abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color — Besides as Before, 1989
Steven Sorman

Not on View

Diptych — What’s This, What’s That I, 1982
Steven Sorman

Not on View

Lewis and Clark, Steven Sorman — Lewis and Clark, 1978
Steven Sorman

Not on View

Rax (Fault), Steven Sorman — Rax (Fault), 1980
Steven Sorman

Not on View

irregular shape-long horizontal sheet with two small rectangular sheets extending downward; primarily red and white on R side, blue and white on L side; three images of hands at center over a simple house shape-black and grey — Meeting House, 1981
Steven Sorman

Not on View

Not in Any Given Place, Steven Sorman — Not in Any Given Place, 1978
Steven Sorman

Not on View

In No Given Place, Steven Sorman — In No Given Place, 1978
Steven Sorman

Not on View

The Letter to Matisse, Steven Sorman — The Letter to Matisse, 1978
Steven Sorman

Not on View

The Letter From Matisse, Steven Sorman — The Letter From Matisse, 1982
Steven Sorman

Not on View

Triptych — Spaces between Words / A Deaf Man Sees, 1978
Steven Sorman

Not on View

What's This, What's That, Steven Sorman — What's This, What's That, 1980
Steven Sorman

Not on View

Each (Other) - From, Steven Sorman — Each (Other) - From, 1983
Steven Sorman

Not on View

Each (Other) -- By, Steven Sorman — Each (Other) -- By, 1983
Steven Sorman

Not on View

Going Back to Look in the Mirror, Again, Steven Sorman — Going Back to Look in the Mirror, Again, 1982
Steven Sorman

Not on View

The Letter from Matisse, Steven Sorman — The Letter from Matisse, 1982
Steven Sorman

Not on View

Each (Other ) -- To, Steven Sorman — Each (Other ) -- To, 1983
Steven Sorman

Not on View

Each (Other) -- Against, Steven Sorman — Each (Other) -- Against, 1983
Steven Sorman

Not on View

One (no two), Steven Sorman — One (no two), 1981
Steven Sorman

Not on View

Going Back to Look in the Mirror, Again, Steven Sorman — Going Back to Look in the Mirror, Again, 1982
Steven Sorman

Not on View

The Letter from Matisse, Steven Sorman — The Letter from Matisse, 1982
Steven Sorman

Not on View

Each (Other) -- For, Steven Sorman — Each (Other) -- For, 1983
Steven Sorman

Not on View

Apparent Heir, Steven Sorman — Apparent Heir, 1981
Steven Sorman

Not on View

Not in Any Given Place, Steven Sorman — Not in Any Given Place, 1978
Steven Sorman

Not on View

One (no two), Steven Sorman — One (no two), 1981
Steven Sorman

Not on View

Abstraction. *(Not Narcoossee Neither is this Watervliet) — Again: A Meeting House*, 1985
Steven Sorman

Not on View

diptych (a-left image; b- right image) — First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Drawing for first state zinc plate for 'The First Building Project According to What Plan', Steven Sorman — Drawing for first state zinc plate for 'The First Building Project According to What Plan', 1977
Steven Sorman

Not on View

A Picture of Manitou and Bass Fishes, Steven Sorman — A Picture of Manitou and Bass Fishes, 1978
Steven Sorman

Not on View

'Wake Up' Green Bird Said, Steven Sorman — 'Wake Up' Green Bird Said, 1973
Steven Sorman

Not on View

Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Diptych, right image — The First Building Project According to What Plan, 1978
Steven Sorman

Not on View

Letter to Matisse, Steven Sorman — Letter to Matisse, 1978
Steven Sorman

Not on View

From a suite of three prints. — Inside Outside (A Difference in Ages), 1980
Steven Sorman

Not on View

Wide square grid in UL and URQs; large rectangular table with four legs below it (center); three connecting blue stripes below table, in LL and LRQs — The Singing Bridge, 1979
Steven Sorman

Not on View

Spaces between words/a deaf man sees, Steven Sorman — Spaces between words/a deaf man sees, 1978
Steven Sorman

Not on View

Large square grid with juxtaposing green rectangle in LL and LRQs, and square black table in its center; red horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin — The Singing Bridge, 1980
Steven Sorman

Not on View

Large triangle filled in with heavy black brushstrokes; lightly drawn triangle behind it, on R — Spaces between words/a deaf man sees, 1978
Steven Sorman

Not on View

Predominantly blue abstraction with red markings; a house or building with a pitched roof at center — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Tell Me), 1980
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Come In), 1980
Steven Sorman

Not on View

Washy composition of large and small, non-descript shapes and overlapping white lines — Explanation of this, 1978
Steven Sorman

Not on View

Which (A Partial Memory), Steven Sorman — Which (A Partial Memory), 1981
Steven Sorman

Not on View

Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Predominantly black abstraction with red markings; a house or building with a pitched roof at center — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Eat), 1980
Steven Sorman

Not on View

Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Large square grid with juxtaposing red rectangle in LL and LRQs, and square table in its center; gold horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin — The Singing Bridge, 1979
Steven Sorman

