showing 100 of 167 results matching artist:"Jim Hodges". (load 67 more)

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state proof; abstract composition of varying lines with blank space in ULQ

Proof #1 for "II" from "days" suite, 2021

Jim Hodges

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state proof; abstract composition of varying lines

Proof #5 for "II" from "days" suite, 2021

Jim Hodges

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state proof; abstract composition of varying lines

Proof #3 for "II" from "days" suite, 2021

Jim Hodges

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state proof; abstract composition of varying lines

Proof #2 for "II" from "days" suite, 2021

Jim Hodges

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state proof; abstract composition of varying lines

Proof #4 for "II" from "days" suite, 2021

Jim Hodges

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Spit-bite aquatint, drypoint, and burnshing printed in black ink on gray Rives BFK with white Shikibu #1 chine collé.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: I, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

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Drypoint, burnshing, and cutting with a jewelers saw printed in black ink on white Arches Cover paper.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: II, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

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Two plate intaglio. One plate created with spit-bite printed à la poupée on natural Kaga gampi chine collé in green, gray, and tan inks on bright white Hahnemühle paper. The second plate was created with drypoint and burnshing and printed in black ink.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: III, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

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Spit-bite aquatint printed in blue on pale gray Domestic etching paper with natural gampi chine collé.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: IV, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

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Template to cut collé brown shape, 2015

Jim Hodges

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Small digital color test for green collé, 2016

Jim Hodges

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Sketch for collé brown shape, cutout, 2015

Jim Hodges

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Proof of intaglio key plate at state 1 with hand coloring, 2015

Jim Hodges

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Luan wood grain printed in blue, 2016

Jim Hodges

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Template to position cut shape on blue luan, 2016

Jim Hodges

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Green collé lithographic test, dark green '3', 2016

Jim Hodges

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Sketch #9, 2015

Jim Hodges

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Sketch #6, 2015

Jim Hodges

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Tracing for original cloud shapes, 2015

Jim Hodges

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Proof of cloud collé, screenprinted, 2015

Jim Hodges

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Proof of intaglio key plate at state 8, 2015

Jim Hodges

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Proof of intaglio key plate at state 2, 2015

Jim Hodges

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Proof of intaglio key plate at state 5 with hand coloring, 2015

Jim Hodges

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Original drawn positive for green collé lithographic test, 2016

Jim Hodges

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Intaglio matrix, key plate (bottom left corner), 2015

Jim Hodges

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Proof from stone drawing #2 for green collé, light green, 2016

Jim Hodges

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Proof of intaglio key and drypoint plates, 2016

Jim Hodges

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Sketch #5, cut with foil and brightly colored tape, 2015

Jim Hodges

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Green collé lithographic test, vibrant green, 2016

Jim Hodges

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Misprinted proof used to test color drawdowns and BEVA attached sheets, 2016

Jim Hodges

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Template for placement on BEVA diamonds, 2015

Jim Hodges

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Green collé lithographic test, dark green on vibrant green, 2016

Jim Hodges

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Test relief print from underside of a lithographic stone, cut border, 2015

Jim Hodges

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Proof of intaglio key plate and color plate with collé brown shape, screenprinting on hand-cut over-sheet attached with 10 diamond shapes, 2015

Jim Hodges

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Sketch #4, cut with foil and brightly colored tape, 2015

Jim Hodges

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Sketch #3, cut organic shape with tracing paper and foil, 2015

Jim Hodges

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Sketch for drypoint (bottom), 2016

Jim Hodges

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Green collé lithographic test, light green on dark green, 2016

Jim Hodges

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Printout with color corrections for green collé, adjustment #7 (top right), 2016

Jim Hodges

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Proof of blue collé with intaglio key and drypoint plates and screen areas sketched out, 2016

Jim Hodges

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Original drawing for green collé, 2016

Jim Hodges

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Proof of cloud collé, relief, 2015

Jim Hodges

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Proof of intaglio drypoint plate, 2016

Jim Hodges

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Digital printout of file to cut green collé, 2016

Jim Hodges

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Printout with color corrections for green collé, adjustment #7 (center), 2016

Jim Hodges

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Proof of intaglio key plate at state 1, 2015

