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Portrait Sculpture of Priest Gyƍki, early 17th century

Unknown Japanese

G220

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome.

Vajra Warrior (one of a pair), mid 14th century

Unknown Japanese

G205

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller.

Daiitoku Myƍƍ, the Wisdom King of Awe-Inspiring Power, second half 13th century

Unknown Japanese

G220

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina

Figurine of a Female, 1000-800 BCE

Unknown Japanese

G205

Amida, the Buddha of Infinite Light, 12th century

Unknown Japanese

G200

Shinto priest's robe (kariginu), 19th century

Unknown Japanese

G220

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst

Set of leaf-shaped food dishes (mukƍzuke), 1660’s

Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst

Set of leaf-shaped food dishes (mukƍzuke), 1660’s

Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst

Set of leaf-shaped food dishes (mukƍzuke), 1660’s

Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst

Set of leaf-shaped food dishes (mukƍzuke), 1660’s

Unknown Japanese

G225

leaf shaped dish; pale green with brown rim; inside of dish dark green starburst bottom center; curved dark green shape left of starburst; curved dark blue shape above starburst

Set of leaf-shaped food dishes (mukƍzuke), 1660’s

Unknown Japanese

G225

standing female figure with proper left arm bent, hand at side; flat mask like face, adorned by earrings and necklace; ridged dress extends to floor covering legs and feet

Haniwa of a Female Shrine Attendant, 6th century

Unknown Japanese

G205

large jar with dark brown dripping over glaze and large rocky inclusions; wide shoulder, short neck, rolled lip; gnarled texture

Storage jar, 15th century

Unknown Japanese

G222

Wheel of the Law, Buddhist (shingon sect.) gilded bronze

Chakra, 13th century

Unknown Japanese

G220

Sake pot, gold lacquer, with hinged semi-circular handle, and three short circular, tapering legs. Silver finial on cover. Decoration consists of gold vines, peonies, and arms of Tokugawa family (three asarum leaves within a circle) on bronze ground. Silver lacquer inside.

Ewer (katakuchi), 17th century

Unknown Japanese

G221

Bronze bell (Dotaku); Dotaku- Bronze Bell with so-called 'crossing bands' (in Japanese Kesadasuki) decoration. Fine natural green patina; no repairs, in excellent condition. Excavated at Chiwa-Yama, Yashu-gun, Ohmi Province (now Shiga Prefecture) in the 14th year of Meiji, or 1881 A.D. This was on the 14 bells found, the largest of which is now in the Tokyo national Museum. with a box authentication of Professor Sueji Umehara. Modern wooden storage box has authentication by Professor Umchara.

Ritual Bell (Dƍtaku), 1st century BCE-1st century CE

Unknown Japanese

G205

handled tray with short sides; light grey glaze with blue, green and gold leaves, vines and gourds; cutout gourd shapes

Tobacco tray, 18th century

Unknown Japanese

G225

squared form, with high walls; small ring foot; milky translucent glaze; stylized depictions of bridges and water, in brown

Serving dish with bridge and water, 17th century

Unknown Japanese

G225

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs

Kakebotoke, 14th century

Unknown Japanese

G220

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck

Helmet in dragonfly shape, 17th century

Unknown Japanese

G219

octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles

Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century

Unknown Japanese

G220

figurine of a boy riding side saddle on a water buffalo; boy is holding a shield with a swirl pattern in PR hand while holding PL hand up to his own ear; water buffalo holds its head slightly down in walking pose

Incense burner in the shape of a Chinese boy on a water buffalo, 19th century

Unknown Japanese

G225

a: round iron vessel with semi-circular handles hanging on each side; bird in open circle below one handle and standing creature with shovel (?) in open circle below other handle; openings cut out in organic shaped designs on body; L-shaped hooks attached to each side to hold open doors; wing-shaped doors below that lift upwards, attached with two hinges; incised decoration on each door; solid bottom inside that is raised from very bottom with openwork around base in oval forms with points at top of each; b: brass insert with wing-shaped opening on each side; c, d: open brass handles

Hanging lantern, 8th century

Unknown Japanese

G220

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

black lacquered box with gold and silver butterflies; double flute case in black lacquer with gold and silver clouds and dragon design on bottom; bamboo flute inside with dark ribbing; smaller flute with red ribbing and details, both stored in double case; single bamboo flute case in plain wood with gold inscription on one side; also comes with two documents in handscroll form depicting the flute's history; document dated 1774