Not on View

Diptych / From a suite of three prints. — Going Out and Coming Back in Again (The Argument), 1980
Steven Sorman

Not on View

Washy composition of large and small, non-descript shapes and overlapping white lines — Explanation of this, 1978
Steven Sorman

Not on View

red rectangular ground; two sheets of blue paper glued on top; upper piece is a piece of sheet music painted light blue with yellow and orange design; lower section has abstract floral design in orange, yellow, green and blue on blue background; metallic gold design on top of both pieces and overlapping onto red — oh, i'm (LXVIII), 1999
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has lightly spotted white ground with two spiral-like shapes; bottom sheet has iridescent red ground with white coiling shape and two purple loops — In Step Out of Step I, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has iridescent purple-brown ground with looping shapes and two grey solid coils; bottom sheet has red and blue ground with organic linear shapes in orange and red — In Step Out of Step V, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has lightly spotted rust on white ground with linear organic shapes in rust; bottom sheet has swirled brick red, bright red, olive and tan ground with purple-grey linear loops (light) and thicker grey and white coils of various sizes — In Step Out of Step III, 1997
Steven Sorman

Not on View

irregular, roughly cross-shaped piece; blue area at R with white "glowing" linear design; grey sweeping shapes at L with dark red and blue accent shapes — Which for Wont, 1989
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has swirled ground in orange, yellow and blue with solid grey organic shape; bottom sheet has purple and gold ground with linear organic design in white — In Step Out of Step VIII, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has red ground with gold fingerprints and gold flame-like shapes; bottom sheet has turquoise and black ground with black and white linear coil designs and three solid iridescent bronze curls — In Step Out of Step VII, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has rust, orange and yellow cloudy ground with twisting background shapes, linear grey coil and turquoise linear coil on top; bottom sheet has blue ground with fuzzy gold interior area; looping linear shapes in orange and pale yellow — In Step Out of Step II, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has iridescent gold ground with purple at R and L edges, linear knot-like design in white and solid grey organic knot-like shape; bottom sheet has orange ground with linear white loops and cone-like "cages" and red linear coils — In Step Out of Step VI, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has orange and tan ground with purple linear swirls and white linear geometric and organic design; bottom sheet has purple and lavender ground with pink and red cage-like linear designs and solid pink openwork flame-like form — In Step Out of Step IX, 1997
Steven Sorman

Not on View

two sheets attached together in vertical format; top sheet has green and orange ground with blue, orange and yellow looping shapes in linear format and two grey organic solid shapes; bottom sheet had mottled purple ground with linear looped coils in white and cone-shaped purple linear cage-like design — In Step Out of Step IV, 1997
Steven Sorman

Not on View

tan ground; light brown curl; organic linear design on top — Which for Whom, 2005
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

The Trick to Being Recognized, Steven Sorman — The Trick to Being Recognized, 1980
Steven Sorman

Not on View

Going Back to Look in the Mirror, Steven Sorman — Going Back to Look in the Mirror, 1982
Steven Sorman

Not on View

Span, Steven Sorman — Span, 1978
Steven Sorman

Not on View

stone in black — Games the French Play, 1979
Steven Sorman

Not on View

Diptych, left image — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Which (Necessity), Steven Sorman — Which (Necessity), 1979
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Practice Steps and Real Walking, Steven Sorman — Practice Steps and Real Walking, 1982
Steven Sorman

Not on View

The Explanation of This, Steven Sorman — The Explanation of This, 1979
Steven Sorman

Not on View

Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Sit Down), 1980
Steven Sorman

Not on View

Predominantly blue abstraction with red markings; a small gold arrow on bottom center margin — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Rest), 1980
Steven Sorman

Not on View

Untitled, Steven Sorman — Untitled, 1982
Steven Sorman

Not on View

Spaces between words/a deaf man sees, Steven Sorman — Spaces between words/a deaf man sees, 1978
Steven Sorman

Not on View

Lewis and Clark, Steven Sorman — Lewis and Clark, 1978
Steven Sorman

Not on View

Diptych, left image — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Large square grid partially covered by red rectangle in LL and LRQs; silver horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin; annotations throughout — The Singing Bridge, 1979
Steven Sorman

Not on View

From a suite of three prints — When Something Is a Picture, 1980
Steven Sorman

Not on View

Non-descript composition of washy black shapes and lines — The Letter from Matisse, 1982
Steven Sorman

Not on View

Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Paris, Steven Sorman — Paris, 1982
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Diptych, left image — The First Building Project According to What Plan, 1978
Steven Sorman

Not on View

Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

Not on View

Large square grid partially covered by red rectangle in LL and LRQs; red horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin — The Singing Bridge, 1979
Steven Sorman

Not on View

Diptych, upper image — Which (necessity), 1979
Steven Sorman

Not on View

One (No Two) II, Steven Sorman — One (No Two) II, 1982
Steven Sorman

Not on View

The Singing Bridge, Steven Sorman — The Singing Bridge, 1980
Steven Sorman

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

One (no two), 1981

Steven Sorman

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

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