18th century
Japan

Not on View

7 identical figures with black hair and thin green whiskers wearing red, green, blue and white robes; candles and food on long table; brown clouds divide lower scenes 12 men dancing and playing a drum and cymbals in LL corner; man tied to a bench being flogged by 2 men with 3 other figures and demons and flames behind wall at center; figure's being thrown by demon into pit of snakes at LR corner — Sweet Dew Ritual, 19th century
Korea

G206

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Japan

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Japan

G205

flower vase with squat, round body, high neck, and high foot; ornately decorated with figures in relief; figure of a sage and a crane on each side of neck; two handles — Vase with Rin Nasei (Ch. Lin Hejing) and crane, 18th-19th century
Japan

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Japan

G225

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Japan

G220

two wood panels attached in book form with string; traces of gesso and fragments of running border designs in black on outer front cover; each inner panel split into three horizontal frames showing various scenes including Jesus with the 12 apostles, Mary and infant Jesus with a pair of angels with swords, the crucifixion, Daniel with two lions and St. George slaying a serpent-like dragon; orange, yellow, grey-blue, black and white — Diptych icon, about 1700
Unknown

G254

tiny comb with rounded top with finial-like protrusion; hole in top for wearing as a pendant; incised designs--same on each side--of zigzag bands, straight and curved bands and cross hatched zigzags — Beard comb, early 20th century
Unknown

G254

ovoid foot with beaded edge and silver rim decorated with scrolls and flowers; long stem with silver and gilt figure of Neptune with long hair and beard, holding a trident, riding a hippocamp; Neptune wears elaborate scrolled crown; nautilus shell forms cup, decorated with gilt and silver mountings with swags, a grotesque face, two caryatids, and a satyr, with two crabs and two turtles holding decorative silver ball pendants; topped with Jonah (?) emerging from the whale's mouth; whale ridden by Cupid (?), holding gold reigns — Nautilus shell cup, c. 1660-1680
Unknown

G350

landscape scene with dark blue water and puffy gold clouds, brown rice fields, trees, mountains; a few huts amid fields; small temple complex on a peninsula; people on boats — A View of Ama no Hashidate, early 17th century
Japan

G219

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom — Ash container with three birds, late 16th century
Japan

G225

pitcher with very narrow neck with decorative disk within neck, and narrower, needle-like mouth; short, squat, segmented spout with loose cap; thin incised lines around soft shoulder; green patina — Water vessel (Kundika), 918-1392
Korea

G206

brown body; top band of butterflies and flower scroll, bordered by blue band and rows of black circles; lappets below alternate colorful birds and dragons; green interior; enamels in lappets suffused with copper shavings ("goldstone" technique) — Vase, late 19th century
Japan

G239

three men in ULC-one man chisels at rock; two men push wheelbarrows filled with clay; black, gold, and red lacquer frame — Excavating the Clay, 19th century
China

G209

standing woman with child at R; seated man splitting a reed or twig, LRC; man in LLC carries a yoke; small figure seated between the two men; black, gold and red lacquer frame — Breaking up the Clay, 19th century
China

G209

two men in LRC standing near bricks; man in URC with barrels; two men at L stir contents of barrels and kneed in a low vat; another figure seen through window, ULC; black, gold and red lacquer frame — Pulverizing the Clay and Building the Kiln, 19th century
China

G209

woman with child at window, URC; man in yellow tunic, LRC; man with yoke follows another figure carrying a small basket; seated man stokes a firing kiln; black, gold and red lacquer frame — Kiln-firing the Porcelain, 19th century
China

G209

man at L beats a clump of clay; two figures at center load bowls into large baskets; figure at R emerges from a room with a rack of decorated ceramics; black, gold and red lacquer frame — Removing the Kiln-fired Wares, 19th century
China

G209

two men working with barrels in foreground; man in blue tunic opening a barrel at center; man with fan at R; two men pack ceramics in a barrel behind man in blue; black, gold and red lacquer frame — Packing the Finished Porcelain for Shipment, 19th century
China

G209

[Culture previously "South Netherlands" - FLB 03/15/2016] — Diamond-point engraved winged goblet, c. 1660
Unknown

G332

Portrait of a young woman sitting against a green background. She holds a small psalm book. The book is actually a girdle prayer book, whether it is a psalm book or something else remains to be determined. NW 03/10 — Portrait of a Noblewoman, c. 1550
Unknown

