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The Fugitives, c. 1868–70

Honoré Daumier

G354

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4

The Fugitives, modeled c. 1850 (casting date unknown)

Honoré Daumier

G354

So you want to meddle with the press!, 1833

Honoré Daumier

Not on View

So this is all we got ourselves killed for!, 1835

Honoré Daumier

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La Cour du Roi Petaud, 1832

Honoré Daumier

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Moderne Galilée. Et pourtant elle marche, 19th century

Honoré Daumier

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Landscape Painter at Work, 1862

Honoré Daumier

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2 prints, 1 sheet

Decret de la commune and Projet Dufaure, Aritrage amiable. (Question des Loyers) from Le Charivari, April 3, 1871

Honoré Daumier

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Le Charenton Ministériel, 1832

Honoré Daumier

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La Tentation du Nouveau Saint Antoine (Le Dr. Veron), October 24, 1849

Honoré Daumier

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Un quart d'heure apres sa mort il etait encore en vie (Actualités), from Le Charivari, 1866

Honoré Daumier

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Le Charenton Ministériel, 1832

Honoré Daumier

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Humanist woman of letters, taking up Man, has heady philosphical thoughts!, 1844

Honoré Daumier

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The mother is in the fire of composition, the baby is in the water of the bath!, 1844

Honoré Daumier

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Les cadeaux de Noël de 1868 (Actualités), from Le Charivari, 1868

Honoré Daumier

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Monsieur Daumier, votre série... est... charmante... (Robert Macaire), from Le Charivari, 1838

Honoré Daumier

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La partie de volant (Actualités), from Le Charivari, 1869

Honoré Daumier

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The danger of wearing petticoat-ballons during the season of strong gales, 1857

Honoré Daumier

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Tu te plains toujours tu n'es jamis, Moeurs Conjugales, pl. 8, 19th century

Honoré Daumier

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Concerning the advantage of a crinoline for cheating the toll-house, 1857

Honoré Daumier

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Look at that huge Fifine trying to be a Venus!, 1842

Honoré Daumier

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Le danseur qui se pique d'avoir. . . (Croquis Dramatiques), from Le Charivari, 1857

Honoré Daumier

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Appelles et Campastes (Histoire Ancienne, Pl. 36), 19th century

Honoré Daumier

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Let's see. . open your mouth!, 1864

Honoré Daumier

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Pygmalion, 1842

Honoré Daumier

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They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, 1864

Honoré Daumier

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Muse of the tavern, 1864

Honoré Daumier

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Eh bien, mon cher, vous avez perdu. . . (Croquis Parisiens), from Le Charivari, 1864

Honoré Daumier

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L'artist ma represente (Les Bas-Bleus, Pl. 23), 19th century

Honoré Daumier

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Mr. Fruch, 1833

Honoré Daumier

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Le passé. Le présent. L'Avenir (Louis-Philippe), 1834

Honoré Daumier

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Heave-ho!. . . Heave-ho! Heave-ho!, 1832

Honoré Daumier

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Le FantĂ´me (from La Caricature), 1835

Honoré Daumier

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Masks of 1831, 1832

Honoré Daumier

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Celui-la, on peut le mettre en liberté! il n'est plus dangereux. (from La Caricature), 1834

Honoré Daumier

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Moderne Galilée, "Et pourtant elle marche" (from La Caricature), 1834

Honoré Daumier

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Pour un pauvre Américain, s'il vous plaît. (from La Caricature), 1835

Honoré Daumier

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1830 et 1833 (Louis-Philippe), from La Caricature, 1833

Honoré Daumier

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Mr. Chose, Premier Saltimbanque d'Europe (Caricatures Politiques), 1833

Honoré Daumier

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Mr. Kératr, 1856

Honoré Daumier

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You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, 1848

Honoré Daumier

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Plate 1

Water nymphs of the Seine, 1847

Honoré Daumier

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Grrrrrand Demenagement Du Constitutionnel, from Le Charivari, June 8, 1846

Honoré Daumier

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The grand staircase of the Palais de Justice: View of Faces, 1848

Honoré Daumier

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Est-il joli! . . .ce cherubin! (Croquis d'expressions), from Le Charivari, 1839

Honoré Daumier

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One way of using skirts that have just come into style, 1856

Honoré Daumier

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Un tournebroche destine. . . (L'Exposition Universelle), from Le Charivari, 1855

Honoré Daumier

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Regrets, 1840

Honoré Daumier

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Le Gout. Fichtre! je m'etonné pas ..... (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

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Souvenirs., from La Caricature Provisoire, 1840

Honoré Daumier

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Travelers showing less and less appreciation for third-class carriages in winter, 1856

Honoré Daumier

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Charming view available exclusively to residents of basements, 1856

Honoré Daumier

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Plate 76

La rentee entre onze heures et minuit (Le Bons Bourgeois), 19th century

Honoré Daumier

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Plate 4

Between dips, 1847

Honoré Daumier

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The Lover of Oysters (Galerie Physionomique), from Le Charivari, 1836

Honoré Daumier

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Un Homme Sensible (Caricaturana 43), 19th century

Honoré Daumier

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Plate 23

But yes, my wife, I assure you that monsieur is drawing a landscape. . . it is a landscape, monsieur, isn't it?, 1846

Honoré Daumier

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Un Cauchemar de Mr. de Bismark. Merci! (Actualités), from Le Charivari, 1870

Honoré Daumier

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L'Ouie. Nini, reveille-toi donc! .... (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

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Épouvantée de l'heritage, 1871