Noh Flutes named “Winter Wind” (Kogarashi) with Box and Case, mid 18th century

Unknown Japanese

G219

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue

Sake bottle with paulownia, 17th century

Unknown Japanese

G221

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

irregularly shaped tan jar with bulbous, wasp-nest shaped base, long neck, wide mouth; flecked, dripping brown overglaze, mostly on one side; comes with rattan ring

Recumbent vessel with long neck, 7th century

Unknown Japanese

G205

Hanging scroll

Landscape, 18th century

Unknown Japanese

Not on View
unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right

Whose Sleeves?, early 17th century

Unknown Japanese

Not on View
unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting

Okuni Kabuki, first quarter 17th century

Unknown Japanese

Not on View
picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle

Picnic set with plants from the four seasons, 18th century

Unknown Japanese

Not on View
unsigned

Taima Mandala, early 14th century

Unknown Japanese

Not on View
unsigned; white deer wearing bells and an ornate saddle with a wisteria vine growing from it; golden circle within wisteria with three figures sitting cross-legged, and sitting with hands folded in front of chest, clasping small tablets, four of the figures are in white, and center figure is in red; mountains at top with colorful mounds, water below, and golden moon near top

Deer Mandala of the Kasuga Shrine, first half 15th century

Unknown Japanese

Not on View
seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base

Amida, the Buddha of Infinite Light, early 12th century

Unknown Japanese

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow

Bonten, the Creator, late 10th century

Unknown Japanese

G220

Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments

Hachiman in the Guise of a Buddhist Monk, 12th century

Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back

Shinto Goddess, 12th-13th century

Unknown Japanese

G220

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position

Shinto God, 12th-13th century

Unknown Japanese

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom

Jar with flared mouth, 5th century

Unknown Japanese

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze

Jar, 3rd-7th century

Unknown Japanese

G205

red-brown jar with mottled ochre colored glaze around shoulder and down one side; four bow-like decorations around shoulder; short, vertical neck

Tea leaf storage jar, late 16th century

Unknown Japanese

G224

unsigned; lines of inscription written in silver against indigo blue paper; colorful brown and light green singe marks and tears along bottom

Fragment from Volume 53 of the Flower Garland Sutra, one of the “Burnt Sutra Fragments”, c. 744

Unknown Japanese

G103

toiletry set with box, three combs of varying fineness of teeth; small chalice with pine and floral design; and other small containers, all flecked gold with pine tree and floral designs; mirror stand; box decorated with pine trees, carriages, boats, and silver clouds; tray decorated with pine tree

Accessories box with scenes from The Tale of Genji, 17th-18th century

Unknown Japanese

G103

coverlet in the shape of a kimono; indigo field decorated with cranes and pines and a large crest or medallion on the top of the back

Padded comforter with sleeves (kaimaki) decorated with crest and origami cranes, early 20th century

Unknown Japanese

G223

unsigned; many different scenes from Genji, separated by trees, rivers, and silver clouds; from R: men and women in a building with verandah, with a man sitting on the verandah alone looking in with a flower in hand; group of women and performers wearing wings at LR; near center, men seated behind low black table holding meting; men and women outside; at L, people in a boat, and others inside building near screens painted with bamboo motif

Scenes from the Tale of Genji on Silver Ground [right of a pair], 18th century

Unknown Japanese

G219

unsigned; many different scenes with people sitting in small groups inside of buildings, on verandahs, or standing near trees outside; scenes separated by silver clouds: people sitting on and inside a building doing calligraphy; woman inside room looking at a river; men and women outside near trees; scholars seated near rocks; men near a carriage pulled by a black ox, etc.

