showing 38 results matching artist:"Thomson"

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%C2%A9 Estate of George V. Thomson

East Wind, c. 1934

George V. Thomson

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Illustration for Puck Magazine, 1909

Rodney Thomson

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%C2%A9 J. Barry Thomson

Granite Quarry, Barre, Vermont, 1982

J. Barry Thomson

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The London Boardmen, c. 1877

John Thomson

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%C2%A9 Estate of George V. Thomson

Gas Works, c. 1932

George V. Thomson

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%C2%A9 Estate of George V. Thomson

Grain Elevator, c. 1938

George V. Thomson

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The artist tossed US currency pennies of random numbers and years creating patterns to be blind embossed into copper foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil copper foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities filled with Durham's Rock Hard Water Putty, and the foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of change will vary depending on their environment.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Pocket Universe (Copper) #23, 2016

Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

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The artist tossed US currency half dollars, quarters, and dimes of random numbers and years creating patterns to be blind embossed into aluminum foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil aluminum foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities painted with shellac, and filled with Durham's Rock Hard Water Putty. The foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of changes will vary depending on their environment.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Pocket Universe (Silver) #21, 2016

Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

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Plate 29, page 256, 1822

Thomson

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Screenprint based on the cover of "The Forest" from the "Nature Library" series published by TIME-LIFE BOOKS. The book cover was scanned, manipulated by the artist removing the original 'knocked-out' text and red text box, separated and printed in C/M/Y/K, and a clear satin was printed over the image. The text box was recreated and printed in red. The text was recreated in a font style similar to the original and printed in white ink.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

The Forest, 2015

Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Screenprint depicting 14 book spines based on the "Human Behavior" series published by TIME-LIFE BOOKS with gold foil text. The original book spines were scanned, manipulated by the artist removing the text, separated and printed in C/M/Y/K. The text was recreated in a similar font eliminating the original's texture and screenprinted using acrylic adhesive onto which gold hot stamping foil was applied.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Human Behavior, 2015

Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Book used during proofing for color adjustment, 2015

Mungo Thomson

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Reference image printout showing spine texture, 2015

Mungo Thomson

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Quarter head embossment #1, 2016

Mungo Thomson

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Reference image printout showing color adjustment and cleaned edges, 2015

Mungo Thomson

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Mock-up printout showing equal sheet sizes, 2015

Mungo Thomson

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Reference image printout prior to color adjustment or any cleaning, 2015

Mungo Thomson

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Proof, 1/2 size with gold foil lettering, 2015

Mungo Thomson

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Embossment tests 5 - 7 with notes, 2016

Mungo Thomson

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Embossment tests 1 - 4 with notes and coins used for test, 2016

Mungo Thomson

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Quarter head embossment #3, 2016

Mungo Thomson

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1956 penny embossment, 2016

Mungo Thomson

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Quarter head embossment #2, 2016

Mungo Thomson

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Coin embossing test on white paper, 2016

Mungo Thomson

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1979 nickel head embossment, 2016

Mungo Thomson

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Mock-up printout showing float mounting, 2015

Mungo Thomson

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1990 nickel head embossment, 2016

Mungo Thomson

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Quarter tail embossment, 2016

Mungo Thomson

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Proof, 1/2 size with silver foil lettering, 2015

Mungo Thomson

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Coin embossing/printing test on tan paper, 2016

Mungo Thomson

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Proof, corner section with different foils and textured lettering, 2015

Mungo Thomson

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Typeface samples and Post-it note with artist's notes, 2015

Mungo Thomson

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Coin embossing/printing test on black paper, 2016

Mungo Thomson

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Proof, corner section with red tests, 2015

Mungo Thomson

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Portrait of Diepenbeck, 1826

Seipse; Engraver: Peter Thomson; Publisher: John Major

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Prince Rupert, 19th century

James Thomson; Artist: after Anthony van Dyck

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The Cricket on the Hearth, 1933

Hugh Thomson; Author: Charles Dickens; Publisher: The Limited Editions Club; Printer: Moira and Robert Gibbings , (text); Printer: Oxford University Press, Oxford, England , (prints)

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Divan e Shams, 1996

Jalaluddin Mohammad Rumi; Translator: Zahra Partovi; Artist: Joan Busing; Artist: Sandy Gellis; Artist: Elizabeth Harrington; Artist: Bernard Kirschenbaum; Artist: Ted Kurahara; Artist: James Nares; Artist: Dorothea Rockburne; Artist: Betye Saar; Artist: Annette Senneby; Artist: Michelle Stuart; Artist: Peter Thomson; Artist: Judith Turner; Artist: Marjorie VanDyke; Artist: Joan Vennum; Artist: Susan Weil; Publisher: Vincent FitzGerald & Company, New York

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