G342

face mask of person with closed eyes; pierced ears; delineated hairline; bronze, with bib attached to neck area in green-blue and brown patina — Funerary Mask of a Young Woman, 916-1125
Unknown

Not on View

lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside — Writing box with pines, plum, chrysanthemums, and paulownia, 16th century
Japan

Not on View

Blue-and-White dish, porcelain; decorated in a deep blue in the center with a large peahen flying amongst peonies, the cavetto molded with a band of peonies in white in a blue ground, the rim with a border of stylized waves and a molded foliated edge; the reverse has a typical wide unglazed base with a short foot ring and the exterior is decorated with a band of scrolling lotus — Dish, 14th century
Unknown

G325

44 individual paintings, received framed and mounted in four rows of eleven paintings, each row attached together with two string loops; oranges, flesh tone, blue, yellow, black, brown, green and grey; various religious scenes--see Components for descriptions of each leaf — Album leaf, late 17th century
Unknown

Not on View

Vessel in the Shape of a Buffalo with cylindrical body, small downward-pointing tail and small ears and horns; cylindrical vessel mouth on top of buffalo's back; body of buffalo decorated with incised geometric shapes — Ceremonial vessel in the form of a Water Buffalo, 1000-300 BCE
Unknown

G213

flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob — "Burst bag" Freshwater Jar, late 16th - early 17th century
Japan

G224

Embroidered scene of the Golden Pavilion on one side and scene of Mount Fuji painted on silk on the other, black lacquer frame — The Golden Pavilion in Kyoto, early 20th century
Japan

G239

Mallangan, wood and pigments — Malagan Pole, c. 1910
Unknown

G256

Gope board, Unknown — Gope board, 18th century
Unknown

Not on View

Ear Hangers coins, amber, and shells, green and yellow enamel — Ear pendants (tiboukaria), 1880-1900
Unknown Amazigh (Berber) or Jewish

G254

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

standing female figure with proper left arm bent, hand at side; flat mask like face, adorned by earrings and necklace; ridged dress extends to floor covering legs and feet — Haniwa of a Female Shrine Attendant, 6th century
Unknown Japanese

G205

squared form, with high walls; small ring foot; milky translucent glaze; stylized depictions of bridges and water, in brown — Serving dish with bridge and water, 17th century
Unknown Japanese

G225

flat, wide, outward-flaring rim; protruding triangular band around thick neck; shallow grooved line drawn into edge of rim; two black spots on body, one on rim; tan patina; small flat foot — Wide-Mouthed Jar, 1st century BCE- 1st century CE
Unknown Japanese

G205

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs — Kakebotoke, 14th century
Unknown Japanese

G220

standing wooden figure with flame like hair, and fierce expression wearing warrior clothing; wide stance with PR hand clenched in fist toward chest; PL hand clenched in fist with index finger pointing outward; base with carved and painted waves — Makora, one of the Twelve Divine Generals, early 14th century
Unknown Japanese

G220

rounded form with flat, concave underside; wooden body with wooden stopper attached to leather thong tied to leather strap around neck, with additional wide leather cord with knot at one end, attached to strap around neck; shoulder decorated with carved zigzag basket weave-like design, with similar design around outer edge of top of outward-flaring neck; flat, wide mouth rim; small top opening; top of stopper decorated with carved vertical ribs and zigzag lines; plant fibers on bottom; medium wood tones — Bottle with stopper, first half of 20th century
Unknown Somali

G254

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck — Helmet in dragonfly shape, 17th century
Unknown Japanese

G219

vest-like garment; green wool; horizontal tab with button closure on chest; black frogs with white button holds down vertical front flaps at upper chest; front flaps are metallic gold and tan brocade; yellow wool elements on shoulders embellished with blue crisscross stitching; white wool applique on upper back of three leaves inside a circle; off-white lining fabric woven with white-on-white diamond patterns — Campaign vest (jinbaori), 19th century
Unknown Japanese

G219

vest-like garment; body made thickly-twisted rust colored paper fibers; front vertical flaps and lining of printed fabric--green printed with orange butterflies and foliage; yellow wool shoulder decorations embellished with light blue crisscrosses; medallion on upper back of white wool in the form of a bird with outstretched wings — Campaign vest (jinbaori), 19th century
Unknown Japanese