Scenes from the Tale of Genji on Silver Ground [left of a pair], 18th century

Unknown Japanese

G219

standing male figure with stringy moustache, and long flowing black hair; lotus blossoms and flames around halo; draping colorful skirts; bare chested with draping sashes

Nitten æ—„ć€© (The Sun God), c. 1450

Unknown Japanese

G220

images interspersed with inscriptions of people in different dress standing near trees, or near exotic animals; some grotesque figures

Inhabitants of Fourteen Foreign Lands, 18th century

Unknown Japanese

G103

seated noble male figure at bottom, looking thoughtfully towards R, with PL hand held to chin; black hat; inscription at ULQ against white, pink, and gold background

Minamoto Toshiyori, 17th century

Unknown Japanese

G103

string-bound manuscript with light brown cover; contains images of Western material culture with description written in English and translated into Japanese; details regarding objects and/or customs written in Japanese; opens with counters in numerals and Japanese; contains descriptions of food, games, and other ephemera such as lamps, furniture, architectural features, and tools; also contains lengthy descriptions in Japanese of foreign customs and methods of entertainment, farming etc.

Draft of New Guide to the Ways of the West (TsĆ«zoku nichijƍ Seiyƍ shohƍ shinsho sƍkƍ), c. 1870s

Unknown Japanese

G103

album containing brightly painted images of men and women meeting indoors, and on a boat; pages of cursive text; navy blue cover with title label on paper decorated with gold

The Tale of Hachikazuki, vol. 1, late 17th century

Unknown Japanese

G103

tiny book with image on each page with text; mostly images of a balding man with stacks of books, traveling with a pack on back, and handing out books; a few images of man working, and of a woman working

Illustrated Book of Vendors, Date Unknown

Unknown Japanese

G103

unsigned

Whose Sleeves? [right of a pair], early 17th century

Unknown Japanese

Not on View
unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind

Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View

Parinirvana of Sakyamuni, the Historical Buddha, 14th century

Unknown Japanese

Not on View

Welcoming Descent of the Amida Buddha Triad, 13th century

Unknown Japanese

Not on View
flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob

"Burst bag" Freshwater Jar, late 16th - early 17th century

Unknown Japanese

G224

Misshaku Kongo, standing figure with one arm raised, mouth open. Note Nio means Benevolent Kings. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome

Vajra Warrior (one of a pair), mid 14th century

Unknown Japanese

G205

Gesso, color, kirikane on wood, metal

Jizƍ, the Bodhisattva of the Earth Matrix, early 13th century

Unknown Japanese

Not on View
One of two jars Japan’s first ceramic culture, the Jƍmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jƍmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jƍmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay.

Deep Bowl with Four Projections, 2500-1500 BCE

Unknown Japanese

G205

white gourd-shaped flask with grapevine design painted in underglaze iron oxide

Gourd-shaped flask with grapevines, early 17th century

Unknown Japanese

G221

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center

Plate with grapevines, trellis, and geometric design, late 16th century

Unknown Japanese

G225

flat, wide, outward-flaring rim; protruding triangular band around thick neck; shallow grooved line drawn into edge of rim; two black spots on body, one on rim; tan patina; small flat foot

Wide-Mouthed Jar, 1st century BCE- 1st century CE

Unknown Japanese

G205

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom

Ash container with three birds, late 16th century

Unknown Japanese

G225

drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels

Large hand-drum core with grapevines and squirrels, late 16th century

Unknown Japanese

Not on View
lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside

Writing box with pines, plum, chrysanthemums, and paulownia, 16th century

Unknown Japanese

Not on View
cylindrical container with lid; concentric inscribed orbital lines around cylinder; scalloped bottom edge with elegant feet; three-tiered cover with concentric inscribed rings; spire at top with four disks and budlike finial on top

Cylindrical Sutra Container, first half 12th century

Unknown Japanese

G220

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand

Helmet with ornament bearing seed syllable for Fudƍ Myƍƍ, 17th century

Unknown Japanese

G219

short, squat incense burner on three legs; three separate parts; domed cover with bud-shaped nib; floral stamped and etched patterns on lid

Incense burner, 13th century

Unknown Japanese

G220

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif

Five-pronged vajra, late 14th century

Unknown Japanese

G220

unembellished cup with lid and saucer; small finial on top of lid

Container for rubbing incense, 14th century

Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer

Incense burner with Chinese lions, 16th century

Unknown Japanese

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites

Ritual bell with handle in the shape of the vajra, 18th century

Unknown Japanese

G220

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

sword set: metal blade with snake decoration and 3 peg holes in tang that has also a gold lacquer signature; signed tsuba with soft metalwork decoration of dragon amidst waves; grip is wrapped, dragon head on tip, 2 silver menuki in form of a tiger on one side and a lion on the other; lacquer scabbard with horimono (metal decoration) at end in form of dragon wrapped around sword, gold and silver mounts; fabric tie

