showing 100 of 124 results matching artist:"David Rathman". (load 24 more)

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long panoramic sheet of paper with five separate rectangular scenes depicting boxing-related imagery, rendered in black and white pigments; left-most scene depicts referee in black and white striped shirt blowing whistle with boxer on left; scene that is second from left depicts two boxers in a ring, partaking in a match; center scene is a male face, gazing to PR; scene second from right depicts a figure wearing a robe, back facing the viewer, with another figure looking on at robed figure; right scene has a close-up view with crowd cheering

%C2%A9 David Rathman

Untitled (Rumble in the Jungle), 2009

David Rathman

Not on View
Montana’s Killing Me

Progressive proof #1 for Montana's Killing Me, 2002

David Rathman

Not on View
Montana’s Killing Me

Progressive proof #2, with hand coloring, for Montana's Killing Me, 2002

David Rathman

Not on View
Montana’s Killing Me

Progressive proof #4, burnished deletion, for Montana's Killing Me, 2002

David Rathman

Not on View
Montana’s Killing Me

Progressive proof #5, new horizon added, for Montana's Killing Me, 2002

David Rathman

Not on View
Montana’s Killing Me

Progressive proof #3, horizon added, for Montana's Killing Me, 2002

David Rathman

Not on View
Montana’s Killing Me

Progressive proof #6, text added, for Montana's Killing Me, 2002

David Rathman

Not on View
Montana’s Killing Me

Proof at state #1, with hand drawing, for Montana's Killing Me, 2002

David Rathman

Not on View
view from low vantage point of pair of black doors with grey crash bars and three white rectangles on each door, with red, green, yellow, blue, and orange graffiti; grey tile and grey and black doors at left and right; red and white "EXIT" sign above doors with crash bars

%C2%A9 David Rathman

Exit, 2008

David Rathman

Not on View

%C2%A9 David Rathman

Serenade, 1984-1986

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.7), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.1), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.2), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.3), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.4), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.5), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text.

%C2%A9 David Rathman

Untitled (No.6), 1990

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Color lithographs with screenprinting on Rives BFK paper; housed in a hinged plywood portfolio box with title branded on front cover; artist's book. Designed by Steven Andersen and David Rathman.

%C2%A9 David Rathman %2F Kenneth Patchen %2F Vermillion Editions%2C Ltd.%2C publisher

The Enchanted Assassin, 1991

David Rathman; Author: Kenneth Patchen; Publisher: Vermillion Editions Limited, Minneapolis; Designer: Portfolio case co-designed by Steven M. Andersen; Designer: Portfolio case co-designed by David Rathman

Not on View
handmade paper; housed loose in a black buckram and paper portfolio; artist's book. Portfolio cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Colophon page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 David Rathman %2F Granary Books%2C Inc.%2C publisher

Roar Shocks, 1998

David Rathman; Printer: Philip Gallo; Book Binder: Jill Jevne; Publisher: Granary Books, Inc., New York

Not on View
Lateral image of multicolored demolition truck facing to the L, with "31" painted on driver's door, "Miller Trucking" on truck bed, and exhaust tubes coming out from top of hood; lithograph printed in black on three panels with watercolor additions. The artist made three drawings for photolithographic plates. The plates were inked in black and the artist distressed the image by rubbing off areas of the image prior to printing each sheet. The sheets were then hand-colored by the artist using watercolor inks.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Miller Trucking, 2011

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lateral image of multicolored demolition car facing to the R, with "Team Gorman" painted on side of body, and exhaust tubes coming out from top of hood; lithograph printed in black on four panels with watercolor additions. The artist made four drawings for photolithographic plates. The plates were inked in black and the artist distressed the image by rubbing off areas of the image prior to printing each sheet. The sheets were then hand-colored by the artist using watercolor inks.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Team Gorman, 2011

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, burnishing, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Butterfly Mornings, Wildflower Afternoons, 2002

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

It’s just my Rough habits, I guess, 2002

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio printed in brown ink from one plate made by the artist using the spit-bite technique.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