G219

a: round iron vessel with semi-circular handles hanging on each side; bird in open circle below one handle and standing creature with shovel (?) in open circle below other handle; openings cut out in organic shaped designs on body; L-shaped hooks attached to each side to hold open doors; wing-shaped doors below that lift upwards, attached with two hinges; incised decoration on each door; solid bottom inside that is raised from very bottom with openwork around base in oval forms with points at top of each; b: brass insert with wing-shaped opening on each side; c, d: open brass handles — Hanging lantern, 8th century
Unknown Japanese

G220

standing Jizo in 3/4 view, holds transluscent ball in left hand, staff in right and each foot on lotus leave base which are on a cloud; rays emanate from head, first immediately around head encircled, then more extensions in back; Jizo is elaborately clad in garment decorated with kirikane in motifs of the various layers of clothing — Welcoming Descent of Jizō Bodhisattva, first half 14th century
Unknown Japanese

G220

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand — Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century
Unknown Japanese

G219

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles — Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century
Unknown Japanese

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Unknown Japanese

G220

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Unknown Japanese

Not on View

black lacquer table; scalloped cutouts on sides between base and rim; curved, scrolling, upturned feet — Black altar table, 15th-16th century
Unknown Japanese

G221

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Unknown Japanese

G220

10 panel screen with mounted colorful images of children playing in gardens, climbing trees, swimming, playing games — One Hundred Children at Play, late 19th century
Unknown Korean

G206

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

red figure with wavy, curling gold hair and a golden crown of flaming jewels; rests chin in PL hand; PL elbow propped on top of a staff he is leaning on; PR toes curled up; standing on rocky platform — Seitaka Dōji, 14th century
Unknown Japanese

G220

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Unknown Japanese

Not on View

unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting — Okuni Kabuki, first quarter 17th century
Unknown Japanese

Not on View

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center — Plate with grapevines, trellis, and geometric design, late 16th century
Unknown Japanese

G225

standing figure with a conical hat with ear flaps, long skirt and cloak draped over the left shoulder; figure is standing on rock formation with palms up and crossed at the wrist across the chest; base — Zaō Gongen, Manifestation of Mount Kinpu, 12th century
Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back — Shinto Goddess, 12th-13th century
Unknown Japanese

G220

white gourd-shaped flask with grapevine design painted in underglaze iron oxide — Gourd-shaped flask with grapevines, early 17th century
Unknown Japanese

G221

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position — Shinto God, 12th-13th century
Unknown Japanese

G220

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer — Incense burner with Chinese lions, 16th century
Unknown Japanese

G220

tall vessel with graceful widening near top; fluted into six sections; short, thin neck with high mouth; two concentric inscribed circles below neck; horizontal inscribed markings around center — Lobed maebyeong, 13th century
Unknown Korean

G206

stoneware jar with brownish ash glaze evenly distributed, mostly on the upper shoulder; wide, low shape with wide mouth and short, straight lip; foot pierced in five places with small rectangular openings; five band design around upper shoulder with alternating motifs of concentric circles and triangles with cross-hatching; bands separated by incised lines — Small Jar with Perforated Foot and Stamped and Incised Designs, late 6th - early 7th century
Unknown Korean

G206

pitcher shaped like a melon; short, curved spout; handle rises above spout height at top; small cover with tiny loop on top, resembling a melon vine — Ewer in the shape of a melon, first half 12th century
Unknown Korean

G206

small, light gray-blue lidded container with inlaid design of stylized chrysanthemums and dark, arabesque stems; organic design around outer border — Covered box with chrysanthemums, 13th century
Unknown Korean

G206

black stoneware decorated with close, thin vertical incised lines around body; squat shape with flat shoulder, short neck, flat, flared mouth — Oil bottle, 9th century
Unknown Korean

G206

white bottle with looping floral decoration on body; incised lines around base of neck and body; narrow neck, wide body, narrow foot slightly flaring mouth — Bottle with floral design, late 15th century
Unknown Korean

G206

People of Many Nations, 1649

Unknown Japanese

Not on View

Mishima Bowl; all-over comb motif with five flowers in interior and band of flowers circling sides; pottery with grey glaze, stoneware — Bowl with Stamped Comb Design and Flowers, 15th century
Unknown Korean

G206

gilt-bronze Buddha; one hands holds holy water bottle, other is damaged; meant to be seen from front, back has three open rectangles (gilt chipped at lower half) — Standing Buddha, 8th century
Unknown Korean

G206

(One of a) Pair of War Stirrups, iron with silver inlay. Inscribed with maker's name. Kuniyuki, maker, sho worked in Knangawa. Wisteria and wave design in silver inlay. — (War Stirrup, one of a pair), 17th century
Unknown Japanese

G219

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