Blade with engraved snake for a long-sword (koto-katana) and mounting with dragon decoration, 16th century

Unknown Japanese; Artist: Tsuba by ƌmori Terumasa

G219

Aizen Myƍƍ, The Wisdom King of Passion, 16th century

Unknown Japanese

Not on View
Scowling man holding a staff with a horseshoe shape at the end, touching a small tan box

Yanone Gorƍ, late 19th century

Unknown Japanese

Not on View
g) 7th month: Tanabata Festival h) 8th month: Moon Viewing for a Boat i) 9th month: Cho_yo_ Festival j) 10th month: Maple Viewing Party k) 11th month: Ohitaki Festival l) 12th month: Preparing for the New Year

Activities of the Twelve Months, part 2 [of a pair], late 17th - early 18th century

Unknown Japanese

Not on View
eighteen piece sake, porcelain in peony pattern, underglaze blue with overglaze enamels; see following card for list of objects

Sake set, 20th century

Unknown Japanese

Not on View

Fujimura Handayƫ II in a Dance Scene, 1720s

Unknown Japanese

Not on View
Karaori (Outer Noh robe), brocade of grape vines with autumn grasses and gold bamboo lattice motif on blue-grey twill weave silk. The design is not created through embroidery as it appears to be, but with the Karaori brocade technique of floating the weft threads of glossed silk to create the various floral and lattice patterns. This allowed for only a few centimeters of fabric to be woven per day, making such robes extremely rare and expensive works of art. This garment has been used in only a few recorded performances since its manufacture accounting for its exceptionally fine condition.

Outer Noh robe of grape vines with autumn grasses, early 19th century

Unknown Japanese

Not on View
gold leaf on obi and outer robe

Portrait of Ono no Tsu_, c. 1660-1670

Unknown Japanese

Not on View
Woman wearing hat standing in twisted pose, looking over her shoulder; red and grey foliage behind; Matted

Wisteria Maiden, late 19th century

Unknown Japanese

Not on View
Single female figure dancing. She wears a colorful kimono with a design of colorful fabrics in red, black, gold, and light blue. She holds a gold and red folding fan in her right hand, while her left hand is raised.

Dancer with Fan, mid 17th century

Unknown Japanese

Not on View
eighteen piece sake, porcelain in peony pattern, underglaze blue with overglaze enamels

Sake set, 20th century

Unknown Japanese

Not on View
Juni-ten: The Twelve Celestial Beings, set of 12 kakemono

Taishakuten [one of a set of Twelve Devas], 14th-15th century

Unknown Japanese

Not on View

Prostitute with Attendants on Parade, c. 1695

Unknown Japanese

Not on View
Side Panel to chair received from vendor after accessioning has been placed with the chair - conservation?

High-back Side Chair, late 19th century

Unknown Japanese

Not on View

Shinozuka Shigehiro, Govener of Iga Province, 1720s

Unknown Japanese

Not on View
Striding figure holding a bird with his PL hand and looking back over his PR shoulder

Falconer, late 19th century

Unknown Japanese

Not on View
Seated horned demon with wild black hair and toothy grin holding a tan and black ball in his lap; parcel in PL hand and tube-shaped parcel on his back

Demon Reciting Buddhist Prayers, late 19th century

Unknown Japanese

Not on View
dish, porcelain, Kutani, green, dragons in center, six panels with Oriental motifs

Bowl, 18th-19th century

Unknown Japanese

Not on View

Girl's Day Dolls, 1886-1912

Unknown Japanese

Not on View
Grey-skinned man dressed in grey and white garment with red-orange vest holding a barrel-shaped black and white object above his head

Benkei with Temple Bell, late 19th century

Unknown Japanese

Not on View
three rectangular panels carved with organic design moving between each panel; holes drilled through at important points with channels connecting each at back; six double bands at front

Clamp-resist Dyeing Boards, 19th century

Unknown Japanese

Not on View

Fighting Bulls, c. 1700

Unknown Japanese

Not on View

Standing Prostitute with Shamisen at Her Feet, first half 18th century

Unknown Japanese

Not on View

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