broad black brushstrokes; painterly style; slightly abstracted bird with zigzag pattern on wings and tailfeathers; loops, lines and dots around edges — Study for "Songbird", 2008
Aaron Spangler

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Matrix for thew woodcut "Hoarder" — Printing matrix for "Hoarder", 2014
Aaron Spangler

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matte black patina; relief carving with pairs of guns and saws, feathers, roundel with open book and flames; rectangular — Songbird, 2009
Aaron Spangler

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Woodcut trace monotyped in oil-based black ink on three sheets of paper from two basswood blocks carved by the artist. The block was inked with a standard roller and printed using a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The impressions were each joined and backed with three additional sheets of paper using wheat starch and trimmed to size. — Constellation, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Woodcut trace monotyped in oil-based brown sienna ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size. — The Wall, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size. — Wholeness and Well-Being, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut trace monotyped in oil-based black ink on two sheets of sekishu paper from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with two additional sheets of sekishu paper using wheat starch and trimmed to size. — Fence Lines, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut trace monotyped in oil-based black ink on three sheets of paper from a basswood block carved by the artist. The block was inked with a standard roller and printed using a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The impressions were each joined and backed with three additional sheets of paper using wheat starch and trimmed to size. — Waiting in Line, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a hand baren. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size. — How Do I Say Goodbye, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size. — Hoarder, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size. — Bananas, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and inked with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size. — Reclining Arms, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Signed proof; not editioned, 2014

Aaron Spangler

Not on View

State proof prior to additional carving, 2014

Aaron Spangler

Not on View

Image with guns, 2014

Aaron Spangler

Not on View

Image with oak leaves and guns, colléed, 2014

Aaron Spangler

Not on View

Image with oak leaves, 2014

Aaron Spangler

Not on View

Image with hands, 2014

Aaron Spangler

Not on View

Image with bee shape, 2014

Aaron Spangler

Not on View

Image with bee shape on newsprint, 2014

Aaron Spangler

Not on View

Unpublished blue proof, 2014

Aaron Spangler

Not on View

Woodcut trace monotyped in oil-based black ink on three sheets of paper from a basswood block carved by the artist. The block was inked with a standard roller and printed using a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were joined and backed with three additional sheets of paper using wheat starch and trimmed to size. — Separatist, 2014
Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Fabricator: Paul Mullowney Printing, San Francisco; Publisher: Highpoint Editions, Minneapolis

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