Jim Hodges

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Proof of intaglio key plate at state 9, 2015

Jim Hodges

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Template for collé brown shape placement in relation to 'a la poupée' plate and drypoint plate, 2015

Jim Hodges

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Proof from stone drawings #1 and #2 for green collé, 2016

Jim Hodges

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collé brown shape, 2015

Jim Hodges

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Printout for blue screen shapes, 2016

Jim Hodges

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Positive for blue screenprinted shapes, 2016

Jim Hodges

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Green collé lithographic test, dark green, 2016

Jim Hodges

Not on View

Template for collé brown shape placement in relation to 'a la poupée' plate, 2015

Jim Hodges

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Proof of cloud collé, screenprinted, 2015

Jim Hodges

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Original drawing for cloud shapes, 2015

Jim Hodges

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Relief white color test, Dan Smith Titanium White, 2015

Jim Hodges

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Proof from stone drawing #2 for green collé, light green, 2016

Jim Hodges

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Template for cutting diamond shapes, 2015

Jim Hodges

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Template for trimming screenprinted gampi, 2015

Jim Hodges

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Progressive proof #4, blue collé with intaglio key and drypoint plates, and blue screenprinting, 2016

Jim Hodges

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Printing matrix, Woodblock #2, 21st century

Jim Hodges

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Package of materials including proofs, tests, & drawings for Finally, 21st century

Jim Hodges

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Package of materials including templates on mylar for 'ɹǝɯɯnS ɟo', 21st century

Jim Hodges

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Luan blue proof on newsprint, 21st century

Jim Hodges

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Printing matrix, Woodblock #1, 21st century

Jim Hodges

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Proof of intaglio key plate and color plate with collé brown shape, relief on hand-cut loose over-sheet, 2015

Jim Hodges

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Test relief print from wood fencing with brown flat, 2015

Jim Hodges

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Green color drawdowns #1, 2016

Jim Hodges

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Proof of intaglio key plate at state 4 with hand coloring, cutting, and foil, 2015

Jim Hodges

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Green color drawdowns #4, 2016

Jim Hodges

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Proof of intaglio key plate at state 6, 2015

Jim Hodges

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Progressive proof #1, blue collé, 2016

Jim Hodges

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Green collé lithographic test, light green on dark green, 2016

Jim Hodges

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Proof of intaglio key plate with hand coloring, 2016

Jim Hodges

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Green collé lithographic test, dark green 'D' on light Green 'L', 2016

Jim Hodges

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Sketch for green shape, cutout, 2015

Jim Hodges

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Sketch for brown shape, 2015

Jim Hodges

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Template for collé brown shape, 2015

Jim Hodges

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Proof of blue collé with intaglio key and drypoint plates, blue screenprinting, and green lithographic collé, 2016

Jim Hodges

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Blue collé test, printed 'good' with ball bearing baren, 2016

Jim Hodges

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Test relief print from underside of a lithographic stone with foil leaf, 2015

Jim Hodges

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Sketch for blue shape, cutout, 2015

Jim Hodges

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Intaglio matrix, key plate, 2016

Jim Hodges

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Sketch for collé brown shape and 'a la poupée' shapes, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape and cool white lithography attached over-sheet, 2015

Jim Hodges

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Proof of intaglio key plate, 2016

Jim Hodges

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Progressive proof #2, blue collé with intaglio key plate, 2016

Jim Hodges

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Blue collé test, printed 'light' with bamboo baren, 2016

Jim Hodges

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Sketch for gray shape, cutout, 2015

Jim Hodges

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Sketch #2, cut organic shape, 2015

Jim Hodges

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Sketch #8, 2015

Jim Hodges

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Printout with color corrections for green collé, adjustment #7 (center), 2016

Jim Hodges

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Chine collé diamond test, 2015

Jim Hodges

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Relief matrix, blue collé, 2016

Jim Hodges

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Proof of cloud collé, screenprinted and cut, 2015

Jim Hodges

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Green collé lithographic test, dark green on light green, 2016

Jim Hodges

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Proof from stone drawing #1 for green collé, forest green, 2016

Jim Hodges

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Green collé lithographic test, light green on dark green, 2016

Jim Hodges

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Proof of cloud collé, relief, 2015

Jim Hodges

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