showing 47 results matching artist:"Todd Norsten"

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abstract image; creamy ground with tan teardrop-like, horizontal shapes, appearing to receed into background in pairs; larger shapes have blue centers

%C2%A9 Todd Norsten

Descent/Ascent, 1994

Todd Norsten

Not on View
red ovoid shape with black serpentine line on top of it; red, grey and green smudged ground

%C2%A9 Todd Norsten

Untitled, 1993

Todd Norsten

Not on View
Intaglio with white gampi chine collé printed in light green from one steel faced copper plate made by the artist using the spit-bite technique.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lithograph and screenprint in 16 layers on the backside of the paper with irregular edges cut using a template creating a tromp-l'oeil depiction of the words "Something Real Authentic True" in transparent Scotch brand tape dirtied with dust and fingerprints. Printing order: Run 1: Drawing using dust, hair, and fibers to create a positive lithographic plate printed in dark gray. Run 2: Drawing using the artist's fingerprints in ink to create a positive lithographic plate printed in brown and gray using the split fountain technique. Runs 3-8: Drawing made with Rubylith brand tape to create vertical letter strokes on a screen and printed 6 times to build physical thickness in very transparent yellowish green gloss screen printing ink. Runs 9-14: Drawing made with Rubylith brand tape to create horizontal and diagonal letter strokes on a screen and printed 6 times to build physical thickness in very transparent yellowish green gloss screenprinting ink.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Something Real Authentic True, 2011

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint printed in 16 layers: 12 layers of white ink, 2 layers of tan ink, 2 layers of gloss overprint varnish. Edges of print hand-cut and distressed by the artist from a template, including pinholes in upper right and upper left of print.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Endless, Ceaseless, Boundless Joy, 2009

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Seven-run screenprint on 2-ply museum board intended to look like a campaign poster commercially printed on poster board, printed with some edge bleeding if possible per the artist. Runs 1 through 6: clear gloss overprint screen ink flat bleed printed. Run 7: Kelly green screen ink printed through a stencil from the artist's drawing.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

JFK in "64", 2011

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Relief print from rubber stamps using oil based inks collaged with wheat starch onto a monotyped background using oil based inks.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

The Wages of Sin, 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint and lithograph printed with multiple screen runs to produce a trompe l'oeil effect of the words "Endless, Ceaseless, Boundless Joy" appearing to be written in masking tape overlapping each other on a scuffed and dirty sheet of paper with irregular edges and three trompe l'oeil pieces of yellowed Scotch brand tape on the top edge. The top and bottom edges were cut using an irregularly shaped template designed by the artist. Run 1: Lithographic drawing of scuffs and dust in medium gray ink Runs 2-6: Masking tape screen stencil #1 in opaque white Runs 7-11: Masking tape screen stencil #2 in opaque white Runs 12-16: Masking tape screen stencil #3 in opaque white Run 17: Masking tape screen stencil #1 in transparent tan Run 18: Masking tape screen #2 in transparent tan Run 19: Masking tape screen #3 in transparent tan Run 20: Scotch tape screen stencil #1 in transparent greenish yellow Run 21: Scotch tape screen stencil #2 in very transparent greenish yellow Runs 22-28: Scotch tape screen stencil #2 in gloss overprint varnish The top and bottom edges were cut using an irregularly shaped template designed by the artist.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Wayland, 2013

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio with gampi chine collé printed from one copper plate made by the artist using the spit-bite technique.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio printed in dark brown and brownish orange from two copper plates made by the artist using the spit-bite technique.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Multiple monotyped elements using oil based inks collaged with wheat starch onto a monotyped background using oil based inks.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled (Targets #2), 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio with white gampi chine collé printed in purple-black from a copper plate made by the artist using the spit-bite technique.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint and lithograph printed to resemble the words Ceaseless, Endless, Timeless, Boundless spelled out in 1 1/2 inch wide blue painter's tape on a sheet of stained and scuffed paper.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Ceaseless, Endless, Timeless, Boundless, 2010

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lithograph printed in two white plates, one black plate, and one red plate. Graphite pencil-line hand-drawn by artist.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

The Trouble With Romance, 2009

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio with white sekishu chine collé printed from two copper plates made by the artist using line etching and spit-bite techniques. The line etching is printed on the front in black and the spit-bite on the verso in green.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio with white gampi chine collé printed in black from a copper plate made by the artist using the spit-bite technique.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio with natural gampi chine collé printed in burnt orange from one copper plate made by the artist using line etching. The line etching is printed on the collé paper twice overlapping and rotated 180 degrees between printings.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio printed from three steel faced plates made by the artist using the spit-bite technique. Two plates were printed in yellow and one in orange with existing scratches and plate tone as directed by the artist.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio and natural gampi chine collé printed in three colors of red and burnt red from three copper plates made by the artist using an engraving burin and the spit-bite technique.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Monotype using oil based inks.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Uncle Sam #1, 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Monotype, relief printing, and collage using oil-based inks. Cream-colored paper with six white strips of tape adhered forming five horizontal sections; large block uppercase letters printed on plastic tabs in yellow and red ink, reading "THE END IS AT HAND AGAIN"; two columns on right and left edges lined with six stars in black ink, printed on plastic tabs.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

The End, 2016

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Untitled, 1995

Todd Norsten

Not on View

Untitled, 1995

Todd Norsten

Not on View

Untitled, 1995

Todd Norsten

Not on View

Untitled (Spirals), 1997

Todd Norsten

Not on View

Untitled (Spiral), 1997

Todd Norsten

Not on View

Untitled (Ellipses), 1997

Todd Norsten

Not on View

Untitled (Vortex), 1997

Todd Norsten

Not on View

Fingerprint drawn positive, 2011

Todd Norsten

Not on View

Polyester litho plate matrix for dirt on CETB, 2010

Todd Norsten

Not on View

Original drawn positive for aged tape, 2013

Todd Norsten

Not on View

Cut/Tear Mylar, 2011

Todd Norsten

Not on View

Original Positive #1, 2011

Todd Norsten

Not on View

Package of materials including drawings, & proofs, 21st century

Todd Norsten

Not on View

Dust positive #2, 2011

Todd Norsten

Not on View

Dust positive #1, 2011

Todd Norsten

Not on View

Blue Color Test, 2010

Todd Norsten

Not on View

Proof of Fingerprints #1, 2011

Todd Norsten

Not on View

Lineup proof, 2013

Todd Norsten

Not on View

You Art Fuckers, 2009

Todd Norsten

Not on View

Original Positive #2, 2011

Todd Norsten

Not on View

Dust mask, 2011

Todd Norsten

Not on View

Dirt original drawing for CETB, 2010

Todd Norsten

Not on View

Proof of Fingerprints #2, 2011

Todd Norsten

Not on View

Proof on BFK, 2011

Todd Norsten

Not on View

Aged tape test, 2013

Todd Norsten

Not on View

Masking Color Test, 2013

Todd Norsten

Not on View

showing 47 results matching artist:"Todd Norsten"

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