Honoré Daumier

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Now my flowerpot will have some sunshine. . . I will finally know whether it is a rose or a gillyflower!, 1852

Honoré Daumier

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-And so Mr. Gendrouillet, how do you find yourself in your new lodgings? -Not too bad, except for the rheumatism and the mushrooms, 1856

Honoré Daumier

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L'Odorat (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

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La Vue (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

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Page d'Histoire, 19th century

Honoré Daumier

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Le Toucher (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

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Le Feu d'artifice (Fireworks) Actualities No. 4, 19th century

Honoré Daumier

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Wrong place!, 1840

Honoré Daumier

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Arrive donc marsoin at-on vu ce caniche là ça veut être marin, ça se fait des bateaux avec des coquilles de noix et ça craint les bains à quatre sous, 1844

Honoré Daumier

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I should regret this style. . . These great ladies make my work less every day!, 1857

Honoré Daumier

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The Conqueror Menelaus, 1841

Honoré Daumier

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Hold on! Waitress, I prefer the vegetables clean-shaven., 1848

Honoré Daumier

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Saprelotte! si les femmes continuent à porter des jupons en acier, . . . (Actualités), from Le Charivari, 1857

Honoré Daumier

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La Femme De Menage (Silhouettes #4), 1840

Honoré Daumier

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J'aimerais autant voir un ouragan se promener dans mon jardin qu'une de ces satanées crinolines!, 1857

Honoré Daumier

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Quelle Sale Representation, Mon Dieu! (from La Caricature, June 18, 1835), 19th century

Honoré Daumier

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Grand Defile de l'armee qui vient d'etre levee...., July 6, 1850

Honoré Daumier

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Le Charenton Ministériel, 1832

Honoré Daumier

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The Dream of the Inventor of the Modern Rifle, on All Saints Day, 1866

Honoré Daumier

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Après vous! (Actualités), from Le Charivari, 1868

Honoré Daumier

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Leandre. (Histoirie Ancienne), from Le Charivari, 1842

Honoré Daumier

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Galilée très-surpris du nouvel aspect qu'offre la surface de la terre (Actualités), from Le Charivari, 1867

Honoré Daumier

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L'Equilibre Européen (Actualités), from Le Charivari, 1866

Honoré Daumier

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Wood is expensive and the Arts are not doing well, 1833

Honoré Daumier

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couple in the rain; man is attempting to flag a coach, with his PL arm up, and wears a tan coat, black hat and striped pants; woman at left wears brown shawl, blue dress and white bonnet with veil; coach in the distance at right, with one horse

Une course au coucou. (Pastorales No. 43), 1846

Honoré Daumier

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seated man wearing a black coat and blue checked pants, looking at a picture that he holds; woman wearing a plaid dress and a bonnet holding a child in a pinafore and bonnet standing at right; large, loose, cursive hand-written inscriptions at each edge in margins in brown watercolor

Papa contemplant l'image de son image. (Les Bons Bourgeois No. 40), from Le Charivari, 1847 (colored 1865)

Honoré Daumier

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heavy-set man wearing a brown jacket and grey striped pants, with his PR hand inside his vest, seated on a balcony, with three clamps holding his head in place while a standing photographer behind his black cloth takes the man's picture

Position réputée la plus commode pour avoir un joli portrait au Daguerréotype. (Les Bons Bourgeois No. 49), from Le Charivari, 1847

Honoré Daumier

Not on View
two horizontal images; cartoonish figures with large heads; top image: photographer behind black cloth at left; man wearing a high white collar seated in a chair; woman wearing white cap, red blouse and blue skirt at center; bottom image: seated man with his head held high at left, leaning his PR elbow on a table with a blue tablecloth; photographer at right in plaid coat, adjusting his camera

Pose de l'homme de la nature... Pose de l'homme civilisé. (Croquis Parisiens No. 2), from Le Charivari, 1853

Honoré Daumier

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man in brown cloak and checked brown pants and left holding a daguerreotype; man at right in blue coat with tan striped pants looks at photograph; little boy wearing blue pants and green jacket at center, seen from back; camera on tripod at left

Le Portrait au Daguéréotype. (Les Estrangers à Paris No. 16), from Le Charivari, 1844

Honoré Daumier

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man with a shovel, leaning against a short wall outdoors, with a small potted plant behind his PL elbow; watering can next to wall at man's feet; photographer at left behind his black cloth

Posant en membre des comice d'Agriculture de son département. (Les Bons Bourgeois No. 1), from Charivari, 1865

Honoré Daumier

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Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., 1865

Honoré Daumier

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C'est tout d'mĂŞme flatteur d'avoir son portrait Ă  l'exposition, 1857

Honoré Daumier

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Triste contenance de la Sculpture placée au milieu de la Peinture, 1857

Honoré Daumier

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Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., 1864

Honoré Daumier

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Amateurs classiques de plus en plus convaincus que l'art est perdu en France, 1852

Honoré Daumier

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La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, 1856

Honoré Daumier

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The orchestra during a tragedy, 1852

Honoré Daumier

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A Frenchman Portrayed by himself, 1848

Honoré Daumier

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Vous-avez la parole, expliquez-vous, vous ĂŞtes libre!, 1835

Honoré Daumier

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five tall, thin men in black suits in a mock funeral procession, with heads bowed; man at right has a walking stick; man at center carries an urn partially covered by a black cloth

Les garçon en habit noir (The Waiters in Black Suits), from "Croquis Parisiens", 1855

Honoré Daumier

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