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Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G321

The Famous American, Mariano Cebellos, 1825

Francisco José de Goya y Lucientes; Printer: Cyprien Gaulon

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image of a figure bound in chains, bent over with hands clasped together; ankles bound in heavy shackles; head with shaggy beard and hair turned to the L

Tan bárbara la seguridad como el delito, 1778-1818 (published 1867)

Francisco José de Goya y Lucientes

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two men flanking a bull, each stabbing it with staffs, in the shoulder and PR side, in a spare grey landscape with trees at center middle ground

Otro modo de cazar á pie (Another Way of Hunting on Foot), 1816

Francisco José de Goya y Lucientes

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bull at left being speared through its upper back and PR shoulder by a man on horseback at right, wearing a costume with cape and feathered hat and carrying a sword on his PL hip; grey ground

El Cid Campeador lanceado otro toro (El Cid Campeador Spearing Another Bull), 1816

Francisco José de Goya y Lucientes

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contemporary binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Franco Goya y Lucientes, Pintor, 1798-1799

Francisco José de Goya y Lucientes

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Four bulls with legs splaying, seemingly superimposed on top of each other; reddish-brown ink on tan paper; plain dark ground. Unsigned

Al toro y al aire darles calle (Make Way for Bulls and Wind), unpublished plate from "Los Proverbios" (The Proverbs), c. 1824 (published 1877)

Francisco José de Goya y Lucientes

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a woman standing on the back of a white horse, which is standing on a tight rope; woman has one foot on the horse's saddle and the other on the horse's neck; dark background with the impression of a crowd across the center

Disparate: Una Reina del Circo, c. 1820

Francisco José de Goya y Lucientes

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two figures in scarecorw-like costume standing in front of a small huddled crowd; a boy in the front of the crowd turns his backend to the scarecrow figures and laughs with his hand by his mouth

Disparate: Que Guerrero, c. 1820

Francisco José de Goya y Lucientes

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four bulls depicted in different positions, and overlapping; from L to R, from the back, seated, from the side and from the top; solid black background

Disparate: Lluvia de Toros, c. 1820

Francisco José de Goya y Lucientes

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an elephant on the viewer's right looks toward a small group of four figures on the left; the four figures are in long robes and hold up papers to the elephant; a white semi-circle behind the elephant gives the impression of a body of water and a back mass in the back L gives the impression of a cliff or wall

Disparate: Otra Leyes per el Pueblo, c. 1820

Francisco José de Goya y Lucientes

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bullfighter pulling on bull's PR horn and tail; two men standing at right

El Mismo vuelca un Toro en la Plaza de Madrid, plate 16 from Tauromaquia, 1816

Francisco José de Goya y Lucientes

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Al Conde Palatino, 1797-1798

Francisco José de Goya y Lucientes

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standing woman at center in a dark dress; man, holding his hat in his PR hand, looks very closely at woman's face with a small lens in his PL hand; two seated women in background

Ni asi la Distingue (Even so he cannot recognize her), from Los Caprichos, 1799

Francisco José de Goya y Lucientes

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binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El si pronuncian y la mano alargen al primero que llega, 1797-1798

Francisco José de Goya y Lucientes

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Plate 8

It Always Happens, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Garrotted Man, 1810-1813

Francisco José de Goya y Lucientes

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Plate 20

Get Them Well and On to the Next, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 11

Neither Do These, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 6

It Serves You Right, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 22

Even Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 58

It's No Use Crying Out, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 7

What Courage, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 4

The Women Give Courage, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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From "L' Homme se Balancant."; accessioned 1916

L' Homme Garottè, 18th century

Francisco José de Goya y Lucientes

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Plate 25

These Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 49

A Woman's Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 14

It's a Hard Step, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 10

Nor (Do-these) Either, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 5

Y son fieras (And they are like wild beasts), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 27

Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 1

Sad Foreboding of What is Going to Happen, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Cover for Los Desastres de la Guerra, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 57

The Healthy and The Sick, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 35

One Can't Tell Why, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 40

Algun Partido Saca (He Gets Something Out Of It), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 28

Rabble, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 17

They Do Not Agree, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 9

They Don't Like It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 26

One Can't Look, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 19

There isn't Time Now, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 39

¡Grande hazaña! ¡Con muertos! (A Heroic Feat! With Dead Men!), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 12

This is What You Were Born For, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 50

Unhappy Mother, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 21

It Will Be The Same, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 37

This is Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 18

Bury Them and Keep Quiet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 16

They Make Use of Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 38

Barbarians!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 31

That's Tough!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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Plate 30

Estragos de la guerra (Ravages of war), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

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binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¡Qual la descañonan!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que pico de Oro!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El de la rollona, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El sueño de la razón produce monstruos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que se la llevaron, 1799

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Todos Caerán, 1797-1798

Francisco José de Goya y Lucientes

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binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Allá vá eso, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Bien tirada está, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Le descañona, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tragala perro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Quien lo creyera!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya tienen asiento, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Por que fue sensible, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

ÂżNo hay quien nos desate?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

No te escaparĂ s, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Esto si que es leer, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aguarda que te unten, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Duendecitos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Miren que grabes!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ensayos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Devota profesion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

A caza de dientes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Lo que puede un Sastre!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tal para qual, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya van desplumados, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Bellos consejos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si amanece; nos Vamos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Correccion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Se repulen, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

De que mal morira?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Subir y bajar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Buen viage, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aquellos polbos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ruega por ella, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Obsequio á el maestro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Porque esconderlos?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nohubo remedio, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

No grites, tonta, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Unos á otros, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Brabisimo!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

La filiacion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nadie nos ha visto, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Sopla, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que sacrificio!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Los Chinchillas, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Hilan delgado, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tantalo, 1797-1798

Francisco José de Goya y Lucientes

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