It seldom matters, the words you say, 2009

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color intaglio printed in black ink. Techniques used were sugar-lift and lifted screenprinting with aquatint.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

It Ain’t Right, but it’s so., 2003

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Intaglio with white gampi chine collé printed in black from one plate made by the artist using spit-bite and drypoint techniques.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

The way we get by, 2009

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Muckers and Grinders), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint with roulette and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Light the Lamp), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Getting Chippy), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint, roulette, burnishing, and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Gong Show), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Windmill), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Faceoff), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint with roulette and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Celly), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Shinny), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Chirp), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

That’s as fair as I know how to make it., 2002

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, scraping, burnishing, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Montana’s Killing Me, 2002

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

I Forgot it was Sunday., 2002

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink.

Copyright %C2%A9 David Rathman%2C published by Highpoint Editions

Untitled (Breakaway), 2013

David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Untitled, 2001

David Rathman

Not on View

Northing to remember, everything to forget, 2015

David Rathman

Not on View

State proof with hand coloring, 2009

David Rathman

Not on View

State proof, 2009

David Rathman

Not on View

Original drawn positive, left center, 2011

David Rathman

Not on View

Original drawn positive, right center, 2011

David Rathman

Not on View

Original drawn positive, right, 2011

David Rathman

Not on View

Misprint of left panel, showing trace removal drawing done to plate prior to printing, 2011

David Rathman

Not on View

State proof with hand coloring, 2009

David Rathman

Not on View

Original drawn positive, center, 2011

David Rathman

Not on View

Original drawn positive, c. 2009

David Rathman

Not on View

Original drawn positive, right, 2011

David Rathman

Not on View

Original drawn positive, left, 2011

David Rathman

Not on View

Football proof, uneditioned, 2009

David Rathman

Not on View

Spit bite plate, matrix, 2013

David Rathman

Not on View

Key plate, matrix, 2013

David Rathman

Not on View

Key plate, matrix, 2013

David Rathman

Not on View

Key plate, matrix, 2013

David Rathman

Not on View

Original drawn positive, right center (not used), 2011

David Rathman

Not on View

Original drawn positive, left center (not used), 2011

David Rathman

Not on View

Original drawn positive, left center (not used), 2011

David Rathman

Not on View

Original drawn positive, left, 2011

David Rathman

Not on View

Signed "State Proof" reversed plate, no text, 2002

David Rathman

Not on View

Proof with hand coloring, no text, 2002

David Rathman

Not on View

Proof with hand coloring, no text, 2002

David Rathman

Not on View

Proof with titles, 2002

David Rathman

Not on View

Silhouette of gunman leading horse & rider, 2001

David Rathman

Not on View

Proof with hand coloring, no text, 2002

David Rathman

Not on View

Silhouette of horse rider and man on cliff edge, 2001

David Rathman

Not on View

Proof, no text, 2002

David Rathman

Not on View

Proof with titles, 2002

David Rathman

Not on View

Proof with mylar text, 2002

David Rathman

Not on View

Proof, 2002

David Rathman

Not on View

Silhouette of standoff between two gunmen, 2001

David Rathman

Not on View

Reference image printout, left, 2011

David Rathman

Not on View

Proof with spit bite tests, 2005

David Rathman

Not on View

Silhouette of three horse riders, 2001

David Rathman

Not on View

Proof with titles, 2005

David Rathman

Not on View

Proof, 2005

David Rathman

Not on View

Titles, 2002

David Rathman

Not on View

Reference image printout, center, 2011

David Rathman

Not on View

Reference image printout, center, 2011

David Rathman

Not on View

Reference image printout, right, 2011

David Rathman

Not on View

Reference image printout, right, 2011

David Rathman

Not on View

Reference image printout, left, 2011

David Rathman

Not on View

Reference image printout on transparency, 2013

David Rathman

Not on View

Plate #1 printed in blue, Plate #3 printed in black, 2013

David Rathman

Not on View

Reference image printout, final size, 2013

David Rathman

Not on View

Reference image printout, 2013

David Rathman

Not on View

Reference image printout, 2013

David Rathman

Not on View

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